• 공연문화연구
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• 제32호
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• pp.209-241
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• 2016

'낭자군(娘子軍')과 더불어 '여성농악'이 탄생했다. 본고에서는 남성들의 전유물이나 다름없던 농악의 주체로서 여성이 등장한 내력, 특히 국극단 출신 여성농악예인의 출현이 주목된다. 이 연구에서는 낭자농악대와 소녀농악대의 활동 내력에 대하여, 새로이 발굴한 기사자료들을 전면에 제시하고 실증적으로 다루었다. 본고에 소개하는 '여성 농악예인'들은 기존에 알려진 남원여성농악단 성립 이전의 여성 농악인들과, 그 이후의 세대들을 아우른다. 여성 특유의 매력을 발산하며 인기를 누린 예인들은 각종 농악경연에 참가하고 포장걸립을 전전했다. 여성농악인들은 우도농악 명인들로부터 전수를 받아 기량을 갖추고, 화려한 복색으로 이목을 끌었다. 농악계의 여성들은 특히 시대의 흐름을 간파하여 활동무대를 넓히고, 다양한 장르와 융합하면서 융통성과 순발력을 발휘했다. 여성 농악인들은 세대와 성별, 지역과 국가의 경계를 넘나들며 활동했다. 소녀부터 기혼녀에 이르기까지 팀원으로 편성될 수 있었고, 때로는 어린 소년들을 영입하거나, 원로 남성농악인들과 연대하기도 했다. 또한 이들은 지역을 넘어, 국내외의 무대를 누비면서, 해외 순방에도 박차를 가했다. 특히 어린 소녀농악인들은 한국문화의 상품성을 선보이고, '순결한 농악예술무대'를 장식하는 문화적 매개자로 동원되기도 했다. 이들은 스스로의 활동에 대한 실리와 경제적 이윤을 추구하거나, 정치적 선동을 할 수 없는 '천사 같이 춤추는 예쁜 인형'이나 다름없었고, 그 후원자는 국내외 정계 인사들이었다. 여성농악인들은 국내외 전반에 걸쳐 각계각층의 인사들과 교류하면서 농악의 저변 확대에 기여했다. 해외로 파견된 소녀들의 농악공연이 대개 어린이들이나 학생들 위주였던 반면, 국내에서 기성세대와 연합하여 공연활동을 하던 소녀들은 그저 농악이 좋아서 여성농악단에 입단하여 기예를 습득하고, 공연하며 실전 경험을 쌓으면서 스스로 입지를 다져갔다. 해방 이후 낭자농악, 소녀농악이라는 이름을 걸고 농악의 무대화를 선도한 여성예인들은 대중적 인지도를 얻어 농악의 저변 확대에 기여했다. 사당패, 협률사, 낭자농악대, 소녀농악대, 여성농악단 등 한 세기를 풍미한 여성 농악예인들은, 농악판에 팽배하던 '남존여비(男尊女卑)'의 관습을 뒤틀고 농악문화의 새 전통을 일군 주인공들이다.

• 한국음향학회:학술대회논문집
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• 한국음향학회 2000년도 하계학술발표대회 논문집 제19권 1호
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• pp.325-328
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• 2000

According to H.B.Lee(1993), standard Korean vowel qualities are as follows: in /i/, /e/, $/\epsilon/$, /a/, /o/, /w/, they have 4 qualities each other and in /er/ there are 3 qualities. The environments of 4 qualities are iong and stressed vowel in word initial, short and stressed vowel in word initial, unstressed vowel in word initial, unstressed vowel in word finial. The aim of this study is to seek and compare with H.B.Lee(1993). Conclusively I could not find on the whole any pattern of the same types of H.B.Lee(1993) in this study And especially in Fl vowel formant values of /er/and /w/, I never found any pattern of the same types of H.B.Lee(1993). Also F2 vowel formant values of $/\varepsilon/$ and /w/ do not have any kind of pattern of the same types of H.B.Lee(1993), between them, the patternize of F2 vowel formant values in /w / is especially difficult. It is the same story of Jaekang Lee(1998). But in some case, the patternize could be done. among the whole vowels, analysis environment b has the wide width on the change of the formant value. As the another result of the analysis It is to possible to make the pattern of the old male group. The old male group on the whole is analyzed to have the most low formant values and the old women group is analyzed to have the most high formants values, but in the most high formant valus there are young women group. And the formant values's rising in 2 cases of the formant value of /er/ is analyzed to have the same pattern of H.B.Lee(1993).

