• 제목/요약/키워드: weak syllable

검색결과 18건 처리시간 0.026초

약강구조를 포함하는 영어단어에 대한 영어학습자의 약음절 지각과 반응시간(I) (The Perception-Based Study of a Weak Syllable in English Words Containing Weak-Strong Pattern by Korean Learners (I))

  • 신지영;김기호;김희성
    • 대한음성학회지:말소리
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    • 제57호
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    • pp.31-42
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    • 2006
  • The purpose of this study is to observe how Korean learners perceive an English weak syllable in words containing WS syllable pattern. According to the automated discrimination task using E-Prime, the ratio of correct answer(%) and reaction time of the stimuli with same syllable patterns were respectively higher and faster than those with different syllable patterns. Specifically, in the stimuli with different syllable patterns, the frequency(familiarity) of stressed word succeeding weak syllable and whether the weak syllable had coda in it were two important factors in distinguishing between a word with and without weak syllable. Even though the high English proficiency Koreans had faster reaction time than the low English proficiency Koreans, all Korean learners had a difficulty in perceiving the weak syllable at the beginning of a word.

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초급 영어 학습자의 약강구조 영어 단어에서의 강약음절 산출 (A Production-Based Study of English Syllables with Weak-Strong Pattern in the Case of Korean Leaners with Low English Proficiency)

  • 김희성;서미선;신지영;김기호
    • 음성과학
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    • 제12권3호
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    • pp.175-183
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    • 2005
  • In this study, realization of strong and weak syllables in English by Korean leaners with low English proficiency was examined through experiment. The aspects of three acoustic characteristics-duration, pitch, amplitude-were measured and compared with native speakers of English. It was assumed that production of duration, pitch and amplitude of strong and weak syllable by Korean learners would be different from that of English native speakers. According to the production experiments, English native speakers produced strong syllable longer, higher and louder than weak syllable. However, Korean leaners produced strong syllable higher and louder than weak syllable, but not longer enough. Specifically, weak syllable by Korean leaners was longer and strong syllable shorter than native speakers. Furthermore, the difference in duration of syllables between Korean leaners and English native speakers is more significant than pitch and amplitude. As a result, the duration was more important cue for the realization of stress than pitch and amplitude. However, Korean leaners did not produce duration of stressed syllables as English native speakers did, even though they produce the pitch and amplitude of stressed syllable in a similar way to native speakers. The reasons for those were considered, too.

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약강구조 영어 단어에 대한 초급 및 고급 영어학습자의 약음절 지각과 반응시간(I) (The Perception-Based study of a weak syllable in English Words with Weak-Strong pattern by Korean Learners(I))

  • 김희성;신지영;김기호
    • 대한음성학회:학술대회논문집
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    • 대한음성학회 2005년도 추계 학술대회 발표논문집
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    • pp.73-77
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    • 2005
  • The purpose of this study is to observe how Korean learners of English perceive a weak syllable in words with WS syllable pattern. According to the automated discrimination task using E-Prime, the proportion of right answer and reaction time of the stimuli with same word pairs (a-a, b-b) was more and faster respectively than that with different word pairs (a-b, b-a). Specifically, in a-b or b-a stimuli structure, familiarity(word frequency) of stressed word succeeding weak syllable and whether the weak syllable had coda in it was two important factors in distinguishing between a word with and without weak syllable. Even though the high English proficiency Koreans had faster reaction time than the low English proficiency Koreans, all Korean learners somewhat had difficulty perceiving the weak syllable at the beginning of the word.

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Coarticulation and vowel reduction in the neutral tone of Beijing Mandarin

