• Journal of Korean Ophthalmic Optics Society
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• v.1 no.1
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• pp.73-84
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• 1996

Satisfactory for children's spectacles fitting can only be achieved with the resonable selection and assortment of frames of different pad shapes, size, materials, the general property of sample frame are flexibility for the temple. Loughness for bridge and variety for the length of temple, a selection of the lens is chosen usually by the characteristic of the power, safty, size and so on, it will be comport fit of frame controlled the hight and width of pad and angle of pad between the nose side, frontal angle of pad will be determinded that whether a frame may be capable of providing a comport fit. An important part of the fitting of spectacles is the final adjustment before the wearer takes them away, and also their continued adjustment to maintain the optimum comport and lens efficiency. It is suggested that spectacle adjustment is essentially a practical art that can only be acquired by continual practice.

• Journal of Korean Ophthalmic Optics Society
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• v.12 no.3
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• pp.93-96
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• 2007

Research was taken its place in Dong wun elementary school in Gwang ju city. Subject ages were somewhere around 9 to 13. Among total number of 1,196, subjects with emmetropia were 384 people (32.1%), with 22.56% of 9 year old students, 16.01% of 10 year old student, 36.45% of 12 year old student, 39.11% of 13 year old. When age increases, the rate of emmetropia increase as well. Gender dependence of emmetropia rato was 31.07% for boys and 33.33% for girls, which proves girls with higher emmetropia ratio than boys. Among subjects with binocular vision acuity lower than 0.7, those require spectacles, only 37.5% of 9 years old students, 30.3% of 10 year old students, 44.64% of 12 year old students, and 30% of 9 year old students were wearing glasses. It shows that spectacle-wearing ratio is very low in spite of visual acuty lower than 0.7.

• The Journal of the Korea Contents Association
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• v.17 no.7
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• pp.22-30
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• 2017

CGI not only performed a crucial role to make cinema and animation evolved into digital cinema and digital animation but also CGI, an important visual format, settled realism-centric spectacle image culture in public commercial cinema and animation. The fact that CGI visual format could be structuralized in three different view points is discovered through Iconicity, photorealism, verisimilitude, uncanny valley, hyperrealism, and spectacular realism discourse research which explain image culture. First, a formative viewpoint that comes up in an iconic difference between drawing and photograph. Secondly, a cognitive viewpoint that sees visually perceived naturalness and abnormality as a realistic probability issue. Lastly, a customary viewpoint which is rooted in aesthetic tradition of cinema and animation. After that, the features of CGI which is used in the movie 'jungle book'(2016) were analyzed using the structured visual format. Consequently, this movie has hyper-realistic photographic iconicity on the base of realistic probability. Also, by following image-aesthetic convention which uses overstated and amplified narrative as a visual format, at the same time, the movie also has sufficient image-aesthetic convention in animation by personified animal character.

• Journal of Korean Ophthalmic Optics Society
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• v.8 no.2
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• pp.77-83
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• 2003

To investigate the influence of the variation of conic coefficient of the front surface on the RMS SD(Root Mean Square Spot Diameter) in a back focal plane, we use programs which are Cove V and LOSA 2.0. We consider a spectacle lens with back vertex power of -4.00D, diameter of 70 mm, the front surface powers which are 2.00D, 4.00D, 6.00D, and 8.00D, and the indices which are $n_d$=1.498, 1.523, 1.586, and 1.660, respectively. The RMS SD in the back focal plane and the thickness of an aspherical tens having the optimized conic constant are smaller than those of a spherical lens. The RMS SD in the back focal plane decreases as the front surface power decreases. From these results, we determine the optimized conic constant to improve the optical image quality and decrease RMS SD in the back focal plane.

• Journal of Korean Ophthalmic Optics Society
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• v.21 no.1
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• pp.47-51
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• 2016

Purpose: The purpose of this study was to investigate the change of contrast sensitivity by prescribing tinted lenses and to provide the clinical manual. Methods: Contrast sensitivity was measured for twenty adults with normal vision while they wore yellow, orange and green tinted lenses. To measure contrast sensitivity, the 5 spatial frequencies (2, 4, 6, 8 and 10 cpd) were used for 33 ms and 233 ms, respectively. Results: The contrast sensitivity was overall higher with 233 ms than 33 ms (p<0.05). The peaks of contrast sensitivity with 33 ms and 233 ms were 1.75 log unit with the yellow lens and 1. 85 log unit without the color respectively. However, there was no significance between the yellow and orange tinted lens (p>0.64) Conclusions: Yellowish tinted lens that reduces chromatic aberration and the scattering is prescribed for the various purposes to improve visual functions. Before prescribing tinted lens, identifying characteristic of user and tinted lens for cut off wavelengths is recommended.

