• 한국실내디자인학회논문집
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• 제13권3호
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• pp.112-119
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• 2004

The purpose of this study is to grasp musical expression in the Monastery of La Tourette, an architectural work produced by an architect, Le Corbusier and a musician, Iannis Xenakis based on a musical piece, Metastasis. The results of the study on musical expression in the Monastery of La Tourette, which was done through analysis of correlation in expression between architecture and music, and spatial characteristics of this monastery, are as follows: First, in modern architecture and music, the expression of the space-time continuum concept is emphasized. Second, the architectural characteristics in this monastery that constitute musical expression are the Modular, confliction and fluidity in composition, plastic (acoustic) shape and symbolic shape. Third, these architectural characteristics are found to be expressed as counterpoint, alteration, temporality, acoustics and canon of music.

• 한국실내디자인학회논문집
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• 제13권4호
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• pp.83-91
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• 2004

This study focuses on defining the new meaning of immateriality in the present times expressed on space. The purposes of this study were to examine the characteristics of immateriality showed in commercial interior design in Korea, based on the definition of immateriality concept and the analysis of the way it is expressed. The result of this study is as follows; it categorized characteristic of material expression, space concept and media. Characteristic elements can be classified into 6: transparency, implication, off-gravitation, ambiguity of boundary, temporality, interactivity. Expression of immateriality in commercial interior space was obtained in many different ways, which are identified: new expression of material by reduction of materiality, leveling of transparency, expression of floating status, changeable image, illusion effect, blurring boundary. Immateriality is deeply associated with the elements such as surface, material, media, light, and movement. So it is being recognized as an important design concept in today's pluralist society and will play an important role within the design paradigms for the future.

• 한국실내디자인학회논문집
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• 제26호
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• pp.104-111
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• 2001

This study deals with the expressive characteristics of Installation Art and their applicability to environmental design, and as such, aims to specify a artistic methods from the contemporary art. What Installation Art is search of in their works is "the state of relationships" which is "to replace the concept of form with that of structure, and the concept of space with that of the environment" that is, the terms of relations in the overall environment of time and space. Installation Art essentially relies on a multiplicity of forms and attitudes leading to projects which positively make use of "spatial-temporal process" to reaffirm and "problematise" their open-endedness manifest in complex contextuality and shifting temporality. This study presents a new interpretation of spatial-temporal dimension, site-specificity, and intermedia art that we find in Installation Art and tries to combine that new artistic insight a with environmental design to provide a basis for integrated art. This study places a great emphasis on the interdisciplinary approaches to the environment we inhabit, which I hope will contribute to generating a greater number of creative possibilities for environmental design.

• 한국실내디자인학회논문집
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• 제23권4호
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• pp.129-139
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• 2014

The objective of this research is to suggest new geometric possibilities in digital architecture by investigating the characteristics of hybridization in digital geometry. The research begins with theoretical background research such as defining hybridization, investigating hybrid thinking, and studying the theory of digital geometry, along with the four conceptual characteristics of hybridization that could be drawn, such as temporality, liquidity, complexity, and connectivity. Based on these characteristics, the generative method of hybrid digital geometric languages such as Blob, Particle, Morph, Loft, and Boolean was analyzed with case research in contemporary digital architecture. As a result, diverse hybrid geometric keywords were extracted; these keywords suggest potential meanings of hybridization such as accidentality, mobility, diversity, and identity. Different elements represent the "mobility" in time by the force and wave, and they are "accidentally" combined in gradual change. The united species in "diverse" characters are seamlessly connected and emerge as a new "identity." The research maximizes the generative possibilities in digital geometry and provides a theoretical basis to apply the digital hybrid methods to architectural design by suggesting the potential meanings and possibilities in hybridization.

• 한국실내디자인학회논문집
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• 제23권4호
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• pp.3-11
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• 2014

The purpose of this study is to understand Archigram's architectural works by analysing Archigram, which was a little magazine issued from 1961 to 1974. Studies on the Archirgam's architectural works have been mostly focused on their projects themselves, not within the context of the medium, Archigram (little magazine). However, Archigram as a little magazine worked as a platforms where ideas and projects could be developed and communicated among the members. Therefore, this study focused on the distinct features of Archigram's architectural works which were influenced by its little magazine, Archigram. The major conclusion of this study is that Archigram's architectural works worked as media themselves; Archigram's architectural works are open-end conclusions which can be transformed and developed by other members; Archigram members created new temporality, creating 'up-to-the-minute' architecture.

