• 제목/요약/키워드: word-form

검색결과 381건 처리시간 0.031초

석유 팬 히터 디자인 개발 사례 연구 - '92금성사 석유팬 히터를 중심으로 - (A CASE STUDY ON DEVELOPING A DESIGN OF OIL FAN HEATER - With a focus on '92 GoldStar Co Oil fan heater -)

  • 오성진
    • 디자인학연구
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    • 제6권1호
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    • pp.47-72
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    • 1993
  • Nowadays conmpetltlOn of developing new products is getting keen. We can notice that the role and importance of design are emphasized more than ever.The main cause of this tendency is that technical power is no more a factor which secures the superiority in products competition, as technology is gneneralized in the world. Therefore, design is recognized intensely as a competitive strategy to promote competitive power of products. It is an already known fact that the design for both rational function and charming form to satisfy consumer's desires is a short cut to success, when a company develops a new product to promote competitive power in market. The design which plays a leading role in the activity of developing more cnovenient, more economical and more aesthetic products is called 'Competitive Edge' or 'New Corporate Weapon'. Judging form each company's case of developing products, we can guess that it has its own plan and process of developing new products with defferdnl interest and effort. The strategy of developing products is considered as the most important factor that affects the very existence of rhe company. This thesis is composed of six chapters in all. In the firstchapter, I describe the purpose, method, and scope of study.The second chapter includes the image of form in oil fan heater market in nearby Japan and that of interior in our domestic home and shops, and the trend of word life cycle by analyzing circumstances. The third chapter focuses on consumer's attitude. In the fourth chapter, I compare and test current products of competitive companies including Samsung, Daewoo, Shinilwith those of Gold STar. The trend of products, technique, and design which resulted form this comparison is described. In the fifth chapter I explain the strategy, and process of design of oil fan heater in 1992. The last conclusive chapter presents the major point drawed form the case study, but not includes an estimation of products and the condition of market. In this thesis, I reconsider the general understanding of design and designing process and the value of design as a main factor in the strategy of management by investigating the development of products and the strategy of design, and the process of design.

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현대복식에 나타난 원시주의 양식 -원시주의 미술의 조형성과의 비교를 중심으로- (Primitivism Expressed in Modern Fashion)

  • 하지수
    • 복식
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    • 제21권
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    • pp.193-206
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    • 1993
  • Recently in the post-modernism era ethnic look tropical look or ecological look has prevailed as an important theme of fashion all over the world. The main core of these themes is based on primitivism. The purpose of this study was first to com-prehend the internal meaning and the exteral form of primitivism in modern fashion second to compare the characteristics of primitivism in art with those in modern fashion as one of the phenomena in cultural consistency. For this purpose documentary studies about primitivism in social science and art were preceded as a framework of this study and then objective studies about primitivism in modern fashion and art were analyzed. Primi-tivism expressed in clothing since the 16th century was also historically traced. the results were as follows: 1. Primitivism in modern fashion was summarized by emotionality play ecology and aboriginality as well as was represented by ex-ternal forms of open form part-to-whole re-lation planar intergration rounded form and indeterminate form It was demonstrated that the external form of primitivism in art and fashion is quite similar and is an example of cultural consistency. So it is reaffirmed that fashion is the production of culture representing zeitgeist as a genre of art. 2, Modernism in the early 20th century brought the richness of materials through the de-velopment of the mechanical culture emphasizing rationality as well as functionalism, Fashion also has been influenced by this modern-ism so it has tended to express only the beauty which emphasizes the functional aspects of clothing and excludes the decorative characters. The primitivism in recent fashion is against the flow of modernism. In a word the pursuit for the regression to nature and the recovering of hu-manity is the core of the primitivism in modern fashion.

