• 복식문화연구
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• 제20권5호
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• pp.766-774
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• 2012

Ancient Chinese philosophy has had a profound influence on Chinese clothing culture. The researchers reviewed five ancient Chinese philosophical thoughts on Chinese clothing culture. The results show that they had different view of point. The Confucianism advocated "being elegant and refined in manner". Dong Zhongshu believed "Interaction between heaven and mankind is the center of Dress rules". Mohist insisted "Clothing should meet warm first, and then seek for beauty ". Taoism believed "Although a gentleman wears coarse clothes, he has gem in his chest". Legalism believed "Clothing should focus on quality rather than decoration". These philosophy thoughts all have had a profound influence on Chinese clothing culture.

• 한국실내디자인학회논문집
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• 제20호
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• pp.84-90
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• 1999

This study is on relations between minimalism, which is one of important theme in the contemporary design, and East-oriented speculatiov. Minimalism, one inclination of neo-modernism is characterized by Essentialism. That is connected with East-oriented thinking, especially Taoism. The paradigm of contradiction and paradox replaces the paradigm of rationality and the law of cause and effect. Minimal tendency is appeared at Modernism in 60's and Neo-modernism in 90's. The differences are originated with their manner on simplicity. Minimal tendency in Modernism is characterized by 'less is more' and that in Meo-modernism is by 'more with less'. The minimizing strategy is not considered as means as in modern age but as purpose in neo-modern age. This paper explains minimal architectural space as spatial problem and recognitions on that, not as the figurative problem. Conclusively the relationships between minimalism and eastern ideas are represented through the boundary and extensity of space, void and solid, de-formalization and Essentialism.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 춘계학술발표대회 논문집
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• pp.145-149
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• 2006

China which has 960km of domain area is one of the biggest countries in the world. Also China has a large population of 1,300,000,000 which are 25% of total world population and consist of 56 ethnic groups. In addition, History of China is immemorial and Confucianism of feudalistic and Taoism idea have effect on Chinese for a long time and architecture is influenced by them. Thus a large degree of variety, abundance, and uniqueness can be found in Chinese traditional dwelling. This research will be focusing on Sanapwon, a traditional housing in Beijing, which represents China's original and distinctive dwelling features. By looking at Sanapwon, we can learn the distinguishable characteristics of Chinese residential area and understand the concept of space. By looking closely at the worldly outlook, historical view, originality, and the spatial notion centered around human beings, many types of Sanapwon and its formation process have been examined Likewise indoor plane construction, and basic element of composition of space will help to study the whole of residing space.

• 한국주거학회논문집
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• 제13권1호
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• pp.10-18
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• 2002

The purpose of this study is to discover the meaning of water and traditional water space by the literature review and field study of the water space in Korea. The water and water space were symbolized by mythology, elm-yang-oh-hang, feng-shui, taoism and confucian ideas, buddhism, shin-sun ideas, shijo and landscape panting. That is, the symbolic meanings of water and water space are melt in arts and thoughts. According to literature review and field study, the water and water space represent symbolic meanings, integration with nature, reflection of nature, territoriality, role of boundary, purgation, centralization and practical application.

• 동의생리병리학회지
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• 제30권1호
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• pp.7-13
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• 2016

In order to understand correctly about Shanhanlun, the intension of the author from the preface must be definitely understood. Compared the preface of Shanghanzubinlun with the prefaces of other commentaries, figuring out the contents. The preface of Shanghanlun describes the time period and the production background of Shanghanlun. The publish of Shanhanlun is related to outbreak of epidemic, which is related to the war, rebellions, and the secure of trade route from west to east. The episode of Pianque in the preface is the example of the diagnosis in general, and it has connection with the four ways of diagnosis (inspection, listening & smelling, inquiring and palpation) in the last part of the preface. Shanghanzubinglun is influenced by Taoism, which is the ideology behind Huangdineijing and Shennongbencaojing. Zhang Zhongjing had studied deeply about fangshu.

