• 비교문화연구
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• 제52권
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• pp.195-222
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• 2018

베르나르 다디에는 콩트 모음집 "검정 파뉴"에서 현실과 허구를 가미하여 흑아프리카 민담에서 중요하게 여겼던 미덕, 정의, 선을 거미 카쿠 아낭제의 삶을 통해 그리고 있다. 거미의 삶은 상상과 계략으로 가득 차 있다. 그 상상과 계략은 "거미와 거북이"에서 물질적 풍요와 좌절의 모습으로, "거미와 혹"에서는 모체와의 분리를 거부하는 자폐적 삶의 모습으로, "거미의 황소"에서는 금기 위반의 흔적을 양에게 전가하는 행위로, "혼인지참금"에서는 개인의 욕망 충족을 위해 타인을 아프게 함으로써 실패한 계략의 교훈으로서의 '보도아'로 다양화된다. 이 다양한 이야기는 작가가 민담이나 신화를 재해석하여 사회의 풍습과 관습에 대한 가치를 문제 삼아 그 가치를 명확하게 하여 교훈적인 의도를 담은 것으로 인간적인 품성과 결점을 이해하는 데 도움을 준다.

• 헤리티지:역사와 과학
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• 제34권
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• pp.172-195
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• 2001

This research on the house folklore in China, Korea, and Japan is focusing on a kitchen God that is common in these three countries. This god originated in China and has subsequently influenced Korea and Japan. Today, all three countries use the same name of this kitchen god which is called Youngwang(竈王) as its name has been spelled in Chinese. In China, this kitchen god has been believed in two different ways. The Han people have developed their belief in Youngwang while another creed has been originated from other ethnic groups. Because of the particular house style with upper stories of ethnic groups in the southern and southeast areas of China, a kitchen fireplace is centered in the house. Han people in China also worship painted depictions of kitchen gods. And the ethnic groups believe it has three stone legs for a fire box. These differing beliefs has bad influenced on Korea and Japan. The kitchen god of Cheju island (off the south Korea coast) is believed to be almost the same as among the ethnic groups in China Interestingly, form of belief in the kitchen god in Okinawa (off the south coast of Japan) is almost identical as in the southern area of China Custom in China. Korea, and Japan regarding the kitchen god symbolized family values healing, initiating a new daughter-in-law to reveging the kitchen god, etc. are all the very similar. A fireplace and its fire are very important and, have many taboo, attached. Existing rich tales of kitchen gods are similar in the three countries. Moreover, people in the three countries, think that the clay or time plaster of the fireplace with bring good luck on New Year's eve. However, Korea kitchen god features one thing that is different from those China and Japan, that is that water symbolizes the kitchen god in Korea. A painted kitchen god as they are popular in China, has influenced only some Buddhist temples in Korea.

• Journal of Forest and Environmental Science
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• 제37권3호
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• pp.169-192
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• 2021

Sacred groves are large areas of virgin or human-modified landscape with a diverse range of species that have been protected by local people for centuries due to cultural, religious beliefs, and taboo that the deities live in them and protect the villagers from various calamities. The present study was carried out for quantitative analysis of diversity, population structure, regeneration and conservation status of tree species in the four 36.86 ha sacred groves of Jhargram district in West Bengal. Tree species composition, population structure and regeneration status were analyzed by randomly establishing of 1 ha subplots within the sacred groves. Density, frequency, basal area, abundance, evenness, and other diversity indices were calculated for adult trees with girth at breast height (GBH) >31 cm. A total of 146 tree species belonging to 116 genera distributed in 44 families from 21 orders were recorded. Pterospermum suberifolium, family Malvaceae showed the highest Species Importance Value Index (SIVI, 21.33) and Fabaceae showed the highest Family Importance Value Index (FIVI, 35.59) values respectively. Individuals are categorised into three groups, seedling, sapling and adult based on girth classes. The majority of tree species exhibited good (52.74%) regeneration followed by fairly (24.66%), poor (15.75%) and no regeneration (6.85%) respectively. With the healthy existence of the sacred grove, the overall population structure of tree species showed a strong regeneration potential. The current data will be useful in determining the current status of tree species and will be used by the forest department, politicians, and conservationists to establish management plans for the conservation of priority species in the region. Since the study areas were sacred groves, tribal members were keen to preserve them due to their religious significance.

