• International Journal of Advanced Culture Technology
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• 제10권3호
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• pp.192-201
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• 2022

The Han Dynasty was the great unification dynasty in history after the Qin Dynasty. Since the Han Dynasty inherited the Qin system, the seal script of the Han Dynasty developed continuously based on inheriting the Qin Small Seal Script. With the progress of social productivity, the Official Script gradually replaced the Seal Script in the Han Dynasty, but the Seal Script did not disappear completely; instead, a special line of development arose under the influence of the Official Script. Through the study of seal script of Han Dynasty inscriptions, this paper understands that the practical function of seal script of inscriptions has been weakening under the influence of clerical script, but the aesthetic value has been increasing day by day. Moreover, there were new artistic innovations in the context of the development of the diversification of inscriptional forms, and its emphasis on social role, cultural status, and the presentation of an aesthetic style that had a profound impact on later generations are worth studying.

• 복식
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• 제56권8호
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• pp.74-82
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• 2006

In ancient China, Su(綬) was the ornament of the full dress. It had originated from tying the jade or another thing before Jen(秦:Qin) dynasty and it tied the imperial jade seal and the chop from Han dynasty. Su of Han dynasty was different in the inscape, colour, length and density according to the grade. And the shape was the straight line. But these phenomena were changed after Han dynasty. This study showed how it changed. To studying used the comparison method of literature records, paintings and archeological relics. It mostly studied imperial Su. Su of Han dynasty of the high grade was formed by Yeok, the circle type jade and Su(Su moaned whole Su, at the same time moaned the part of Su, too). Afterward, Yeok was changed into Small Su[小綬] and Su was changed into Big Su(大綬). Originally the circle type jade was connecting Yeok to Su, but it was changed into tying Small Su only. Su of Han dynasty used the four kinds of colour, but from Su(隋: Sui) dynasty used the six kinds of colour. Originally Su was interlacing, but it was changed into the silk fabric from Song[宋] dynasty. According to using silk fabric's Su, it was likely to disappear the system distinguishing the grade by length. And it kept the method of interlacing the reticulation in the low part of silk fabric's Su. So, after using silk fabric's Su, the system of the density was not about the main body but about the reticulation. Su was been used woven with supplementary golden wefts, too. The circle type jade was chiseled the dragon and cloud from Geum[金:Jin] dynasty. These not the pattern of silk fabrics.

• 대한한의학원전학회지
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• 제21권2호
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• pp.39-47
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• 2008

After reviewing literatures of Han dynasty or earlier that recognize tumor, bump or mass, we concluded as follows. The recognition or study on tumor, bump or mass started at least Seoju(西周) Dynasty or earlier, and academic system was developed since earlier Han Dynasty(漢代). Until Han Dynasty, main characters that recognize Tumor, bump or mass include Jong(腫), Yang(瘍), Yu(瘤), Yeong, Chang (瘡), Ong(癰), Jeo(疽), Jeok(積), Chwi(聚), Byeok(癖), Jing, and Ga, Hyeon that firstly appeared in Southern and Northern Dynasties(南北朝), and Am(癌) that firstly appeared in Song Dynasty[宋代] can also be considered as significant characters. The main perception of cancer(腫瘍) until Han Dynasty was started by understanding the concept of the word Yu(瘤) and developed through visual, tactile sensation and symptom observation of following 2 categories, One is tumor, btm1p or mass which is expressed in outer body like Yeong, Jong(腫), Chang(瘡), Yang(瘍), Ong(癰), and Jeo(疽), The other is tumor, bump or mass which is expressed internally like Jeok(積), Chwi(聚), Byeok (癖), Jing, and Ga.

• 복식
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• 제50권5호
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• pp.41-52
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• 2000

During the 3C(B.C.) and 2C(A.D.), there were large influx of variety of arts to Jin and Han dynasty such as music, dancing, and at performing from neighboring countries. It made a tremendous impact on the development of dancing an in Han dynasty. On the other hand, Kokurye people had also enjoyed their own singing and dancing culture (styles) for a long time. Han and Kokurye's dancing costumes were studied based on artifacts (data) such as wall paintings, clay doll, and other small paintings all from tombs in Han and Kokurye. A similarity was found between two dynasties' dancing costume, since both had tong sleeve dresses. However, the further detailed study showed that one can't simply say both are in the same style. For example, the dress in Han dynasty had a long length style of coat(深衣) covering all the way to feet, and there were round neckline coat(團領) and long Jacket(장유). In contrast, that of Kokurye had a shorter length in coat(直領) covering only up to calf of the leg or long jacket(장유).

