• 제목/요약/키워드: the Three Kingdoms period

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출토고목재의 수종과 조직구조에 관한 연구( I ) -출토목관재의 수종- (Species identification and microscopic structure of ancient wood excavated from the remains( I ) -Species of coffin woods excavated from ancient tombs-)

  • 박상진;강애경;김유정
    • 보존과학회지
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    • 제2권2호
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    • pp.3-14
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    • 1993
  • This study was carried out to identify the species of wooden coffins excavated from ancient kings' tombs of Nakrang and Pro-Three-Kingdoms to the beginning period of the Three Kingdoms, and the private tombs of the middle stage at the Yi dynasty. The species of wooden coffins were identified as three softwoods(Thxus cuspidata, Sciodopitys verticillata, Pinus densiflora) and six hardswoods(Quercus acutissima, Quercus serrata, Zelkova serrata, Platycarya strobilarea, Alnus japonica and Morns spp.). Thxus cuspidata, wooden coffins of Nakrang kings' tombs, is distributed through Korea. However in previous examination it was known as Cunninghania lanceolata, native species in south China. Sciodopitys verticillata used as a wooden coffin of King Muryung's tomb was native to Japan. It was a material evidence proving the cultural exchange between Paekche Kingdoms and Japan in those days. Pinus densiflora was the species of wooden coffins excavated from private tombs in Yi dynasty, which was not found out from Pro-Three-Kingdoms and Three-Kingdoms. Quercus accutissima was used for making a trough shape wooden coffins at Daho-ri ancient tombs and Quercus serrata was used a outer wooden coffin of Nakrang kings' tombs. An adamant iron mongery might be used to manufacturing a trough shape wooden coffin. This indicates that a developed iron-manufacturing technics existed in Korea at that time. Zelkova serrata was used for making wooden coffins of Imdang and Kaya ancient tombs, Chunma and Hwangnam king tombs. Platycarya strobizacea was used for making wooden coffin of Daegok-ri, Alnus japonica for Daho-ri coffins and Morus spp. for Imdang coffins.

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삼국시대 화살집[화살통]의 유형과 변화과정 (Types and Changes of Arrow Quivers in the Three Kingdoms Period)

  • 이건용
    • 헤리티지:역사와 과학
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    • 제55권3호
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    • pp.152-176
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    • 2022
  • 본고는 삼국시대 화살집 복원에 대한 기초 연구로, 기존 화살집 복원 안에 대한 세부내용을 보완하기 위한 연구이다. 현재 발굴된 삼국시대 화살집은 화살을 담는 주머니인 수납부, 그리고 화살집의 등판에 해당하는 배판부로 구성된다. 그러나 2부위는 남아있지 않고, 금속 부품만 발굴되고 있다. 출토된 화살집을 3가지 유형으로 분류하여 복원하였다. 수납부 금구를 중심으로 W자형 부품과 ㄷ자형 부품으로 구성된 1유형, 띠형 금구만 확인된 2유형으로 분류했다. 3유형은 2유형과 비슷하지만 적수금구에서 뻗친 철띠가 띠형 금구에 연결되는 화살집으로, 별도의 유형으로 상정하였다. 3가지 유형의 화살집에 대한 복원 안을 제시하기 전에 적수금구 위치와 유기물 관찰 내용을 반영하였다. 또 출토정황만으로 알 수 없는 적수금구의 위치와 같은 내용은 조선시대 화살집과 일본의 정창원, 하니와에서 관찰되는 화살집 착용방법에서 착안하였다. 적수금구를 기준으로 삼은 기존 화살집 변천 안을 참고하면, 화살집은 본고의 1유형에서 2·3유형으로의 변화한다. 변화의 요인에 대해 화살을 담는 수납부 공간과 화살집을 착용하는 방법의 변화에서 찾았다. 그러나 일부 2·3유형은 1유형의 착장 방식을 유지하고 있고 구식의 부품을 유지된 사례도 있었으며, 함안지역에서는 전형적인 1유형이 늦게까지 부장되는 양상을 확인할 수 있었다.

