• 한국의사학회지
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• 제29권1호
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• pp.89-101
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• 2016

Hae-Yong Shin was a renowned merchant during the transitional period from Korean Imperialism to Japanese Occupation, and devoted his life during the period of Japanese Occupation as a proponent of patriotic enlightenment movement and translator. He also authored many medical and scientific works; in particular, he integrated the modern Western medicine into the Korean herbal medicine in his writings. His early works include New Edition of Natural History (1907), Physiology published in six series in the YaRoe, a magazine for the patriotic enlightenment movement, and the New Edition of Zoology (1908). These writings are assumed to have deepened Shin's knowledge of and insights into human and animal physiologies and anatomies. In the Danbang-Biyo-Gyeongheom-Shinpyeon (1913), he sought to incorporate the aspects of the Western medicine while mainly adopting the approach of the Korean herbal medicine. While keeping the contents and formations of Donguibogam, he recorded many empirical prescriptions and deleted theories incomprehensible for the general population, shamanic prescriptions, and poisonous and deadly ingredients. Its most salient features are the use of the Korean vernacular script for explications and simple ingredients for prescriptions. As medicinal materials, he presented commonly found low-cost native ingredients easily obtainable and affordable for. In the disciplines of childbirth, childbearing, and first aid, he adopted Western medical treatments. Danbangshinpyeon is particularly significant in that it contributed to public health by spreading practical basic medical knowledge in the vernacular script easily applicable at home in difficult situations for obtaining medical services under the Japanese colonial rule.

• 미술이론과 현장
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• 제2호
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• pp.75-120
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• 2004

국내의 서양미술 관련 연구 장은 유럽과 미국 도시들과의 불가피한 거리 시간상의 차이로 인해 이미 '그곳'에서 '역사의 보편화 작업'이 종료된 사건들만을 재차 다룰 수밖에 없는 딜레마에 봉착해 있다. 이 같은 사실이 국내의 미술작용에 미치는 영향은 결코 단순하지 않다. 지극히 제한적으로만 원전의 생산과 그에 관련된 조건들에 접근이 허용됨으로써 연구가 피상적 수준에 머물 수밖에 없는 것이 그 한 예이다. 그럼에도 그 같은 피상적 연구들이 국내 미술 장의 어떤 정치, 권력적 문맥 안에서 상대적인 우위를 점함으로써 야기되어온 숱한 문제들이 또한 있다. 서양미술의 흐름과의 관계에서 그간 국내 미술이 보여주었던 과도한 연동성, 곧 '동화와 일치의 메커니즘'은 이 같은 원인이 초래한 결과다. 그럼에도, 국내의 서양미술사, 미술이론 영역의 연구들은 여전히 이 차이의 공간에 내재하는 컨텍스트를 간과함으로써, 결과적으로 서양미술의 '원전적' 정보를 매개하거나 확대 재생산하는 것에 지나지 않는 심각한 존재론적 한계를 노정해왔다. 또 국내의 서양미술사, 미술이론연구는 자신의 학문적 영역을 정당화하는 범주론과 영역주의 안에 거함으로써, 사이 공간에서 야기되는 복잡한 정치권력적 함의들을 독해해내는 데 어려움을 겪고 있다. 이와 같은 현실에서 우리는 서양미술사, 미술이론을 보다 반성적인 학문으로 이끌어야 하는데, 그러기 위해서는 학문으로서 결코 현실에 대해 어떠한 특권적 지위도 가지려해선 안 된다는 사실을 확인해야만 한다. 그러면서 지금 우리의 삶과 존재에 보다 예민하고 긴밀하게 관여하는 학문이기를 소망해야 할 것이다. 국내의 서양미술사, 미술이론연구 장이 다시 인력과 지원의 활발한 움직임들을 끌어들이고, 그들(그것들)과 함께 인간과 문명에 대한 공동성찰의 장으로 나서기 위해서는 객관성이라는 허구와 역사의 기계적이고 중립적인 독해로부터, 그리고 "토론장에서 마른 빵을 먹어치우는" 창백한 관습에서 사건들이 터지고 수습되는 뜨거운 현실로부터 새로이 출발할 수 있어야한다. 그리하여 충돌하는 두 개의 문화권역 사이에 끼어 분열을 경험하는 지식인 특유의 명석함으로 현실을 직시하고, 그 안에서 분별력 있는 선택과 판단에 필요한 조건들을 찾아내야 할 것이다. 예속과 자율의 변증법적인 관계 속에서 새로운 한국미술, 세계미술의 출범이 어떠해야 할 것인가를 끊임없이 제안하는 것, 그것이 서양미술사, 미술연구의 새로운 좌표가 되어야 할 것이다.

• International Journal of Knowledge Content Development & Technology
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• 제10권1호
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• pp.47-70
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• 2020

This article examines the utilization of e-resources Modibbo Adama University of Technology, (MAUTech) Yola under the auspices of the central library, the Ibrahim Babangida Library. Academics and students are primary users of information resources of any library, hence, their responses towards the utilization of e-resources in the institution have been critically considered in this study. A Mixed method research Design was adopted for the study. A case study approach was employed. The Technology Acceptance Model (TAM) and Diffusion of Innovation (DoI) theories were used to develop the conceptual framework of this paper. Questionnaires were used as data gathering tools. Academics and students acted as participants. Major findings are lack of sufficient Internet access for academics and students and lack of training and awareness campaigns. Conclusion has shown that e-resources did not impact research and teaching of academics in MAUTech, Yola.

