• 한국실내디자인학회논문집
• /
• 제16권1호
• /
• pp.39-47
• /
• 2007

In comtemporary interior design, hybrid form causes cognitive turnovers of aesthetics. Especially it offers much possibility to expression techniques in interior design and works as compound system, symbolic aggregate that makes and expands various meanings. The aesthetic ideology of hybrid design can be interpreted through the philosphic concept of art, sublime, reception, representation and explains expression techniques and characteristic in interior design through various transformation and meaning conversion. The expression techinique that is a form of openness, transcendental interpretation that exceed a dupilicate of meaning. can be classified as oxymoron, defamiliarization and interface. The characteristic that is based on those expressions appears as use of complex codes of visual images, decoding strategy, intertextuality of meaning. This research attitude can explain the thinking method of interior design by defining the epistemological scheme that is basically involved in expressional styles with characteristics of hybrid aesthetics. In order to be recognized as the object of aesthetics, hybrid has to be approached by interpretational methods of expression techniques. Consequently the characters of expression techniques in hybrid design can be investigated as one of the methodology in interior design plan.

• 한국실내디자인학회논문집
• /
• 제26호
• /
• pp.35-41
• /
• 2001

This study examines the space composition and character of Baroque Theater base on the theory of drama and play in the european traditional theater. Contemporary multi purpose theater and public space is considered as a symbolic representation of the baroque theater's organization. In the historical theory, baroque theater was a common tool and best systeme in reflecting people's lives. The role of theater as mass culture and new style of theater permanent design had get its value with the population increase and the urban centralization of the city and urban common sense. This study attempts to reevaluate the need of public space in modern society through a critical review of theater and its use as a open space design. Content analysis was used to discuss the topics of this study including the historical background of the theater, the relationship between renaissance culture and modern theater design, and the role of scenery, auditorium and its impact on urban environment. The scope of the study is limited to the comparison of baroque theater and space use program from the space critic and sociologist. Today the concept of theatrical space is altered with the advent of non-objects and multi media space. This study provides insights for the future implications of theatrical space in developing public space for its a new definition as cultural representation.

• 한국언어정보학회:학술대회논문집
• /
• 한국언어정보학회 2007년도 정기학술대회
• /
• pp.405-414
• /
• 2007

This paper describes a preliminary work on prosody modeling aspect of a text-to-speech system for Thai. Specifically, the model is designed to predict symbolic markers from text (i.e., prosodic phrase boundaries, accent, and intonation boundaries), and then using these markers to generate pitch, intensity, and durational patterns for the synthesis module of the system. In this paper, a novel method for annotating the prosodic structure of Thai sentences based on dependency representation of syntax is presented. The goal of the annotation process is to predict from text the rhythm of the input sentence when spoken according to its intended meaning. The encoding of the prosodic structure is established by minimizing speech disrhythmy while maintaining the congruency with syntax. That is, each word in the sentence is assigned a prosodic feature called strength dynamic which is based on the dependency representation of syntax. The strength dynamics assigned are then used to obtain rhythmic groupings in terms of a phonological unit called foot. Finally, the foot structure is used to predict the durational pattern of the input sentence. The aforementioned process has been tested on a set of ambiguous sentences, which represents various structural ambiguities involving five types of compounds in Thai.

• 한국실내디자인학회논문집
• /
• 제27호
• /
• pp.104-110
• /
• 2001

This study examines the space composition and character of German Modern Theater barre on the theory of typology and interpreter in the european traditional classic theater. Contemporary multi purpose theater and public space is considered as a symbolic representation of the classic theater's organization. In the historical theory, modern theater was a common tool and best systeme in reflecting people's lives. This role of greece-roman theater as life cycle and new style of theater permanent design has get its value with the population increase and the urban centralization of the city and urban common sense. This study attempts to reevaluate the need of space typology in modern society through a critical review of theater and its use as a open space design. Content analysis was used to discuss the topics of this study including the historical background of the theater, the relationship between amphitheater and modern theater design, and the role of scenery, auditorium and its impact on urban environment. The scope of the study is limited to the comparison of classic theater and german modern theater space use program from the space critic and sociologist. Today the concept of theatrical space is altered with the typology of classic and interpreter space. This study provides insights for the future implications of theatrical space in developing public space for its a new definition as cultural representation.

