• 한국학교수학회논문집
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• 제22권4호
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• pp.439-460
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• 2019

본 연구는 교사 질문, 말하기 차례 규칙, 학생 발화 사이의 관계를 파악하고자 수학 교실 내의 언어적 상호작용을 분석하였다. 이를 위해 같은 학교에 근무하고 있는 세 명의 초등학교 교사들(1학년 교사 2명과 2학년 교사 1명)의 수학 수업을 대화분석 기법을 사용해서 분석하였다. 각 교사들의 수업은 일 년에 걸쳐 총 3회 관찰되었다. 분석 결과, 교사가 열린 질문(예를 들어 "왜" 그리고 "어떻게" 질문들과 "동의합니까" 그리고 "동의하지 않습니까" 질문들)을 사용하고 비전통적인 말하기 차례 규칙(교사발문-학생답변-교사 피드백; Mehan, 1979)을 사용하였을 때는 학생들이 자신의 생각을 정당화하고 다른 사람의 생각을 반박하기 위해 교실 담화에 보다 적극적으로 참여하여하는 것으로 나타났다. 하지만, 교사가 닫힌 질문(예를 들어 "무엇" 질문들)을 사용하고 전통적인 말하기 차례 규칙을 사용하였을 때 학생들은 정답을 말하는 것에만 관심을 갖고 짧은 발화만을 사용하는 것으로 드러났다. 본 연구의 시사점은 다음과 같다. 첫째, 교사들은 효과적인 수학-대화 학습공동체를 만들기 위해 열린 질문을 사용하고 비전통적인 말하기 차례 규칙을 사용해야 한다. 둘째, 교사들이 발화기법에 관한 실질적인 지식을 얻을 수 있도록 교육 행정가와 수학 교육자들이 지원해야 한다.

• 대한한의학원전학회지
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• 제30권1호
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• pp.211-221
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• 2017

Objectives : The practices of Wei-qi and Nutritive-qi are generally divided into external Mai and internal Mai. However, they are closely interrelated and practiced together. While taking these aspects into consideration, this paper attempts to make interpretations in relation with Nutritive-qi the disease pathogens that appear in Shanghanlun's disease symptoms. Methods : Using the practice and function of Nutritive-qi described in Huangdineijing, the paper shall make interpretations for the patterns of Mawhangtang, patterns of Gaejitang, and the pathologies of pain, oedema, and nosebleed as described in Shanghanlun. Results & Conclusions : The pain from the patterns of Gaejitang differ from that of the patterns of Mawhangtang. First, the pain from the the patterns of Gaejitang cannot be the main symptom. Even if there is a symptom of pain, it's severity is not serious. Second, the pain from the patterns of Gaejiang takes the form of stiffness, and not general bodily pain. The reason for this stiffness is because of the emptiness of Wei-qi that leads to the congestion of Nutritive-qi which in turn causes the lack of qi and blood flow in muscula area such as abdomins. The symptom of oedema where one's body becomes swollen comes from a number of pathogens. First, the flow of meridian becomes hindered due to external dampness, a character which tends to be adhesive when added with humidty, and this results in the blockage of water qi which then causes the coagulation of nutritive blood. Second, when toxic heat is repressed and blocked within the lesser-yang channel, lesser-yang meridian stops working, which causes nutritive blood to clog at the front and back of ears since lesser-yang channel flows through that portion of body. Third, although oedema is not specifically mentioned in the sentences, but there exists the patterns of Daechungyongtang where water lumps are formed due to the accumulation and blockage of watery dampness. The patterns of Daechungyongtang is cuased when meridian is hindered from externally discharging body fluid due to a problem with meridian that blocks the fumigated internal heat which turns into bodily fluid from being discharged externally.

• 한국과학교육학회지
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• 제24권3호
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• pp.638-645
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• 2004

본 연구에서는 학생들의 창의적 문제해결력과 비판적 사고력을 함양하기 위한 프로그램으로 온라인 물리탐구토론 학습체제를 개발하여, 온라인 물리탐구토론에 참여한 학생들의 상호작용 유형을 단위토론에서의 참여자 수, 다중토론장의 형성, 대화의 이동을 중심으로 구분하여 개인간 상호작용 유형, 일대일 참여의 상호작용 유형, 다중참여로 인한 일대다 상호작용 유형, 다대다 상호작용 유형등으로 분류하였다. 이는 사이버 상에서 벌어지는 학생들의 참여구조와 상호작용 양상을 파악할 수 있어 온라인을 통한 교육의 방향에 좋은 정보를 제공해 줄 수 있을 것으로 기대한다.

