• Journal of Information Display
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• v.12 no.2
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• pp.93-96
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• 2011

Single-phased $CaZrO_3:Dy^{3+}$, $Tm^{3+}$ series have been successfully synthesized by solid-state reaction, and their luminescence properties were investigated. Under 355 nm excitation, $CaZrO_3:Dy^{3+}$ series showed characteristic emission of $Dy^{3+}$, which exhibited yellowish white color. By introducing $Tm^{3+}$ into the matrix, the emitted hue of the $Dy^{3+}$-doped sample could be easily tailored to white, and simultaneously, energy transfer from $Tm^{3+}$ to $Dy^{3+}$ was observed. The color coordinates of the optimum white-emitting sample were (0.321, 0.323), which were very close to the data of the National Television Standard Committee (0.33, 0.33). The co-activated phosphors presented good match to ultraviolet light-emitting diodes (LEDs), which revealed that they could be novel promising phosphors utilized in white LED application.

• Textile Coloration and Finishing
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• v.2 no.1
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• pp.8-13
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• 1990

The fading of dyed material by light has long been subject of investigation, yet surprisingly little is known of the fundamental photochemical reactions, because of mainly the complex nature of dye-fibre system. The effect of the chemical structure of dye on lightfastness has been mostly studied when there is substituents on the place satisfied Hammett rule. Therefore, in this investigation the effectiveness of chemical structures of Congo Red and Benzopurpurine 4B unsatisfied Hammett rule on dyeing property and lightfastness of cotton was studied. The results obtained from this study were as follows; 1. Highly polar solvents showed hypsochromic shift. 2. Adsorption isotherm curves of the two dyes were Freundlich type. And Congo Red showed good dyeing property in comparision with Benzopurpurine 4B. 3. The type of the FR curve of the two dyes was first-ordr curve. And the CF curves of the two dyes showed normal fading state during irradiation. 4. During irradiation, the Hue was changed on the part of yellowish. The Value was increasing and the Chroma was decreasing. 5. Benzopurpurine 4B showed good lightfastness in comparision with Congo Red.

• Journal of the Korea Fashion and Costume Design Association
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• v.18 no.2
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• pp.115-125
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• 2016

This study analyzes the characteristics of the motifs and colors in flower and bird paintings which contain and present Korea's unique aesthetics based on its richest data among all other types of Korean folk paintings. With a theoretical exploration of folk paintings and an analysis of the motifs and colors, textile design with an aim to present highly valued korean modern fashion design was developed. Two hundred and seventy flower and bird paintings were selected from relevant materials, resulting in an extraction of 5,068 colors. A palette of representative colors was made based on densely distributed hues and tones. The research can be summarized as follows: Flower and bird paintings contain flowers, birds, trees and animals and the motifs in the paintings stand for spirituality, philosophies from different times and other symbols of our nation. Each of the motifs in these paintings is a prayer for good luck, especially conjugal harmony and fecundity to bring about happiness and richness. Colors in flower and bird paintings are characteristic of the order: YR(25.5%)>R(19.2%)>Y(10.6%)>PB(9.2%)>G(7.9%), with low-chromatic YR and highly bright R taking up a larger percent. The order of tones is: d(13.5%)>dk (10.5%)>s(10.4%)>dkg(10.0%)>sf(9.1%)and the tone is dark in general. YR, taking up the largest percent, was dull, light, and soft. As for the achromatic colors, the order is: W(5.2%)>Gy(1.9%)>Bk(0.7%). Based on the above analyzed color data, those colors which were high in their hue and tone were extracted to present representative colors. In this way, representative colors like yellow, yellowish red, red, green, and purplish blue were extracted. This was the basis to present motifs and colors originating from subjects of folk paintings in various patterns using Illustrator CS6, to create modern fashion design.