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7.8세기 신라 사리장엄에 표현된 건축의장 연구 (A Study on Architectural Decorative Design of the Silla Buddhist Reliquaries in the $7{\sim}8th$ Centuries)

  • 김상태
    • 한국실내디자인학회논문집
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    • 제16권4호
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    • pp.3-11
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    • 2007
  • We study, in this paper, on the decorative design of the Treasure-architectural form for the Silla Buddhist reliquary and this research went through the observation on the Buddhist Reliquaries of the Song-Lim-Sa, the Eastern-Western three floor pagodas in the Kam-Eun-Sa, the three floor pagodas in the Bul-Guk-Sa and the reportedly discovered Nam-Won. The Buddhist reliquaries of these 5 Reliquaries, when compared with those of China and Japan in the same period, they worshiped the Buddhist reliquary as a Buddhist God itself and put them as a part of the architectural decoration, being installed in the construction forms. In the form and the composition of the architecture, we can see those having been designed with very detailed and brightly decorated form. The Buddhist reliquaries in the Song-Lim-Sa and Kam-Eun-Sa, the most important ones in this research, were in a royal palace shape having completely the altar part, interior space part, and the ceiling part, which inform us the whole structure of the architecture in details. In particular, for the case of Kam-Eun-Sa, the columns in the shape of bamboo trees, the expression of the gates, the terrace of double parts formed of word-shape Man, and the statue of a general with superhuman ability in the shrine explain us the description of the Gyun-Bo-Tap-Pum of Lotus Sutra. After all these researches, we conclude that the Buddhist reliquaries in form of the Treasure-architecture represented the architectural style of the same period as a form of industrial arts and we can see that they tried to use all of their highly skilled and talented methods to describe the Buddhist Pure Land.

조선 후기와 현대의 여자한복 형태 비교 -Delong의 복식형태 분류체계를 적용하여 (A Comparison on the Form in Women's Hanbok between the Later Chosun Dynasty and Modern Times- Applying Delong's Dividing System for Apparel Body Construct)

  • 김순영;남윤자
    • 복식
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    • 제52권5호
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    • pp.61-77
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    • 2002
  • The purpose of this study is to investigate difference and likeness on the form in women's Hanbok between the later Chosun Dynasty and modern times based on Belong's observing system for 'Apparel-Body Construct'. Belong's framework is composed 5 pairs of contrast word -'Closed or Open', 'Whole or Par', 'Planar Separation or Planar integration'. 'Flat or Rounded', and 'Determinate or Indeterminate'. Major findings of this study are as follows. First, the form of women's Hanbok in later Chosun Dynasty is 'Variably Closed', 'Part' and 'Rounded', whereas that in modern is 'Open', 'Whole' and 'Flat' Women's Hanbok of modern is lesser convex, and more open than that of later Chosun Dynasty according to increasing use of transparent textiles. Moreover, in comparison with old style, that of modern has the tendency of perceiving primarily whole feature by organic linkage of parts. Because of loose fit of Jeogori and rigid DongJong etc, characteristic of 'Plat' strengthened in modern Hanbok. Secondly, women's Hanbok in the later Chosun Dynasty and modern has common properties of 'Planar Seperation' and 'Determinate'. Women's Hanbok belongs to 'Planar Seperation', because the effect cognized to figure and ground. can be found between small parts and whole of Jegori, or can be found between the head and face. Jeuori and waist band, and Chima and under ware. Further more. it can be classified into 'Determinate'. because it use textiles which have no pattern un it or which show a subtle surface effect by texture changing.

Word2Vec을 활용한 제품군별 시장규모 추정 방법에 관한 연구 (A Study on Market Size Estimation Method by Product Group Using Word2Vec Algorithm)

