• Title/Summary/Keyword: the Three Kingdoms period

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Species identification and microscopic structure of ancient wood excavated from the remains( I ) -Species of coffin woods excavated from ancient tombs- (출토고목재의 수종과 조직구조에 관한 연구( I ) -출토목관재의 수종-)

  • PARK, S. J.;KANG, A. K.;KIM, Y. J.
    • Journal of Conservation Science
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    • v.2 no.2 s.2
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    • pp.3-14
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    • 1993
  • This study was carried out to identify the species of wooden coffins excavated from ancient kings' tombs of Nakrang and Pro-Three-Kingdoms to the beginning period of the Three Kingdoms, and the private tombs of the middle stage at the Yi dynasty. The species of wooden coffins were identified as three softwoods(Thxus cuspidata, Sciodopitys verticillata, Pinus densiflora) and six hardswoods(Quercus acutissima, Quercus serrata, Zelkova serrata, Platycarya strobilarea, Alnus japonica and Morns spp.). Thxus cuspidata, wooden coffins of Nakrang kings' tombs, is distributed through Korea. However in previous examination it was known as Cunninghania lanceolata, native species in south China. Sciodopitys verticillata used as a wooden coffin of King Muryung's tomb was native to Japan. It was a material evidence proving the cultural exchange between Paekche Kingdoms and Japan in those days. Pinus densiflora was the species of wooden coffins excavated from private tombs in Yi dynasty, which was not found out from Pro-Three-Kingdoms and Three-Kingdoms. Quercus accutissima was used for making a trough shape wooden coffins at Daho-ri ancient tombs and Quercus serrata was used a outer wooden coffin of Nakrang kings' tombs. An adamant iron mongery might be used to manufacturing a trough shape wooden coffin. This indicates that a developed iron-manufacturing technics existed in Korea at that time. Zelkova serrata was used for making wooden coffins of Imdang and Kaya ancient tombs, Chunma and Hwangnam king tombs. Platycarya strobizacea was used for making wooden coffin of Daegok-ri, Alnus japonica for Daho-ri coffins and Morus spp. for Imdang coffins.

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Types and Changes of Arrow Quivers in the Three Kingdoms Period (삼국시대 화살집[화살통]의 유형과 변화과정)

  • YI, Gunryoung
    • Korean Journal of Heritage: History & Science
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    • v.55 no.3
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    • pp.152-176
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    • 2022
  • This paper, a basic study on the restoration of arrow quivers during the Three Kingdoms Period, aimed to contribute details to the existing plan to restore the arrow quivers. The arrow quivers of the Three Kingdoms Period consist of a pouch for holding arrows and a backpiece. However, the two parts do not remain, and only metal parts have been excavated. The excavated arrow quivers were classified into three types for restoration. Centered on the pouch, the quivers were classified into type 1 made up of a W-shaped part and ㄷ-shaped part, and type 2 with only the band-shaped piece identified. Type 3 is similar to type 2, but it is assumed to be a separate type where an iron band extending from the hanging piece(吊手金具) is connected to a band-shaped piece. Before proposing a restoration plan for the three types of arrow quivers, the location of the hanging piece (吊手金具) and the observation of organic matter were reflected. In addition, such details as the location of the hanging piece (吊手金具), which cannot be identified by the excavation status alone, were derived from the ways of wearing the arrow quivers observed in the Joseon Dynasty, Shosoin (正倉院), and Haniwa (埴輪) in Japan. Referring to the existing record on the transformation of arrow quivers based on the hanging piece (吊手金具), the arrow quivers change from type 1 to types 2 and 3 in this paper. However, some of types 2 and 3 maintain the ways of wearing of type 1, and there were cases where the old-fashioned parts were kept. In particular, in Haman (咸安), it was confirmed that the typical type 1 was buried up until late periods.

The Preconsideration of Kiln for Firing Soft Stoneware in the Yeongnam Province in the Proto-Three Kingdoms Period (영남지방 원삼국시대의 토기가마구조에 대한 예찰)