• 대한한의학원전학회지
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• 제28권1호
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• pp.195-206
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• 2015

Objectives : Before Liver, Heart, Spleen, Lung, Kidney was widely accepted as Five Viscera, there had been several former types of Viscera system in pre-Western Han era. Above them, the Five Viscera system consisted of Liver, Heart, Stomach, Lung, Kidney was not yet hardly studied. So we tried to prove it's existence and tried to find it's historical context. Material and Methods : Via preceding research analysis, 6 books were selected as research material, and some other pre-Eastern Han dynasty classics were also analyzed. Results : We found direct evidence of above Five Viscera system in Zhuixingxun (墜形訓) in Huainanzi (淮南子), Wusemaizhen (五色脈診), and Western Han dynasty lacquer figure with meridian-points (excavated in Laoguanshan, Chengdu, China). Other clues showing existence of above Five Viscera system was also found in Yinyangshiyimaijiujing (陰陽十一脈灸經), Pianquecanggongliechuan (扁鵲倉公列傳). The rising of above Five Viscera system was related to physiological viewpoint transition of viscera in Western Han dynasty. Conclusions : In Western Han dynasty there was another Viscera System consisted of Liver, Heart, Stomach, Lung, Kidney.

• 동양고전연구
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• 제50호
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• pp.211-232
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• 2013

가의는 서한 초기의 만연한 빈부격차의 심화와 음란하고 사치스러운 풍속이 유행하는 사회적 풍조와 농업생산 인구가 감소하는 한편 생산 활동에 종사할 수 없는 인구가 증가하고 있는 상황에 직면하여 심각한 문제의식을 갖게 된다. 가의가 갖게 되는 문제의식은 바로 서한 사회의 사회경제적 질서의 붕괴와 도덕적 타락에 대한 염려와 국가재정 고갈의 위험성에 대한 것들이었다. 가의는 서한 초기 사회가 직면한 사회적 경제적 폐해현상에 대한 반성에서부터 착수하여 자신의 경제정책에 대한 청사진을 제시한다. 즉 가의의 경제사상은 한나라 초기의 무위자연의 방임주의적인 경제정책의 폐해를 개선시키기 위해서 제기된 것으로 중농억상 정책을 구체적인 개혁의 청사진으로 제시하는 한편 화폐제도에 대해서도 구체적인 개혁의 시나리오를 제시한다. 이러한 두 가지의 개혁방안은 가의의 경제사상에 있어서 이론적 근간이 되는 것이라고 말할 수 있는 것이다. 이러한 가의의 경제정책 청사진에 대하여 본문에서는 중농억상 정책과 민간에서의 화폐주조 금지 정책을 중심으로 조명해보았다.

• 대한한의학원전학회지
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• 제26권4호
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• pp.181-189
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• 2013

Huangdi Neijing was completed during the several decades after Shijiand before Qilue, whose main content draws from the medical achievements of Qin and Han Dynasty, and is deeply influenced by Confucianism, Buddhism and Daoism of Qin and Han Dynasty. What creates the profound impact on its construction of medical theories are the thoughts of this period, such as "Valuing life", "people", "Valuing Yang", "Valuing earth", "the Heaven theory", "the Unity of Man and Nature", and the important works of this period, such as Huai Nan Zi, Chun Qiu Fan Lu, Shiji. Even the astronomy, calendar and medical achievements of this period are the basic material absorbed into the theories of Huangdi Neijing.

