• 스마트미디어저널
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• 제3권1호
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• pp.46-51
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• 2014

현대적 관점의 디자인은 기업의 경제적 이윤창출을 목적으로 생산능률의 향상을 위한 디자인이나 판매 촉진을 위한 스타일링에 초점을 맞췄던 과거의 개념에서 변화하였다. '인간중심 디자인'으로 디자인이 시장과 자본의 원리뿐만 아니라 전통이나 문화에 적합한 인간 중심의 디자인, 문화중시의 디자인으로 나아가 사회적, 윤리적 책임과 가치가 함께 하는 디자인으로 향상되어 발전되어지고 있다. 이러한 현재의 디자인은 개인과 사회에서 만들어지고 습득된 문화에 기반을 두고 잠재되거나 표출된 사회적 가치를 중시하는 디자인의 결과물이며 이를 제공하는 디자이너의 책무로 여겨지기도 한다. 디자인의 사회적 영향에 대한 고려와 함께 검토되어야 하는 '디자인의 사회적 가치'실현을 위해 첫째, 소외되었으나 간과되어서는 안되는 이들을 위한 인간중심의 디자인과 둘째, 지역과 상황에 적합하며 지역사회 발전에 공헌하는 문화중심의 디자인과 셋째, 익숙한 아이디어들 선선한 패러다임으로 대체한 사용성 중심의 디자인에 대해 예시하였다. 이는 디자인이 갖는 가능과 의미를 목적적인 관점에서 제시하여 사회적 문제와 인간을 위한 방법을 디자인의 '문제의 발견'과 '문제해결 능력'에서 찾아 차후 사회적 가치의 실현과 확산에 대한 연구로 진행될 것이다.

• 디지털융복합연구
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• 제18권8호
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• pp.479-484
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• 2020

외모의 중요성이 날로 증가하는 사회적 분위기 속에서 현대인의 아름다움에 대한 노력과 욕구는 더욱 활성화하고 다양해지고 있으며 이러한 영향으로 인해 뷰티미용 산업은 점점 세분화, 전문화되는 추세이다. 현대인의 과도한 퍼머넌트 웨이브나 헤어 컬러링으로 말미암아 모발 손상은 불가피한 현실인데 모발이 손상될수록 모표피가 벗겨져서 탈락하면서 인장력도 감소하여 헤어스타일링이나 펌 이후 만족도도 상대적으로 감소한다. 따라서 손상 모발에 대한 관리는 필요하지만 시중에 유통 중인 헤어 트리트먼트제는 인공합성 제품이 대부분을 차지하고 있어 인체에 유용한 항산화 물질을 함유한 헤어 트리트먼트 제품 개발이 필요하다. 본 연구에서는 단풍잎 추출물을 컬러링 한 모발의 역학적 변화에 미치는 영향을 분석하여 단풍잎의 손상 모발 회복과 모발 건강 개선을 위한 헤어 트리트먼트제 원료로서의 가능성을 연구하였다. 본 연구는 향후 천연물을 활용한 모발 미용제품 개발을 위한 기초 자료로 활용되리라 사료한다.

• 한국조리학회지
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• 제12권4호
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• pp.213-224
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• 2006

This study was to investigate the factors affecting drinking Korean traditional beverages and the drinking habits of college students in Seoul. The research was carried out by asking them to drink 10 kinds of traditional drinks. They were composed of 45.5% of boys and 54.5% of girls who were $18\sim21$ years old, studying food related science (63.9%), and mostly (86.6%) living in a nuclear family in collective residents (60.4%) like an apartment. The number of students whose family's monthly incomes were over 3 million won was the largest as 37.1%. Their mothers were housewives (58.4%) mostly aged $46\sim50$ as 47.0%. In the research on the preference of students for the traditional drinks, most of them, 78.7%, showed their liking for the drinks because of their good taste (61.%). The number of students who answered they got the drinks by homemaking was the largest as 39.6%. Most of them, 66.3%, preferred fruit drinks, 19.8% soda drinks, 11.4% traditional drinks and 2.5% functional drinks. 31.2% of the drinks mostly taken at home was green tea, followed by sweet rice drink, Shik-hae. Among the drinks coming into the market, sweet rice drink was preferred in general as 25.7%, and the next was green tea 16.8%, ume drink (Maesil tea) 14.9%, rice tea 13.9%, fruit punch (Sujeonggwa) 11.4%, black tea 7.9%, honey tea 4.5%, ginseng tea 2.5% and jujube tea 2.5%. In the research on 'whether the students had experience preparing the traditional drinks or not', many of them, 62.4%, answered "No". And in the questionnaire asking on 'whether they liked to receive a training on making traditional drinks or not', 87.6% of them showed their wish to get the training. In the question on the reason why the students did not like to take the training on traditional drinks, the number of students who answered that it was complicated and hard to prepare was the largest as 53.0%.

