• 제목/요약/키워드: symbol design

검색결과 733건 처리시간 0.026초

중앙단면도 상의 심볼 인식법을 통한 설계정보의 추출 (Extraction of Design Information using the Symbol Recognition from Midship Drawings)

  • 황호진;한순흥;김용대
    • 대한조선학회논문집
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    • 제40권6호
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    • pp.58-68
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    • 2003
  • Despite the availability of 3D CAD systems, the designers in shipyards still use 2D CAD systems because of the need to produce drawings rapidly and a shortage of labor. The design information of ship structure contained in 2D drawings is represented by symbols that are well known among designers in shipyard. The shapes of symbols are recognized by analysis of experienced and knowledgeable designers. We propose a method for automatic recognition of 2D symbols and extraction of design information from the midship drawings. The shape and rationale of 20 symbols used in ship design have been analyzed, and symbols have been classified according to the analysis. Based on the classified symbols, the developed system recognizes the symbols expressed in 2D drawings. The meaningless geometric shape is translated into the design information including designer's intents. The extracted design data can be applied to the downstream design process in shipyards, and the 3D ship model can be automatically created.

경사행거아치철도교의 계획과 설계 (Plan and Design of Fan-Type Arch Railway Bridge)

  • 이충표;김종오;이훈희;이강진
    • 한국철도학회:학술대회논문집
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    • 한국철도학회 2002년도 추계학술대회 논문집(I)
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    • pp.672-677
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    • 2002
  • Railway bridge type has been mainly selected by a intersection of roads and rivers, and economy. Now a days, it is required that the bridge type is considered a harmony with circumstances, a beauty and an expression of symbol of regions because of the enlargement of bridge structures and the advance of people's consciousness level. So it is adopted arch bridge with fan type hanger for a outer beautiful sight and a symbol of development of regions as 80m intersection bridge of railway and former national road at pal hung bridge in jolla line lot 1. It is performed that an examination, a consultation, a design of member sections and a detail analysis of joint parts according to the basic design. It is also performed a dynamic analysis with design loads and train loads reflection on railway bridge characteristics and examined a safety and a propriety of design compare with a fatigue design and design rules.

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퍼지 - 뉴럴네트워크를 이용한 CI 심벌마크의 감성평가시스템 (Evaluation System of Psychological Feelings for Corporate Identity Symbol Marks Using Fuzzy Neural Networks)

  • 장인성;박용주
    • 대한산업공학회지
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    • 제27권3호
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    • pp.305-314
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    • 2001
  • In this paper, we construct an automatic evaluation system of psychological feeling for corporate identity (CI) symbol mark based on a fuzzy neural network technique. The system is modelled by trainable fuzzy inference rules with several input variables (qualitative and quantitative design components of CI symbol mark) and a single output variable (consumer's feeling). The back propagation learning algorithm, which is a conventional learning method of multilayer feedforward neural networks, is used for parameter identification of the fuzzy inference system. The learning ability to train data and the generalization ability to test data are evaluated for the proposed evaluation system by computer simulations.

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언어를 매개로 한 공간디자인 교육사례 (Cases of space design education by the media of Language)

  • 임은영
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2007년도 춘계학술대회 논문집
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    • pp.95-96
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    • 2007
  • Language is the method for communication. Semantician, G. Leech categorized the function of language as informational, expressive, directive, aesthetic and phatic one. Therefore, language can be defined as the social symbol system and the media for communication. Space, also, performs the role of symbol, information and communication. Space can be the media for the communication and the design can be logical construction process by it's arbitrary interpretation. The researcher considered the common points between verbal language and visual language as the tools for the mutual communication, tried to transit them into the 'space' as object language after analyzing 'image of poetry' as meta language, so that the old perspective of space design as function can be renewed as information system of the significant meaning delivery in the context of language's multiplicity, expandibility and changeability.

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Critical Discourse of Postmodern Aesthetics in Contemporary Furniture (I) - The background of New Design furniture in the postmodern era

  • Moon, Sun-Ok;Vesta A. H. Daniel
    • 한국가구학회지
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    • 제12권1호
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    • pp.103-112
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    • 2001
  • This study explored the background of contemporary furniture design called New Design furniture, which newly expresses the aesthetics of communication in the postmodern era. Qualitative conceptual analysis as the principle methodology was used to explore the background of the decorative and meaningful contemporary furniture in postmodernism. Thereby, the postmodern concepts of Charles Jencks, Robert Venturi, and Michael Graves were analyzed in terms of their postmodern architecture and furniture. As initiatives of postmodern architecture and furniture, Jencks, Venturi, and Graves explored the pluralism and eclecticism, the decoration, the semantics, and the materials reestablished from the traditions of craft. As a result, their furniture was expressed by various wood and color; the furniture was beautiful, decorative, pluralistic, and eclectic for communicating symbol, metaphor, narrative, and/or humor with people; the furniture has influenced the communicative elements on the contemporary furniture design called New Design furniture design, which shows the blurring of fine arts and craft distinctions.

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가톨릭 사제의 제의(祭衣)착용에 나타난 의미 연구 (A study on the meaning of the Catholic priests' casula wear)

  • 여승화;이상은
    • 한국의상디자인학회지
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    • 제21권4호
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    • pp.43-54
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    • 2019
  • This study analyzed the casula wearing by Catholic priests. By understanding various applications of the priests' wearing of casula, we can understand the meaning of wearing casula, situational judgment, and the role and status of priests. Ultimately, the Catholic symbol and meaning of the casula can be found. The purpose of this study is to examine the basic setting of the casula, the setting according to the status of the priest, and the origin of the casula. Second, this study to understand the design of the pattern shown in the casula. The patterns containing the symbol and the liturgical period were examined, and the method of making the pattern design was considered. Third, various symbols appearing in examples of priests' rituals were considered and analyzed. The method of this study was to utilize various pictures acquired during interviews with priests and nuns and to perform content verification. As a result of this study, the aspects of form, color, and pattern were shown through the wearing of casula during various situations. First, the morphological symbols appearing in the rituals are the simplified casula that hangs on the stola on the top of the alb and the symbols of the form according to the priest's status. In the liturgy, the casula is put on the outermost side as for basic wearing, but in the case of celebration or the attendance at celebrations other than the liturgy, it is the same as simplified wearing. Second, in terms of the symbol and color, the basic colored casulas were worn to match the time and character of the liturgy, and in addition, on the priests' ordination ceremony and celebration day the priests wore white casulas. Third, the symbol of the pattern used in the casula was a Cathoric pattern according to the period in the basic casula wearing of the liturgy. In addition, the patterns were produced by combining the patterns and meaning of the priests that were used in the casulas of the priests' ordination ceremony. The design of the pattern used in the beatification mass casula and the Mass of Peace casula during the Pope's visit to Korea in 2014 used the same motif as the Pope's design, but the simplified pattern was produced for the casula of the Cardinal and bishops. Through this, it is possible to understand the situation where a morphological symbol appears due to a distinction according to the role and status of the priest. This shows that the symbols that appear are the cross and should also consider the complexly, shape, color, and pattern.