• 복식문화연구
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• 제27권3호
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• pp.239-250
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• 2019

Recently, young people wearing hanbok are highly visible in the palace and in Hanok Village. However, there is much controversy regarding whether the hanbok the young people are wearing is traditional. Young people in Korea are exposed to hanbok through a variety of ways such as school education, games, webtoons, television shows, and movies. In this study, we presented teenagers with illustrations of hanbok to see which they preferred and which if any they recognized as traditional. The study respondents most preferred the hanbok from the 18th century, but they considered the hanbok from the 20th century to be the traditional style. We next used text mining to analyze the students' freely written, open-ended responses regarding the hanbok they preferred and the one they considered traditional. The hanbok from the 18th century, the one the teenagers preferred, was a sexy, cool style related to gisaeng that emphasized the waist, whereas the hanbok they believed was traditional, the $20^{th}$-century hanbok, was simple, neat, comfortable, and plain. Among the young people's responses regarding which hanbok was traditional, the text mining extracted the following repeated words related to both the 18th- and 20th-century hanbok: "dramas," "mass media," "historical dramas," and "movies." For the 18th-century hanbok only, we extracted "webtoons" and "Hanok Village," and for only the 20th-century hanbok, we extracted "textbooks."

• 복식
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• 제58권5호
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• pp.102-117
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• 2008

This study shows the badge system for military officials of Joseon dynasty. The badge system for military officials of the 15th century consists of rank badges with tiger and leopard for the first and second ranks and rank badges with bear for the third rank. According to the code of laws, military officials are supposed to wear the rank badges with four different kinds of animals in Joseon dynasty. However, the badge system shown in the code of laws sometimes does not match with the badges in practices. Based on the literature, remaining badges and the badges in portraits, six different kinds of badges with animals are found : First, rank badges with tiger and leopard were used until the late 16th century. Second, rank badges with tiger were found in the period between the early 17th century and the latter 18th century. Third, rank badges with Haechi were found in the early 17th century. Fourth, rank badges with lions can be found in remains of the mid 17th century, the literature and the portrait of the late 18th century. Finally, the rank badges with double leopards or with single leopard were found from a portrait dated the late of 18th century to the last period of Joseon dynasty.

• 건축역사연구
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• 제30권4호
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• pp.79-90
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• 2021

Since its construction in the late 14th century, Hanyangdoseong had been carried out three major repairs and reconstructions during the 500 years of the Joseon Dynasty. In addition to the large-scale construction, small-scale construction continued until King Gojong era. In particular, in the 18th century, systematic construction management was implemented by the craftsmen and the military participated in the renovation of Hanyangdoseong in earnest, and the construction methods also developed rapidly. In the early 18th century, new construction techniques were attempted in various sections of the reconstruction work, and gradually became a common technology for repairing Hanyangdoseong in the late 18th century. The purpose of this study is to examine the characteristics and period of changes in the 18th century's construction technique, when the rapid development of Hanyangdoseong took place. To this end, the excavation results related to Hanyangdoseong, the remaining city wall, and the inscribed stones were used to identify and demonstrate the characteristics and change of the construction method.

• 대한수학교육학회지:수학교육학연구
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• 제24권3호
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• pp.409-428
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• 2014

본 연구는 조선산학의 내용적 변화가 관찰되는 17-18세기에 초점을 맞추어 조선산학의 교육과정적 특징을 살펴보고 그 교육적 의미를 탐색하였다. 문헌분석 결과, 17-18세기의 조선 산학교육에서는 실용적 차원뿐 아니라 심성함양 차원의 목적이 존재하였으며, 교수 학습방법과 평가 항목에서는 15-16세기와 비교하여 큰 변화가 없었다. 반면 내용 체계에서는 위계성이 강화되고 기하 영역의 비중이 높아지는 변화를 보였다. 또한 이 시기의 조선산학서에서 유럽수학의 유입을 확인하였으며, 중국산학의 영향권에서 조금씩 벗어난 조선산학의 고유성의 면모를 관찰하였다. 이와 같이 이전 시기와 차별화되는 교육과정적 특징들이 다수 관찰되는 17-18세기는 중국산학에 대한 비판적 수용과 조선산학의 고유한 발전이 있었던 시기라고 할 수 있다.

• 복식
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• 제58권5호
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• pp.71-86
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• 2008

The Purpose of this article is to study the excavated women's costume of the Joseon Dynasty, and to help identify the period of those costumes with the time of the burial unknown. The excavated women's costume is concentrated in 16th to 17th century, and the reason is due to the method of the burial. The characteristics of costumes from each period is as follows. The special features about 15th century costumes are the women's Dan-ryeong(round-collared jacket), Dae-gum style shirt(shirt with the squared collar facing each other), and skirt with horizontal dart. The 16th century costumes are the women's Dan-ryeong, wide Jegori with various length, skirt with horizontal dart, skirt with its hem folded, and pants with shoulder strap. In the 17th century, the formal dress changes to Won-sam from Dan-ryeong. The collar changes from the squared shape to the cut Dang-ko collar, and the skirt with its hem folded is not seen after the early 17th century. The long jacket changes to Dang-ui and gets settled, and the clothes becomes smaller and tighter. In the 18th century, the women's formal dress gets settled to Won-sam and Dang-ui, and the pants with shoulder strap is no longer seen. Jegori becomes shorter and smaller compared to those from the 17th century, and again gets wider and bigger in the late 18th century, and it leads to the change of making a big sized shroud.

