• 한국산학기술학회논문지
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• 제7권3호
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• pp.506-511
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• 2006

은은 주조성과 가공성이 뛰어나 장신구 제작에 주된 소재로 채택되어 왔다. 이런 은 소재 자체의 장점을 이용한 전통적인 방법 중 하나인 모꾸메가네는 나뭇결무늬와 같은 자연스러운 금속의 혼합문양을 표현할 수 있어서 부가가치가 높지만 제작 공정이 복잡하고 힘들어서 경제적으로 장신구를 제작하는데 어려움이 있었다. 기존의 모꾸메가네 공정 대신 은과 구리의 융점차를 이용한 변형 주조 방법과 냉간압연으로 구리와 은 두 금속간의 우수한 결합을 유지하면서도 기존의 모꾸메가네와 유사한 표면 장식 효과를 얻을 수 있는 새로운 공정을 제안해 보았다. 직경 3 mm의 구리 그래뉼과 0.5 mm, 1.5 mm 두께의 구리 판재에 순은 용탕을 부어 두 금속간의 확산 접합이 완성된 괴를 만들고, 이후 롤러 압연을 실시하여 두께 1.5 mm의 판재를 만들어서 이를 이용하여 반지 시제품을 제작한 결과, 제안된 공정으로 이종 금속 접합도가 우수하면서 모꾸메가네와 유사한 효과를 성공적으로 낼 수 있었다. 제안된 공정은 기존의 반복된 열간 가공에 의한 복잡한 모꾸메가네 공정에 비해 보다 간단하고 경제적으로 모꾸메가네 효과를 갖는 은 장신구 디자인을 가능하게 함을 확인하였다.

• 한국산림과학회지
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• 제44권1호
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• pp.1-25
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• 1979

소나무 천연집단(天然集團)의 변이(變異)를 조사(調査)하기 위(爲)해 1974년(年), 1975년(年), 1976년(年), 1977년(年)에 각각(各各) 3개집단(個集團)씩을 조사(調査)한데 이어 1978년(年)에 경기도(京畿道) 광주군(廣州郡) 중부면(中部面) 산성리(山城里) (집단(集團)13) 충북(忠北) 제천군(題川郡) 백운면(白雲面) 평동리(平洞里)(집단(集團)14) 충북(忠北) 내속리면(內俗離面) 금내리(金乃里)(집단(集團)15), 전북(全北) 무주군(茂朱郡) 안성면(安城面) 통안리(通安里)(집단(集團)16), 전남(全南) 구례군(求禮郡) 광의면(光義面) 방광리(放光里)(집단(集團)17), 그리고 제주도(濟州道) 남제주군(南濟州郡) 중문면(中文面) 영실리(靈室里) (집단(集團)18)에서 각각(各各) 1개집단(個集團)(한 집단(集團)에서 20주(株)) 씩의 임분(林分)을 대상(對象)으로 하여 각(各) 임목개체를 조사(調査)하였다. 대상임목(對象林木)은 외부(外部) 형태학적(形態學的) 특성(特性), 침엽(針葉) 그리고 재질(材質)의 특성(特性)이 조사(調査)되었고 그 결과(結果)는 다음과 같이 요약(要約)된다. 1. 6개집단(個集團)의 평균임령(平均林齡)은 36~97년간(年間)에 있고, 제천(堤川), 보은(報恩), 제주집단(濟州集團)의 성장(成長)은 비슷하고, 우량수형(優良樹型)을 가진 것으로 생각되었고, 수관지수(樹冠指數)는 구례집단(求禮集團)은 부진(不振)한 편이었다. 지하고율(地下高率)은 제주집단(濟州集團)이 0.70으로 가장 높은 값이었고, 수관지수(樹冠指數)는 구례집단(求禮集團)이 1.58로 불량(不良)하다고 생각되었다. 제주집단(濟州集團)이 세지성(細枝性)이라는 점(點)과 분지각(分枝角)이 가장 예각(銳角)이라는 점(點)에서 바람직했다. 수관장(樹冠長)은 제주집단(濟州集團)이 가장 작았다. 2. 지하고율(地下高率) 수고(樹高) 그리고 수관지수(樹冠指數)의 빈도분포(頻度分布)를 보면 집단간(集團間)에 차이(差異)가 있는 것으로 사료(思料)된다. 3. 0.5cm장(長)당의 거치밀도(鋸齒密度)는 평균(平均) 27-31개(個)로서 집단간(集團間), 집단내개체간 모두 유의차(有意差)가 나타났고, 수지도수(樹脂道數)에 있어서도 집단간(集團間), 집단내개체간 모두 유의차(有意差)가 나타났다. 4. 수지도지수(樹脂道指數)(R. D. I)에 있어서는 제주집단(濟州集團)이 0.119로서 다른 집단(集團)보다 큰 값을 나타냈다. 5. 10년(年) 구분(區分) 단위당(單位當)의 연륜폭(年輪幅)에 있어서는 집단간(集團間), 집단내(集團內) 연륜구분간(年輪區分間) 모두 유의차(有意差)가 있었다. 6. 평균추재율(平均秋材率)에 있어서는 집단간(集團間) 차이(差異)가 있었으나 변이폭(變異幅)에 있어서는 차이(差異)가 없었다. 7. 목재비중(木材比重)의 평균치(平均値)는 집단간(集團間)에 차이(差異)가 인정되었고, 수령증가(樹齡增加)에 따라 모든 가도관장(假導管長)은 집단간차이(集團間差異)가 없었고, 수령증가(樹齡增加)에 따라 그 길이가 증가(增加)하고 있었다. 증가경향(增加傾向)에는 집단간(集團間) 차이(差異)가 없었다.