  • Lin Maocan
    • 대한음성학회:학술대회논문집
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    • 대한음성학회 1996년도 10월 학술대회지
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    • pp.207-207
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    • 1996
  • The neutral tone is one of the most important distinguishing features in Beijing Mandarin, but there are two completely different views on its linguistic function: a special tone(Xu, 1980) versus weak stress(Chao, 1968). In this paper, the acoustic manifestation of the neutral tone will be explored to show that it is closely related to weak stress. 122 disyllabic words in which the second syllable carries the neutral tone, including 22 stress pairs, were uttered by a native male speaker of Beijing dialect and analysed by Kay Digital Sonagraph 5500-1. The results of the acoustic analysis are presented as follows: 1) The first two formants of the medial and the syllabic vowel moves towards that of central vowel with a greater magnitude in the syllable with the neutral tone than in the syllable with any of the four normal tones. Also the vowel ending, and nasal coda /n/ and / / in the syllable with the neutral tone tends to be deleted. 2) In the syllables with the neutral tone, there are strong carryover coarticulations between the medial and syllabic vowel and the preceding unvoiced consonant. In general, the vowel is affected to move towards the position of the central vowel with more greater magnitude by coronal consonant than by labial or velar consonant. 3) In the syllable with the neutral tone, when and only when it precedes a syllable with tone-4, the high vowel following [f], [ts'], [s], [ts'], [s], [tc'] or [c] tends to be voiceless. 4) It can be seen from the acoustical results of 22 stress pairs that the duration of the syllable with the neutral tone is on the average reduced to 55% of that of the syllable with the four normal tones, and the duration of the final in the syllable with neutral tone is on the average reduced to 45% of that of the final in the syllable with the four normal tones(Lin & Yan 1980). 5) The FO contour of the neutral tone is highly dependent on the preceding normal tone(Lin & Yan 1993). For a number of languages it has been found that the vowel space is reduced as the level of stress placed upon the vowel is reduced(Nord 1986). Therefore we reach the conclusion that the syllable with neutral tone is related to weak stress(Lin & Yan 1990). The neutral tone is not a special tone because the preceding normal tone.

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I-Umlaut in Old English: A Weak Trigger Effect

  • Moon, An-Nah
    • 영어영문학
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    • 제57권6호
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    • pp.1043-1065
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    • 2011
  • This study investigates i-umlaut which occurred in the period of pre Old English (OE) in two aspects: what motivates i-umlaut in OE and how the phenomenon can be analyzed within the framework of OT. Unlike root-controlled vowel harmony, i-umlaut in OE is triggered by the suffixal i or j in the unstressed syllable whereby a stressed root vowel becomes fronted or raised. In this study, it is proposed that i-umlaut in OE is driven by the weak trigger i or j to improve its poor perception: I-umlaut improves the poor perceptibility of the weak trigger by extending its feature-either [-back] or [-low]-onto the vowel in the stressed syllable. This study provides an OT-theoretic analysis utilizing the licensing account to vowel harmony proposed by Walker (2004, 2005). The licensing constraints, IDENT-IO(F) and the locally conjoined constraints are proposed and their interaction correctly captures the pattern of i-umlaut in OE. Also, it is shown that the licensing account proposed in this paper is superior to the previous analyses as well as the nonlicensing approaches in that it can provide a perceptual motivation couched in i-umlaut in OE.

한국어 리듬의 음성학적 연구

  • 이현복
    • 대한음성학회지:말소리
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    • 제4호
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    • pp.31-48
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    • 1982
  • 음악에서 뿐 아니라, 언어에도 리듬이 있고 그 유형은 말에 따라 달라짐을 알 수 있다. 심지어는 한 언어의 방언간에도 리듬에 차이가 나다. 가령 표준말과 경상도 말은 낱낱의 소리에서 뿐 아니라, 리듬에서도 큰 차이를 들어낸다. 이 글에서 필자는 표준말의 리듬 구조를 분석 기술한다. 한국어 표준말씨의 리듬은 '을 단위로 하여 구성된다. 하나의 말토막은 하나의 강세음절과 전후에 하나 또는 그 이상의 약음절로 이루어지는데, 강세 음절은 강하고 길게 발음되고 약음절은 말토막의 끝에 오는 음절을 제외하고는 짧고 약하게 난다. 강세 음절을 리듬 단위의 핵이라 하고 핵의 앞에 오는 약음절을 머리, 핵의 뒤에 오는 약음절을 꼬리라고 이름하면, 한국어 리듬의 구조는 다음과 같은 공식으로 나타낼 수 있다. 말토막 $\rightarrow$ (머리+)핵(+꼬리) 또한 한국어의 리듬은 일부에서 말하듯이 음절(시간)중심이 아니고, 강세(시간)중심의 리듬 구조를 지니고 있음을 위의 공식은 설명하고 있다.