영남지방 원삼국시대의 토기가마구조에 대한 예찰 (The Preconsideration of Kiln for Firing Soft Stoneware in the Yeongnam Province in the Proto-Three Kingdoms Period)

  • 김재철
    • 헤리티지:역사와 과학
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    • 제40권
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    • pp.35-72
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    • 2007
  • 이 글은 아직 원삼국시대 토기가마의 조사 예가 거의 없는 영남지역을 대상으로 당시의 그것이 어떤 구조형태였는지 시공적인 자료검토를 통해 예찰한 것이다. 영남지방 초기철기시대~원삼국시대 초기의 토기가마는 김해 대성동형 토기가마와 사천 봉계리형 토기가마가 병존했던 것으로 보인다. 이후 상호 복합적이며 계기적인 내적 변화과정을 통해 소성실 바닥이 편평하거나 또는 경사지고 규모가 조금씩 확대되는 실요(室窯)의 구조로 변화된 것으로 추정된다. 구체적인 형태는 알 수 없으나 비슷한 시기 호남 호서지방의 구조와 유사한 수평연소식(水平燃燒式)이면서 평면형태가 장방형에 가까운 구조였을 것으로 추정된다. 한편, 진천 삼룡리 토기가마의 수평연소식 구조는 진천 산수리 토기가마군의 수직연소식(垂直燃燒式) 구조보다 선행했을 것으로 판단된다. 용어의 사용에 있어서는 소성유구(燒成遺構)는 토기가마로 부르는 것이 적절하며, 평요(平窯)와 등요(登窯)의 분류개념은 6세기대 이후 복합적인 구조를 하고 있는 가와가마의 경우에 사용함이 타당할 것으로 생각된다. 따라서 와질토기가마는 평요이고 도질토기가마는 등요라는 기존 가설은 재고할 필요가 있다고 판단된다.

삼국시대(三國時代) 철기유물(鐵器遺物)의 제작기술(製作技術) 연구(硏究) (Iron Technologies of the Three Kingdoms Period in Korea)

  • 정광용
    • 헤리티지:역사와 과학
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    • 제35권
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    • pp.138-158
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    • 2002
  • To compare and analyze technical system related to manufacturing of ironware during the period of the Three Kingdoms, an analysis was conducted on the minute system of metalwork, as study objects, of the remains of the Mt. Wolpyeong fortress wall in Daejeon in the period of capital during the era of the Three Kingdoms in the 5th century, the Sanwol-ri remains in the 6th century in Gunsan and the remains of ironware excavated from the great ancient tomb of Hwangnam of the Silla dynasty in the 5th century. The result of analysis shows that in the most of the casting products, the minute system of white cast iron were contained. While the iron part of decarbonization was in the system by casting as white cast iron in the central part, on the surface layer it was turned out that comparatively uniform 100% pearlite system of about 1~2mm degree was existing. The part of pearlite on the surface layer was caused by decarbonization, which appears in all the parts of blade front end and handle. Therefore, it was found that the iron part of decarbonization was manufactured by casting, and then was processed at the high temperature by decarbonization. For the products of forging, after processing the products on the basis of pure iron for materials, they manufactured the ironware that raises the strength by carbonizing that keeps carbon infiltrated on the necessary part, by the method of black smith welding that add pure iron to steel, or by varying the method of heat processing onto the part required of strength. Though limited, we could understand that the technical systems for manufacturing skill of ironware in the areas of Baekje and Silla were different each other. In the technical system for Hwangnam great ancient tomb in the Silla area, it is found that they had raised the strength on the necessary part by applying the steelmaking method of carbonizing in the last stage of production of products, in the meantime in Baekje area, it appears that they had produced steel in advance in the first stage of production of the products, and used the produced steel only to the necessary part.

