• 대한가정학회지
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• 제34권2호
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• pp.5-30
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• 1996

The purpose of this study is to observe artistic of Expressionism reflected to works of European costume designers by analizing works of seven major representative costume designers in the twentieth century. They are Mariano Fortuny, Paul poiret, Madelene Vionnet, Jean Patou, Jeanne Lanvin, Gabriel Chanel and Elsa Schiaparelli. These designers deployed individual and various creative costume design work with peculiar expresive techniques, which is based on the Expressionism. Although each creative work was made in extremely unique sense, there was comon expressive spirituality I their creative activity. The findings are as follows : 1. Based on the "Medieval-directed characteristic" which arose over all fields of art of those days, a modern and reformative clothing beauty was created by reanalyzing traditional motive. 2 Characteristic of Cubistic Expressionism were described in overall silhouette of clothing and fine decorative element. 3. Fantastic Expressionism, which pursued basic worth from the primitive and ethnic customs, effected costume style of early 20th century and draw such designers as Mariano Fortuny, Leon Bakst, Paul Poiet, Elsa Schiaqarelli to adopt intensive and primary color. And it also gave an impact against traditional concepts by accepting fantastic oriental Exoticism.Exoticism.

• 한국디지털건축인테리어학회논문집
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• 제7권1호
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• pp.15-20
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• 2007

This study is aimed to analyze the method of movement expression in the Space-Time of Modern Visual Art. According to the results of analysis. the following is obtained. (1) The still object is perceived by the sense or optical illusion, and its whole image is made through the information processing prodedure. The concept of Space-Time is integrated into the constructivist works by the composition of image through transforming the position of the fundamental geometry and projecting it. (2) The traditional notion that the work of art is still concept of is changed. The movement of observer is caused by inducing the direction and concept of time through the object in three dimensional space.

• 한국의상디자인학회지
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• 제26권1호
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• pp.17-31
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• 2024

The purpose of this study is to propose a modern use of traditional culture by developing creative fashion designs that combine modern and traditional styles based on an analysis of traditional costumes of women in the Tang Dynasty of China. The characteristics of the Tang Dynasty women's costume are as follows. The Tang Dynasty women's costume consists of a short coat (衫, Shan), skirt (裙, Qun), half-arm shawl (半臂, Banbi), and short embroidered cape (帔, Pei). The colors are succinct and elegant, commonly red, yellow, green and navy blue in its entirety. It may be classified by pattern that blend plant patterns, animal patterns, geometric patterns, and two or more mixed patterns. On the basis of the characteristics for traditional women's costume during the Tang Dynasty, the CLO 3D program is employed to develop digital fashion design for four pairs of 3D digital clothing and the production of two pairs of work product. The results are as follows. First, the development of fashion design reflecting the design characteristics of traditional women's clothing in the Tang Dynasty of China could be expressed as fashion design reflecting unique values while connecting tradition and modernity. Second, the 3D virtual clothing program displays an extremely important effect in design deployment and pattern arrangement by having efficiency and convenience in clothing production. The CLO 3D program is closely combined with the 2D design and 3D effect and heightened efficiency while being appropriate to realize sustainability while saving processing time and energy for the sample products. Third, the production of an actual product by facilitating the 3D virtual clothing design may lead to time savings and an effective economy and may allow for the comparison of digital fashion design and actual products as well as confirming the effects of digital fashion design.

• 한국의상디자인학회지
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• 제25권3호
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• pp.97-111
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• 2023

Dynamic orphism images expressed with abstraction and construction in color are often found in modern fashion. Orphism stressing color is one of the many art trends that influence fashion. This work aims to examin its expressive effects and characteristics that appear in fashion and provide basic materials for fashion design study. This study proceeds with the following steps. First, the study takes on a theoretical examination of the orphism trend using a literature review. Second, based on its results, modern fashion's expressive features influenced by orphism are analyzed. Third, the study draws expression effects in modern fashion from these characteristics. The study coverage is confined to domestic and foreign collections released in the 21st century. The study contents come from an Internet-base domestic and international database and published material, including dissertations and books. Orphism expression effects are found in the following ways in modern fashion. First, it lies in the abstraction effect of color. This feature arrays flat geometric figure on the clothing surface and applies a strong sense of color inside it, as if color has an abstractive structured design. Second, it gives a dynamic sense visually to the clothes all at once by stressing the relation among and between the colors with powerful contrast. Third, it has a collage effect of color. This effect develops into an organic combination composed of geometric plane figures with intense complementary colors in a single piece of clothing. Expression types that presents the orphism effect in fashion are divided into clothing showing traditional orphism characteristics faithfully and clothing expressing conventional orphism characteristics mixed with modern trends. Further developed orphism fashion can be classified by the playful type, with graffiti added onto an orphism color structure, and the destructive type, where traditional orphism color orders are taken apart and reformed into a new color order.

