• 한국가정과교육학회지
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• 제20권2호
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• pp.61-73
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• 2008

본 연구는 고등학교 1학년 기술 가정 교과 "직물을 이용한 생활용품 만들기" 단원에 천연염색과 조각보 만들기를 적용하여 전통이미지에 대한 인식의 변화를 알아보고 학생들의 기술 가정 교과에 대한 흥미도와 태도를 향상시키는데 그 목적이 있다. 연구 결과를 요약하면 다음과 같다. 첫째, 천연염색과 조각보 만들기에서 LT 협동학습 모형을 적용한 교수-학습 지도안 및 학습 자료를 개발하였다. 둘째, 개발된 교수-학습 지도안을 적용한 후 기술 가정 교과에 대한 학습흥미도와 태도 변화를 조사한 결과, 매우 긍정적으로 향상되었다. 또한 천연염색과 조각보 만들기 수업을 실시한 후 전통이미지 인식의 변화를 분석한 결과, 전통에 대한 관심과 흥미가 매우 긍정적으로 향상되었다. 이러한 결과로 볼 때, 천연염색과 조각보 제작을 통한 수업은 학습 흥미도와 태도를 향상시킬 뿐만 아니라 전통이미지인식의 변화에 매우 긍정적인 효과가 있음을 알 수 있으며, 개발된 교수-학습 지도안과 학습 자료들은 교육현장에서 전통문화에 대한 교육내용으로 활용 가능성이 높다고 할 수 있다.

• 대한가정학회지
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• 제50권6호
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• pp.55-64
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• 2012

This study aims to reinterpret formative elements of Baeja, by applying them to the design of modern clothing. The main objective of the studying Baeja is to propose unique layered look items that can be readily put together for various weather conditions and occasions, be easily wearable and bring out unique individualities. After carefully studying Baeja from Joseon dynasty, flexible and practical layered-look items are designed. The following are the conclusions drawn from the work. First, it is possible to apply Baeja elements, such as the silhouette, traditional materials, and colors, to modern clothes, for a layered-look. Second, Baeja characteristics have a profound potential for a modern layered-look design, in that it is sleeveless, its length is long at the front and short at the back, and it comes with slits on both sides and a wide belt. The items inspired by such characteristic can easily be worn over and draped around daily clothes, according to weather conditions and occasions. Third, many decorative elements of Baeja, including detailed ornamental method, knots, patchworks, and string decorations create a unique and traditional image in modern clothes. Ribbonswhich can adjust the width of clothes are both practical and decorative. A reversible jacket is created by utilizing the same traditional sewing method for both inner and outer fabrics. One item can be worn in different styles, which increases practicality. Fourth, traditional and modern materials go well together. Such methods can create an item with both modern sensibility and traditional chic.

• 한국의류산업학회지
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• 제9권2호
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• pp.145-150
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• 2007

Recently, active movements are occurring to reestablish our own traditional Korean images in all levels of society. One of them is about Ordinary Hanbok. Academics and business sectors are endeavoring to develop comfortable and Korean traditional Hanbok designs and popularize them as well. Based on the facts, the study focuses on developing Ordinary Hanbok designs for women by applying Korean traditional patchwork in order to present handmade, humane senses. First of all, the backgrounds, history and preference of Ordinary Hanbok are discussed through literatures and precedent studies as study methodology. Then, the study is analyzing the formative beauty of Korean traditional patchwork that contains emotions of women in the Chosun Dynasty. After that, it shows Ordinary Hanbok designs developed for women by using checks, free style, and yeoiju patterns of the fabrics dyed with clay and Chinese ink that recently attract people in particular. The results are like followings; First, the limits that excessive transformation of Hanbok may cause the lack of traditional beauty can be covered through using a variety of images of Korean traditional patchwork. Second, diverse face configuration of patchworks has very unique geometric forms so to be easily applied to modern Ordinary Hanbok designs. Third, the sewing technique of patchworks also plays a role as a design factor as important as face configuration. Fourth, utilizing fabric pieces may result in various unplanned face configuration and help resource recycling. Fifth, it is possible to coordinate Hanbok with other ordinary clothes that people normally wear on. Sixth, using patchworks images can encourage developing more active and refined designs added with traditional beauty. Seventh, natural dying and fabrics are eco-friendly, which is good for human health and environment. Finally, more studies should be done on design development based on precedent studies about Ordinary Hanbok. Also, it is important to foster social atmosphere and circumstances where people accept wearing Ordinary Hanbok as our natural culture.