• 한국실내디자인학회논문집
• /
• 제29호
• /
• pp.51-57
• /
• 2001

This study examines the space composition and character of 16th Renaissance Theater base on the theory of typology and interpreter in the european traditional classic theater. Baroque theater and early modern theater is considered as a symbolic representation of the renaissance theater's organization. In the historical theory, theater Teatro Olimpico and Teatro Farnese was a common tool and best systeme in reflecting renaissance type and perspective system. This role of type as life cycle and new style of theater permanent design has get its value with the population increase. This study attempts to revaluate the need of space typology in modern society through a critical review of theater and its use as a visual space. Content analysis was used to discuss the topics of this study including the historical background of the theater, the relationship between amphitheater and modern theater design, and the role of scenery, auditorium and its impact on Proscenium scenery. The scope of the study is limited to the comparison of 16th european theater and contemporary theater space use program from the space critic and sociologist. Today the concept of theatrical space is altered with the typology of classic and interpreter space. This study provides insights for the future implications of theatrical space in developing space for its a new definition as cultural representation.

• 고전문학과교육
• /
• 제38호
• /
• pp.201-238
• /
• 2018

다양한 문화의 시대에 필요한 상호문화능력을 신장하기 위한 방법으로 마달레나 드 카를로 (De Carlo, Maddalena)의 구술성에 주목하여, 한국에 거주하는 이주민이 구술한 설화 자료를 바탕으로 '상징적 표상'이 생성하는 '다양한 가치'를 바탕으로 상대적 감각을 키워낼 수 있는 교육요소와 교육내용을 구체적으로 제시했다. 카를로의 이론을 바탕으로 다양한 문화와 접속하고 공감하고 소통하는 데, 한국에서 구술된 이주민 설화가 기여할 수 있는 방법 중에 하나로 서사적 화두를 통한 문화적 감응력의 확장을 교육요소로 논했다. 이를 6단계로 체계화했다. 1단계 이주민 구술 설화 자료 듣기, 2단계 기억에 각인되는 이질적 화소 찾기, 3단계 이질적 화소로 상징된 대립자질의 의미 파악하기, 4단계 핵심화소가 들어간 서사적 화두 생성하기, 5단계 서사적 화두로 상징적 표상이 내포하는 가치 생성하기, 6단계 삶의 가치를 문화적 상징으로 확장하기다. 3장에서는 이 6단계로 이주민 설화의 교육내용을 적용했다. 수업은 상호문화에서 동질적 결합에 대한 욕망의 한계를 인지하고, 이질성으로 인한 소통의 장벽을 허무는 것과 표면과 이면의 사유를 통해 이질적인 것과 어떻게 관계를 생성할 수 있을지를 생각해 보는 내용으로 구성했다. 인도네시아 설화인 <뒤집어진 배산과 엄마산>은 한국설화는 아니지만 전 세계적으로 많이 알려진 <오이디푸스>신화로 비교하면서 '뒤집어진 배산'이라는 이질적인 화소가 지니는 상징적 표상이 무엇인가를 풀어냈다. 이때 6단계 상징체계를 문화적으로 확장해 갈 때, '뒤집어진 배'에 나타나는 근친상간의 욕망을 문화적으로 동질적인 것과의 결합을 추구하다 생긴 고착으로 해석해 보았다. 캄보디아 설화인 <소녀와 호랑이>는 한국의 <혹부리 영감>과 같은 모방담구조의 이야기인데, '호랑이'라는 화소를 보통 인간과 다른 동물성으로 상징되는 이질적 존재와 어떻게 관계를 맺을지를 문화적으로 확장해서 상호문화능력을 신장할 서사적 화두를 생성하였다. 베트남 설화인 <코코넛 바가지>는 한국의 <구렁덩덩신선비> 등과 비슷하게 표면과 이면에 대한 다양한 사유를 이끌어내는 설화로 이질적인 타인과 어떻게 관계를 형성해야하며, 그렇게 형성된 관계가 삶에 어떤 성장을 가지고 오게 하는가를 살펴보게 하는 방향의 해석이다. 설화의 핵심화소가 형성하는 대립자질로 서사적 화두를 생성하고 감응한다면, 이주민 설화로 낯설고 이질적인 문화와 관계를 형성하며 새로운 삶의 가능성으로 자신을 구성해 갈 수 있을 것으로 해석하였다.

