• Korean Journal of Mathematics
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• v.27 no.4
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• pp.1077-1108
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• 2019

The notions of intuitionistic fuzzy UP-subalgebras and intuitionistic fuzzy UP-ideals of UP-algebras were introduced by Kesorn et al. [13]. In this paper, we introduce the notions of intuitionistic fuzzy near UP-filters, intuitionistic fuzzy UP-filters, and intuitionistic fuzzy strong UP-ideals of UP-algebras, prove their generalizations, and investigate their basic properties. Furthermore, we discuss the relations between intuitionistic fuzzy near UP-filters (resp., intuitionistic fuzzy UP-filters, intuitionistic fuzzy strong UP-ideals) and their upper t-(strong) level subsets and lower t-(strong) level subsets in UP-algebras.

• Journal of applied mathematics & informatics
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• v.18 no.1_2
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• pp.419-430
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• 2005

In this paper, we introduce the notions of ($\in,\;{\in} V q$)-fuzzy subnear-ring, ($\in,\;{\in} V q$)-fuzzy ideal and ($\in,\;{\in}V q$)-fuzzy quasi-ideal of near-rings and find more generalized concepts than those introduced by others. The characterization of such ($\in,\;{\in}V q$)-fuzzy ideals are also obtained.

• The Pure and Applied Mathematics
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• v.14 no.3
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• pp.223-230
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• 2007

We give an answer to the following question: Question. Let S be a subset of [0,1] containing a maximal element m > 0 and let C :=$\{I_{t}\;{\mid}\;t{\in}S\}$ be a decreasing chain of ideals of a BCK/BCI-algebra X. Then does there exists a fuzzy ideal ${\mu}(X)=S\;and\;C_{\mu}=C?$.

• Honam Mathematical Journal
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• v.32 no.4
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• pp.593-617
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• 2010

We introduce the concepts of interval-valued fuzzy sub-groups [resp. normal subgroups, rings and ideals] and investigate some of it's properties.

• Journal of applied mathematics & informatics
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• v.30 no.3_4
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• pp.603-612
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• 2012

In this paper, we introduce and study the intuitionistic fuzzy prime (semi-prime) ${\Gamma}$-ideals of ${\Gamma}$-LA-semigroups and some interesting properties are investigated. The main result of the paper is: if $A={\langle}{\mu}_A,{\gamma}_A{\rangle}$ is an IFS in ${\Gamma}$-LA-semigroup S, then $A={\langle}{\mu}_A,{\gamma}_A{\rangle}$ is an intuitionistic fuzzy prime (semi-prime) ${\Gamma}$-ideal of S if and only if for any $s,t{\in}[0,1]$, the sets $U({\mu}_A,s)=\{x{\in}S:{\mu}_A(x){\geq}s\}$ and $L({\gamma}_A,t)=\{x{\in}S:{\gamma}_A(x){\leq}t\}$ are prime (semi-prime) ${\Gamma}$-ideals of S.

• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 1997.11a
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• pp.98-103
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• 1997

Defuzzification plays a great role in fuzzy control system. Defuzzification is a process which maps from a space defined over an output universe of discourse into a space of nonfuzzy(crisp) number. But, it's impossible to convert a fuzzy set into a numeric value without losing some information during defuzzification. Also it's very hard to find a number that best represents a fuzzy set. Many methods have been used for defuzzification but most of then were problem dependent. There has been no rule which guides how to select a method that is suitable to solve given problem. Here, we have investigated most widely used methods and we have analyzed their characteristics and evaluated them. D. Driankov and Mizumoto have suggested 5 criteria which the‘ideal’defuzzification method should satisfy. But, they didn't considered about control action. Output fuzzy set if not only a fuzzy set but also a sequence of control action. We suggested 4 new criteria which describe sequence of cont ol action from some experiments. In addition, we have compared each method in simple adaptive fuzzy control. COG(Center of Gravity), or COS(Center of Sums) methods were successful in fuzzy control. However, at transition region, MOM(Mean of Maxima) was best among others in adaptive fuzzy control.

• Nuclear Engineering and Technology
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• v.53 no.3
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• pp.851-859
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• 2021

Small PWR can be used for power generation and heating. Considering that small PWR has the characteristics of flexible operating conditions and complex operating environment, the controller designed based on single power level is difficult to achieve the ideal control of small PWR in the whole range of core power range. To solve this problem, a flexible switching controller based on fuzzy controller and LQG/LTR controller is designed. Firstly, a core fuzzy multi-model suitable for full power range is established. Then, T-S fuzzy rules are designed to realize the flexible switching between fuzzy controller and LQG/LTR controller. Finally, based on the core power feedback principle, the core flexible switching control system of small PWR is established and simulated. The results show that the flexible switching controller can effectively control the core power of small PWR and the control effect has the advantages of both fuzzy controller and LQG/LTR controller.