• 한국의류학회지
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• 제34권11호
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• pp.1786-1797
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• 2010

This study investigates the historical formation and characteristics of modern Korean consumption culture by reviewing previous literature about consumption spaces and conspicuous consumption in modern Korea. This study examined the historical formation and characteristics of three different periods of time: from 1876 to 1919, from 1920 to 1936, and from 1937 to 1945. In addition, the current study reviews previous literature related to advertising, poems, novels, historical events, and Orientalism. Based on this, the historical characteristics were also analyzed. The overall results were as follows: The first period from 1876 to 1919 was the beginning of modern Korean consumption culture, in which exotic goods such as foreign fabrics were preferred and consumed. In addition, clothing was simplified and westernized through modern reform. The second period of time, 1920 to 1936, was the development stage of modern Korean consumption culture that formed the foundation of modern consuming spaces where the recognition of the human form became more modern, and 'modern girls' styles appeared. The final period, 1937 to 1945, was the regression stage of Korean modern consumption culture, in which consumption decreased during the Sino-Japanese War and World War II. The results of this study' conclude that the leading-consumer items hold symbolic value as well as became signifiers within modern consumption spaces such as modern Korean department stores and that women were recognized as modern leading-consumers as shown by the dramatic increase in the number of products that targeted women.

• 한국의류학회지
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• 제38권1호
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• pp.1-18
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• 2014

This study analyzes the styles of Baekje costumes by examining costume types and styles based on the research of old books and a comparative study of archaeological and historical Baekje art relics in Central Asia. The results of the study are as follows. 1. Through the comparative study of the records of old books, relic materials (Yangjikgongdo, Mural paintings of Takamatsuzuka Tumulus, Cheonsuguk Mandarasujang, Shosoin relics, and Haniwas), we can see that ancient Japanese costumes were influenced by the culture of Baekje costumes. 2. A comparative study of the records of relic materials of Baekje and Central Asia show that there were vigorous interchanges between the East and West. 3. Baekje costumes showed a great diversity in styles because they were based on Buyeo costumes developed in conjunction with vigorous overseas trade. 4. Baekje's upper garments are summarized as Boksam and Po for men and Yu, Banbi and Euisapo for women. Boksam and Yu styles varied as tunics and overlapped jackets with straight and round collars. Two types of sleeves coexisted. The sleeves of Hansung Baekje period were a diagonal lined style that was wide on the armhole and narrow on the wrist. The sleeves of Sabi Baekje period were a reversed diagonal lined style that is narrow on the armhole and wide on the wrist. Pants styles were summarized as Gon, Gunggo and Daegugo. There were not enough relics and references for the Baekje costumes; however, this study widens the possibility of the existence of various styles of Baekje costumes through inferences from available data.

• The Plant Pathology Journal
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• 제16권4호
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• pp.231-235
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• 2000

The 3,000 nucleotides of 3'-terminal region of the genomic RNA of a new isolate of carlavirus from a Korean native lily (Lilum lancitoium) was cloned and its nucleotide sequences were determined. The coat protein (CP) gene of the virus showed 72.0% to 72.8% nucleotide sequence identities and 86.9% to 88.0% amino acid sequence identities with those of the four strains (two Korean, one Dutch, and one Japanese isolates) of lily symptomless virus (LSV). Interestingly, different amino acid sequences between the new isolate and LSV strains were located at the N-terminal region of the CP. Pairwise amino acid sequence comparison of the CP gene revealed sequence identities of 22.0% to 71.1% between the virus and other 9 carlavirus species. The 25 kDa and 12 kDa proteins genes of the virus share 30.7% to 76.3% and 31.1% to 85.8% amino acid sequence identities, respectively, with those of 8 other carlaviruses. The 16 kDa protein gene of the virus shares 16.7% to 72.9% amino acid sequence identities with that of 9 other carlaviruses. These data indicate that the virus, designated as lily latent virus (LiLV), is a distinct of the Carlavirus genus and distinguished from the known strains of LSV.