• 성인간호학회지
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• 제12권1호
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• pp.52-63
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• 2000

In Korea, most of the patients with chronic liver diseases have been using some kind of alternative therapies at home. however, the question is why do people turn to alternative therapy and how the patients are able to use the alternative therapies widely, though the effects have not been proven scientifically. Therefore, it is necessary to explore the process of the patients' experiences using the alternative therapies. The 16 participants were from internalmedical departments in hospital and the permission was received to participate in this study from the subjects. The data were collected with interviews and participants observations, analyzed by the grounded theory methodology of Strauss and Corbin(1990). With the analysis of the data, 15 categories were generated such as psychological pressures, barriers of role performances, distrusts of western medicine, blind obediences to the treatments, attitudes towards alternative therapies, supportive systems, obstacles to taking alternative therapies, financial burdens, collecting informations, pursuing alternative modalities, efforting diversities, analyzing by themselves, managing the body, accepting the disease, and ambivalence. The paradigm model was developed to identify the relationships of categories. The central phenomenon of the experiences of seeking alternative therapies was named jagi momdasrim. The central concept of jagi momdasrim is a mind-set to desire to wellness and to take more responsibility for one's own healing by pursuing alternate healing modalities rather than the western medical system. The process of jagi momdasrim evolved several stages such as seeking, finding, struggling, overcoming, fulfilling, and governing the diseases. Four patterns of taking alternative therapies were found as follows: the bulsin-chujong-hyung, the suyoung-hyung, the yangdari-gulchiki-hyung, the chamjae-hyung. In conclusion, the phenomenon of alternative therapies as consumer-driven force to heal the chronic liver diseases of the patients could be explained as an adaptive behavior through the process of jagi momdasrim. However, since most of the participants practicing some kind of alternative therapies had no evidences of its effects and never tried to consult with their medical doctors about alternative therapies, we should approach more actively. Therefore, it is recommended for nurses to listen and watch the patients behaviors of using alternative therapies and find out how to educate the patients about the proper and safe way to take the alternative therapies.

• 복식
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• 제22권
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• pp.277-296
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• 1994

The progressive artists in Austria including Gustav Klimt organized the Viennes Se-cessionist in 1897 and they took an active part in the reformation of the reformation of the applied art by accepting the Jugendstil standing for the true art. The vocabularies which characterize this group are decoration literature and the power of symbol. Klimt especially expressed these characteristics and his strong person-ality. For he created his works with the sym-bolic and friendly splendor through his highly decorative talents by accepting the enwly changed artistic situation in those days and by getting out of the naturalistic trends he was regarded as an avant-garde artist as a major figure among the Symbolist artists who revived European culture which was destroyed through the World War I. The characteristics of klimt's works was to express the various human thoughts and minds through the decorativeness and the femininity and to use the decorative elements of old Greek and Egyptian culture and Japanese art as the motives of his works, His art is to be found between the naturalistic characteristics and formalization as well as between the in-dustrial arts and the fine arts. In his many portraits he preferred women by trying to express eroticism hidden behind the human inner world. For this he demonstrated the attractiveness and the characteristics of the models by designing the illusionary and unique clothes. In general his genius was to be seen through the costume which was decorated with metals and jewels and through the characteristics of the modern costume in which the previous solid silhouette was removed and the gentle and elegant me-dium color was used. by accepting the new artistic trends in the turn of the century by fully expressing those characteristics in his creative world and by taking his theme from the eroticism through the decorativeness and the expression of women Gustav Klimt's uniquely decorative ex-pression completely realized the aesthetics of Jugendstil symbol decoration and expression which displayed not only the external appear-ance but also the inner world. Especially he created a new appearance emphasizing the costume of the characters in his works. Also through the costume he expressed his artistic consciousness and psy-chology. He showed the characteristics of the reformed costume through the medium color the simple forms and gentle silhouette. Also he tried to symbolize the passionate inner pow-er by designing the small mosaics such as the geometrical patterns whirlpool patterns and the indecent meanings all over the costume. Klmt's this kinds of attemps shows a Stil Kostume as the external outcome of the inner spiritual activities like art and it establishes a basis for the theory of costume are which deals with the concepts of costume from the artistics points of view. This tradition playing an important role in the contemporary history of costume even has been still inherited up to today.