• 한국디지털건축인테리어학회논문집
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• 제13권1호
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• pp.23-31
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• 2013

This paper presents computer graphics applying the traditional Korean house(Hanok) style interior to unit-care space of Welfare Facility and proposes the possibility as interior design and construction materials. In this paper, the proposed computer graphic-based model is a single-story building that provides convenient traffic between rooms. Computer graphic-based model is presented by Auto CAD, 3D program (Sketch-UP v.8), rendering program (Podium v.2) based on the traditional Korean house and related work of unit-care welfare facility. Computer graphic-based model that combined unit-care and the traditional Korean house has the following characteristics. In each room of living space, wallpaper and flooring Korean paper(Hnaji) is considered and windows, door, furniture of traditional pattern were placed. The living room(Daechung) that is representative of the traditional Korean house and the corridor (toenmaru) are the elements to save the image of the traditional Korean house as much as possible. Especially, the corridor (toenmaru) is placed to conveniently use in nursing-care facility and home-care support facility. A public space is placed around the inside court (An-madang), while the living space (unit-care) has a sense of independence by separation. Bathroom and kitchen have a modern design for functionality than aesthetic elements.

• 헤리티지:역사와 과학
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• 제45권3호
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• pp.224-237
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• 2012

본 연구는 서울 올림픽공원과 북경 올림픽공원을 대상으로 한 중의 현대조경설계에서 전통문화의 접근방법을 밝혀보고자 하였다. 이론적 고찰과 연구대상지의 전통문화의 이용방법을 분석한 결과, 현대조경설계에서 전통문화에 접근하는 방법은 다음과 같다. 첫째, 깊이 있는 전통문화의 이해가 필요하다. 대규모 조경설계의 경우 많은 경우 자기나라의 고유 특성을 표현해야 하므로 자국을 대표할 수 있는 문화를 잘 알아야한다. 이런 문화는 모든 사람들이 공유할만한 가치를 지닌, 세계에 보여줄 수 있는 문화들이다. 둘째, 전통문화와 향토지식을 존중한다. 전통문화와 향토지식을 존중하고 전통적인 경험을 받아들인다. 생활환경에서 정신적 영향을 받기 때문에 자신의 환경에 대해 인지하는 것이 외지인이 아는 것보다 더 심오한 깊이를 가진다. 그래서 설계시 현지인과 문화전통에 대해 진지하게 생각해야 한다. 또한 합리적으로 지역적 환경을 이용하고, 입지의 자연조건에 순응해야 한다. 입지외의 생태요소는 입지에 대해 직접적인 영향과 작용을 주므로 설계는 입지만을 고려해서는 안 된다. 위의 내용을 구현하는 방법은 대체적으로 네 가지가 있는데 보존, 재현, 모방, 반영으로 구분되어진다.

• 한국의류산업학회지
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• 제9권3호
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• pp.270-277
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• 2007

Buddhist temples and halls signify paradise on earth. Buddhist sutras refer to paradise as a place where flowers fall down like snow, fragrance and music fill the air, flowers blossom and butterflies fly. The Kkot Mun of Buddhist temples are an essential part of the creation of this paradise and are ornamented with elaborate sculptures of flowers and animals. The ornamentation of the Kkot Mun is truly admirable for its artistry and beauty. Although the Kkot Mun is an element of Korean traditional Buddhist architecture, it could also be applied to costume work. I thought the characteristic elements of the Kkot Mun for the costume work were the flower, the lattice and the transparent effect that was made with the lattice and Dagjongee. I used the technique of strap cutting, strap twisting and cut-out for the lattice of Kkot Mun and flower making, knitting, cut-out and quilting for the flower of Kkot Mun. I represented the transparent effect of Kkot Mun with the lapped materials. I selected six remarkable Kkot Mun of Korean temples, revised shapes of these and made six costume works. These six costume works would be the suggestion of costume design if an element of Korean traditional architecture was applied to modern costume making.

