참고문헌
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- Penelope Gouk, Music, Science and Natural Magic in Seventeenth-Century England (New Haven and London: Yale University Press, 1999), 173
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- Hermann von Helmholtz, On the Sensations of Tone as a Physiological Basis for the Theory of Music, trans. A. J. Ellis (New York: Dover, 1954), Part I, II, 81
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- A. J. Ellis, 'Additions by the Translator' in Hermann Von Helmholtz, On the Sensations of Tone as a Physiological Basis for the Music Theory, Trans by A. J. Ellis (New York: Dover, 1954), 427-428
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- V. C. Maley, Jr, The Theory of Beats and Combination Tones, 1700-1863 (New York and London: Garland, 1990), 11-23
- Hermann von Helmholtz, On the Sensations of Tone as a Physiological Basis for the Theory of Music, trans. A. J. Ellis (New York: Dover, 1954), Part I, II 234-371
- A. J. Ellis, 'Additions by the Translator' in Hermann Von Helmholtz, On the Sensations of Tone as a Physiological Basis for the Music Theory, Trans by A. J. Ellis (New York: Dover, 1954), Appendix XX
- Penelope Gouk, Music, Science and Natural Magic in Seventeenth-Century England (New Haven and London: Yale University Press, 1999), 39-143
- A. J. Ellis, 'The History of Musical Pitch,' Journal of the Society of Arts, March, 305-312, 1880
- D. J. Blaiklev, 'Notes on the Action of Musical Reeds,' Proceedings of Musical Association, 15th session, 151, 1888-89
- D. J. Blaiklev, 'Notes on the Action of Musical Reeds,' Proceedings of Musical Association, 15th session, 151
- Draft Memorandum for International Exhibition of New Inventions and of Modern Musical Instruments. Hipkins Papers, add MS 41636, The British Library, ff. 68. 1885