• 한국의류산업학회지
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• 제18권3호
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• pp.272-281
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• 2016

From the year 2000 on, Seoul has aimed to be a fashion city, and thus has been supporting young designers through Seoul Fashion Creative Studio, Generation Next, Le Dome, Concept Korea, etc. London is famous for nurturing young designers through the joint help of government, schools and industries: Alexander McQueen, Christopher Kane and Peter Pilotto are successful cases. Therefore, this research aims to suggest a direction for policies aimed at helping young designers in the international market, on the basis of London's nurturing programs and ideas from a literature review and case studies. The results are below. Firstly, a step-by-step supporting program is recommended. Secondly, long-lasting, sustainable programs are considered essential to support designers after the end of their contracts. Thirdly, practical assistance is preferred to monetary funding in order to lighten the designers' lot and in the interests of transparency. The mentoring service should be strengthened for the designers to eventually become independent. The support should be tailor-made according to items. Fourthly, the supporting programs should be promoted. Fifthly, government and industries should collaborate. Sixthly, 'de minimis' against overlapped support should be legislated. For these, the change of supporting method can be helpful; an independent administrative organisation plans and collects funds from governments and companies. Through these programs and any subsequent studies, Seoul could become a fashion city where young designers play active roles at a global level.

• 영어영문학
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• 제57권1호
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• pp.27-49
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• 2011

This article proposes to stay away from contemporary critical arguments concerning Michael's value system, which is construed mainly from his choice between his patrimonial lands and his son Luke. Presuming that Michael's value system as have been argued so far could never be the poet Wordsworth's own concern at the time of the composition of the poem "Michael," this article proposes to get back to the all too real socio-historical situation of the early nineteenth-century England. Mere consideration of the socio-historical situation, when combined with a close reading of the poetic text (a close reading of both the poetic story and the poetic history from which the story may be said to have been constructed), directs us to the poet working on the simple paradigm of 'the country and the city at war with each other' but the victory having been given to the city already. The guarantee contract for a supposedly prospering nephew's debt and the letter from another prospering relative in London are undoubtedly the key elements that lead us to the war paradigm. Michael's family members, each and all including Michael himself, and all of their village people, have been imbued with the city's commercial values, which renders them all the more easier victims within the war context. Luke's defeat in the city is viewed as being really the consequence, rather than the cause, of Michael's defeat, which became apparent as soon as the news of the latter's financial disaster reached his ear. Michael should therefore be regarded as one of the typical English countryfolk of the time, with whom Wordsworth often, but not always, identifies himself. Insofar as the economic view or attitude is concerned, there certainly is a distance between Michael and Wordsworth, this article argues.

• 대순사상과 동아시아종교
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• 제1권1호
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• pp.155-159
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• 2021

• 건축역사연구
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• 제15권1호
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• pp.7-27
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• 2006

This study aims to identify and analyze the factors that influenced the construction of London Eye which was led by private groups, including characteristics in progress, differentiated value in design, the combination of technology and design, and construction costs. The results of this study were the followings. 1) London Eye provides a new construction method for a landmark in the downtown in that the architects became the clients of the project which might have been hoarded, procuring the construction costs and completing it by themselves. 2) London Eye presents a space utilization method where undeveloped spaces in the downtown are used in three-dimensions by erecting a structure on the river with a minimum land. 3) The process of design, production and erection is propelled the realization of technical intention design with one system and from at the initial stage, the participation of the engineer where the designer is equal with you must accompany. 4) London Eye is endowed with strong shape by a circle in design concept, which is the simplest geometrical figure, and it provides organic relationship between the past and the present by utilizing historical elements in various ways. 5) The construction was completed through four phases including idea phase, promotion phase, turn-key contract phase, and design-build phase. The most critical factor to the success is derived from the direct contact with Involved companies from the production phase. 6) In a project facing many challenges in terms of technology, the design-build method proves to be a more effective method than turn-key contract in that it may more allocate risks and enable coherent implementation of the core concept in design. The organization for the design-build method was composed of three phases including general affairs, responsible contracting by sector, and cooperative system by sector. Since that was a new concept structure, high-level contractors who hadn't had existing cooperative relationships with one another formed new cooperative relationship, while collaborating companies who had long cooperated led the responsible contracting and sub-cooperative system, which resulted in reduction of risks and time. 7) The major factors to change design were the design characteristics, derived from a technically great combination, and the opening time. 8) A new erection method was applied to London Eye, a structure that overcame the limitation in land and period, and the process of installation demonstrated that it is an important value for the construction of a landmark in the city. 9) In spite of many visitors and tremendous operational income, the factors that London Eye fails to free itself from debts include the construction costs expended double than expected, and interest burden to the investments, which occurred in the course of procuring the costs. Absolute limit in time increased the construction costs, resulting in being a great obstacle in the course of operation.