삼국시대(三國時代) 병기체제(兵器體制)의 연구(硏究) (This Study of the Arms Used in the Three Kingdoms)

  • 김성태
    • 헤리티지:역사와 과학
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    • 제34권
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    • pp.20-58
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    • 2001
  • In order to unravel the characteristics of arms used in the 'Three Kingdoms,' Kokuryo, Silla and Paikje. the classification and the developing procedures of the arms should be first discussed. At first, the basic arms of the soldiers of Three Kingdoms were iron swords, iron spearheads, and bows. During that period, swords attached a ring pommel were commonly used. But after 5A. D. a sword with a decoration pommel appeared. Infantry generally used iron spearheads. From the late 4A. D. the long spearheads were broadly used in cavalry battles. In the late 6A. D. infantry mainly used long spearheads, and this resulted in the foundation of long spearheads units. There were two kinds of bows: Short Bow whose arch is small and Long Bow whose arch is long. It is known that the Short Bow was widely used in Kokuryo and Paikje up to 5A. D. In the early era, infantry used Long Bow, yet it was vastly used after 6A. D. when a castle's strategical value was great and defending a castle was. significant. Above mentioned, as basic combat weapons, iron spearhead and bow were fundamental. In particular, the spearhead was the essential weapon to a soldier. Yet, arrow gun and hook-shape cutters were important weapons. Especially, after 6A.D., when a castle became strategically pivotal in military, the arrow gun became the important weapon. This resulted in the foundation of arrow gun units. Hook-shape cutters were used to snatch horsemen or to climb up to fall the castle. Yet, the cutter was not the Three Kingodoms' basic weapon. In addition, the three stages of arms development in the Three Kingdoms are formation stage, development stage, and settlement stage. The formation stage was the period when premitive military unit appeared in the Three Kingdoms. It ranged from 1B. C. to the mid 3A. D. At that time according to regions. there were two weapon systems operating: North area including Kokuryo and the northern part of Paikje and South area including Silla, Kaya and the southern part of Paikje. ln North area a sword with a ring attached at the end of the holder, iron spear with neck and mid-size flat holder and iron arrowhead with an extension to fix, were used. In this period, during a war calvary units were mostly used and their weapon systems seemed possibly to succeed in that of Kochosun. In the development stage, when LoLang's influence on surroundings became weak, Koguryo, Paikjae and Silla had directly contacted each other. In the late 3A.D. to the early 6A.D., Silla achieved a drastic improvement in weapon system. This was the period when Kokuryo played a leading role in arms race. Kokuryo's arms manufacturing techniques passed onto Silla, Kaya and Paikje. In combat strategy a joint operation between infantry and calvary prevailed even if their military tactics were different. In a calvary battle heavily armed horsemen played import roles at this period. The horsemen and even horses were heavily guarded with iron armors. After all, the appearance of fully armed horsemen implies the very need of powerful destructive forces in weapon system. At that time, basic weapons were a big sword with a ring attached at the end of the holder, swallow's tail-shape spear with neck, and iron spearhead with neck and an extension. The settlement stage began at the mid 6A.D., when it was the revolutionary period in the arms development history. Of course, actual proofs and picture documents were not sufficient enough to penetrate full scale of the weapon system. But, according to historical circumstances and historic records, it is very certain that this period was the peak in arms development. In this period special military units, such as infantry-calvary companies, Archery units and Long spear units, that executed particular duties with special weapons, were founded. This became the characteristics of the settlement stage.