• Journal of Electrical Engineering and Technology
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• v.10 no.5
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• pp.2170-2178
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• 2015

This paper presents the effective and reliable speed control of PMDC motors under variable loads and reference speeds. As is known DC motors are more preferred in industrial practices. This is that, the PMDC motors don’t require brush and commutator care and to increase in torque per motor depending on developments in power electronics. In this study, proportional-integral controller (PI) and fuzzy logic controller (FL) have been designed for speed control of PMDC motor. In the design of these controllers, characteristics such as minimum overrun time, response time to the load, settling time and ideal rise time have been taken into consideration for better stability performance. In this design, the best system response was searched by examining the effect of different defuzzification methods onto the fuzzy logic system response. In conclusion, it has been seen that FL controller has a better performance for variable speed-load control of PMDC motor compared to PI controller.

• Journal of the Korean Society of Costume
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• v.30
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• pp.261-274
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• 1996

In the present age dominate by both cer-taingty of 1% and uncertainty of 99% 'Fuzzy thinking' of Bart Kosko that is the way to solve the problems by the scientific way through a worldview of Buddhism or Taoism greatly prevails around the world over 'Lateral greatly prevails around the world over 'Lateral thinking' and the authenticity or the right and-wrong of the uncertainty which is the thinking way to find the answer of the problems of illogical way of Edward de Beno against the western vertical thinking were Concurrently fashion designers over the world also adopt the oriental elements. But there exist differences of thoughts between the orient and the occident. And they have dif-ferent thinking way of aestheticism and references of the value on the beauty. Not only beauty but the view through the mind as intuitional thought in which not only the rec-ognition of sense but also the rationalism and the naturalness play key role. The aesthetic sense in the orient contains both the truth and virtue. 2) The beauty of the mean It's from the thought of neutralization of Confucius. The mean or moderation state which in harmony with ethical virtue and aes-thetic beauty is the ideal and is the ultimate. Therefore the thought of Confucian is the creativity in which the balance and the har-mony is most important. Fashion design is also one of the representation of the mean because the spirit of the designer is harmonized for-mlessly with the object of the model of the fashion design. 2) The beauty of skillfulness It indicates the Taoism of Lao-tzu and Chuangtzu. It takes a super-artistic declar-ation that human can feel and recognize the color of colorlessness the sound of sound-lessness and the taste of tastelessness. The thought of arts affected by Taoism is 'ad-vanced age' called the beauty of skillfulness. The view of arts of lao-tzu takes the beauty of cosmos and the nature as a standard. Es-pecially the beauty of inactivity is recognized by the linkage between the beauty and the ugliness. And these things appear in fashion design as a design element such as humor or exaggeration. 3) The beauty of non-dualism It is thought of Buddhism that all evil passions of worry occur form the opposition in dualism. Finally this thought leads to that everything is consistent and truth is only one from the point of view that virtue and vice has on linkage that is 'no virtues no vices' and 'one with two, two, with one, one is not two' A big tendency like this became the root forma-tion of the thought of the oriental arts. 3. Characteristics of the oriental aesthetic sense on the present fashion design 1) The formation of the fashion design on the oriental elements In the picture-incantation which was a representation of an era when the thought of 'cosmic dual forces' dominated the basic polygons of 'a circle square triangle' means both 'one two three' and 'the negative positive mean' of cosmic elements. From this point of view the was of planner cutting in the Orient is dif-ferent from that of the Occidental which is in three-dimensional. The planner polygon type of the cut-pieces comes to have the meaning of the three-dimension when they consist of a suit that has the combination of each cut-piece. This shows the consistency with the principle of cosmos creation of Taoism that one is two two is three and three is every-thing. 2) The coloring and the symbolic represen-tation of the fashion design on the orien-tal elements The sense on the colors in the Orient from the thought of 'the cosmic dual forces and the five elements' is not the experi-enced from the knowledge but contains the consideration of philosophy Five-primary-color representing compass directions Blue(East) Red(South) Yellow(Center) White (West) and Black (North) is called ' the posi-tive' for this five-primary-color secondary-color which comes from the compound of the primary colors is called 'the negative' The thought of 'the cosmic dual forces and the five elements' is also an theory containing the natural order of the cos-mos and this shows the perceptional differ-ence that they are not conceptual but to be recognized and fell directly. A thought of Buddhism which is 'Colors are colorlessness and Clolorlessness are color's proves that. 3) The pattern and symbolic representation of the fashion design on the oriental elements The pattern as a visual style is a figure of symbolic representation which adopt the mental and physical world of human and are the compo-sition of artistic revelation of the human nature and the religous thought of incantation. Es-pecially the symbolic representation of the oriental thought of Confusion. Buddhism and Taoism There are patterns such as plants aminals the oriental four gods and geometry. From the above it's the time toward the 21'th century when the world is constructing one global area and one historical zone. And the exotic mood of the Orient represented in the fashion which doesn't make the common feeling in general does not cease to develop only to express the visual modeling but also adopts the thought religion and the art which are the root of the Orientail and contains inherent willing of modeling.