• 복식문화연구
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• 제19권2호
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• pp.283-295
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• 2011

This study deals with the interchange with art that is contained in the works of Yves Saint Laurent, and it is disclosed through his works that modern fashion is part of expressive art while pursuing creative function as a work of art. The study has been performed on the basis of the references, the pictures of his works and interviews posted in domestic and overseas fashion magazines such as Vogue, Fashion News, Mode & Mode, Gap, Collections, etc. Regarding the scope of this study, it specifically deals with works he created from 1958 until 2002, when he announced his last collection. The results of the study show that with respect to Post-Impressionism, his works were greatly affected by van Gogh(who had used colors as active media in depicting his internal mental state) which gave birth to gorgeous and handicraft-like 'Couture-style clothes'. With respects to Fauvism, the works of Matisse also had an impact on Yves Saint Laurent, who added a sense of fauvism in his works through the use of colors, motif, or full reproduction of images from paintings. We see the influence of cubism upon Laurent when we examine his works of 'clothes with artistic value,' which utilized applique, beaded decoration, patchwork, embroidered patterns, relief-like ornaments, etc. using motif or objet much as we see in the works of Picasso and Braque, artists who expressed a new dimension of the formative arts. Laurent's use of neoplasticism, or plainness of painting, demonstrates a new formative art on the three-dimensional human body by using the works of Mondrian, which consist of black lines and primary colors, although generally Laurent's 'neoplastic'works differed from the works of Mondrian by more actively utilizing the lines and colors when designing dress and its ornament. In addition, the paintings and poems of surrealism artists and poets were directly used in the clothes or their images were sometimes borrowed. In order to express respect toward the spirit of surrealism and its artists, the human body motifs such as lips and eyes(which were frequently used by the surrealism artists) were applied to embroidery, printing and beaded decoration. Finally, being inspired by such Pop artists as Andy Warhol, Roy Lichtenstein and Tom Wesselman, Laurent further emphasized the aesthetic value of the popular consumer image in his own work, resulting in the wide recognition of the designs of Yves Saint Laurent as representing the new wave of the Pop Art school.

• 한국의상디자인학회지
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• 제18권1호
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• pp.61-78
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• 2016

This study through the literature research to understand the most representative art trend - the definition and evolution of the Cubism in the early 20th century, and through the analysis on the representative painter's works, such as works of Pablo Ruiz Picasso and Georges Braque, This article raises the unique characteristics of the Cubist painting, such as geometry modeling, simultaneity, transparency, collage, deconstruction and reconstruction, etc. On the basis of theoretical research in this study, in order to meet the novelty and originality of clothing design requirements in the field, this research uses the modeling characteristics of the Cubist painting, designs and makes five sets of works in costume designing. Research findings are as follows, 1) According to the geometry modeling, split garment surface into triangle or irregular polygon shaped. 2) Show front and side images of the characters in the same garment surface. 3) Overlapping the images of the characters in the same garment surface. 4) Make use of composite materials to express the characters. 5) Disassemble the characters recombine them in an abstract painting way. These works mainly completed by adopting some techniques like Patchwork and Figurative painting. The colors consist of red, yellow and blue caused "Three primary colors series" to achieve the goal of expanding visual effect. Additionally, for the sake of the formal beauty-deformation distortion, symmetric and asymmetric, for instance the structure of the costume adopts formal beauty technique.

• 대한소아치과학회지
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• 제33권3호
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• pp.429-437
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• 2006

치과치료에서의 심미성 회복에 대한 환자들의 요구는 점차 커지는 추세이며 이러한 치아의 심미적 치과치료에 대한 요구는 영구치에 국한된 것이 아니라 최근에는 유치에서의 심미치료도 중요하게 여겨지고 있다. 치아의 심미성을 결정하는 많은 요소들 중에서 색상과 관련해서는 치과재료의 발달과 함께 많은 변화가 있는 분야이다. 본 연구는 상악 유절치의 색조특성을 분석하고자 digital shade analysis system의 일종인 $ShadeScan^{TM}$ system(Cynovad, Canada)을 이용하여 건강한 상악 유절치의 색조를 분석하였다. 1. 치경부에서는 D2와 D3가 많이 분포되어 있었으며 모든 치아에서 D2가 가장 높은 빈도수를 보였다. 2. 중앙부에서는 C1, D2, B1이 대부분을 차지하였으며 상악 좌측 유측절치를 제외한 나머지 치아에서 C1이 가장 높은 빈도를 보였고 상악 좌측 유측절치는 D2가 가장 높은 빈도를 보였다. 3. 절단부에서는 A2가 대부분을 차지하였으며 다음으로 D2가 많았다. 모든 치아에서 A2가 가장 높은 빈도를 보였으며 다른 부위에 비하여 색조가 A2에 편중되는 경향을 보였다.