• 복식
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• 제65권5호
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• pp.1-13
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• 2015

The purpose of this study is to make a contribution to men's fashion by analyzing changes related to excessive and decorative expressions of latest men's wear design in the viewpoint of Maximalism, and using the results to develop a new fashion style. Results of the study are as follows: The characteristics of Maximalism in men's wear collection in the last 5 years can be classified as 'Fusion Maximalism, 'Decorative Maximalism', 'Exaggerative Maximalism', 'Humorous Maximalism', and 'Duplicative Maximalism'. The characteristics of each type of Maximalism can be summarized as follows: First, Fusion Maximalism creates new men's fashion style by fusing designs from different cultures in clothing items as well as dismantling gender boundaries in clothing design, and by having designs which transcends time and space. Second, Decorative Maximalism expresses ambiguous decadence by implementing feminine decoration that applies handicraft technique, as well as exaggeratedly using details and trimmings of contrasting images, and applying women's clothing items. Third, Exaggerative Maximalism represents extreme avant-garde that changes the idea of fashion design by changing the styling or the exaggerated silhouette. Fourth, Humorous Maximalism expresses not only the creation of new men's fashion look, but also expresses humanism with exaggerative enjoyment and pleasant ideas. Fifth, Duplicative Maximalism expresses creative design by implementing vivid images of different period and culture, and reproducing successful images of the past into modern fashion.

• 복식
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• 제61권8호
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• pp.45-56
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• 2011

This study is about the features of hybridization of ethnic-cultural elements in Korean fashion magazines. Its purpose was to embody more creative and newer images in fashion by promoting better mutual understanding of foreign cultures and addressing the issues of fashion design from multicultural perspectives. In doing so, the present study conducted a literature review and analyzed a total of 130 photographic images with any hybrid ethic element from two Korean fashion magazines, Vogue Korea and Harper's Bazaar Korea, issued between 2005 and 2009. The analysis revealed that there were 66 images(50.8%) with a mixture of two different cultures and 64 images(49.2%) with a mixture of three or more different cultures. As seen from the results, the two categories had a similar number of cases. In regional terms, the use of two different cultural elements included a mixture of Asian and Western cultures in 32 images(24.6%), a mixture of Western and African, Middle Eastern or Latin American cultures in 23(17.7%), and a mixture of Western and Russian or European folk cultures in 11(8.5%). In the use of three or more different cultural/national elements, the present study found a mixture of Asian, African, Middle Eastern, Latin American and Western costume items in 20 photo images(15.4%), a mixture of African, Middle Eastern and Latin American elements plus Western costume items in 19 images( 14.6%), a mixture of all regional cultures in 13 photos(10%), and a mixture of Asian ethic cultures plus Western costume items in 12 cases(9.2%). The results of this analysis indicated that the hybridization of ethnic-culture elements in Korean fashion magazines consisted of diverse clothing and accessories from various ethnic groups. The expression of these multi-cultural hybrid images that consists background images and models from different cultures well-portrayed the multi-cultural elements based on total coordination and broke the stereotypical aspects of styling.

• 디지털콘텐츠학회 논문지
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• 제19권2호
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• pp.237-243
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• 2018

공공지하시설물은 대부분 지하에 매립되어 있어 지하시설물에 대한 정확한 도면이 있어도 현장작업자가 지하시설물의 위치를 정확히 인지하기 어렵다. 이러한 지하시설물의 위치정보를 현장에서 직관적으로 파악하기 위해 증강현실을 이용하는 방법이 연구되었으나 공공지하시설물 공간정보는 2차원의 형태로 구축되어 있어 현장에서 증강현실로 이용하기 위해서는 3차원 객체 모델 데이터베이스 구축 작업이 필요하다. 본 연구에서는 기 구축되어 있는 2차원 지하시설물 데이터를 추가적인 3차원 데이터베이스 구축 없이 3차원 증강현실 데이터로 자동 변환하여 활용할 수 있는 모바일 어플리케이션 기반의 증강현실 시스템을 개발하였다.

• 디지털융복합연구
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• 제18권4호
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• pp.389-395
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• 2020

본 연구는 생활가전제품이 홈퍼니싱에 미치는 영향에 관한 연구이다. 최근 가전은 기술발전에 의한 스마트 흐름을 지나 디자인 외적으로 가구와 일체화되는 모습을 보여주고 있다. 이에 따라 본 연구는 첫째, 시대·문화적 트렌드를 담고 있는 홈퍼니싱 관점에서 현세대에게 주거공간이 담고 있는 의미를 탐구한다. 둘째, 최근 밀레니얼 세대를 타깃으로 출시된 가전을 알아보고 제품 컨셉과 스타일링 키워드를 중심으로 현 생활가전 트렌드를 분석한다. 셋째, 실증연구로서 공간의 의미, 홈퍼니싱 경험, 가전과 인테리어, 현 가전에 대한 호감 등 4가지 항목을 중심으로 심층 인터뷰를 진행한다. 연구 결과 공간과 관련성을 고려한 디자인이 가전제품을 인테리어의 주체로 만들어줄 수 있음을 알 수 있었다. 향후 연구에서는 이에 대한 정량화된 통계 데이터 검증이 필요할 것으로 보인다. 본 연구를 통해 향후 생활가전제품의 역할과 디자인 방향을 설정하는 데 도움이 될 것으로 기대한다.