• 한국실내디자인학회논문집
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• 제39호
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• pp.45-53
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• 2003

The purpose of this study is to grasp how B la Bartok's 'Music for Strings, Percussion and Celesta' was expressed in 'Stretto House' of Steven Holl. In conclusion, it is found that phenonenological temporality was expressed through the following equation: (equation omitted). More specifically, it is clarified that the stretto of the musical piece was expressed in the spatial overlapping of the house; the inversion, in the form change of the plan and section of the guest house; the symmetrical proportion and Golden Section, in the same proportion of the house section; the melody of theme, in the shape of the roof. This shows the possibility of approach to the substance of interior and architectural design through music.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.154-162
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• 2012

As media technology has made rapid progress, cultures in the world have spread fast. In addition, Korea wave spreading toward the world is taking shape as a brand that represents essential Koreanness. Such tendency has led attempts to seek Koreanness in the field of space design. The desire to escape from the absence of humanity that is based on mechanistic nature view has led a variety of ideas and concepts on space. In particular, concept of phenomenological space centering on human body has been emphasized. Merleau-Ponty found concept of phenomenological space that emphasizes awareness through experience of human body. In this thesis, orientation as situation, temporality as body, depth as consciousness, and correlational orientation which are key concepts of Merleau-Ponty's phenomenology were covered. Such concepts were used in analyzing the characteristics of Buseoksa Temple to present essential Koreanness.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.381-389
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• 2012

This study starts from the question about the possibility of landscape, especially the possibility to give a new vision in the aspect of publicity. Such a concept of landscape architecture made its appearance in the last decade of the 20th century, as the flexible network to include the changes and the specificity of the surroundings, which simultaneously focuses on the temporality-the uncertainty. Moreover landscape architecture can be defined as the architecture in which the interest on human activities lie in the center of the concept. By analyzing concrete examples, the landscape architecture can be defined in 3 aspects : unity of building and nature, void and public space, space of expansion. As a result of the analysis of landscape architects' statements, it can be said that the issues of publicity are always put at the starting point of landscape architecture with its attention to the way to associate an individual with the others.

• 비교문화연구
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• 제22권
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• pp.279-301
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• 2011

This paper is aimed to examine the current research and educational problems of foreign studies in Korean universities and review some alternative ways. Area studies as foreign studies have several characteristics which are different from those of the other research disciplines. It is a research and educational program that promotes comprehensive understanding about political, economic, social, and cultural phenomena of a specific area in the world. For better understand 'others', researchers in the field of area studies must explain the whole mechanism of the area, which could be revealed in terms of the very existence of its reality. Foreign studies are accomplished with joint-research method, collaborating two or more different research disciplines and based on the contemporary system of knowledge accumulation and educational program. Therefore, the critical issue can be gradually taken on a political and social characteristic. At this point, research and educational manner in foreign studies field in Korea should be changed to secure the academic reflections of temporality, sociality, placeness using a new paradigm such as complexity.

• 대한지리학회지
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• 제39권3호
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• pp.321-343
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• 2004

이 글은 내포지역의 읍성 연구를 사례로 음성취락의 사회공간적 재편과 근대화에 접근한 것이다. 한반도의 서 남해안 일대는 방어상의 이유와 넓은 하안 충적평야, 해안 저지대의 농경제적 가치 때문에 다른 지역에 비해 우선적으로 읍성 축조가 이루어졌다. 내포지역은 그러한 대표적인 공간이다. 내포지역의 읍치경관 원형은 방위와 길흉의 연관성에 대한 전통적 관념이나 권력의 자연화 전략을 반영하며 일정한 원칙 하에 조형되면서도 국지적 단위의 시 공간성을 반영하고 있었다. 조선시대동안 초기 읍성이 지닌 공간성은 군사적 공간으로부터 점차 정치 행정적 중심지로 변화하여 갔다. 일제강점기가 되면, 전통시기의 읍치가 통치 행정 치소로서의 기능을 넘어 자본 축적의 중심, 경제와 교육의 거점, 촌락 공간의 중심지로 변모하기 시작한다. 내포지역에는 개항지가 설치되지 않았음에도 불구하고 일본인의 읍성안 토지 장악은 주요 개항지의 그것보다 훨씬 더 전면적이었다. 더욱이 읍성 공간을 천한 공간으로 여기던 전통적 인식은 조선인들의 신속한 읍성 이탈을 부추긴 반면, 읍성 공간이 갖는 정치, 경제, 사회적 중심성과 서비스업에 종사함으로써 얻은 풍부한 자본력은 일본인들의 광범위한 토지 점유를 가속화한 흡입 요인으로 작용하였다. 이미 1920년대부터 구읍성 일대는 통치 기능 외에 금융, 상업, 교육, 교통 기능의 중심지이자 새로운 도시 문제의 발원지로서 이전과는 다른 새로운 공간성을 갖게 된다. 이와 같이 일제강점기 동안의 경관 변형은 기존 거주민(조선인)에 의해서가 아닌 대체 거주민(일본인)을 통해 주도되었고, 결과적으로 그것은 형태와 기능상의 변혁이었음은 물론이고 매우 급격한 사회공간적 재편이었다.