• 대한전자공학회논문지SP
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• 제42권6호
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• pp.9-18
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• 2005

본 논문에서는 멀티 프라이머리 디스플레이(multi-primary display; MPD)에서 색 재현을 위해 선형 LAB 색공간에서 3차원 took-up-table(3D-LUT)을 이용한 색신호 분리방법을 제안한다. 제안한 방법은 인간 지각의 3가지 속성을 반영하는 선형 LAB 색공간에서 작성된 MPD 색역의 경계를 적은 용량의 메모리를 가지는 3D-LUT로 작성한다. 이때 색역 경계점의 자극치와 MPD의 색신호의 선형관계를 이용하여 3D-LUT에는 휘도 및 색상에 대한 채도와 색신호 조합이 저장된다. 작성된 3D-LUT에 기반하여 입력 자극치에 대응하는 MPD 색신호를 주변 색역 경계점의 색신호 변화를 고려하여 색역 경계점과 입력의 채도비로 보간한다. 그 결과, MPD 색신호가 연속적 계조를 가지도록 하였다. 또한 선형 LAB 색공간에서 색역 경계 LUT를 사용하여 연산의 복잡도를 감소시키고 MPD의 부드러운 색신호 변화를 유도하였다.

• 한국염색가공학회지
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• 제29권4호
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• pp.276-283
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• 2017

The aim of this study is to develop an effective dyeing process for black color on the silk fabrics, using natural Indigo, Madder, Amur cork tree, Alder, Logwood, and Gallnut. All natural dye materials were water-extracted, concentrated, and freeze-dried. Seven different processes were carried out and the color differences(${\Delta}E$) of black color with each process from the chemical black dyed fabric were compared. The light, washing, and rubbing fastness were evaluated. The black dyeing of the silk fabrics was well carried and excellent black color was obtained in every methods. The profound black color could be obtained by the subtractive mixture of the three primary colors of red, yellow, and blue in the order of indigo(blue) - amur cork tree(yellow) - madder or lac(red). Black color was efficiently obtained by iron mordant when logwood or alder fruit was used. The color difference(${\Delta}E$) from the black color with chemical dyestuff was the lowest in the indigo - amur cork tree - lac - iron method. Light fastness and washing fastness were excellent in all dyeing processes, showing grade 5. The fastness to rubbing was excellent as shown grade 5 in the dry samples of logwood - iron process and alder fruit - iron process.

• 한국염색가공학회지
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• 제29권4호
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• pp.268-275
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• 2017

As the substitute of synthetic coloring materials for hair dyeing, we selected some natural ones of three primary colors such as sappan wood, logwood(red), gardenia blue(blue) and amur cork tree(yellow). Mixed colorants and metallic mordanting technique were used to widen the color space of dyed samples. In view of similarity in morphological and chemical structure, wool was adopted as the reference material for human hair to evaluate the color properties of hair dyeing. The color properties of the dyed samples were evaluated by using CIE $L^*a^*b^*$ and Munsell color systems. The addition of an alum or ferrous mordants was effective to expand the color space of hair and to increase the colorfastness to washing and light more than the rating of 1. Displaying the dyed samples by using Munsell color system, better linearity of hue values between the dyed samples of wool and human hair was shown when alum mordant was used.