조선 후기 궁중무용복식의 복색사상 연구( I ) -육화대.무산향.춘앵전을 충심으로- (A Study on the Colors of Court Dancing Suits in the latter period of Chosun Dynasty - Centering around dances YukHwaDae.MuSanHyang.ChoonAgengJeon-)

  • 남후선
    • 복식
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    • 제50권4호
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    • pp.73-87
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    • 2000
  • The court dancing suit, so-called "JeongJae(呈才) suit," has been worn by court dancers on the occasion of the royal court′s feasts or festivals such as auspicious events of a country, court banquets, and parties or receptions for national quests from foreign countries. There are 53 kinds of court dancing suits, ranging from the age of the ancient Three Kingdoms to the period of Chosun Dynasty. The court dancing suits are divided into two styles : DangAk-JeongJae(唐樂呈才) style and HyangAk-feongjae(鄕樂呈才) style, depending on dancing styles. Since the court dancing suits in the age of the ancient Three Kingdoms and Koryo Dynasty have already been studied previously, this study discussed the change of dancing suit styles created in the latter period of Chosun Dynasty, such as YukHwaDae(六花隊), MuSanHyang(舞山香) and ChoonAengJeon(春鶯), and the thought of Yin-Yang and five elements(陰陽五行思想) that the colors of the court dancing suits imply. The purpose of this study is to understand the thoughts contained in the ancient suits as well as their styles in order to inherit and uphold our traditional culture properly.

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한중차문화교류고 (A Study on the Interchange of Korean and Chinese Tea Culture)

  • 김명배
    • 동아시아식생활학회지
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    • 제3권2호
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    • pp.15-24
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    • 1993
  • (1) According to the history of three kingdoms, tea was introduced to Korea at the period of Korea at the period of Sun-Duck Queen of Shilla dynasty, and Dae-Ryeom Kim, the emissary, brought tea seeds from Tang China in 828, and sowed them on Mt. Jiri by the order of the King Heung-Duck, Shila. In 1885, The Chosun government took action in transplant 6000 each of tea of tea seeding from Ch'ing. (2) Transmission of schools As for the type of tea through the history of Korea, it could be characterized as cake-tea in the three kingdoms period, lump-tea in Koryo dynasty and leaf-tea in Chosun dynasty. Those were affected by Chinese tea culture. (3) Transfer of tea and tea utensils Kokuryo and Shilla had to import cake-tea from tang China, and Koryo had to import lump-tea from Sung China, and Chosun had to import leaf-tea from ch'ing China. On the other hand, to export various tea to Khitai, Chin, Yuan, and Chosun had to export tea Ch'ing China. And the tea bowl produced in the Sung such as Chien Chou ware and Chi Chou ware, was also introduced to Koryo. (4) Suggestion for the promation of tea industry The Chosun government were adviced to the exchange of Chosun tea for Chosun tea for China horse, by yang Ho, General to the Ming expeditionary forces in Chosun, and were advised to engage in foreign tea trade, by Lee Hong Jyand, minister of commerce for the nothern sea to the Ching.

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삼국시대 과대의 양식에 대한 연구 -과의 형식분류를 중심으로- (A Study on the Type of Kwa-Dae in the Ere of the Three Kingdoms - Mainly classifying the type of the belt plague -)

  • 김은주
    • 대한가정학회지
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    • 제36권6호
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    • pp.41-56
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    • 1998
  • The Yo-Dae(belt) was made of cloths and leather orginally. Then, it was decorated with metal decoration to become more developed luxury one. The Kwa-Dae of the Three Kingdom period is called as final shape among those ancient mode. Dae-Gu(The origin of belt buckle) was the metallic decoration of the leather belt that the northern nomadic tribe used to wear it. It was considered that the Dae-Gu was more decorated and changed to Kwa-Dae with Yo-Pae. The first stage Dae-Gu didn't have the hook, but a short hook only could move the belt itself was created, and then a movable short hook(China-Jin period Kwa-Dae, etc) to be inside of belt was showed, after that an axis was necessary when it became to long one, It was completed as a belt buckle. The stick shape hook was main stream in China an dthe other northern countries. Meanwhile, Korea has mostly "T" shape hook, and it shows that we developed our own unique style. Classifying the type of the belt plague, there are five types due to the scarved shapes on the Kwa-Dae and the changes. Mainly based on the excavated tomb articles of the three kingdoms and referred to Chinese and Japanese ones. It showed that the belt plague was lightly influenced by the times and area, but was slowly changed and developed to different types through those each ages generally.

