• Journal of Music and Human Behavior
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• v.13 no.2
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• pp.67-83
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• 2016

This study investigated the tonal characteristics in Korean emotion words by analyzing the pitch patterns transformed from word utterance. Participants were 30 women, ages 19-23. Each participant was instructed to talk about their emotional experiences using 4-syllable target words. A total of 180 utterances were analyzed in terms of the frequency of each syllable using the Praat. The data were transformed into meantones based on the semi-tone scale. When emotion words were used in the middle of a sentence, the pitch pattern was transformed to A3-A3-G3-G3 for '즐거워서(joyful)', C4-D4-B3-A3 for '행복해서(happy)', G3-A3-G3-G3 for '억울해서(resentful)', A3-A3-G3-A3 for '불안해서(anxious)', and C4-C4-A3-G3 for '침울해서(frustrated)'. When the emotion words were used at the end of a sentence, the pitch pattern was transformed to G4-G4-F4-F4 for '즐거워요(joyful)', D4-D4-A3-G3 for '행복해요(happy)', G3-G3-G3-A3 and F3-G3-E3-D3 for '억울해요(resentful)', A3-G3-F3-F3 for '불안해요(anxious)', and A3-A3-F3-F3 for '침울해요(frustrated)'. These results indicate the differences in pitch patterns depending on the conveyed emotions and the position of words in a sentence. This study presents the baseline data on the tonal characteristics of emotion words, thereby suggesting how pitch patterns could be utilized when creating a melody during songwriting for emotional expression.

• Speech Sciences
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• v.15 no.1
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• pp.7-23
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• 2008

This paper investigates tonal patterns of the prosodic constituents of an AP and a PWD in Korean and their relation with the morphological/syntactic structure. Specifically, this paper asks the following questions: First, if there are more than one PWD in an AP, how is each PWD specified in terms of tones? Secondly, in case that there is only one PWD in an AP that consists of several morphemes, is there any preference of the association between tones and the morphemes that constitute that PWD? Thirdly, if an AP dominates a PWD and if a PWD contains at least one morpheme of the lexical category, it follows that an AP should contain at least one morpheme of the lexical category. Can this be verified with the experimental data? In order to answer these questions, Experiment I and II were conducted with the target material consisting of a stem and suffixes that varied in length. The results of this preliminary test show that as the number of syllables in the target material increases, the more number of an AP tonal pattern occurs in it and as a result, in some cases, an AP consisting of suffixes only may occur.

• MALSORI
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• no.65
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• pp.51-65
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• 2008

The aim of this study is to compare ASD (Autism Spectrum Disorder) children with normal children in terms of the prosodic features. Materials are collected by the reading of Korean read sentences. They are composed of 10 declarative sentences, each of which was consisted of 5-6 words. Subjects are consisted of 10 ASD and 10 normal male children with a receptive vocabulary age of 5;0-6;5 years. We found out that both groups showed the differences not only in the tonal patterns at the end of the prosodic phrases, but also in both the degree of rising and falling slope related to pitch contour. While HL% and HLH% were highly emerged in sentence final position in normal group, HL% and HLH% were prominent in ASD group in the same position. LH% and LHL% IP types were observed only in ASD group in sentence medial position. The slope showing the variation in the fundamental frequency at the end of the prosodic phrase was twice as steep in the group of ASD children as in the group of normal children.

• Transactions of the Korean Society for Noise and Vibration Engineering
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• v.22 no.12
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• pp.1172-1183
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• 2012

Aure's tonality was considered as the sound metrics for the expression of the tonality of gear whine sound in a previous research. It was failed to use the Aure's tonality as a sound metric for the tonal impression. Thus Aures's tonality, was developed for tonal impression in previous research. However, this metric did not express well the tonality of gear whine sound since the whine sound is a non-stationary signal with frequency modulation and amplitude modulation. In this study, the new method for the tonality evaluation for a non-stationary signal is presented. It is developed based on the prominence ratio, tonality impression function, and lower threshold level. It improves the accuracy and reliability of the sound quality index being used for the sound quality evaluation of the axle-gear whine sound.

• Speech Sciences
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• v.10 no.2
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• pp.303-318
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• 2003

This paper attempts to investigate the tonal implementations of English stress clash, arguing that a preceding stress shifts leftward when two lexical stresses conflict across word boundaries or that H* and L* pitch accents are alternatively manifested on the stressed syllables, establishing intonational peak and valley contours. We claim that the H*/L* alternation might be a tonal strategy to avoid stress clash, and that pitch could be solely manipulated to display a rhythmic effect with maintaining lexical stress. In the experiment, we examined two-word combinations whose boundaries involve stress clash, and divided them into two categories. One has the preceding words involving a heavy syllable ahead of stress to guarantee the place for a shifting stress and the other, a light syllable, in which case stress shift is completely prevented. We analyzed the distribution of pitch accents in the word combinations, focusing on the pitch configurations in the cases where stress should not be shifted. Results show that approximately 50% of the stimuli show stress shift in the heavy syllable combinations of the preceding words; the preceding stress is moved leftward within the word. The other 50% and the light syllable combinations show various pitch accents patterns; H* and L* alternation, deaccentuation of either stressed syllable, or L-insertion between two H* pitch accents, etc. We interpret this as a rhythmic effect of tone to avoid stress clash and suggest that a true stress clash would be confined into cases without H*/L* contours.