  • 정예림;김지희;유형선
    • 지능정보연구
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    • 제26권1호
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    • pp.1-21
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    • 2020
  • 인공지능 기술의 급속한 발전과 함께 빅데이터의 상당 부분을 차지하는 비정형 텍스트 데이터로부터 의미있는 정보를 추출하기 위한 다양한 연구들이 활발히 진행되고 있다. 비즈니스 인텔리전스 분야에서도 새로운 시장기회를 발굴하거나 기술사업화 주체의 합리적 의사결정을 돕기 위한 많은 연구들이 이뤄져 왔다. 본 연구에서는 기업의 성공적인 사업 추진을 위해 핵심적인 정보 중의 하나인 시장규모 정보를 도출함에 있어 기존에 제공되던 범위보다 세부적인 수준의 제품군별 시장규모 추정이 가능하고 자동화된 방법론을 제안하고자 한다. 이를 위해 신경망 기반의 시멘틱 단어 임베딩 모델인 Word2Vec 알고리즘을 적용하여 개별 기업의 생산제품에 대한 텍스트 데이터를 벡터 공간으로 임베딩하고, 제품명 간 코사인 거리(유사도)를 계산함으로써 특정한 제품명과 유사한 제품들을 추출한 뒤, 이들의 매출액 정보를 연산하여 자동으로 해당 제품군의 시장규모를 산출하는 알고리즘을 구현하였다. 실험 데이터로서 통계청의 경제총조사 마이크로데이터(약 34만 5천 건)를 이용하여 제품명 텍스트 데이터를 벡터화 하고, 한국표준산업분류 해설서의 산업분류 색인어를 기준으로 활용하여 코사인 거리 기반으로 유사한 제품명을 추출하였다. 이후 개별 기업의 제품 데이터에 연결된 매출액 정보를 기초로 추출된 제품들의 매출액을 합산함으로써 11,654개의 상세한 제품군별 시장규모를 추정하였다. 성능 검증을 위해 실제 집계된 통계청의 품목별 시장규모 수치와 비교한 결과 피어슨 상관계수가 0.513 수준으로 나타났다. 본 연구에서 제시한 모형은 의미 기반 임베딩 모델의 정확성 향상 및 제품군 추출 방식의 개선이 필요하나, 표본조사 또는 다수의 가정을 기반으로 하는 전통적인 시장규모 추정 방법의 한계를 뛰어넘어 텍스트 마이닝 및 기계학습 기법을 최초로 적용하여 시장규모 추정 방식을 지능화하였다는 점, 시장규모 산출범위를 사용 목적에 따라 쉽고 빠르게 조절할 수 있다는 점, 이를 통해 다양한 분야에서 수요가 높은 세부적인 제품군별 시장정보 도출이 가능하여 실무적인 활용성이 높다는 점에서 의의가 있다.

현대회화에서의 형태와 물질 -Digital Transfiguration에 관한 연구- (Digital painting: Image transfonnation, simulation, heterologie and transfonnation)

  • 정숙영
    • 조형예술학연구
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    • 제10권
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    • pp.161-181
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    • 2006
  • The words which appeared in my theoretical study and work are image transformation to digital painting, simulation, heterologie and transfiguration, etc. Firstly, let's look into 'digital era' or 'new media era'. Nowadays, the image world including painting within the rapid social and cultural change, which is called as digital era, is having the dramatic change. Together with the development of scientific technology, large number of events which was deemed to be impossible is happening as real in image world Moreover, these changes in image world is greatly influencing to our life. The word which compresses this change of image world and shows is 'digital'. Digit, which means fingers in Latin, indicates separately changing signal, and to be more narrow, it indicates the continual signal of '0' and ' 1' in computer. The opposite word is 'analogue'. As analogue is the word meaning 'infer' or 'similarity', it indicates the signal or form which continuously changes along the series of time when it is compared to digital. Instead of analogue, digital is embossed as a major ruler along the whole area of our current culture. In whole culture and art area, and in whole generalscience, digital is appearing as it has the modernism and importance. The prefix, 'digital', e.g. digital media, digital culture, digital design, digital philosophy, etc, is treated as the synonym of modernism and something new. This advent of digital results the innovative change to the image world, creates the new beauty experience which we could not experience before, and forecasts the formation of advanced art and expansion of creative area. Various intellectual activities using computer is developing the whole world with making the infrastructure. Computer in painting work immediately accomplishes the idea of painters, takes part in simulation work, contingency such as abrupt reversal, extraction, twisting, shaking, obscureness, overlapping, etc, and timing to stimulate the creativity of painters, and provides digital formative language which enables new visual experience to the audience. When the change of digital era, the image appeared in my work is shown in 'transfiguration' like drawing. The word, 'transfiguration' does not indicate the completed and fixed real substance but indicate endlessly moving and floating shape. Thus, this concept is opposite to the substantial consideration, so that various concepts which is able to replace this in accordance with the similar cases are also exist such as change, deterioration, mutation, deformity of appearance and morphing which is frequently used in computer as a technical word. These concepts are not clearly classified, and variably and complicatedly related. Transfiguration basically means the denial of "objectivity' and '(continual) stagnation' or deviation from those. This phenomenon is appeared through the all art schools of art ever since the realism is denied in the 19th century. It is called as 'deformation' in case of expressionism, futurism, cubism, etc, in the beginning of the century, which its former indication is mostly preserved within the process of structural deviation and which has the realistic limit which should be preserved. On the contrary, dramatic transfiguration which has been showing in the modern era through surrealism is different in the point that dramatic transfiguration tends to show the deterioration and deviation rather than the preservation of indicated object. From this point, transfiguration coming out from morphing using computer deteriorates and hides the reality and furthermore, it replaces the 'reality'. Moreover, transfiguration is closely approached to the world of fake or 'imaginary' simulation world of Baudrillard. According to Baudrillard, the image hides and deteriorates the reality, and furthermore, expresses 'not existing' to 'imaginary' under the name of transfiguration. Certain reality, that is, image which is absent from the reality is created and overflowed, so that it finally replaces the reality. This is simulation as it is said by Baudrillard. In turn, Georges Bataille discusses about the image which is produced by digital technology in terms of heterologie. Image of heterologie is the visual signal which is established with the media. Image of media is to have the continuous characteristics of produce, extinction, and transformation, and its clear boundary between images becomes meaningless. The meaning of composition, excess, violation, etc of digital image is explained to heterological study or heteologie suggested as important meaning of Georges Bataille who is a heretic philosopher. As the form and image of mutation shows the shape in accordance with mechanical production, heterologie is introduced as very low materialism (or bas materialisme), in this theory. Heterologie as low materialism which is gradually changing is developing as a different concept and analysis because of the change of time in the late 20s century beside high or low meaning. Including my image, all images non-standardizes and transforms the code. However, reappearance and non-standardization of this code does not seem to be simple. The problem of transformation caused by transfiguration which appears in my digital drawing painting, simulation, heterologie, etc, are the continual problems. Moreover, the subject such as existence of human being, distance from the real life, politics and social problems are being extended to actual research and various expressing work. Especially, individual image world is established by digital painting transfiguration technique, and its change and review start to have the durability. The consciousness of observers who look at the image is changing the subject. Together with theoretical research, researchers are to establish the first step to approach to various image change of digital era painting through transfiguration technique using our realistic and historical image.