• 미술이론과 현장
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• 제6호
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• pp.147-163
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• 2008

The 1960s is a decade that is marked by new concepts of art making and art appreciation. Starting from Fluxus, the new art in the 1960s such as Happenings and performance art pursued the process of art making as an integral part of artistic experience. The traditional concept of art works that only appeal to vision soon became a site of contentious experiments and innovations in which the experience of seeing is accompanied by other sensual encounters of sound, smell, touch, and taste. These attempts can be seen as a revolutionary move to restore the sense of corporeality to the act of seeing that has been disembodied by the way in which western art has built the unifying, homeogenous field of vision. This paper delves into the works of Fluxus artists - Daniel Spoerri, Ben Vautier, Alison Knowles, Ay-O, and Takako Saito - who were central figures in taking art into the new age of post-ocularcentrism. Exploring the sense of smell, touch, and taste, these artists led the viewer to participate in their art making with the incorporated vision.

• Acta Via Serica
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• 제2권2호
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• pp.113-132
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• 2017

Several theories about the ancestry of the Khazars and the origins of the Khazar state have been suggested to date. None of them provides a comprehensive solution for the controversial data of the written sources on the early history of the Khazars. This article investigates a possible link between the title of Kagan-Bek of the Deputy Kagan of the Khazars and a similar title Ellac/Ilek of the Akatsir-Huns. This study of the title argues for statehood and political culture connections between the earliest Turkic tribes of Western Eurasia and the Khazars and Turks of Central Asia.

• 인문언어
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• 제5권
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• pp.7-36
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• 2003

In this paper I am arguing in favour of more vigilance on the part of the Korean linguistics' melieu and, if deemed necessary, a more solid epistemological foundation of the Korean Linguistics. The purpose of this work consist in providing some epistemological inquiry on the major orientations and tendencies which are manifested in the reception of western linguistic theories. I might call this point of view as a critical approach to the philosophy and history of Korean linguistics. In the first section, I gave a short description of the model of the linguistic historiography which can be applied to the history of the Korean linguistics. In the second section, I am concerned with the comparative epistemology of the development of linguistic ideas produced in the West and East. In the final section, I made some critical reflections on the limits of Korean linguistics.

• 한국수학사학회지
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• 제27권1호
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• pp.1-12
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• 2014

From the mid 17th century, Joseon mathematics had a new beginning and developed along two directions, namely the traditional mathematics and one influenced by western mathematics. A great Joseon mathematician if not the greatest, Hong JeongHa was able to complete the Song-Yuan mathematics in his book GuIlJib based on his studies of merely Suanxue Qimeng, YangHui Suanfa and Suanfa Tongzong. Although Hong JeongHa did not deal with the systems of equations of higher degrees and general systems of linear congruences, he had the more advanced theories of right triangles and equations together with the number theory. The purpose of this paper is to show that Hong was able to realize the completion through his perfect understanding of mathematical structures.

• 한국실내디자인학회논문집
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• 제13권3호
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• pp.69-75
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• 2004

Since 1990s, several rising western architects have been moving their theoretical background from the modern paradigm to new science and philosophy. Architectural spaces are based on the philosophy and science of their own age and the architectural theories made by them. And specially, it seems that topological spaces are different to theoretical backgrounds from idealized spaces of modern architecture. From these backgrounds, this study was performed to search for the spacial relationship and characteristics shown in the recently folding architecture and the results of this study that starts this purpose are as follows. First, the architecture that introduced by the theory of topology has appeared as the circulation forms like as Mobius band or Klein bottle, and was made the space fused with structure pursuing liquid properties of matter. As follows, second, the concept of topological space made the division of traditional concept of floor, wall, ceiling disappeared and had built up the space by continual transformation. Third, about the relationship between two spaces in topological space, the two spaces were happened by transformation of these and they have always continuity and the same quality.

• 한국수학사학회지
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• 제35권3호
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• pp.73-113
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• 2022

In this paper we survey on the geometric development in the history of Joseon mathematics. We have relatively many research papers on the history of equations in Joseon but the history of geometry is limited to that of trigonometry (gugosul). We survey on the results on the whole geometry including the introduction of western geometry in Joseon. Joseon mathematics developed differently during several different periods. We investigate how geometric theories developed during those periods and the meaning behind them. We do not claim that our survey is anywhere close to a complete one. This is rather a preliminary attempt to collect research results to plan our research following those of our predecessors.

• 셀메드
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• 제1권1호
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• pp.1.1-1.7
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• 2011

Medicine has a past, a present, and will have a future; the same can be said for many diseases. Even with the surprising development of modern medicine, traditional medicine, especially eastern Asian traditional medicines still exist and are widely used in those regions. But modern medicine and western pacific traditional medicines have different theories and applications for the same disease. In this review, traditional medical theory, used together with modern medicine, can be combined to shed light on the area of neuronal death.