• 문화기술의 융합
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• 제6권1호
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• pp.501-506
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• 2020

본 실험 연구에서는 대표적인 네 가지 타입의 승용차 차량형태에 대한 공기역학(공력) 성능 분석, 측면 유리의 각도에 따른 공력 성능 분석, 엔진후드(엔진 덮개)의 각도차이에 따른 공력 성능 분석, 루프 라인의 각도 차이에 따른 공력 성능 분석을 통해 차량의 형태 변화에 따라 공력 성능이 어떻게 변화하는지를 종합적으로 분석해 보았다. 실험결과 비스듬히 떨어지는 후면 유리 라인은 공력 성능을 저하시켰고, 루프의 각도 차이에 따른 공력 성능 차이는 거의 나타나지 않았으며 일찍 떨어지는 후면 라인은 공력 성능에 가시적인 영향을 끼치지 않았다. 차량의 루프라인이 수평으로 늦게까지 이어지다 천천히 떨어지는 후면 유리 라인은 스타일링에 도움이 될지언정 공력 성능은 저하시켰다. 후방 디퓨저의 경우 차체의 형태에 따라 그 성능 효과가 달라지는 것으로 판단되었다.

• 한국전자거래학회:학술대회논문집
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• 한국전자거래학회 1999년도 학술대회지 vol.1
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• pp.277-299
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• 1999

Since Chrysler Motor Co. had experienced the digital development system in the beginning of 1990's, most of leading automobile companies are trying to apply a digital information system for their own business process reengineering based upon concurrent engineering system from product planning phase. This is called as virtual DMU(Digital Mock-Up) system instead of the traditional PMU(Physical Mock-Up) system. By using the virtual prototype, all of the design requirements and system specifications can be checked, changed and optimized more quickly and more efficiently. This paper consists of five chapters for the DMU information system. In the 1$^{st}$ chapter, the principle of digital design system is suggested by using four basic modules such as product design module, process design module, manufacturing system design module and central control module. The basic scheme of DMU is introduced with the benefits of application in the chapter 2. In the chapter 3, a digital design process of new car development is explained with the detailed DMU design and design review processes. In the chapter 4, the practical DMU manufacturing techniques and applications are introduced as CAD/CAM analyses, DPA(Digital Pre-Assembly)reviews for development, production, operation and maintenance phases, digital tolerance analyses and digital factory analyses for assembling line simulation, automated robot welding processes, production jig ＆ fixtures and painting process simulation. Finally, the activities of digital design support; CAS-styling, CAE-engineering and CAT-testing are summarized for design optimization in the chapter 5. As today's automobile manufactures and related business organizations are struggling to compete in the global marketplace, they are concentrating on efficient use of DMU information system to reduce the new car development cost, to have shorten the delivery schedule and to improve product design quality. To meet the demand of those automobile industries on digital information systems, the CALS(Computer aided Acquisition and Logistics Support) and EC(Electronic Commerce)initiative has been focused as a dominant philosophy in defense ＆ commercial industries, specially automobile industries.s.

• 패션비즈니스
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• 제22권1호
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• pp.1-19
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• 2018

The purpose of this study is to analyze the fashion style of Kate Middleton, the Royal Family, and to examine the social and cultural influence of Middleton fashion. We selected 314 photographs collected from a Google site and Gettyimages.com April 2011-December 2016 as the final research subjects. We categorized the situation by domestic events, royal events, diplomatic activities, and social contribution activities, and analyzed fashion styles focusing on item composition, color, material, silhouette, detail, trimming, and length. As a result of the study, the one piece was the highest in the combination of items, and the color was the most in white. The color tones were mostly vivid, and the material texture was silky. The image was classic, and the dress code was high in semi-formal. In a situational style, the coat was the most common at the Royal Family events and blue or white of the light tones appeared in the formal style of the classic image. In domestic events, there were many silky textures of modern image, and vivid, strong tonal knee length H line dress was the most prevalent. During diplomatic activities, various colors such as red, green, gray appeared in addition to blue or white and in social contribution activities, many dresses of vivid and dark tones of red appeared in the dress code as semi-formal. In conclusion, the stylistic features of Kate Middleton and the Royal Family are largely in the form of royal and noble, low cost and chic, and body-conscious styling.