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복합 문서의 의미적 분해를 통한 다중 벡터 문서 임베딩 방법론 (Multi-Vector Document Embedding Using Semantic Decomposition of Complex Documents)

  • 박종인;김남규
    • 지능정보연구
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    • 제25권3호
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    • pp.19-41
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    • 2019
  • 텍스트 데이터에 대한 다양한 분석을 위해 최근 비정형 텍스트 데이터를 구조화하는 방안에 대한 연구가 활발하게 이루어지고 있다. doc2Vec으로 대표되는 기존 문서 임베딩 방법은 문서가 포함한 모든 단어를 사용하여 벡터를 만들기 때문에, 문서 벡터가 핵심 단어뿐 아니라 주변 단어의 영향도 함께 받는다는 한계가 있다. 또한 기존 문서 임베딩 방법은 하나의 문서가 하나의 벡터로 표현되기 때문에, 다양한 주제를 복합적으로 갖는 복합 문서를 정확하게 사상하기 어렵다는 한계를 갖는다. 본 논문에서는 기존의 문서 임베딩이 갖는 이러한 두 가지 한계를 극복하기 위해 다중 벡터 문서 임베딩 방법론을 새롭게 제안한다. 구체적으로 제안 방법론은 전체 단어가 아닌 핵심 단어만 이용하여 문서를 벡터화하고, 문서가 포함하는 다양한 주제를 분해하여 하나의 문서를 여러 벡터의 집합으로 표현한다. KISS에서 수집한 총 3,147개의 논문에 대한 실험을 통해 복합 문서를 단일 벡터로 표현하는 경우의 벡터 왜곡 현상을 확인하였으며, 복합 문서를 의미적으로 분해하여 다중 벡터로 나타내는 제안 방법론에 의해 이러한 왜곡 현상을 보정하고 각 문서를 더욱 정확하게 임베딩할 수 있음을 확인하였다.

이상(Lee Sang)의 시작품에 구사되는 프랑스어와 반문체 (A Command of French and anti-style used in Lee Sang's poetic work)