• 한국가족관계학회지
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• 제21권1호
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• pp.143-160
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• 2016

Objectives: The purpose of this study is to empirically verify the difference between traditional gender role attitude and realistic dual earner attitude. Most preceding studies analyzed gender role attitude by summated rating scale while few studies have been conducted on the difference between traditional gender role attitude and dual earner attitude. Method: By using the 9th Korea Welfare Panel Data (year 2014), this study extracted households of married couples and with children in working age (18 through 64 years of age) who are the main subjects in work-family relationship. First, this study classified traditional group and modern group in their gender role attitude and passive group and active group in their dual earner attitude and by crossing these attitudes, drew out 4 gender role/dual earner attitudes. For analysis, this study investigated frequency of attitude types through descriptive statistics. By conducting ANOVA, study verified if there are significant differences in the satisfaction with family relationship depending on the types of gender role/dual earner attitudes. Lastly, study examined the effect of socio-economic status and demographic characteristics on the types of gender role/dual earner attitudes by conducting multi-nominal logistic regression analysis. Results: As the result of analysis, first, half of respondents belonged to 'equal-role-oriented type' who has modern gender role attitude and active dual earner attitude. However, there were not a few 'dual-earner-avoiding type' who has modern gender role attitude but passive dual earner attitude and 'incongruous attitude type' who has traditional gender role attitude but active dual earner attitude. Next, 'incongruous attitude type' had significantly low level of satisfaction with overall family life, relationship with spouse and relationship with children than other attitude types. Lastly, those whose incomes belong to poor strata, those who are high school graduates and lower, males and those who are over the age of 60 had significantly higher probability of belonging to 'incongruous attitude type.' Conclusion: The results of analysis demonstrate that the difference between gender role attitude and dual earner attitude is an important matter and since 'incongruous attitude type' exhibits low level of satisfaction with family relationship, scrupulous policy approaches are required for those who have high possibility of belonging to 'incongruous attitude type.'

• 한국콘텐츠학회논문지
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• 제21권10호
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• pp.163-171
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• 2021

한국의 조리서와 한의서, 역사서 등 고문헌에는 건강과 음식, 치료에 관한 다양한 기록들이 있으며, 이러한 기록을 통해 '식치(食治)'의 원리를 발견할 수 있다. 식치(食治)는 '의료와 식품이 같은 원리로 작용한다' 라는 식약동원(食藥同源)의 뜻을 포함하는 의미로 전통지식으로만 그치지 않고 현대의 식문화까지 영향을 미치고 있다. 본 연구는 이러한 식치(食治)의 원리를 바탕으로 고문헌의 기록된 식품에 대한 과학적 검증을 통해 현대의 건강식품 소재로서 활용할 수 있는 토대를 마련하고자 하였다. 이를 위해 현대인의 대표적인 대사질환 중 하나인 혈당 조절과 관련이 있는 오미자, 콩, 꿀을 주원료로 하는 전통음료인 '오미갈수(五味渴水)'를 본 연구의 대상으로 선정하였다. 고문헌의 기록을 토대로 전통 오미갈수를 재현하였을 때 꿀에 의해 발생하는 음료의 엉김현상이나 섭취 후 혈당 상승 작용을 보완하기 위해 꿀을 대체할 수 있는 식품 소재를 발굴하였다. 이 소재를 활용하여 새롭게 제조한 오미갈수를 전통 오미갈수와 비교 시험을 통해 새롭게 제조한 오미갈수의 건강증진 및 품질개선 효과를 확인하였다. 본 연구를 바탕으로 전통지식의 하나인 식치의 원리를 활용한 과학적 연구를 통해 현대사회의 식품바이오, 헬스케어 등 의료 및 식품 분야의 다양한 콘텐츠로서 활용될 수 있는 기반을 마련하고자 한다.

• Journal of Ginseng Research
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• 제20권4호
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• pp.556-557
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• 1996

Ginseng (Panax ginseng) has been used as a tonic drug in Chinese Traditional Medicine for two thousand years. It is believed to be significantly beneficial for human health. During the past 20 years. due to the modern chemical, biological and pharmacological technology. the ginseng research of China has been developed rapidly Major-work has been carried out by many laboratories in beijing. shanghai and shonzhen, etc Since most of the research works were supported by pharmacological companies. Many interesting papers sometimes are of confidential limitation. It is not easy to bind those papers in common library. To make a comprehensive review of ginseng is very difficult and reluctant.