• 제목/요약/키워드: transfonnation

검색결과 5건 처리시간 0.017초

후세인 살라얀의 패션 작품에 나타난 미디어 아트의 표현 특성 (Expressional Characteristics of Media Art in Hussein Chalayan's Fashion Works)

  • 제갈미;나인화;이연희
    • 한국의상디자인학회지
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    • 제10권3호
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    • pp.89-100
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    • 2008
  • This article aims to research and analyze expressional characteristics of media art in Hussein Chalayan's fashion works. Media technology has made rapid progress over every society, in which it enables multi-dimensional communication. Under this social background, media art can use a multiplicity of technologies and go public. Media art had great influences in fashion with the leading designer as Hussein Chalayan. His works has been selected from the 90s up until 2008 focusing on expressional characteristics of media art by a professional group of fashion design. By classifying and analyzing of Hussein Chalayan's fashion works, expressional characteristics of media art displayed from works of the late 90s, and in recent years, the use of various technologies has increased. Expressional characteristics of media art in his works have been re-classified as interactivity, transfonnation, visualization, and transparency. First, interactivity by the wearer's action and emotional change is effective on emotional express, body protection and the causing of interest. Second, transfonnation by the wearer's action, functioning, and emotional change is influenced by convenience, body protection, and causing concern. Third, immateriality in media art is divided into visualization and transparency, and in fashion structural and material characteristics. Visualization by internal luminous source and digital images influences immersion and expression on fantasy images. Fourth, transparency by immaterial characteristics and piled up images affects openness and camouflage. Development of material and technology paves the way for expressional characteristics of media art in fashion. The trend of Hussein Chalayan's works moves towards emotional high-tech design with technology.

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유전자의 일시발현 분석용 숙주개발을 위한 카사블랑카백합(Lilium cv. Casablanca) 화분립의 이용 (Utilization of Pollen Grain from Liluim cv. Casablanca as a Transient Gene Expression Host)

  • 박희성
    • Applied Biological Chemistry
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    • 제47권4호
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    • pp.430-433
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    • 2004
  • Lilium cv. Casablanca pollen grains stored at $-70^{\circ}C$ were grown in pollen germination medium with Agrobacterium tumefaciens LBA4404 cells harboring pBI121 for 18 hr at $27^{\circ}C$. Following this, cefotaxime (250 mg/L) was treated for 6 hr to eradicate the bacterial cells. Histochemical GUS analysis revealed that the transgenic pollen displayed deep blue color mostly from 12 hr after the co-cultivation. Presence of $200\;{\mu}M$ acetosyringone was determined not to be more effective for GUS transformation than its absence. GUS DNA integration in the transgenic pollen genomic DNA was clearly demonstrated by Southern blot analysis.

이탈리안 라이그래스의 형질전환에 미치는 몇 가지 요인의 영향 (Factors Affecting Genetic Transformation of Italian Ryegrass)

  • 이상훈;우현숙;이병현
    • Journal of Animal Science and Technology
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    • 제46권2호
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    • pp.235-242
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    • 2004
  • 유용유전자 도입을 통한 신품종 이탈리안 라이그래스를 개발할 목적으로 Agrobacterium을 이용한 효율적인 형질전환 체계를 확립하였다. 이탈리안 라이그래스 성숙종자 유래의 캘러스를 standard binary vector인 pIG121Hm을 가지는 Agrobacterium EHA101을 이용하여 감염시킨 후 공동배양하여 형질전환시켰다. Agrobacterium을 이용한 형질전환에 있어서 중요한 인자로 작용하는 몇 가지 요인에 대한 이탈리안 라이그래스 캘러스의 형질전환 효율을 GUS 유전자의 발현정도로 조사하였다. Agrobacterium 감염시에 접종배지와 공동배양배지에 200${\mu}M$의 acetosyringone(AS)을 첨가해 주었을 때 형질전환 효율이 현저히 증가되었다. 또한 Agrobacterium의 농도를 $OD_{600}$=10. 이상의 높은 농도로 1시간 감염시켜Tdfm 때 형질전환 효율이 증가되었다. 접종배지에 200${\mu}M$의 AS와 0.1%의 Tween20을 첨가해 주었을 때 가장 높은 형질전환 효율을 나타내었다. 50mg/L의 hygromycin이 첨가된 선발배지에서 살아남은 캘러스로부터 정상적인 식물체가 재분화되었으며, 이들 형질전환체의 잎으로부터 GUS 활성 염색과 PCR 분석을 통하여 발현벡터의 T-DNA 영역이 형질전환 식물체의 genome으로 도입되었음을 확인할 수 있었다. 본 연구를 통하여 확립된 효율적인 형질전환 시스템은 분자육종을 통한 신품종 이탈리안 라이그래스의 개발에 유용하게 이용될 수 있을 것이다.