  • 이병수
    • 비교문화연구
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    • 제49권
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    • pp.229-248
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    • 2017
  • 본 논고는 한국 시문학사에서 형이상학적 스캔들로 불리는 이상의 시편들에 구사 되는 프랑스어 연구이다. 이상의 시에서 프랑스어가 차지하는 비중은 식민지 시대에 일본어를 제외하면 가장 중요한 시어로 활용되고 있음을 알 수 있다. 우리의 연구는 기호적인 프랑스어, 기하학적이고 회화적인 프랑스어 활용에 대해 분석하고, 아울러 반복적이고 나열적인 단어와 문장의 구성에 응용되는 프랑스어에 대해 분석했다. 이상의 시편들에서 프랑스어의 활용은 비시어적인 기호의 혼용으로 볼 수 있으며, 전통적인 모국어와 시창작의 문법을 거부한 반문체적인 특성으로 나타남을 확인 할 수 있다. 그의 시에서 프랑스어는 아방가르드적인 시적 재료와 실험적인 창작기법의 중요한 요소 중에 하나로 나타난다. 시인에게 프랑스어는 언어의 범주를 벗어난 건축학적이고 회화적인 재료들과 함께 한글의 틀을 거부한 전혀 낯선 표현기법의 중요한 요소로 적용되고, 시인의 예술정신을 구현하기 위한 전위적인 언어로 응용되고 있다. 이상에게 프랑스어는 분열적이고 열패적인 자신의 내면적 갈등을 표현하기 위한 도구로 활용되고 있으며, 시인은 프랑스어가 갖는 기표와 기의적인 특성을 이용하여 근대한국문학에 유래를 찾아 볼 수 없는 실험적인 문체를 보여주었다. 이상의 시에서 프랑스어는 식민지하의 억눌린 자의식을 해방시킨 자유의 언어이며, 한국문학뿐만 아니라 세계문학 속에서도 유례를 찾아볼 수 없는 반문체적이고, 형이상학적인 시편들을 구성하는 중요한 요소로 볼 수 있다.

오퍼랜드 스캐닝 방법을 이용한 다진법 몽고메리 알고리즘에 대한 연구 (Study on High-Radix Montgomery's Algorithm Using Operand Scanning Method)

  • 문상국
    • 한국정보통신학회:학술대회논문집
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    • 한국해양정보통신학회 2008년도 추계종합학술대회 B
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    • pp.732-735
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    • 2008
  • RSA 암호 알고리즘의 고속 연산에 핵심이 되는 법 곱셈 (modular multiplication)을 고속으로 처리하기 위해서 몽고메리 알고리즘이 연구되고 발전되어 왔다. 이 몽고메리 알고리즘에서는 법 곱셈에 나눗셈이 들어가지 않기 때문에 빠른 법 곱셈 연산을 수행할 수 있다. 하지만, 일반 잉여 형태의 숫자를 몽고메리 표현 형태로 변환하고 이후에 결과를 다시 일반 잉여 형태로 변환하는 과정에서 별도로 연산이 필요하게 된다. 1024 비트 이상의 고비도의 RSA 연산을 수행하기 위해서는 키 비트를 워드 단위로 쪼개어 다진법 개념을 도입하여 연산할 수가 있다. 본 논문에서는 몽고메리 알고리즘을 개선시키기 위하여 오퍼랜드 스캐닝 개념을 도입한 방법을 연구하여 비교하였다. 각각의 방법은 최적화에 대한 이슈, 메모리 공간에 대한 이슈, 연산 시간에 대한 이슈를 고려 대상으로 한다.

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A Focus Account for Contrastive Reduplication: Prototypicality and Contrastivity

  • Lee, Bin-Na;Lee, Chung-Min
    • 한국언어정보학회:학술대회논문집
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    • 한국언어정보학회 2007년도 정기학술대회
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    • pp.259-267
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    • 2007
  • This paper sets forth the phenomenon of Contrastive Reduplication (CR) in English relevant to the notion of contrastive focus (CF). CF differs from other reduplicative patterns in that rather than the general intensive function, denotation of a more prototypical and default meaning of a lexical item appears from the reduplicated form resulting as a semantic contrast with the meaning of the non-reduplicated word. Thus, CR is in concordance with CF under the concept of contrastivity. However, much of the previous works on CF associated contrastivity with a manufacture of a set of alternatives taking a semantic approach. We claim that a recent discourse-pragmatic account takes advantage of explaining the vague contrast in informativeness of CR. Zimmermann's (2006) Contrastive Focus Hypothesis characterizes contrastivity in the sense of speaker's assumptions about the hearer's expectation of the focused element. This approach makes possible adaptation to CR and recovers the possible subsets of meaning of a reduplicated form in a more refined way showing contrastivity in informativeness. Additionally, CR in other languages along with similar set-limiting phenomenon in various languages will be introduced in general.

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