• 한국의상디자인학회지
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• 제21권4호
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• pp.127-137
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• 2019

Nail art, which has been popularized recently, has increased convenience in the direction of nail art design harmonized with clothing and the increased interest and usage of nail art decoration. This study set out to propose practical planar and three-dimensional nail art designs in harmony with modern clothes by applying trimmings common in 18th century women's clothing, which used a variety of attachable decorations. As for the methodology, the investigator examined theories in previous studies, literature, and analyzed the types of trimming in female portraits from the 18th century at the museum at the Palace of Versailles in France. Planar and three-dimensional nail art designs were created for each of the top three trimming types- braids, laces, and ribbons, which were identified through analysis. The study applied the trimmings of the 18th century women's clothes to nail art design and had the following results: First, the top three trimming types were identified based on the analysis of the 18th century portraits. They were then used as motifs in the production of planar and three-dimensional nail art designs. The results show that the motifs of the clothes trimmings were fit for and had practical possibilities for expression in nail art designs. Secondly, diversity and the expansion of ideas in the study of nail art design were promoted. In addition, elements were increased to have mutually complementary effects with clothes. Finally, the study made various attempts at nail design methods by adopting a range of nail art expression techniques including hand painting, 2D & 3D art techniques, and using planar and three-dimensional nail decorations, thus proposing a positive direction for the organization of a curriculum to make use of 18th century women's clothing motifs in nail art education.

• Korean Journal of Acupuncture
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• 제23권2호
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• pp.1-18
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• 2006

Objectives: The subject of this research is the catechism on medicine between the doctors of Joseon and Japan in the 18th century through Choson Delegation(朝鮮通信使 ). Methods: The author intended to review and analyze the contents of catechism related to Acupuncture and Moxibustion and determined the characteristics of Joseon and Japan ?s Acupuncture and Moxibustion. Results: At the time, Japanese doctors had a grasp on most theories of Acupuncture and Moxibustion and were very specialized clinically. They usually used filiform needles with various techniques, and already they had many different schools in practice. However, they wanted to know if their Acupuncture and Moxibustion skills were up to the international standard, especially to Joseon, whom they regarded as a country advanced in Acupuncture and Moxibustion. They wanted to com- pare and contrast their Acupuncture and Moxibustion with Joseon's. 18th century Joseon was high time for Acupuncture and Moxibustion. Various tools were used in surgery, and varieties of needles were used to stimulate acupuncture points. The development of tools evinces the precision of Joseon's Acupuncture and Moxibustion at the time. Also, comprehensive works such as DongUiBoGam(東醫寶鑑) and UiHaklpMun( 醫學入門) greatly influenced Acupuncture and Moxibustion. Because of this impact, it can be deduced that Acupuncture and Moxibustion emphasizing Jang(臟) and Bu(腑) organs and Internal Injury developed greatly. In addition, acupuncturist Holm(許任)'s fame continued from the 17th century into the 18th century, and his medical practice left a huge mark on not only Joseon but other eastern Asian countries as well. Conclusions: We found out the evidences that there were a lot of exchanges of acupuncture and moxibustion between Korea and Japan based of the Joseon TongShinSa (Emissary)'s record of catechism on medicine in the 18th century.

• 한국수학사학회지
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• 제21권2호
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• pp.1-18
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• 2008

이 논문은 18세기 조선의 구고술에 이어서 19세기 조선의 구고술의 발달을 연구하여 조선 산학의 발전을 규명한다. 홍길주(洪吉周), 남병길(南秉吉), 이상혁(李尙爀), 조희순(趙羲純)등의 구고술의 사료 분석을 통하여 19세기 조선의 구고술의 특성을 연구한다.

• 복식
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• 제60권8호
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• pp.86-99
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• 2010

This study considered the characteristics and use of the jokduri during the 18th century, which was shown in Ijae-nan-go written by Yoon-Seok Hwang. In Ijae-nan-go, not only the origin of the jokduri, but also its colors, materials, sizes, and construction methods are recorded, in detail. The Jokdori is assumed to have been influenced by costumes of China. The 18th century jokduri is mainly made up of black satin, and is composed of eight pieces of cloth. This looks similar to a contemporary jokduri, but the 18th century jokduri is bigger. At court during the 18th century, women decorated their hair styles higher by using the jokduri. Not only did the jokduri fix the topknot at the top of a woman's hair by wrapping the topknot, but also it raised the height of the topknot. This is different from the generally known method of wearing jokduri. Therefore, this demonstrates that there have been changes in the role and use of the jokduri over time.

• 건축역사연구
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• 제27권4호
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• pp.7-16
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• 2018

This study is focusing on anchogongs(按草工) in yeonggeonuigwes(營建儀軌), which were recorded with few details and in unsettled transcriptions. First, the positions and functions of anchogongs in $18^{th}$ censtury are analyzed by comparing to anchogongs in more detailed early $19^{th}$ century yeonggeonuigwes and those in extant buildings. Second, with the result, the historical significances are presumed in changing transcriptions of anchogong terms in those uigwes. In $18^{th}$ century uigwes, most of anchogongs are functioned as matbo-anchogongs and only four anchogongs in a gate building were used as jongryang-anchogongs. It is mainly because the sorts of buildings in $18^{th}$ century yeonggeonuigwes had only several varieties: most of the buildings belonging royal shrines. Transcriptions of anchogong terms had been changed for reflecting functional developments of anchogongs in $18^{th}$ century. However, reflections were much later than changes of actual functions.