• 한국의류학회지
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• 제22권2호
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• pp.250-256
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• 1998

The culture of makeup has early developed in China. Especially, beautiful eyebrows were the symbol of a beauty. This study is related to fashionable Cheong-Dae in Han Dynasty. In Han Dynasty, women painted thier eyebrows with blue color in a different color from former periods. This fact has close connection with the bordering countries on Western China. Together with Hu fashion having been in fashion during trading directive with Western China women has seemed to use Cheong-Dae for their makeup in Han Dynasty. In Hand Dynasty, Ferghana women had very often used it for their makeup. And it had produced in Ferghana, Jaguda, Kashkar. In Tang Dynasty, it has been said that Persia was the best. Let's take a look at the producing method. Soak indigo plants in water add lime and stir it up, then bubbles are formed. They are called it as Cheong-Dae. Nearly, they are produced in the course of indigo dying. So we can see inflowing course of Cheong-Dae into China through the history of Indigo dying. We can guess the use of Cheong-Dae in Egypt. Indeed, Nile Blue is used for the Protection their access from insects as well as effect of coolness visually. This guess is very reasonable because the fact is considered that some people dye with indigo color by the way of sedimentation in Peniasula of Sinai. Also, the PH of Cheong-Dae is about 7. So, it does no harm in skin and its color is dark blue. Cheong-Dae has effects of insecticide and removal of fever. Cheong-Dae that had been used in Peninsula of Egypt seems to have been carried into China through Silk Route. And by trial to make Cheong-Dae it is proved that its ingredient is plant.

• 철학연구
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• 제142권
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• pp.265-294
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• 2017

인류역사의 초기에 한 사회의 통치그룹은 그들의 통치를 정당화할 명분 즉 통치이념을 필요로 했다. 중국의 경우 상고시대 통치이념의 중추는 원래 '제(帝)' 또는 '상제(上帝)'였는데, 이후 '천(天)'으로 대체되었다. 그래서 이 천이 통치명분을 준다는 주장이 있었다. 이것이 왕권을 '천이 준다'는 '천명(天命)'사상이며, 이 천명사상이 상대적으로 세련된 형태로 통치이념화한 것은 주(周)가 중앙정권을 차지하면서이다. 이 주(周)의 체제질서를 조직화한 것이 이른바 '주례(周禮)'이다. 이후 이 체제가 붕괴되었는데, 주례를 바람직한 사회질서로 인정하는 이들은 이 주례 붕괴 현상이 사회적으로 나타난 상황을 '난세(亂世)'로 본다. 이 상황을 종결 짓고, 당시의 중국천하를 통일한 나라가 진(秦)이다. 통일 후의 진왕조(秦王朝)가 급격하게 망한 후 그 뒤를 이어받은 왕조인 한조(漢朝)의 지배세력 역시 그들의 정권획득을 정당화할 통치이념을 수립할 필요가 있었다. 한조(漢朝)의 통치이념 확립에 기여한 대표자는 동중서(董仲舒)인데, 그의 기본적 사상은 공자(孔子)의 "춘추(春秋)"에 기반을 두는 유교사상이다. 그는 "춘추"의 한 해석인 "춘추공양전(春秋公羊傳)"에 따라 한조의 통치이념 마련에 기여하였다. 이 해석 관점은 종교적 천관념에 기반한다. 동중서(董仲舒)는 하늘과 사람 사이는 원래 교감, 소통할 수 있도록 되어 있다고 한다. 동중서(董仲舒)의 사상은 기본적으로는 통치자의 통치권의 근거를 하늘에 두려는 정치신학의 의미를 가진다. 또, 한편으로는 자연재이의 일차적 책임을 최고통치자에 둠으로써 최고통치자의 권력을 견제하려는 이론적 수단을 가지려는 의미도 있다.

• 대한한의학원전학회지
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• 제26권4호
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• pp.89-94
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• 2013

Objective : To collect cosmetology text in Shang Han Za Bing Lun(伤寒杂病论), to analyze theory and prescription about cosmetology before HAN(漢) dynasty, so to allow records for modern cosmetology of Traditional Chinese Medicine. Method : Through the systematize for all terms about cosmetology, to reveal the regularity about cosmetology before HAN(漢) dynasty. Result : There were damage-appearance disease in HAN(漢) dynasty, there are lots of ideas about cosmetology in Shang Han Za Bing Lun(伤寒杂病论). Conclusion : Shang Han Za Bing Lun(伤寒杂病论) is a monograph about pattern identification and treatment, and is an important ancient book for research of cosmetology of Traditional Chinese Medicine. In the further, we will research in knowledge discovery about cosmetology of Traditional Chinese Medicine. to strengthen the guidance of the theory of Zhang Zhongjing(张仲景) for clinical practice of cosmetology of Traditional Chinese Medicine.