• 대한건축학회논문집:계획계
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• 제35권2호
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• pp.105-114
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• 2019

Yeongbojeong was a famous pavilion of Joseon, which was located in Chungcheong-Suyeong, Ocheon-myeon, Boryeong-si. It was an open place for poets and calligraphers to freely visit during 400 years. Until today, it is widely said that Yeongbojeong was newly built by LeeRyang in 1504, who was Sugunjeoldosa(naval forces officer). The researcher investigated Gyujanggak to search Lee Maenghyu's "Asulrok-Book", and it was determined that Yeongbojeong was created by Gang Soon, 36 years earlier than LeeRyang. Accordingly, this research aimed at determining the appropriateness of the creation of Yeongbojeong. "Asulrok-Book", which said, "Yeongbojeong was Wonjeong(園亭) of Gang Soon during Yejong's reign", however this research could settle imperfection of Geungeo Gimun which was not clearly explained. Yeongbojeong was created due to Gang Soon's Wonjeong in 1468, however he was also a traitor and was executed, so that nobody wanted to mention about it. Therefore, it was determined that no phrase related to the record of creation of Yeongbojeong by Gang Soon out of lots of Yongbojeong Jeyoungsi and Gimun. Lee Maenghyu was a brave scholar who recorded 'Yeongbojeong was Gang Soon's Wonjeong' confidently, breaking such taboo. This research intended to clearly investigate the year of foundation of Yeongbojeong and establish the history of Chungcheong-Suyeong by thoroughly analyzing newly discovered "Asulrok-Book", existing "Ocheong GoonJi", and "Chungcheongsaryejib" and considering the fact relevance. As the result of this research, it was determined that Yeongbojeong was Gang Soon's Wonjeong through "Asulrok-Book". The point that Yeongbojeong was forfeited reverted to neighboring Chungcheong-Suyeong after Gang Soon was executed due to his participation in a conspiracy also was a newly discovered fact. LeeRyang, Sugunjeoldosa, can be said a brave commander, since he put up the original Yeongbojeong instead of abandoning the name Yeongbojeong of Gang soon. So far, Yeongbojeong is widely accepted as 'new construction of Yeongbojeong by LeeRyang in 1504'. However, since the record of Gang Soon's Wonjeong was discovered, and as the result of diversified analysis and examination, it is proper to correct the foundation year of Yeongbojeong as 1468.

• 한국콘텐츠학회논문지
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• 제21권11호
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• pp.586-597
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• 2021

자궁경부암은 국내 여성들의 건강을 위협하는 질병으로서 우리나라에서도 매년 4천여 명의 여성이 자궁경부암 진단을 받고, 하루 평균 3명의 여성이 자궁경부암으로 사망하고 있다. 본 연구에서는 발생 증가세를 보이고 있는 군에 해당되며 2차 접종 대상인 14~26세 여성에 포함되는 여대생들을 대상으로 자궁경부암 및 자궁경부암 예방접종과 관련된 인식 조사를 실시하였다. 19명의 여대생들을 대상으로 심층 인터뷰를 진행한 결과 자궁경부암 및 자궁경부암 예방접종과 관련 되어서는 확산되지 않은 정보로 인해 자궁경부암이 중요하지 않다는 인식, 자궁경부암 관련 정보 접근의 우연성 및 부족, 발병원인이 여성들에게만 있다고 강조하는 정보의 편향성 및 용어의 문제가 있는 것으로 나타났고, 예방접종을 받지 않는 이유로는 사회적 편견, 비용, 부작용 및 막연한 두려움이 도출되었다. 연구결과 여대생들은 자궁경부암 및 예방접종과 관련되어 실질적이고 팩트 위주의 매세지, 또래 여성 및 남성도 포함된 메시지, 접근성과 노출 빈도수 높은 캠페인을 선호하는 것으로 나타났다. 본 연구 결과는 발병률이 증가하고 있는 15-35세 군 여성들을 대상으로 자궁경부암 예방교육을 실시할 경우 도움이 될 수 있다.

• 영어영문학
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• 제55권5호
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• pp.793-820
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• 2009