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영어 노래에서의 음절과 박, 음표의 관계 (A relevance of syllable, beat and note in English songs)

  • 손일권
    • 대한음성학회지:말소리
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    • 제35_36호
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    • pp.101-119
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    • 1998
  • By analyses of lullabies, nursery rhymes, Christmas carols, and pop songs, the relevances of beat, syllable and note are set up as follows. (1) The relevance of beat to syllable a. A stressed syllable can occupy a strong beat. b. A monosyllabic word carrying a strong beat must have the syllabic structure of a strong syllable. (2) The note duration a. The duration of a note carrying a strong beat tends to be as long as or longer than that of a note carrying a weak beat. b. The note connected with the last position of phonological unit tends to be longer than that of other position without regard to the syllabic structure.

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영어의 강음절(강세 음절)과 한국어 화자의 단어 분절 (Strong (stressed) syllables in English and lexical segmentation by Koreans)

  • 김선미;남기춘
    • 말소리와 음성과학
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    • 제3권1호
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    • pp.3-14
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    • 2011
  • It has been posited that in English, native listeners use the Metrical Segmentation Strategy (MSS) for the segmentation of continuous speech. Strong syllables tend to be perceived as potential word onsets for English native speakers, which is due to the high proportion of strong syllables word-initially in the English vocabulary. This study investigates whether Koreans employ the same strategy when segmenting speech input in English. Word-spotting experiments were conducted using vowel-initial and consonant-initial bisyllabic targets embedded in nonsense trisyllables in Experiment 1 and 2, respectively. The effect of strong syllable was significant in the RT (reaction times) analysis but not in the error analysis. In both experiments, Korean listeners detected words more slowly when the word-initial syllable is strong (stressed) than when it is weak (unstressed). However, the error analysis showed that there was no effect of initial stress in Experiment 1 and in the item (F2) analysis in Experiment 2. Only the subject (F1) analysis in Experiment 2 showed that the participants made more errors when the word starts with a strong syllable. These findings suggest that Koran listeners do not use the Metrical Segmentation Strategy for segmenting English speech. They do not treat strong syllables as word beginnings, but rather have difficulties recognizing words when the word starts with a strong syllable. These results are discussed in terms of intonational properties of Korean prosodic phrases which are found to serve as lexical segmentation cues in the Korean language.

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A Speech Perception-Based Study of the Patterning of Sonorants in Consonant Clusters

  • Seo, Mi-Sun
    • 음성과학
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    • 제11권4호
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    • pp.233-247
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    • 2004
  • This study explores sound alternations in a consonant cluster in which at least one consonant is a sonorant (a son/C cluster, hereafter). In this study, I argue that phonological processes affecting son/C clusters result from low perceptual salience rather than from the Syllable Contact Law as discussed in Vennemann (1988), Clements (1990), Rice & Avery (1991), Baertsch & Davis (2000), among others. That is, as a main factor motivating the alternations in the cluster, I consider contrasts of weak perceptibility triggered by phonetic similarity between two members of a cluster (Kawasaki 1982, Ohala 1992, 1993). Based on the findings from a typological survey in 31 different languages, I show that a speech perception-based account makes a correct prediction regarding the patterning of sonorant/sonorant sequences and that of obstruent/sonorant sequences, while the syllable contact account does not.

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영어율격의 제약 - iambic을 중심으로 - (Constraints of English Poetic Meter : Focused on lambic.)

  • 손일권
    • 대한음성학회:학술대회논문집
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    • 대한음성학회 2002년도 11월 학술대회지
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    • pp.64-69
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    • 2002
  • This study concerns the constraints of English Poetic Meter. In English poems, the metrical pattern doesn't always match the linguistic stress on the lines. These mismatches are found differently among the poets. For the lexical stress mismatched with the weak metrical position, $*W{\Rightarrow}{\;}Strength$ is established by the concept of the strong syllable. The peaks of monosyllabic words mismatched with the weak metrical position are divided according to which side of the boundary of a phonological domain they are adjacent to. Adjacency Constraint I is suggested for the mismatched peak which is adjacent to the left boundary of a phonological domain; *Peak] and Adjacency ConstraintII for the mismatched peak which are adjacent to the right boundary of a phonological domain. These constraints are various according to the poets(Pope, Milton and Shakespeare) : *[Peak [-stress], $W{\Rightarrow}{\;}*Strength$ and *Peak] in Pope; *[+stress][Peak [-stress] and *Peak] in Milton ; *[+stress][Peak [-stress], $W{\;}{\Rightarrow}{\;}*Strength$ and ACII in Shakespeare.

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