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평택 대추리 유적 출토 원삼국시대 대형옹(甕)에 사용된 접착재료 연구 (A Study on the Bonding Materials used for the Great Jar of the Proto-Three Kingdoms Period from Daechuri Site, Pyeongtaek)

  • 조남철;김수철;김우현;신연식
    • 보존과학회지
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    • 제26권4호
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    • pp.371-376
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    • 2010
  • 평택 대추리 유적에서는 원삼국시대로 추정되는 대형옹이 발굴되었으며, 발굴 시 파손된 편들에서 접합한 흔적들을 선명히 관찰할 수 있었다. 그러므로 본 연구에서는 대형옹편들을 접합할 때 사용한 접착제의 성분을 실체현미경, FT-IR, py-GC/MS를 이용하여 알아보았으며, 같이 붙어 있는 직물의 종류를 투과광현미경으로 조사하였다. 실체현미경으로 단면을 관찰한 결과 옹편과 접합부위 사이에는 접착물질로 보이는 검은색 물질이 균일하게 도포되어 있으며, 아래에는 직물의 단면 모양을 지닌 선들을 확인할 수 있었다. 따라서 검은색 접착물질을 FT-IR과 py-GC/MS를 이용하여 성분을 분석한 결과 옻칠성분임을 알 수 있었다. 마지막으로 투과광현미경을 이용하여 옻칠과 함께 붙어있던 직물의 종류를 알아본 결과 대마(hemp)로 확인되었다. 지금까지 고대 유물을 수리할 때 사용한 재료들에 대하여 자료가 거의 없음으로 확인하기 어려웠으나 이번 연구를 통하여 원삼국시대 이전부터 대형옹를 접합할 때 옻칠을 사용하였음을 알 수 있었다. 그러므로 앞으로 고대로부터 사용되어온 접착제에 대하여 체계적인 성분조사가 이루어진다면 고대 유물에 사용되었던 접착.복원제를 연구하는데 큰 도움이 될 것으로 본다.

직물(織物)의 역사적(歷史的) 고찰(考察) - 우리나라의 선직물(線織物)을 중심(中心)으로 - (A Historical Study of Textiles - With an Emphasis on Korean Cotton Fabrics -)

  • 이순홍
    • 복식
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    • 제5권
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    • pp.65-81
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    • 1981
  • I referred to documents to study the origin and the progressing process of textiles. Cotton seeds were first imported from China by Mun, Ik Jem at the end of the era of Koryeo, and cotton had several different names such as mok-myen, cho-myen, gil-pae, baek-chep-za, tap-po, ban-ki-wha, dong-yep-po and so on. Since the era of the Three Kingdoms, people had heard of cloth of superior quality but it was not certain whether it was imported from China or made in our country. It seems that cotton was not made during that period, white silk, hemp cloth, and ramie fabric were produced. At that time, linen was called cotton by mistake. After importing cotton seeds from China, all the people began to plant them and made their clothes from them. At the beginning of the Yi Dynasty, the weaving technique was dependent on China. However, the government persuaded farmers to plant them. At that time cotton was used as a means of purchasing instead of money. Silkworms raising started during the era of the Three Kingdoms and it was widely spread at the beginning of the Yi Dynasty. In order to encourage sericulture' spinning and weaving instruments were installed in the royal palace and the queen with sher court maids demonstrated how to spin and weave. The activity was named "chin-jam-ye." Linen was the representative of all textiles and it was also very popular. The technique of weaving had already been highly developed at the era of Silla. During the era of the Three Kingdoms people used "bang-chu-cha" as a weaving instrument. They discovered several new hand machines in the period of the Yi Dynasty: they were instrument of removing seeds, spinning wheel, hemp cloth loom and so on, and we find the remains of them these days.

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