  • Kim, Jae-cheol
    • Korean Journal of Heritage: History & Science
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    • v.40
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    • pp.35-72
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    • 2007
  • Since three has never been any incidence of having investigated kilns for firing soft stoneware in the proto-three kingdoms period so far, how they structured by reviewing historic literature and material was preconsidered in this study. It is presumed that after both Gimhae Daeseongdong-type and Sacheon Bonggyeri-type kilns for firing earthenware coexist early, through an internal alteration process which is mutually complex and momentous, the floor of plastic room has been flattened or slanted and expanded little by little into the closed-kiln structure. It seems that the structure of kilns for firing soft stoneware was a horizontal combustion type(水平燃燒式) and its plane shape was close to being rectangular in shape unlike that of kilns for firing stoneware found in Honam and Hoseo province in the period of (proto-) three kingdoms. On the other hand, it is likely that the horizontal combustion type structure of kilns for firing stoneware excavated in Samyong-ri, Jincheon preceded the vertical combustion type(垂直燃燒式)that of kilns for firing stonewere found in Sansu-ri. In addition, the term, monumeut for firing earthenware must be changed to kiln for firing earthenware and the terms of Pyeungyo(平窯) and Dyengyo(登窯) can be applied to kilns for firing tiles. Thus, it does not seem likely that the absolute equality that Wajil earthenware(soft stoneware) pottery is Pyeungyo and stoneware pottery is Dyeungyo is applied in all cases.

Iron Technologies of the Three Kingdoms Period in Korea (삼국시대(三國時代) 철기유물(鐵器遺物)의 제작기술(製作技術) 연구(硏究))

  • Chung, Kwang-Yong
    • Korean Journal of Heritage: History & Science
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    • v.35
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    • pp.138-158
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    • 2002
  • To compare and analyze technical system related to manufacturing of ironware during the period of the Three Kingdoms, an analysis was conducted on the minute system of metalwork, as study objects, of the remains of the Mt. Wolpyeong fortress wall in Daejeon in the period of capital during the era of the Three Kingdoms in the 5th century, the Sanwol-ri remains in the 6th century in Gunsan and the remains of ironware excavated from the great ancient tomb of Hwangnam of the Silla dynasty in the 5th century. The result of analysis shows that in the most of the casting products, the minute system of white cast iron were contained. While the iron part of decarbonization was in the system by casting as white cast iron in the central part, on the surface layer it was turned out that comparatively uniform 100% pearlite system of about 1~2mm degree was existing. The part of pearlite on the surface layer was caused by decarbonization, which appears in all the parts of blade front end and handle. Therefore, it was found that the iron part of decarbonization was manufactured by casting, and then was processed at the high temperature by decarbonization. For the products of forging, after processing the products on the basis of pure iron for materials, they manufactured the ironware that raises the strength by carbonizing that keeps carbon infiltrated on the necessary part, by the method of black smith welding that add pure iron to steel, or by varying the method of heat processing onto the part required of strength. Though limited, we could understand that the technical systems for manufacturing skill of ironware in the areas of Baekje and Silla were different each other. In the technical system for Hwangnam great ancient tomb in the Silla area, it is found that they had raised the strength on the necessary part by applying the steelmaking method of carbonizing in the last stage of production of products, in the meantime in Baekje area, it appears that they had produced steel in advance in the first stage of production of the products, and used the produced steel only to the necessary part.

This Study of the Arms Used in the Three Kingdoms (삼국시대(三國時代) 병기체제(兵器體制)의 연구(硏究))

  • Kim, sung-tae
    • Korean Journal of Heritage: History & Science
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    • v.34
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    • pp.20-58
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    • 2001
  • In order to unravel the characteristics of arms used in the 'Three Kingdoms,' Kokuryo, Silla and Paikje. the classification and the developing procedures of the arms should be first discussed. At first, the basic arms of the soldiers of Three Kingdoms were iron swords, iron spearheads, and bows. During that period, swords attached a ring pommel were commonly used. But after 5A. D. a sword with a decoration pommel appeared. Infantry generally used iron spearheads. From the late 4A. D. the long spearheads were broadly used in cavalry battles. In the late 6A. D. infantry mainly used long spearheads, and this resulted in the foundation of long spearheads units. There were two kinds of bows: Short Bow whose arch is small and Long Bow whose arch is long. It is known that the Short Bow was widely used in Kokuryo and Paikje up to 5A. D. In the early era, infantry used Long Bow, yet it was vastly used after 6A. D. when a castle's strategical value was great and defending a castle was. significant. Above mentioned, as basic combat weapons, iron spearhead and bow were fundamental. In particular, the spearhead was the essential weapon to a soldier. Yet, arrow gun and hook-shape cutters were important weapons. Especially, after 6A.D., when a castle became strategically pivotal in military, the arrow gun became the important weapon. This resulted in the foundation of arrow gun units. Hook-shape cutters were used to snatch horsemen or to climb up to fall the castle. Yet, the cutter was not the Three Kingodoms' basic weapon. In addition, the three stages of arms development in the Three Kingdoms are formation stage, development stage, and settlement stage. The formation stage was the period when premitive military unit appeared in the Three Kingdoms. It ranged from 1B. C. to the mid 3A. D. At that time according to regions. there were two weapon systems operating: North area including Kokuryo and the northern part of Paikje and South area including Silla, Kaya and the southern part of Paikje. ln North area a sword with a ring attached at the end of the holder, iron spear with neck and mid-size flat holder and iron arrowhead with an extension to fix, were used. In this period, during a war calvary units were mostly used and their weapon systems seemed possibly to succeed in that of Kochosun. In the development stage, when LoLang's influence on surroundings became weak, Koguryo, Paikjae and Silla had directly contacted each other. In the late 3A.D. to the early 6A.D., Silla achieved a drastic improvement in weapon system. This was the period when Kokuryo played a leading role in arms race. Kokuryo's arms manufacturing techniques passed onto Silla, Kaya and Paikje. In combat strategy a joint operation between infantry and calvary prevailed even if their military tactics were different. In a calvary battle heavily armed horsemen played import roles at this period. The horsemen and even horses were heavily guarded with iron armors. After all, the appearance of fully armed horsemen implies the very need of powerful destructive forces in weapon system. At that time, basic weapons were a big sword with a ring attached at the end of the holder, swallow's tail-shape spear with neck, and iron spearhead with neck and an extension. The settlement stage began at the mid 6A.D., when it was the revolutionary period in the arms development history. Of course, actual proofs and picture documents were not sufficient enough to penetrate full scale of the weapon system. But, according to historical circumstances and historic records, it is very certain that this period was the peak in arms development. In this period special military units, such as infantry-calvary companies, Archery units and Long spear units, that executed particular duties with special weapons, were founded. This became the characteristics of the settlement stage.