• 한국가구학회지
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• 제25권2호
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• pp.79-86
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• 2014

Furniture can be a product of design and is considered a form of a decorative art. Architectural works are often perceived as cultural symbols and as works of art. Korean traditional architectural form and wooden furniture were improved by adding up an organic coordination in the interior space. Furniture adds beauty of life by being coordinated with the interior space with its particular characteristic in the form of architectural structure. Architecture and furniture are also being improved in a more natural and diverse way. Therefore, in this research, from the choice of the location, Korean traditional architecture is considered to be coordinated with the nature, and the technical skill is lessened to express its beauty. There is a presence of elegance yet robust combination of simplicity and beauty. In addition, the traditional architecture and wooden furniture are completely expressed structurally with coordination of the outstanding design and solid structure according to the thrifty living in the Confucian ideas which influenced the Korean traditional society. The representative of Korean traditional architecture, Baeheulrim pillar, has worked as motive because of its visual comfort caused by optical illusion and formative elements. The small portable dining table (Soban) which reflects the characteristic of Korean unique tradition and the sensitivity of Koreans has been reinterpreted through the motive in this research. As a result, it has shown the possibility as the design element to change the aesthetic structure. In the modern society, cultural identity plays a vital role. Therefore, this research can be used as reference for the new concept of furniture - making. It could be a combination of modern people, lifestyle and living space by creating the Korean image suitable for the modern society.

• 디자인학연구
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• 제14권3호
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• pp.135-144
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• 2001

우리의 전통문화 유산에서 새롭게 디자인 모티브를 발굴하고 시각적으로 상징화하는 연구는 과거의 것과 현대의 것을 융합시키므로써 형태와 미학의 조화 속에 새로운 한국적 디자인을 창조하는 일이며, 미래의 가치를 찾는 작업이고, 새로운 전통 문화를 만드는 일이라고 할 수 있다. 본 연구는 우리 전통상징문양과 12지신 캐릭터에서 디자인 모티브를 발굴하고, 전통과 현대의 이미지를 접목하여 참신하고 세련된 감각과 흥미를 유발할 수 있는 캐릭터에 대한 표현연구를 통해 독특한 한국적 캐릭터를 개발하여 이를 현대 디자인에 다양하고 실질적인 활용방안을 제시하고자 했다. 이는 전통상징문양의 시각적인 효과와 캐릭터 개발만이 아닌, 우리만의 고유한 문화요소로 정체성과 독창성을 표현하여 외래문화 속에서 우리의 한국적 아이덴티티(Identity)를 찾고 한국적 디자인으로 미래의 세계시장에서 새로운 국가경쟁력을 갖기 위함이 그 목적이다.

• 한국인터넷방송통신학회논문지
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• 제22권3호
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• pp.99-104
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• 2022

오늘날의 미디어는 전통 미디어와 네트워크 미디어가 고도로 융합되고, 서로 이익을 공유하고 있는 융합미디어 시대로 발전하였다. 전통문화 커뮤니케이션 채널의 증가 커뮤니케이션 방법 및 관객과의 상호 작용 방식의 변화가 촉진된다. 본 연구는 중국의 우수한 전통문화 콘텐츠를 사례로 전통문화 보급의 어려움을 분석함과 동시에 융합미디어의 현재 상황과 결합하여 무형적 전통문화를 시각적 디지털 콘텐츠로 재생산하는 방법에 대해 논의하고, 융합미디어를 활용해서 대중적으로 널리 확대생산 되도록 하는 것이 목적이다. 전통문화 콘텐츠가 융합미디어의 다양한 디지털 플랫폼을 통해 보급되면 시간과 공간의 제약없이 전 세계에 공급을 가능하게 한다. 본 연구는 전통문화 계승을 위한 발전방향을 제시함과 동시에 확장성에 대한 연구로 학술적 의의를 갖는다.