The studies of correspondence between novel and nation-state, among which The Rise of the Novel by Ian Watt is supposed to be the first book, have flourished for more than twenty years, encouraged by Benedict Anderson's and Cathy Davidson's works. According to them, the novel should come simultaneously with, or after the foundation of the nation-state, and testify to its production or the emergence of its subject/citizen. This paper questions about these prepositions, trying to introduce a new paradigmatical approach, "between global and transnational historical approach," to first novels in transatlantic areas including England and atlantic coastal areas. In its complex relation to a variety of colonial, post-colonial, and transnational geopolitics, various cultural practices such as history, traveler's tales and epistolary novels can be included in the genre of the novel. The idea of the sexual contract by Carole Pateman is very useful because it helps more clearly understand the nature of relation between men and women in the capitalist reproduction, while the social contract tells about the relation between men as citizens. Unlike Freud in Totem and Taboo, Zilboorg argues that there were primordial and violent scenes such as rape before the first sexual contract. This paper will illuminate that "the rise of the novel" corresponded with the emergence of the sexual contract. In the so-called first novel Pamela, the heroine Pamela was threatened to be violated by Mr. B., and was really even confined in his cottage. Mary Rowlandson's The Captive Narrative shows that her body was confined as an English female captive, and troubled with imaginary rape by Indians which resulted in the unequal sexual contract between her and her puritan community in America. However, Leonora Sansay's Secret History in an alternative communality, which was not a nation-state, was different from both novels mentioned above, in that it shows the possibility of emancipation from their unequal marriage, the sexual contract. Therefore, it can be argued that "between global and transnational historical approach" has a possibility to provide a new vision of global sisterhood and solidarity to recognize globalized women's violence, and free themselves from the unequal sexual contract.

• 영어영문학
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• 제55권4호
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• pp.693-718
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• 2009

Kate Burns, a disillusioned Irish woman in Quetzalcoatl, has alternating feelings of fear, repulsion, oppression, compassion, and fascination vis-à-vis Mexican people. Together, these feelings are constitutive of a psychic process in which an imaginary appropriation of the other takes place. In this process white subjectivity represents or reconstructs the dark race precisely as its other. At the same time, Kate's feelings register her anxious recognition of the resistant, unappropriated being of the dark people: their true 'otherness,' or what Žižek calls "the excess of existence over representation." The otherness, frequently racial and sexual, evokes mixed feelings in the white subject. Kate's at once amorous and aggressive response to Ramón's body provides a case in point. Kate's emotional undulation is considerably mitigated in The Plumed Serpent, the revised version of the novel in which the theme of 'blood-mixing' is pushed to the ultimate point. Yet the interracial marriage resolves neither the racial nor the ontologico-sexual issues raised in the first version. Kate is still attracted to Ramón in his sagacious sensuality but goes on to get married to Cipriano, a pure Indian, only to find his mechanical masculinity ever unpalatable. This shows, not just Lawrence's wilful commitment to the 'blood-mixing' theme, but perhaps his lingering taboo against miscegenation as well. Changes in the plot entail those in the narrative voice. In Quetzalcoatl, Owen, a spectatorial and gossipy character, frequently competes for narration with the fully participant third-person narrator. In The Plumed Serpent, the third-person narrator becomes predominant, now attempting with greater confidence to present the reality of the racial other immediately to European readership. While such immediacy is illusional, narrative insistence on it implies a struggle to displace racial stereotypes and offer an experiential understanding of the other.

• 대중서사연구
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• 제27권1호
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• pp.265-299
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• 2021

이 글은 <순수의 시대>의 서사와 회화, 음악에 나타난 상호텍스트성을 통하여 공감각적 미학 세계를 이해하는 데 연구 목적이 있다. 이 연구에서, 서사와 관련한 회화의 이차원적 상호텍스트성 분석은 Old New York이 소장한 회화, 엘렌이 소장한 회화, 파커 하우스 거리 화가의 초상화, 루브르 미술관의 루벤스 회화 등이 대상이다. 또 서사와 관련한 공연의 삼차원적 상호텍스트성 분석은 구노(Charles F. Gounod)의 <파우스트>가 공연되는 뉴욕 아카데미 오브 뮤직, 부시코(Dion Boucicault)의 <방랑자>가 공연되는 웰랙 극장, 이 두 곳의 무대와 박스석이 대상이다. 다음으로, 서사와 관련한 음악의 상호텍스트성 분석은 베토벤의 피아노 소나타 제8번, 멘델스존의 현악오중주 제2번 등 내재/외재의 클래식과 외재의 번스타인(Elmer Bernstein) 음악이 대상이다. <순수의 시대>의 구성적 사건은 지속되지 않는 사랑과 욕망의 되새김 속에 갇힌 열정을, 보충적 사건은 Old New York의 가부장제 권위가 초래한 사고의 편협과 가치의 전도를 내포한다. 영화 속 인물들은 제한을 받지 않는 표면은 제시하고, 문제가 되는 이면은 은폐하는 이중생활을 한다. 등장인물은 클라이맥스에서도, 엔딩에서도 감정을 노출하지 않으려고 절제한다. 영화에서 가장 강력한 것은 억압적 삶의 유형과 성격인데, 이를 표현하는 데 연기력만으로는 한계가 있어서 회화, 음악 등의 도움으로 내면세계를 더 섬세히 표현한다. <순수의 시대>에 등장하는 회화와 음악의 상호텍스트성은 언어로 표현할 수 없는 미묘한 감정을 연속성으로 강조한다. 마치 각 부분이 이전 부분에 각인된 것 같은 공감각적 이미지를 지니고, 그 연속성으로 "쉼 없이 계속되는 카메라 움직임들과 몽타주 효과에 부응한다." <순수의 시대>에서 에로틱의 역동성은 욕망을 드러내는 일과 그 욕망이 금기에 가려지는 일 사이에서 교묘한 줄타기를 하는 충족과 실망을 오가며 극적 흥분을 최고조로 끌어올린다. 서사와 관련한 회화와 음악이 2차원적 평면과 한정적 프레임의 한계를 극복하는 미학적 성과를 얻었기에 가능한 일이다. <순수의 시대>에서의 동일화는 영화 서사의 시청각적 재현을 통한 공감각적 미학 세계를 구축한 것에 기반을 두고 형성하므로 영화 미학의 가능성을 재발견하는 의의가 크다.