• 한국의상디자인학회지
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• 제18권3호
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• pp.145-163
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• 2016

This paper analyses Wassily Kandinsky's abstract paintings. this paper aims to discuss phases of Kandinsky's works as well as their formative characteristic theory. Practically, with formative characteristics in Kandinsky's paintings such as point, line, plane, form and color, this paper presents four sets of costumes. Among which, geometric patterns are intensively collaged as the formative characteristic of "point" calls for; crossed necklines and waistlines are applied as the characteristic of "lines" represents; plane and solid patterns are adopted as the main parts and ornaments as both the characteristic of "plane" and that of "form" claim; three primary colors - red, blue and yellow - are introduced as the characteristic of "color" depicts. Artificial leathers are used as the main fabric, patchwork and draping as so in technology. Therefore, with the theoretical and practical efforts, this paper aims to seek the interdisciplinary possibilities between paintings and fashion arts, and in order to develop several fashion designs representing modern aesthetics with their unique characteristics.

• 복식
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• 제26권
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• pp.251-264
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• 1995

The purpose of this study is to introduce and research the traditional Korean costume collections of Dr. McCune who was born in Pyung-Yang in 1907 and resided until her marriage to George S. McCune in about 1930. Her collections consist of three categories : children's costumes, adults' costumes, access-ories. The characteristics of collections are summorized as follows : 1. Deep wrappings are found at the front part of the top clothing when worn. The front gusset (SUB) has been dramaticaly tilted due to the difference in lengths of the top and bottom parts of the front gusset. 2. Assymetry was one of the principles of decorating Korean costumes. The assymetry were repeated at the GIT and SUB of CHOGORE with patchwork patterns. 3. Primary colors were favored in Korean costume. Hue contrast in color combinations was prefered as well, such as : yellow CHOGORE and purple blue CUFFS, a red SUN pattern matched with green embroidery. 4. Surface patterns were not so popular in Korean costumes, while the most colorful and fabulous patterns were shown through the various embroidery artifacts. Patterns were used as a way of expressing of their desires or longings in Korean costumes. The main themes of the patterns were longevity and happiness. The patterns such as peony, lotus, chrysanthemum, bamboo and bat were implying symbolism at that time. 5. Natural materials were prefered for the garments, Silk and cotton were used as the main materials of the costume collections. Studies of Korean Costume collections owned by international collectors are meaningful to boost the arena of Korean Costumes as well as fill up the vacancy left by lost costume artifacts.

• 한국전기전자재료학회논문지
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• 제15권7호
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• pp.583-590
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• 2002

In this paper, a new Silicon on Insulator (SOI)-based photodetector was proposed, and its basic operation principle was explained. Fabrication steps of the detector are compatible with those of conventional SOI CMOS technology. With the proposed structure, RGB (Read, Green, Blue) which are three primary colors of light can be realized without using any organic color filters. It was shown that the characteristics of the SOI-based detector are better than those of bulk-based detector. To see the response characteristics to the green (G) among RGB, SOI and bulk NMOSFETS were fabricated using $1.5\mu m$ CMOS technology and characterized. We obtained optimum optical response characteristics at $V_{GS}=0.35 V$ in NMOSFET with threshold voltage of 0.72 V. Drain bias should be less than about 1.5 V to avoid any problem from floating body effect, since the body of the SOI NMOSFET was floated. The SOI and the bulk NMOSFETS shown maximum drain currents at the wavelengths of incident light around 550 nm and 750 nm, respectively. Therefore the SOI detector is more suitable for the G color detector.

• 한국측량학회지
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• 제13권2호
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• pp.163-168
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• 1995

색은 칼라 모니터 상에서 삼원색에 대한 수치를 조합하여 나타내는 RGB칼라모델과 명도, 색도, 채도항의 IHS 칼라모델, CMY칼라모델, YIQ 칼라모델 등을 이용하여 나타낼 수 있다. IHS칼라모델은 RGB칼라모델보다 사용자가 색을 수학적으로 평가하여 쉽게 조정할 수 있는 이점이 있다. 본 연구에서는 Landsat TM의 밴드 3,2,1을 조합한 인공위성 영상과 스캐닝한 지도영상을 IHS 변환과 명도 조정 기법을 이용하여 색분해를 통한 재합성을 실시하므로서 천연색 지도 영상을 제작할 수 있었다. 그리고 인공위성영상과 지도영상을 합성할 때 발생하는 문제점과 그 해결방안을 제시하였다.