A Study on the Colors of Court Dancing Suits in the latter period of Chosun Dynasty - Centering around dances YukHwaDae.MuSanHyang.ChoonAgengJeon- (조선 후기 궁중무용복식의 복색사상 연구( I ) -육화대.무산향.춘앵전을 충심으로-)

  • 남후선
    • Journal of the Korean Society of Costume
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    • v.50 no.4
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    • pp.73-87
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    • 2000
  • The court dancing suit, so-called "JeongJae(呈才) suit," has been worn by court dancers on the occasion of the royal court′s feasts or festivals such as auspicious events of a country, court banquets, and parties or receptions for national quests from foreign countries. There are 53 kinds of court dancing suits, ranging from the age of the ancient Three Kingdoms to the period of Chosun Dynasty. The court dancing suits are divided into two styles : DangAk-JeongJae(唐樂呈才) style and HyangAk-feongjae(鄕樂呈才) style, depending on dancing styles. Since the court dancing suits in the age of the ancient Three Kingdoms and Koryo Dynasty have already been studied previously, this study discussed the change of dancing suit styles created in the latter period of Chosun Dynasty, such as YukHwaDae(六花隊), MuSanHyang(舞山香) and ChoonAengJeon(春鶯), and the thought of Yin-Yang and five elements(陰陽五行思想) that the colors of the court dancing suits imply. The purpose of this study is to understand the thoughts contained in the ancient suits as well as their styles in order to inherit and uphold our traditional culture properly.

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A Study on the Interchange of Korean and Chinese Tea Culture (한중차문화교류고)

  • 김명배
    • Journal of the East Asian Society of Dietary Life
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    • v.3 no.2
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    • pp.15-24
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    • 1993
  • (1) According to the history of three kingdoms, tea was introduced to Korea at the period of Korea at the period of Sun-Duck Queen of Shilla dynasty, and Dae-Ryeom Kim, the emissary, brought tea seeds from Tang China in 828, and sowed them on Mt. Jiri by the order of the King Heung-Duck, Shila. In 1885, The Chosun government took action in transplant 6000 each of tea of tea seeding from Ch'ing. (2) Transmission of schools As for the type of tea through the history of Korea, it could be characterized as cake-tea in the three kingdoms period, lump-tea in Koryo dynasty and leaf-tea in Chosun dynasty. Those were affected by Chinese tea culture. (3) Transfer of tea and tea utensils Kokuryo and Shilla had to import cake-tea from tang China, and Koryo had to import lump-tea from Sung China, and Chosun had to import leaf-tea from ch'ing China. On the other hand, to export various tea to Khitai, Chin, Yuan, and Chosun had to export tea Ch'ing China. And the tea bowl produced in the Sung such as Chien Chou ware and Chi Chou ware, was also introduced to Koryo. (4) Suggestion for the promation of tea industry The Chosun government were adviced to the exchange of Chosun tea for Chosun tea for China horse, by yang Ho, General to the Ming expeditionary forces in Chosun, and were advised to engage in foreign tea trade, by Lee Hong Jyand, minister of commerce for the nothern sea to the Ching.