• 조형예술학연구
• /
• 제2권
• /
• pp.193-221
• /
• 2000

The postmodern culture since the later 20C breaks downa tradition a relation between the reality and languages or sign images expressing it. It develops in the way to review the meaning on the object's imitation or the representation to have been followed since Plato and represent the new state and concept of expressed things. Also, The visual art leads an change of paradigm by images giving up the visual resemblance or the function of representation and endowing them with the new sense. This essay has a purpose to study an important discussion about this change centered on Baudrillard and Lacan. A sociologist Baudrillard promotes the concept of 'simulation' through detecting the reality and the social and historical state of the image. Studying on the course of this change, he calls the step that the image escapes from the stage to reflect the reality and become the pure imitation by itself simulation. The image in the stage of simulation is called 'hyperreality' because it doesn't have any an indicator or a substitute and happens by models without the original or the reality. So he asserts that art is not to contain some absoluteness or transcendency as the past, but to be as the spectacle with characteristics of meaningless, emptiness, contingency. Lacan dismantles the concept of the absolute Cogito to have become the center of the western ideology, and creates the concept of 'Other'. He concludes also the reality exists but can't be captured, and it's impossible for the thinking subject can reach it. The concept of new image which can be thought as the Symbolic in Lacan is 'Signifier without Signified' since it isn't possible to be the transcendent Signifier fixing the meaning finally in it. His 'Gaze' theory is which to be emitted in other's area determines the subject. Equally Baudrillard and Lacan sets up the new state of the image through the end of representation system As for Baudrillard, art intends to the worthlessness and is nothing but imagination. But in Lacan a picture represents the subject being in process by the dialectic of desire.

• 한국실내디자인학회논문집
• /
• 제21권5호
• /
• pp.372-380
• /
• 2012

This study investigates the examples of memorials in which participants can communicate and interact. Memorials as an urban public space provide various information and experiences to the visitors. The purpose of this study is to investigate the types of participants' experience and the characteristics of memorial space. The 9 examples of the memorials are selected and analyzed by the experience type of participants. This study summarizes the characteristics of spatial representation of memorials as follow; first, the interactions and communications of participants are main considerations in designing memorials. This study defines three types of participants' experience in memorials as educational, emotional and daily urban experiences. Second, the memorial space providing educational experience has narrative characteristics which are explanatory, representational, hierarchical and figurative. Memorials represent historical events and individuals in figurative ways. Participants in memorials learn the event, mourn for the dead and cure the grief through walking the guided route. Third, the memorial space providing emotional experience is indeterminate and open-ended characteristics which are contemplative, symbolic, and abstractive. While participants try to find the way to walk through and understand the meaning of the abstract forms by themselves, they interface the event and the victims in private and individual ways. Fourth, the memorial space providing daily urban experience is the familiar urban facilities embedded remembrance such as memorial square, bridge and fountain. Symbolism of memorials and effectiveness of urban facilities are engaged into the memorial design. They have functional, participatory, interactive and recreational characteristics. People experience the memorials involuntarily and casually during their daily lives. The memorials with urban facilities can be related to the present and the future of the city as well as the past of the city.

• 대한토목학회논문집
• /
• 제12권1호
• /
• pp.9-17
• /
• 1992

본 논문에서는 교량의 예비설계 단계중에서 상부구조 형식의 선정에 대한 전문가 시스템을 구축하는 것을 나타낸다. 본 시스템을 구축하기 위한 도구로는 전진추론방식 및 생산시스템으로 지식표현되는 전문가 시스템 개발용 도구인 K-CLIPS가 이용되었으며, 이 도구 위에서 구성된 지식 모듈, 데이터 베이스 및 지식 베이스로 시스템이 구성되었다. 지식 모듈은 주로 교량의 형식 선정과정을 관리하는 설계순서에 관한 지식이고, 지식 베이스 내에 있는 각 부 시스템이 심볼처리에 의해 수행되는 과정에서 데이타 베이스는 이를 지원해 주는 역할을 한다.

• Coupled systems mechanics
• /
• 제1권4호
• /
• pp.345-360
• /
• 2012

In this article we have presented a unique representation for interval arithmetic. The traditional interval arithmetic is transformed into crisp by symbolic parameterization. Then the proposed interval arithmetic is extended for fuzzy numbers and this fuzzy arithmetic is used as a tool for uncertain finite element method. In general, the fuzzy finite element converts the governing differential equations into fuzzy algebraic equations. Fuzzy algebraic equations either give a fuzzy eigenvalue problem or a fuzzy system of linear equations. The proposed methods have been used to solve a test problem namely heat conduction problem along with fuzzy finite element method to see the efficacy and powerfulness of the methodology. As such a coupled set of fuzzy linear equations are obtained. These coupled fuzzy linear equations have been solved by two techniques such as by fuzzy iteration method and fuzzy eigenvalue method. Obtained results are compared and it has seen that the proposed methods are reliable and may be applicable to other heat conduction problems too.