• 한국콘텐츠학회논문지
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• 제17권12호
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• pp.417-425
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• 2017

본 연구는 영화 <아가씨>에서 변형된 시공간과 캐릭터를 통해 흥행 요인을 분석하고자 한다. 원작 소설이 있는 영화는 소설의 내러티브를 기초로 영화의 경험재적 특성을 감소시켜 관람 욕구를 유도한다. 본 영화는 소설의 배경인 빅토리아 시대와 다른 일제강점기를 선택하여 식민주의 남성성의 특징을 구현하는 캐릭터를 만들고, 남성에게 억압받는 여성들이 계급성을 초월하여 탈주하는 내용으로 변형하였다. 이를 통해 원작소설의 동성애 요소가 여성의 성장과 연대로 치환되어 부정적 요소를 감소시켰다. 또한 영화 개봉 시기 발생한 여성 대상 범죄의 젠더 담론은 캐릭터들의 공감 요소를 증대시키고 영화의 주제와 부합하였다. 그외 감독과 배우의 스타시스템과 영화 예고편의 효과적 공개 마케팅, 영화제 진출작 선정을 흥행 요인으로 볼 수 있다. 영화는 소설의 각색을 통해 다원적인 창작 역량을 증대하고 관객의 공감 요인을 확대한다. 흥행하는 각색 영화의 차별성은 변형된 내용이 창의적이면서도 시공간을 초월하는 보편적 인식과 상응할 수 있는 주제를 내포하고 매체적 특성을 효과적으로 표현하는 데 있다.

• 한국작물학회지
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• 제35권2호
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• pp.171-175
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• 1990

1. Polyacrylamide gel electrophoresis를 이용하여 국내외 재래종과 야생종 대두 계통들의 trypsin inhibitor의 변이를 규명하기 위하여 본 시험이 시도되었으며 1706계통의 한국산 재래종과 103계통의 한국 야생종콩, 그리고 167계통의 외래 재배종과 71계통의 외국 야생종 대두가 공시되었다. 2. Trypsin inhibitor를 함유하지 않은 ti/ti형과 Ti c/c형은 한국 재래종에서만 발견되었으며, Ti$^{*}$ c형을 Hymowitz도 일본 대두품종에서 보고한 바 있으나 그도 이 계통은 한국 도래종일 가능성이 크다고 보고 한 바 있다. 3. 한국기원의 콩에서 trypsin inhibitor에 관한 이형접합형의 출현빈도가 외국 기원 콩 계통에서 보다 비교적 높았으며, 재래종에서 3.6%(N=61)와 야생종에서 9.7%(N=10)이었으며 종합적으로 보아 중국, 일본 등의 대두에 비해 한국 기원의 콩이 가장 큰 변이를 나타내고 있음을 확인하였다.

• 건축역사연구
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• 제8권3호
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• pp.9-22
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• 1999