• 비교문화연구
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• 제30권
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• pp.7-29
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• 2013

A movie which brought its material from a historical character or incidents in the past was produced by a story suggestion through a historical fact. It is because Shakespeare created a story based on a mythical element related with his life in the plot which was written from the script of the play and was on the show in the cinemas of London. It is an obvious fact that the historical drama of this movie was intentionally modified and the fictional story was added to episodes in order to create a dramatic effect. However, reflecting historical backgrounds and cultural aspects accurately through a historical study would also be an important factor. Therefore, the backgrounds and aspects presented in this movie are a kind of storytelling which was reconstructed as if a historian added his opinion to historical facts like a discourse. A historical background in was a story about Shakespeare who worked at the theater in London as a writer in 1593 the period of England Reneissance. The movie included the working and playwriting of Shakespeare who is a main character. This indicated not only the environment of the theater and literature during the reign of Queen Elizabeth I but also historical aspect in the early modern industrial society in England. This movie, that is, described that time as a recreation such as a cultural acceptance and an achievement of an initial capitalism in Renaissance in the life of characters. In particular, the factor of theaters flourishing during the Renaissance was because a newly emerging class, bourgeoisie, who held the capital emerging from a policy for middle class led to a box office hit through founding theaters and drama company and selling tickets and performing plays by themselves. Like this, the movie depicted the time led by plays to a industrialization. Moreover, Social aspects in the late 1500s were revealed in this movie through a depiction of the cinemas and the city of London. The depiction of the city of London reflected a social situation of an initial capitalism rapidly developed in trade and commerce. The social aspects such as conflicts between social classes based on getting richer and poorer, mammonism, a corrupted love between the male and the female, a immortality with growing brothels, religious and political conflicts with the foundation of the church in England were closely linked with characters' daily routine at that time in London and were reflected in this work overall. The reason why we highlight characters' job and custom like this in the movie is that these are ideationally inherent in a critical mind from people at that moment. The historical background and reproduction of the image depicted in the movie were focused on characters' daily routine and indicated the problem mentally and independently exposed in the form of initial capitalism.

• 한국조경학회지
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• 제44권2호
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• pp.83-95
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• 2016

21세기 들어 공원 및 오픈스페이스 계획은 기존의 양적인 성장, 생태적 측면 그리고 여가적 측면 등 단편적 기능에 집중해오던 것에서 다양한 혜택을 가져오는 다기능과 함께 오픈스페이스와 녹지 등의 연결성을 강조하는 그린 인프라스트럭처로 확대되고 있는 실정이다. 런던의 경우, 그린 인프라스트럭처는 기존의 물리적 그리고 사회 기반시설과 함께 핵심 기반시설 중의 하나로 인식되고 있으며 이론적 접근을 통해 그린 인프라스트럭처 계획을 지속적으로 개발하고, 법적 도시계획 속에 반영되어 지방 차원에서 실질적인 공간계획으로 구현되고 있다. 이에 본 연구는 영국의 법정도시계획인 런던플랜 속에서 그린 인프라스트럭처 정책의 변화 발전과 세분화된 전략적 실행 계획인 그린그리드 계획 그리고 지역계획에 반영된 정책의 동향과 특징과 시사점을 다루었다. 본 연구의 결과를 요약하면 다음과 같다. 첫째, 중앙 정부, 광역지방정부 그리고 지방정부가 명확한 역할 분담을 하고 있다. 국가계획정책체계인 NPPF, 그리고 광역런던기구의 런던플랜에 준하여 로컬플랜을 수립하고 있어 중앙정부의 정책목표가 지방정부의 개발계획에 일관성 있게 반영되는 시행 체계를 구축하고 있다. 그린 인프라스트럭처가 정책적으로 높은 비율로 지방정부의 로컬플랜에 반영되고 있어 이를 뒷받침하고 있다. 둘째, 광역계획인 런던플랜을 통하여 그린 인프라스트럭처와 관련된 정책 그리고 실천전략으로서 그린그리드 계획을 일관되게 확대 발전시키고 있다. 또한 정권과 관계없이 지속적이고 일관되게 추진되고 있으며 시대의 흐름에 맞게 보다 발전되고 강화되면서 장기적 실행계획으로 실현되고 있다. 셋째, 광역런던기구는 선언적 정책에 머무르지 않고 런던 시장이 직접 운영하는 지원 프로그램을 통하여 지방정부에서의 실행을 지원하고 있으며 파트너쉽으로 유도하고 지원하는 방식을 통해 정책을 실현하고 있다. 근래 서울시도 공원과 녹지정책에 있어 발전을 가져왔지만 선언적 정책에 머무르지 않고 영국 런던과 같이 정권과 관계없이 지속적이고 일관되게 추진되는 정책과 장기적으로 실천되고 있는 계획 사례의 검토는 우리에게 주는 시사점이 크다.

