• Journal of Korea Entertainment Industry Association
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• v.13 no.8
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• pp.255-266
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• 2019

This paper examines the ink on paper technique that is being used in the animation works by the Canadian filmmaker Michēle Cournoyner from the National Film Board of Canada. It also discusses how in her animated film "Soif"(2013) this technique has been applied to compose the narrative significance and symbols through the use of metamorphosis as a form of artistic expression. Cournoyner had used the ink of paper technique as a means to abandon realistic representations of movement, and in "Soif" through expressive use of metamorphosis, portrayed changes of images in character and object not through chronological order of narrative flow, but through the body of the female character, which had been represented by the improvisation of the ink on paper technique in order to express the surrealistic and unconscious state of mind in animation. Also, the use of Surrealist automatism had been incorporated to evoke the film towards a form of abstract and metaphysical expression, which in terms of expression and technique connects with the character in the animation to give emphasis to its relevancy with the subject matter of the work.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.2
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• pp.53-62
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• 2019

'Delirious New York(1978)' of Rem Koolhaas is not only a historical book but a double code text writing the history of Manhattan in parallel to surrealism. Throughout this book, the surrealist terminologies such as unconsciousness, desire, paranoid, automatism, cadavre exquis etc, are widely used to explain the urban phenomena and buildings of Manhattan. Among these methods, in the fifth chapter, Paranoid critical method(PCM) invented by Salvador Deli, is explained in detail and adapted to Corbusier's project and other architects of Manhattan. Koolhaas connect PCM to the conceptual transposition and draft in architectural thinking. This thesis is to analyse the terms and methods of surrealism and how these methods are used to explain the urban phenomenon of Manhattan in 'Delirious New York'.