• 한국가구학회지
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• 제23권1호
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• pp.95-102
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• 2012

The objective of this study was to conduct the species identification and tree-ring dating of Lotus Pedestal of the Amitabha Statue at Ssangbong-Temple in Hwasun. The six wood blocks used for the Lotus Pedestal were hard pines (Pinus spp.; diploxilon) except one piece which was ginkgo (Ginkgo biloba L.). The lotus leaves surrounding the pedestal body were also made of ginkgo. Tree-ring patterns of 3 blocks were synchronized and a 133 years chronology was made. The chronology was crossdated well with the master chronology of Japanese red pine in South Korea. It dated back to A. D. 1551~1683, i.e. the last ring dated A. D. 1683. Through the estimation of the number of sapwood rings removed during carving, the felling year was calculated A. D. $1704{\pm}10$. The calligraphic writing on the Pedestal indicated that this statue was made in A. D. 1694. Therefore, the accuracy of the tree-ring dating has been proven.

• 한국가구학회지
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• 제18권1호
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• pp.31-38
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• 2007

The most important issue of today in design genre is the comprehensive design that overcomes the limitations of the rational and logical designs of functionalism that has had influences in entire 20th century and encompasses even the emotional aspect of humans. The emotional design factors in furniture designs will be analyzed in order to analyze their effects and values on the consumers of present times. The emotional uses of the patterns with the motive of nature expressing papers, flowers, wood textures, natural phenomena etc as they are and the colors with the vivid feeling of primary colors represent more dynamic and cheerful life style and the designs are characterized by the warm primary colors that give the feeling that the nature has been transferred to the designs as it is. Diverse materials such as leather, fur, fabric and the materials with soft and flexible feeling such as silicone material have been used more widely and they are used as the materials expressing freedom not being formalized. The designs that can produce diverse spaces desired by users by gathering unit modules can be said to be the outcome of the emotional designs combined with the needs of modern peoples that aspire their own designs.

• 한국태양에너지학회:학술대회논문집
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• 한국태양에너지학회 2008년도 추계학술발표대회 논문집
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• pp.96-102
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• 2008

For centuries now, wind tunnels have been a key element in scientific research in a number of fields. Experimenting with racecars, airplanes, weather patterns, birds, and various other areas has been made much easier because of its development. In the racing field, for example, the information gathered from this testing can mean the difference between winning and losing a race. Weather simulations can also provide valuable information regarding building stability and safety. This has become very important when designing buildings today. Valuable information concerning bird flight has also been collected based on wind tunnel testing. Wind tunnels have a variety of important uses in the world today. Wind tunnel that used here is an open loop low speed wind tunnel. The fundamental principles of this tunnel is moving the air using exhaust fan In the rear side, and placing the cube in the external balance system which used to measure the working force. This experiment is using 50mm cube of finished wood. From this experiment we can get Drag Force (FD), The Reynolds Number (Re) and The Coefficient of Brae (CD).

• 대한가정학회지
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• 제26권1호
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• pp.97-108
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• 1988

The purpose of this study is to classify the type of the Korean document chest, mungab through the literature and market survey and to investigate the preference on characteristics of the mungab. It also attempts to find out the aesthetic perception of the type of mungab by using semantic differential scales. A pilot study was conducted to select the types and pictures of the mungab. Three types and six pictures of mungab were selected. Six hundred homemakers of middle and upper class residing in seoul area were selected for the survey and 449 among them were used for data analysis. Data were analyzed using the SPSS program. The major findings are as follows: 1) The esult of pilot test, the presentative characteristics of mungab were classified into naive type, unique type, and elaborate type. 2) it was found that the modernized style of traditional mungab was wood grain and the next one was Najonchiligi. In the characteristics of decoration which was symbolic pattern, Shi-Jang-Saeng was predominant. In wanting style when they buy, the modernized style of traditional Korean chest was predominant, too. 3) Young and low income group preferred modern style using transparent paint and Sa-Goon-Ja, letters in the symbolic patterns of decoration. Old and high income group preferred traditional style using splendid and expensive materials and Ship Jang Saeng in the symbolic decoration. 4) compared with types of mungab in aesthetic perception, modern style of the traditional mungab was evaluated more positively than traditional style. The young and low income group perceived the naive type and unique type positively, but the old and high income group perceived the elaborate type the most positively.