The purpose of this study is to analyse the architectural character of JE-DAMG at farm village in Ulsan. JE-DANG means the building for DONG-JE (the sacrificial rite of a village). The regions of this study are KANG-DONG MYEN, and UNG-CHON MYEN in Ulsan. The method of this study is the analysis of them after the actual field surveys of 47 JE-DANGs in these regions The survey contains the area, the height, the period of the erection, the architectural structure, the roof shape, the material, the landowner, SHIN-CHE (means a god's name and shape), DANG-SU tree and so on. Methods of the survey are the field survey, the interview of villager, the analysis of reference data and so on. Results of the study are below. JE-DANGs(buildings) of these regions had been built first in the period of Japanese occupancy and erections of them had continued until 1970's. Since then, they have been rebuilt. The primary JE-DANG is characterized by a tiled roof, a wooden post lintel, a mud-plastered wall, and a wooden door. After rebuilding, characters are a flat slab, a tiled roof, a structure of using red bricks, and the area is getting larger than the primary JE-DANG, but 1 KAN persists without variety. Most of houses in the inland area like UNG-CHON MYEN face the south, and ones in the coastal area like KANG-BONG MYEN face the east. Generally there is DANG-SU tree behind JE-DANG. That proves DANG-SU tree to be the object of the rite. The species of DANG-SU is a pine in general ,but various in UNG-CHON MYEN. In general names of the god are DONG-SHIN , DANG-SAN SHIN and SUNG-HWANG SHIN. I think that the landownership of JE-DANG should change the private ownership into the village ownership to preserve JE-DANG though most of lands of JE-DANG are private ones.

• 복식
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• 제54권6호
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• pp.119-130
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• 2004

The purpose of this study was to analyze the characteristics of 1980s' oversize fashion. Especially in 1980s, there were some characteristics that the leading style did not exist as the other decades, but instead of that, various styles coexisted and the existing traditional rule of fashion was destroyed. On the basis of such background, the moulding nature resident in oversize fashion is considered and analyzed as follows. Firstly, 1980s is the time of power suit booming and through such clothes, women disclosed their consciousness that they want to be equal with men. Secondly, In contrast to that a shoulder pad was the trademark of 1980s' clothes, the social aspect that Japanese designers' clothes of layered look and them of grunge look coexisted is directly expressed through these oversize clothes. Thirdly, In 1980s of the time that people's interest to health risen, sports wear was developed to be everyday wear and furthermore, it had variously influences on high fashion so that developed to big look. Fourthly, when it comes to 1980s' clothes, the atmosphere of society denying apparent boundary between sex at that time was resident in androgynous look and the folklore image of sexless style by their appearance in oversize fashion. What is this situation that the style of the past time is popular in the 21st century even such intentional spirit of challenge already passed？ Maybe for women, the one way of expressing themselves is through their clothes, and for such reason, it can be considered that the social meaning resident in 1980s' clothes is re-examined in the present age.

• 대한족부족관절학회지
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• 제10권2호
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• pp.242-246
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• 2006

Purpose: Frequency of sesamoid bone on hallucal interphalangeal joint has been described to be low probability in orthopaedic and anatomical literature. We have, however, experienced two cases of interphalangeal joint dislocation giving difficulty to usual manipulative reduction because of presence of sesamoid bone recently. In order to ascertain existence of sesamoid bone on interphalangeal joint of hallux in Korean adults, radiological study have been performed with feet of patients Materials and Methods: Between May 2003 and October 2006, 974 patients with 1098 radiographs of feet which were reached skeletal maturity over 18-year-old were examined. Unilateral or bilateral anteroposterior, lateral and oblique radiographs were observed by one same person and presence was recorded if there was sesamoid in films. Distance of long and short axes were measured in lateral view and cases of two sesamoids in interphalangeal joint were recorded. Statistical differences between left and right side or between men and women were evaluated by chi-square test. Results: Frequency of sesamoid was 980 cases (89.3%) and no occurrence in 118 cases (10.7%). Two sesamoids were observed in 3 cases. Average distance of long axis was 4.9 mm (range, 0.5-11.4) and average distance of short axis was 3.5 mm (range, 0.3-9.3). Unilateral sesamoid was observed in 7 patients (5.6%), bilateral absence was 7 patients (5.6%) and bilateral sesamoids in 110 patients (88.8%) out of 124 patients who took bilateral feet radiographs. Men has less frequency than women significantly (p=0.014) while there was no significant difference in frequency according to side(p>0.05). Conclusion: Sesamoid bone was seen in 980 feet (89.3%) out of 1098 normal Korean radiological studies of feet. We report 3 cases of two seamoids which was extremely rarely reported in literature. Korean frequency is similar with Japanese, but much higher than Caucasians and black Africans.