• Journal of KSNVE
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• v.8 no.5
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• pp.870-878
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• 1998

The cross-flow fan which constitutes a fan-duct system with a stabilizer and a scroll casing is widely used in many air-ventilating and air-conditioning devices. Its ooperating points of high efficiency and loading conditions frequently induce a annoying sharp tonal component of discrete frequency on the noise spectrum, which is open called as a BPF(Blade-Passing-Frequency) noise and degrades the sound quality of the devices. this BPF tone has been one of the defects of the cross-flow fan. This study proposes two methods in order to reduce this tonal noise component, which are the random distributions of the fan blades and the skewed shapes of the stabilizer. The proposed methods are verified by a simple analytical model and are applied in manufacturing the cross-flow fan and the stabilizer samples. Some experiments are carried out to verify the reduction capability of BPF tones of above two schemes and the experimental results are analyzed. The comparison between two method is also carried out.

• The Journal of the Acoustical Society of Korea
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• v.24 no.6
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• pp.325-333
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• 2005

This paper proposes a geoacoustic inversion method for the experimental data or MAPLE 2004 experiment conducted in the East Sea of Korea in 2004 and shows source tracking test results to validate the Proposed inversion method. An objective function is defined as a correlation function of the measured and the simulated transmission loss data. The measured transmission data were obtained using a multi-tonal towed source and VLA. The VFSA (Very Fast Simulated Annealing) is applied to the inversion Problem which optimizes the objective function. After performing the inversion process for the S frequencies tonal data independently. geoacoustic models are constructed. Finally matched-field source tracking is Performed using the inverted parameters to verify them.

• Speech Sciences
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• v.15 no.2
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• pp.21-30
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• 2008

The current study investigated distributional properties of the Korean Accentual Phrase and their implication to word segmentation. The properties examined were the frequency of various AP tonal patterns, the types of tonal patterns that are imposed upon content words, and the average number and temporal location of content words within the AP. A total of 414 sentences from the Read speech corpus and the Radio corpus were used for the data analysis. The results showed that the 84% of the APs contained one content word, and that almost 90% of the content words are located in AP-initial position. When the AP-initial onset was not an aspirated or tense consonant, the most common AP patterns were LH, LHH, and LHLH (78%), and 88% of the multisyllabic content words start with a rising tone in AP-initial position. When the AP-initial onset was an aspirated or tense consonant, the most common AP patterns were HH, HHLH, and HHL (72%), and 74% of the multisyllabic content words start with a level H tone in AP-initial position. The data further showed that 84.1% of APs end with the final H tone. The findings provide valuable information about the prosodic pattern and structure of Korean APs, and account for the results of a previous study which showed that Korean listeners are sensitive to AP-initial rising and AP-final high tones (Kim, 2007). This is in line with other cross-linguistic research which has revealed the correlation between prosodic probability and speech processing strategy.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2003.05a
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• pp.1009-1009
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• 2003

VIPER a new tool for the VIsual PERception of sound quality and for sound design will be presented. Requirement for the visualization of sound quality is a signal analysis modeling the information processing of the ear. The first step of the signal processing implemented in VIPER, calculates an auditory spectrogram by a filter bank adapted to the time- and frequency resolution of the human ear. The second step removes redundant information by extracting time- and frequency contours from the auditory spectrogram in analogy to contours of the visual system. In a third step contours and/or auditory spectrogram can be resynthesised confirming that only aurally relevant information were extracted. The visualization of the contours in VIPER allows intuitively to grasp the important components of a signal. Contributions of parts of a signal to the overall quality can be easily auralized by editing and resynthesising the contours or the underlying auditory spectrogram. Resynthesis of time contours alone allows e.g. to auralize impulsive components separately from the tonal components. Further processing of the contours determines tonal parts in form of tracks. Audible differences between two versions of a sound can be visually inspected in VIPER through the help of auditory distance spectrograms. Applications are shown for the sound design of several interior noises of cars.

• Speech Sciences
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• v.12 no.4
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• pp.141-152
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• 2005

This paper shows the tonal patterns of English conjunctive utterances produced by Korean speakers of English, presenting that Korean speakers realize either the H - phrase tone or the H% boundary tone at the phrase-final part of the conjunctive utterances. Based on Pierrehumbert & Hirschberg's (1990) claim that either H- or H% tone indicates that a phrase is related to the following one, Korean speakers seem to produce the satisfactory patterns of edge tones in conjunctive sentences. In the experiment, we made up conjunctive sentences including both coordinate conjunctions such as and, but, or, and so and subordinate conjunctions like if, when and though. We varied the stimuli according to the existence of a comma and the lengths of connecting words and phrases. We also divided the subjects into two levels of English proficiency based on their English written test scores to see if Korean speakers' performance ability of edge tones is related with their general competence of English. Results show that Korean speakers produced 84% of the H- phrase tone in intermediate phrases and H-L% and L-H% boundary tones in intonational phrases. Also, coordinate and subordinate conjunctions show little difference in their tonal contours, and the existence of a comma or the lengths of connecting words and phrases do not affect Korean speakers' production of the H- phrasal tone and the H% boundary tone. This may suggest that pitch accents, rather than edge tones, should be put more focus on in teaching English intonation in Korea as much work has already shown that Korean speakers have serious problem with producing pitch accents in speaking English.