• Parasites, Hosts and Diseases
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• 제51권5호
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• pp.603-606
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• 2013

To determine geographical patterns of natural parasite infections among wild rodents, a total of 46 wild rodents from 3 different localities in northern Gangwon-do (Province), Korea were examined for intestinal parasite infections. Along with nematodes such as hookworms and Syphacia spp., Plagiorchis muris (2 specimens) (Trematoda) were collected from striped field mice, Apodemus agrarius. In a Korean wood mouse, Apodemus peninsulae, the overall nematode infections were similar to A. agrarius, but an adult worm of Echinostoma hortense (Trematoda) was collected. In addition, 2 species of cestodes, i.e., Hymenolepis nana and Hymenolepis diminuta, were collected from A. agrarius. Through this survey, A. agrarius and A. peninsule were confirmed as the natural definite hosts for zoonotic intestinal helminths, i.e., P. muris, E. hortense, H. nana, and H. diminuta, in northern Gangwon-do, Korea. Considering increased leisure activities around these areas, seasonal and further comprehensive surveys on wild rodents seem to be needed to prevent zoonotic parasite infections.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.183-193
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• 2013

The study aimed to find the fundamental differences of aesthetics in Korea, China, and Japan by analyzing expressive features and structural meanings of the storage furniture from $17^{th}$ to $19^{th}$ century. The study was performed in four steps; analysis of expressive features, isotopic analysis, semantic structure analysis, and comprehensive interpretation. The results showed that three countries had linear shapes with curvilinear elements, closed forms with open spaces, natural material hues with change of tone or color, and symmetrical forms with asymmetrical patterns and structures in common. Korea comparatively accented on the natural material colors and wood grains. China stressed on the big and wide faces using three-dimensional carving. Japan accented on the linear elements with strong color contrast and decorative metal fixtures. These features were caused by the traditional thoughts and according aesthetic principles. Korea and China were affected by the Confucianism focused on establishing the order of rank. Meanwhile, Japan was more influenced by the Buddhism emphasized on the individuality and communication. Therefore, the differences of the expressive features in furniture among the three countries were inevitable consequences of the different ideologies.

• 한국가구학회지
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• 제27권3호
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• pp.185-196
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• 2016

This study is about watching the changes in Modern and Contemporary ages, through Traditional Ottchil Painting analyzed the formative characteristics presented on 23 pieces of Najeon Master Bong-Ryong Kim. He restored and reproduced the Ottchil Painting Technique by making Najeon ware (lacquer ware inlaid with the mother-of-pearl) on the Korean Modern and Contemporary period. The formative characteristics of his Ottchil Painting Technique are as follows. He used a lot of the Myochilchaehoi Technique as the technique of expression, along with the Najeon Yanggam Technique mixed with Myochilchaehoi Technique. The frame material of Ottchil Painting Ware is handcrafted wood. And in the painting foundation, red is presented more than black. The colors of painting and the pattern drawn on the foundation of Ottchil painting are mainly bright red, blue, yellow, black, and white (five-color). The main pattern used is the dragon, and the subordinate patterns are clouds and Arabesque. Also, the main pattern is solo, and the subordinate pattern is mostly an arrangement combination of radiation symmetry. This style of art was most commonly used for painting fruit trays. As stated above, Bong-Ryong Kim presented various and masterful aesthetic quality based on sincere and exquisite Najeon ware production skills.

• 생태와환경
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• 제50권4호
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• pp.374-380
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• 2017

Pine wilt disease (PWD) is one of the hazardous pine tree diseases in whole world. In Korea, PWD has been spreading since it was first observed in Busan in 1988. Dispersion of PWD is mainly mediated by its vectors such as Japanese pine sawyer. In this study, we characterized environmental condition including meteorological factors, geographical factors, and land use factors influencing on the occurrence of PWD. The occurrence data of PWD were collected at 153 sites where were the initial occurrence sites of PWD in local government regions such as city, Gun, or Gu scale. We used Akaike Information Criterion (AIC) to evaluate the relative importance of environmental variables on the discrimination of occurrence or absence of PWD. The results showed that altitude, slope, and distance to road were the most influential factors on the occurrence of PWD, followed by distance to building. Finally, our study presented that human activities highly influenced on the long term dispersal of PWD.