• 대한한의학원전학회지
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• 제26권3호
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• pp.75-84
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• 2013

Objective : This study considered the annual cyclical rituals related to medicine in an effort to look into the general medical conditions in the late Joseon Dynasty. Method : This study selected Uibanghappyeon 'Wolhaeng' as its research material in that it reflects the medical conditions at that time as a writing in the late Joseon Dynasty, and it's a record about annual cyclical rituals included in a medical book. The annual cyclical rituals are possible to analyze from various angles, but this study perceives the fundamental elements forming the annual rituals as (1) the time when a ritual was held (2) purpose, (3) method, and analyzed the calendaric rituals by dividing them according to the three elements. Result : There appear 97 sorts of annual rituals period in all according to their contents in Uibanghappyeon 'Wolhaeng.' (1) the case of directly suggesting a specific day like May 5 was found to be the most with 46 cases on the basis of the character of the implemented time, followed by the part (16 cases) with the sexagenary cycle like the Day of the Ox. (2) From the aspect of the purpose, the case of aiming at preventing diseases was found to be the most with 24 cases, and the case of expressing 'having to do like that' without any clear reason, or 'that would be better' was found to be the third-most 19 cases. In a broad sense, should these two be perceived as disease prevention, these statistics accounted for a half of the whole with 43 cases. Meanwhile, the style of rituals whose purpose was disease treatment(22 times) was to make a medicine on a specific day. Among the 22 sorts related to disease treatment, 16 sorts were the custom of making medicine on a designated day. (3) When classified from the aspect of methods, they can be divided into pharmaceutical preparations(23 cases), specific behavior(20cases), taboo(19 cases), taking medicine(15 cases), fasting(11 cases) and external medical treatment(9 cases), etc. This shows a comparatively even distribution rather than the case of dividing the annual rituals into a period or purpose. Conclusion : Medicine is the knowledge for preventing and treating diseases. However, the medical science and medical treatment of a traditional society show not a little difference from what we feel. The research on the annual cyclical rituals related to medicine is expected to be helpful to our perception of such a difference.

• 한국콘텐츠학회논문지
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• 제14권12호
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• pp.639-654
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• 2014

창극 <변강쇠 점 찍고 옹녀>는 '서사화'의 중심인물인 옹녀와 옹녀모에 의해 생성된 이야기가 억압받는 성 여성으로부터의 해방이라는 것이 주목을 끈다. 원형 및 파생 콘텐츠에서 풀리지 않던 매듭인 작품 후반부(강쇠의 치상 삽화들)를 삭제하고, 완강한 가부장제의 권위를 희석시켜 불멸의 사랑과 사랑의 결실을 도출하며, 사건의 '핵'인 옹녀의 상부살과 강쇠의 장승동티살의 연결 고리를 끊음과 동시에 사건의 '촉매'인 조왕살을 등장시켜 가부장제의 권위에 도전함으로써 '허구화'의 미적 구조물인 장승과의 전쟁을 구축하고, 여성의 자유 의지와 저항 정신으로 사랑도 명예도 생명도 얻는 플롯 라인을 형성하여 전형 서사로서 완결성을 지니게 되었다. 이 창극의 작창 작곡은 다양한 음악의 자유분방한 활용, 주인공 옹녀의 독창 극대화, 합창에 의한 '부분의 독자성' 강화, 장면전환에서의 극적 분위기 조성, 긴장(저항)과 이완(자유)의 이중 변주 등에서 괄목할 성과를 얻었다.