DC Magnetron Sputtering 방법으로 증착한 Fe-N 박막의 구조와 자기적 성질 (Structure and Magnetic Properties of Fe-N Films Deposited by Dc Magnetron Sputtering)

  • 이종화;이원종
    • 한국자기학회지
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    • 제3권2호
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    • pp.87-93
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    • 1993
  • 질화철(Fe-N) 박막을 DC magenetron sputtering 방법으로 증착하였다. 스퍼터링 기체중의 질소유량비와 스퍼터링 power가 박막의 구조와 조성, 자기적 특성에 미치는 영향을 조사하였다. 증착 박막중의 질소원자 함유량은 박막의 구조, 생성상 및 자기적 특성을 결정짓는 지배적인 인자이다. 낮 은 질소 유량비에서 증착하였을 경우 박막은 질소 침입형 $\alpha$-Fe 결정구조를 갖으며, 질소원자 함유량에 비례하여 격자변형은 증가하고 포화자화값은 감소하였다. 격자변형이 어느 정도 심하게 일어 나면 주상정으로의 성장이 억제되어 평탄한 표면형상과 균일한 미세구조를 갖게되며, 자구벽의 이동이 용이하게 되어 보자력의 급격한 감소를 가져왔다. 질소유량비가 증가하여 박막내의 질소함유량이 15 at.%가 되면 격자정수 d(110)이 5% 증가하게 되며 이때 $Fe_{2-3}N$ 상으로의 상변화가 일어나 포화 자화값은 급격히 감소한다.

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현대회화에서의 형태와 물질 -Digital Transfiguration에 관한 연구- (Digital painting: Image transfonnation, simulation, heterologie and transfonnation)

  • 정숙영
    • 조형예술학연구
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    • 제10권
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    • pp.161-181
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    • 2006
  • The words which appeared in my theoretical study and work are image transformation to digital painting, simulation, heterologie and transfiguration, etc. Firstly, let's look into 'digital era' or 'new media era'. Nowadays, the image world including painting within the rapid social and cultural change, which is called as digital era, is having the dramatic change. Together with the development of scientific technology, large number of events which was deemed to be impossible is happening as real in image world Moreover, these changes in image world is greatly influencing to our life. The word which compresses this change of image world and shows is 'digital'. Digit, which means fingers in Latin, indicates separately changing signal, and to be more narrow, it indicates the continual signal of '0' and ' 1' in computer. The opposite word is 'analogue'. As analogue is the word meaning 'infer' or 'similarity', it indicates the signal or form which continuously changes along the series of time when it is compared to digital. Instead of analogue, digital is embossed as a major ruler along the whole area of our current culture. In whole culture and art area, and in whole generalscience, digital is appearing as it has the modernism and importance. The prefix, 'digital', e.g. digital media, digital culture, digital design, digital philosophy, etc, is treated as the synonym of modernism and something new. This advent of digital results the innovative change to the image world, creates the new beauty experience which we could not experience before, and forecasts the formation of advanced art and expansion of creative area. Various intellectual activities using computer is developing the whole world with making the infrastructure. Computer in painting work immediately accomplishes the idea of painters, takes part in simulation work, contingency such as abrupt reversal, extraction, twisting, shaking, obscureness, overlapping, etc, and timing to stimulate the creativity of painters, and provides digital formative language which enables new visual experience to the audience. When the change of digital era, the image appeared in my work is shown in 'transfiguration' like drawing. The word, 'transfiguration' does not indicate the completed and fixed real substance but indicate endlessly moving and floating shape. Thus, this concept is opposite to the substantial consideration, so that various concepts which is able to replace this in accordance with the similar cases are also exist such as change, deterioration, mutation, deformity of appearance and morphing which is frequently used in computer as a technical word. These concepts are not clearly classified, and variably and complicatedly related. Transfiguration basically means the denial of "objectivity' and '(continual) stagnation' or deviation from those. This phenomenon is appeared through the all art schools of art ever since the realism is denied in the 19th century. It is called as 'deformation' in case of expressionism, futurism, cubism, etc, in the beginning of the century, which its former indication is mostly preserved within the process of structural deviation and which has the realistic limit which should be preserved. On the contrary, dramatic transfiguration which has been showing in the modern era through surrealism is different in the point that dramatic transfiguration tends to show the deterioration and deviation rather than the preservation of indicated object. From this point, transfiguration coming out from morphing using computer deteriorates and hides the reality and furthermore, it replaces the 'reality'. Moreover, transfiguration is closely approached to the world of fake or 'imaginary' simulation world of Baudrillard. According to Baudrillard, the image hides and deteriorates the reality, and furthermore, expresses 'not existing' to 'imaginary' under the name of transfiguration. Certain reality, that is, image which is absent from the reality is created and overflowed, so that it finally replaces the reality. This is simulation as it is said by Baudrillard. In turn, Georges Bataille discusses about the image which is produced by digital technology in terms of heterologie. Image of heterologie is the visual signal which is established with the media. Image of media is to have the continuous characteristics of produce, extinction, and transformation, and its clear boundary between images becomes meaningless. The meaning of composition, excess, violation, etc of digital image is explained to heterological study or heteologie suggested as important meaning of Georges Bataille who is a heretic philosopher. As the form and image of mutation shows the shape in accordance with mechanical production, heterologie is introduced as very low materialism (or bas materialisme), in this theory. Heterologie as low materialism which is gradually changing is developing as a different concept and analysis because of the change of time in the late 20s century beside high or low meaning. Including my image, all images non-standardizes and transforms the code. However, reappearance and non-standardization of this code does not seem to be simple. The problem of transformation caused by transfiguration which appears in my digital drawing painting, simulation, heterologie, etc, are the continual problems. Moreover, the subject such as existence of human being, distance from the real life, politics and social problems are being extended to actual research and various expressing work. Especially, individual image world is established by digital painting transfiguration technique, and its change and review start to have the durability. The consciousness of observers who look at the image is changing the subject. Together with theoretical research, researchers are to establish the first step to approach to various image change of digital era painting through transfiguration technique using our realistic and historical image.

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