• 한국측량학회지
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• 제31권6_2호
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• pp.593-599
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• 2013

China's Mapping Satellite-1, developed by the China Aerospace Science and Technology Corporation (CASC), was launched in three years ago. The data from Mapping Satellite-1 are able to use for efficient surveying and geometric mapping application field. In this paper, we fuse the panchromatic and multispectral images of Changchun area, which are obtained from the Mapping Satellite-1, the one that is the Chinese first transmission-type three-dimensional mapping satellite. The four traditional image fusion methods, which are HPF, Mod.IHS, Panshar and wavelet transform, were used to approach for effectively fusing Mapping Satellite-1 remote sensing data. Subsequently we assess the results with some commonly used methods, which are known a subjective qualitative evaluation and quantitative statistical analysis approach. Consequently, we found that the wavelet transform remote sensing image fusion is the optimal in the degree of distortion, the ability of performance of details and image information availability among four methods. To further understand the optimal methods to fuse Mapping Satellite-1 images, an additional study is necessary.

• 한국측량학회지
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• 제35권4호
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• pp.319-326
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• 2017

SAR (Synthetic aperture radar) images are less affected by the weather compared to optical images and can be obtained at any time of the day. Therefore, SAR images are being actively utilized for military applications and natural disasters. However, because SAR data are in grayscale, it is difficult to perform visual analysis and to decipher details. In this study, we propose a color mapping method using RF (random forest) regression for enhancing the visual decipherability of SAR images. COSMO-SkyMed 2 and WorldView-3 images were obtained for the same area and RF regression was used to establish color configurations for performing color mapping. The results were compared with image fusion, a traditional color mapping method. The UIQI (universal image quality index), the SSIM (structural similarity) index, and CC (correlation coefficients) were used to evaluate the image quality. The color-mapped image based on the RF regression had a significantly higher quality than the images derived from the other methods. From the experimental result, the use of color mapping based on the RF regression for SAR images was confirmed.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제7권7호
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• pp.1671-1689
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• 2013

The key issue of block-based multi-focus image fusion is to determine the size of the sub-block because different sizes of the sub-block will lead to different fusion effects. To solve this problem, this paper presents a novel genetic algorithm (GA) based multi-focus image fusion method, in which the block size can be automatically found. In our method, the Sum-modified-Laplacian (SML) is selected as an evaluation criterion to measure the clarity of the image sub-block, and the edge information retention is employed to calculate the fitness of each individual. Then, through the selection, crossover and mutation procedures of the GA, we can obtain the optimal solution for the sub-block, which is finally used to fuse the images. Experimental results show that the proposed method outperforms the traditional methods, including the average, gradient pyramid, discrete wavelet transform (DWT), shift invariant DWT (SIDWT) and two existing GA-based methods in terms of both the visual subjective evaluation and the objective evaluation.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제11권3호
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• pp.1761-1784
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• 2017

In order to improve the embedding rate of reversible watermarking algorithm for digital image and enhance the imperceptibility of the watermarked image, an adaptive reversible image watermarking algorithm based on DE is proposed. By analyzing the traditional DE algorithm and the generalized DE algorithm, an improved difference expansion algorithm is proposed. Through the analysis of image texture features, the improved algorithm is used for embedding and extracting the watermark. At the same time, in order to improve the embedding capacity and visual quality, the improved algorithm is optimized in this paper. Simulation results show that the proposed algorithm can not only achieve the blind extraction, but also significantly heighten the embedded capacity and non-perception. Moreover, compared with similar algorithms, it is easy to implement, and the quality of the watermarked images is high.