• 건축역사연구
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• 제13권3호
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• pp.21-36
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• 2004

Most of the studies on Confucian Architecture dealt with the administrative system and typification. The study was about the outline buildings of the Architecture. However, specific view of personal architecture is limited. The aim of this study is to clarify the idea of Seonbi, Confucian Scholars in Choson Dynasty, in building the second house, Byul-Seo Architecture. The Byul-Seo was used to Jang-Su(藏修) for training oneself and teaching his students, and You-Sik(遊息) for strolling the surrounding of nature. The Byel-Seo in Bogil-do by Gosan Yoon, Sun-Do is influenced not only by the idea of Confucianism which is 'knowing through by approaching to object(格物致知)', but also by Feng-shui and Taoism. From the idea of Gosan Yoon, Sun-Do in Byul-Seo Architecture, ecology and spirit of the times must applied to our modern architecture.

• 한국실내디자인학회논문집
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• 제13권6호
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• pp.74-81
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• 2004

Much evidence points to the fact that Korean traditional architecture has long reflected traditional Korean philosophy. If what this evidence points to Is true, there is much more insight to be gained about this connection. It is important to begin with the idea that Korean culture stemmed from Confucianism, Buddhism, and Taoism. All three share similar ideas, and this study will set out to prove that topology, an anti-Euclidean school of thought created at the end of the 19th century, shares many of the same core ideas as the three mentioned above. Transitively, if Korean traditional culture is reflected in Korean traditional architecture, and topology shares many of the same core ideas, it seems that topology should be accepted into the mainstream of architectural design. This study will aim to interpret space structure forms and space constructions of the Korean traditional architecture from the topological perspective.

• 대한가정학회지
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• 제38권11호
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• pp.13-30
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• 2000

The purpose of this thesis is to find out the spiritual cloture inherent in outward elements of Korean traditional costume. For this purpose, the ‘Po(袍)’of the Chosun Period is decided as an object of this study. ‘Po’, which has been one of basic elements of traditional costume from ancient times, contributes to complete the attire and shows the courtesy most apparently. In addition, ‘Po’profoundly contains the spiritual culture of our own because it symbolizes the social status system and customs of the days. The spiritual culture incorporated in the traditional Po of Korea is examined by the study of the thought of Yin and Yang, and Five Elements, Taoism, Han(韓) and the aesthetic characteristics of Korea.

• 복식
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• 제15권
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• pp.63-76
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• 1990

The purpose of this paper is to de31 with the sorts, significances and characteristics of the devices embroiderered on the ritual dreses(hwarot), skirts and embroidered-cushions among the relics of Princess Bok-On(A.D. $1818{\sim}1834$), the second daughter of King Soon-Jo(A.D. $1790{\sim}1834$) in the Yi Dynasty. Her ritual dresses(hwarot)adopt the devices of Buddhism style, Taoism one, Chinese one and Korean one together in mixture, and have no letter-devices in embroidering treasure-devices. Her skirts have the ornament signifying the Orientalism, and express the spiritual world symbolically and artistically. Her embroidered-cushions make harmonization of Confucianism and Buddhism on the splendid base-cloth, and create a unique art style of Korea.

• 한국의사학회지
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• 제15권1호
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• pp.25-42
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• 2002

Wang Bing reorganized "The Yellow Emperor's Inner Canon Essential Questions" by adding 7 more volumes to the original 9 volumes and made it 24 volumes. And also rearranged the order in "preservation of health", "yinyang and five phases", "visceral manifestation", "treatment", "pulsation", "the channels", "diseases", "acupuncture ", "movement of the qi", "medical virtue", "wanton theory" etc. Though this, Wang Bing hoped the "The Yellow Emperor's Inner Canon Essential Questions" to be reborn into a systematic and methodical medical book. Taoism, which is one of the characteristics of Wang Bing's medical conception, is revealed in both the contents of the book and the rearrangement of the book's order. Another feature is that he explains most of the diseases by the channel theory. His insists the script be interpretated in a new way that fits the situation and not to be bound to the words it self. And this also shows one of his conception of medicine.