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A Study on the Type of Kwa-Dae in the Ere of the Three Kingdoms - Mainly classifying the type of the belt plague - (삼국시대 과대의 양식에 대한 연구 -과의 형식분류를 중심으로-)

  • 김은주
    • Journal of the Korean Home Economics Association
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    • v.36 no.6
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    • pp.41-56
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    • 1998
  • The Yo-Dae(belt) was made of cloths and leather orginally. Then, it was decorated with metal decoration to become more developed luxury one. The Kwa-Dae of the Three Kingdom period is called as final shape among those ancient mode. Dae-Gu(The origin of belt buckle) was the metallic decoration of the leather belt that the northern nomadic tribe used to wear it. It was considered that the Dae-Gu was more decorated and changed to Kwa-Dae with Yo-Pae. The first stage Dae-Gu didn't have the hook, but a short hook only could move the belt itself was created, and then a movable short hook(China-Jin period Kwa-Dae, etc) to be inside of belt was showed, after that an axis was necessary when it became to long one, It was completed as a belt buckle. The stick shape hook was main stream in China an dthe other northern countries. Meanwhile, Korea has mostly "T" shape hook, and it shows that we developed our own unique style. Classifying the type of the belt plague, there are five types due to the scarved shapes on the Kwa-Dae and the changes. Mainly based on the excavated tomb articles of the three kingdoms and referred to Chinese and Japanese ones. It showed that the belt plague was lightly influenced by the times and area, but was slowly changed and developed to different types through those each ages generally.

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A Study on the Bonding Materials used for the Great Jar of the Proto-Three Kingdoms Period from Daechuri Site, Pyeongtaek (평택 대추리 유적 출토 원삼국시대 대형옹(甕)에 사용된 접착재료 연구)

  • Cho, Nam-Chul;Kim, Soo-Chul;Kim, Woo-Hyun;Shin, Yeun-Sik
    • Journal of Conservation Science
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    • v.26 no.4
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    • pp.371-376
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    • 2010
  • The great jar estimated in Proto-Three Kingdoms period was found at the site from Pyeongtaek Daechuri and the bonding traces from pieces destroyed when they were excavated are observed. Therefore this study would figure out the components of bonding material used in great jars by optical microscope, FT-IR, py-GC/MS and the kind of textile attaching to great jar by transmitted light microscope. As a result of optical microscope for the cross-section, black material is uniformly applied between a piece of jar and the part of bonding and the textile line are observed. Black bonding material is resulted in korean rhus lacquer by FT-IR and py-GC/MS and the kind of textile is identified as hemp by transmitted light microscope. Materials for repairing archaeological objects are hardly known causing little information, but this study proves that the bonding material had used lacquer for great jars before Proto-Three Kingdoms period. Therefore if ancient bonding materials are systematically analysed in the further studies, it would be significant help for studying bonding and restoration materials of ancient objects.

A Historical Study of Textiles - With an Emphasis on Korean Cotton Fabrics - (직물(織物)의 역사적(歷史的) 고찰(考察) - 우리나라의 선직물(線織物)을 중심(中心)으로 -)

  • Lee, Soon-Hong
    • Journal of the Korean Society of Costume
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    • v.5
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    • pp.65-81
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    • 1981
  • I referred to documents to study the origin and the progressing process of textiles. Cotton seeds were first imported from China by Mun, Ik Jem at the end of the era of Koryeo, and cotton had several different names such as mok-myen, cho-myen, gil-pae, baek-chep-za, tap-po, ban-ki-wha, dong-yep-po and so on. Since the era of the Three Kingdoms, people had heard of cloth of superior quality but it was not certain whether it was imported from China or made in our country. It seems that cotton was not made during that period, white silk, hemp cloth, and ramie fabric were produced. At that time, linen was called cotton by mistake. After importing cotton seeds from China, all the people began to plant them and made their clothes from them. At the beginning of the Yi Dynasty, the weaving technique was dependent on China. However, the government persuaded farmers to plant them. At that time cotton was used as a means of purchasing instead of money. Silkworms raising started during the era of the Three Kingdoms and it was widely spread at the beginning of the Yi Dynasty. In order to encourage sericulture' spinning and weaving instruments were installed in the royal palace and the queen with sher court maids demonstrated how to spin and weave. The activity was named "chin-jam-ye." Linen was the representative of all textiles and it was also very popular. The technique of weaving had already been highly developed at the era of Silla. During the era of the Three Kingdoms people used "bang-chu-cha" as a weaving instrument. They discovered several new hand machines in the period of the Yi Dynasty: they were instrument of removing seeds, spinning wheel, hemp cloth loom and so on, and we find the remains of them these days.

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