환경설계에서 경관드로잉의 의미와 방법론에 관한 연구

A Study on the Meaning and Methodology of Landscape Drawings in the Environmental Design

  • 발행 : 1999.01.01

초록

The Landscape Drawing is the main medium for constructing better environment which provides human beings with a place for dwelling well, even though it has some limitations. To provide places for people's daily lives, by what measure do we design\ulcorner, by what measure do we give dimension\ulcorner, and how can we appropriately measure the place with drawing\ulcorner On any given site, of course, much has already happened, i.e, there is history. Any adequate interpretation of such a site should poetically take into account the present effects of its absent past. The findings to reveal the meaning and methodology of landscape drawings in the environmental design with a case study are as follows: (1) The value of landscape drawings is the poetic, artistic interpretation which we sense and bodily experience through the simultaneous exposure of the site's temporal, spatial, and tactile conditions. (2) The landscape drawing should represent the invisible (imaginary) world as well as the visible (physical) world. (3) There can be classified as two methods in representing the rich experience of a place: expression and notation. Expression is the abstract representation and do not have a direct relationship to construction due to its ambiguous and connotative structure. But notation is constructional due to it's purely objective symbol system which is obviously denotative structure. (4) Collage is a medium of specific act that can represent the complex layered phenomena and the rich experience of given site. (5) The landscape drawings represent not only topographical space which can be measured objectively, but also topic which can be cognized culturally.

키워드

참고문헌

  1. 조경 설계론 변우일
  2. 한국조경학회지 v.25 no.3 생태적 환경복원 설계에 관한 현상학적 고찰 변우일
  3. 경관분석론 임승빈
  4. Word and Image v.8 no.2 Representation and Landscape: Drawing and Making in the Landscape Medium Corner, J.
  5. Landscape Architecture Projection and Disclosure in Drawing Corner, J.
  6. Journal of Architectural Education v.44 no.1 A New Angel/Angle in Architectural Research: the Ideas of Demonstration Frascari, M.
  7. Changing Places Halprin, L.
  8. Poetry, Language, Thought, trans. by Albert Hofstadter The Origin of the Work of Art Heidegger, M.
  9. Poetry, Language,Thought, trans. by Albert Hofstadter ···Poetically Man Dwells··· Heidegger, M.
  10. Basic Writings The Question Concerning Technology Heidegger, M.;J. Glenn Gray(ed.)
  11. Is There a Measure on Earth? Marx, W.
  12. Collage Making Nicholson, B.
  13. Place and Placelessness Relph, E.
  14. The Mathematics of the Ideal Villa and other Essays Transparency : Literal and Phenomenal Rowe, C.;R. Slutzky
  15. Bernard Tschumi Tonka, H.
  16. Envisioning Information Tufte, E.
  17. The Anti-Aesthetic The Object of Post-Criticism Ulmer, G.
  18. History of Collage Wolfram, E.
  19. Ph.D. Dissertation. University of Pennsylvania Reinventing Garden Zoh, K.J.
  20. 環境デザイン 環境デザイン硏究會
  21. ランドスケ-プ デザイン 佐 木葉二 他
  22. ル ラル ランドスケ プデザイン 進士五十八
  23. テくストの景觀 日本建築學會都市計劃委員會
  24. Basic Ecology Odum, E