• Advances in nano research
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• 제14권1호
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• pp.27-43
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• 2023

This article investigates the energy harvesting characteristics of a magneto-electro-elastic (MEE) cantilever beam reinforced with carbon nanotubes (CNT) under transverse vibration. To this end, the well-known lumped parameter model is used to represent the coupled multiphysics problem mathematically. The proposed system consists of the MEE-CNT layer on top and an inactive substrate layer at the bottom. The substrate is considered to be made of either an isotropic or composite material. Basic laws such as Gauss's Law, Newton's Law and Faraday's Law are used to arrive at the governing equations. Surface electrodes across the beam are used to harvest the electric potential produced, together with a wound coil, for the generated magnetic potential. The influence of various distributions of the CNT and its volume fraction, substrate material, length-to-thickness ratio, and thickness ratio of substrate to MEE layer on the energy harvesting behaviour is thoroughly discussed. Further, the effect of external resistances and changes in substrate material on the response is analysed and reported. The article aims to explore smart material-based energy harvesting systems, focusing on their behaviour when reinforced with carbon nanotubes. The results of this study may lead to an improved understanding of the design and analysis of CNT-based smart structures.

• Earthquakes and Structures
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• 제5권2호
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• pp.239-259
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• 2013

Typically, beams that form part of structural systems are subjected to vertical distributed loading along their length. Distributed loading affects moment and shear distribution, and consequently spread of inelasticity, along the beam length. However, the finite element models developed so far for seismic analysis of frame structures either ignore the effect of vertical distributed loading on spread of inelasticity or consider it in an approximate manner. In this paper, a beam-type finite element is developed, which is capable of considering accurately the effect of uniform distributed loading on spreading of inelastic deformations along the beam length. The proposed model consists of two gradual spread inelasticity sub-elements accounting explicitly for inelastic flexural and shear response. Following this approach, the effect of distributed loading on spreading of inelastic flexural and shear deformations is properly taken into account. The finite element is implemented in the seismic analysis of plane frame structures with beam members controlled either by flexure or shear. It is shown that to obtain accurate results the influence of distributed beam loading on spreading of inelastic deformations should be taken into account in the inelastic seismic analysis of frame structures.

• 한국분무공학회지
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• 제9권4호
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• pp.38-45
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• 2004

This study describes the analysis results of unsteady cavitating flows behavior inside nozzle of the prototype piezo-driven injector. This piezo-driven injector has been recognised as one of the next generation diesel injector due to a higher driven efficiency than the conventional solenoid-driven injector. The three dimensional geometry model along the central cross-section regarding of one injection hole has been used to simulate the cavitating flows for injection time by at fully transient simulation with cavitation model. The cavitation model incorporates many of the fundamental physical processes assumed to take place in cavitating flows. The simulations performed were both fully transient and 'pseudo' steady state, even if under steady state boundary conditions. We could analyze the effect the pressure drop to the sudden acceleration of fuel, which is due to the fastest response of needle, on the degree of cavitation existed in piezo-driven injector nozzle

• 디자인학연구
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• 제19권1호
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• pp.89-98
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• 2006

도시개념의 변화로 현대 도시는 물리적 공간이라는 구조적인 개념에서 탈피하여 이윤창출을 위한 경영의 시각으로 바라보게 되었다. 우리나라의 경우 이미 도시화는 80%수준을 넘어 도시화 사회에 진입하였으며, 세계화 및 개방화에 따라 아이덴티티의 형성이 도시경쟁력을 높이기 위한 수단으로 제시되고 있다. 서울은 기능과 시설의 측면에서는 이미 선진국의 수준에 들어섰지만 문화경쟁력과 도시관광 매력물, 서비스시스템의 부족으로 인하여 도시이미지가 낮게 평가되고 있다. 특히 도시를 간접적으로 상징하는 공공시설로서 대중교통은 이용율과 의존도는 매우 높지만 안내서비스 및 시각시스템에 있어서 운영 관리가 부족하며 차별화 된 이미지와 로열티를 발견하기 어렵다. 2004년 서울시에서는 개편안을 제시했지만 영국의 런던, 프랑스의 파리, 일본의 도쿄 등과 같은 세계의 대표적인 도시들에 비해 일관된 시스템과 디자인 사용환경 규제 및 관리의 부족, 과다한 시각정보 및 연계성 파괴 등이 지적되고 있다. 따라서 이러한 문제점을 해결하기 위해 무질서한 시각물에 개성과 사용규정을 적용하여 아이덴티티를 창출하기 위한 디자인 시스템의 도입이 필요한 시점이다. 이러한 과정은 도시아이덴티티 전략(City Identity CIP)으로 설명될 수 있으며, 본 연구에서는 대중교통 디자인 시스템을 통해 도시이미지를 구체화하고자 한다. 이를 위한 연구방법으로 (1)런던, 파리, 도쿄의 대중교통 디자인 시스템 현황을 조사하여 서울의 현황과 비교 분석하였고, 이를 토대로 (2)현재 사용되고 있는 대중교통수단별 심볼마크의 시스템화, 아이덴티티 형성을 위한 디자인매뉴얼(Guidelines)의 개발, 수단 및 매체별 디자인의 연계와 시스템화 전략을 제안하였다