• Journal of Korean Ophthalmic Optics Society
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• v.5 no.1
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• pp.139-146
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• 2000

Once refractive error of the eye was fully corrected, Maddox rod was used to investigate binocular vision function. When the deviations of subjects' eyes were measured, orthophoria. without any horizontal deviations, was found in 10%, esophoria in 55% and exophoria in 34% of the patients. Esodeviation of the eye was found to be greater than exo-deviation by 11%. This is also refracted in deviations found to be greater than $4{\Delta}$ diopter magnitude where esophoria was 23% and exophoria was 9%. Thus for the patients to achieve comfortable binocular vision function, binocular vision anomalies need to be considered in spectacle prescription. In examining ocular anomalies of corrected refractive error, the deviation of the eye differed from under corrected refractive power to over corrected refractive power. There was a decrease in exophoria and an increase in esophoria, with over correction. This was thought to be due to accommodation. Furthermore, calculated AC/A ratio was found to vary from 1.25 to 6.61 and its relationship to refractive error could not be determined.

• The Journal of the Korea Contents Association
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• v.7 no.8
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• pp.125-133
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• 2007

While films today offer spectacle to the viewers due to the advanced technique, the "Modern Cinema"-a term named by Deleuze- offers spectators an opportunity to think about what they observe and to have various filmic experiences through the shifting of time image within the film narrative, which has been rather neglected as it is just a form in the realm of classic narrative. Originally the shifted time image was a result of thinking about the identity of a film. But it has self-reproduced over and over, and now it has turned into one of cliches that narrative films take. In this sense, a Korean Melodrama "Sarang-ni" is discriminated from other films which take twisted time image as a convention. The film "Sarang-ni", instead of adopting established shifted time image, put us to the confused time arrangement and then it amazingly arouses emotional effect which it initially meant to convey. This journal analyzes how the time representation of operates in the film's narration, and consequently how the form affects the storytelling.

• Journal of the Korean Geographical Society
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• v.49 no.1
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• pp.77-90
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• 2014

The purpose of this study is to examine cinematic representations of places in the Korean War films on the event of 1950 'Incheon Landing', focusing on the place representations. 'Incheon Landing' of September 1950 provided a turning point for the Korean War, and the event can be interpreted totally different from the South Korean and the North Korean perspectives. Two films on the same event of the 'Incheon Landing' - a South Korean film, "Incheon Landing Operation"(1965), and a North Korea film, "Wolmido"(1982)- were selected as major sources of analysis and comparison. each director has different intentions. One film was taken from the landing army's viewpoint, whereas the other film was taken from the defender's viewpoint. As a result, one film emphasized the battle as a spectacle of glorious victory from the landing army's viewpoint, while the other film glorified those soldiers killed in the battle as heroes from the defender's viewpoint.

• 한국HCI학회:학술대회논문집
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• 2008.02b
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• pp.281-285
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• 2008

In the digital media era, coded and non-coded communication are used to convey the message. As the computer interface has been adopted human communication methods, non-coded communication has bee used in the computer interface as well. The changes of message structure in the computer interface have an effect on shifting the way of user's message acceptance from passive to active. The recently developed computer user interfaces are for user to experience diverse visual effect The communication conveyed with this visual effects could be vague but user can conceive strong impact. This experience is understood not only through the visual experience from a monitor screen but also with a sense of tactile. The meaning of sensual and spectacle motion image could be ambiguous. However in the experience of using an interface, it plentifully expands the human sense by giving a visual experience on a whim. The sensually extemporaneous and splendid visual effect that has vague meaning has been very common happening in digital media environment.

• The Journal of the Korea Contents Association
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• v.16 no.7
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• pp.740-749
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• 2016

Hologram technology is widely applied in entertainment contents for public, no more remained in specific technological area for minority experts. Expecially, K-POP entertainment contents increasingly adopt hologram images. These contents use hologram technology as a part to arouse spectacles or represent idols as hologram characters. In this study, spectacles and aura of K-POP hologram concerts of SM Entertainment which runs stably in certain period were analyzed, so that it could recognized the differentiation strategy distinguished only in hologram concerts. Thus, the setting of hologram concerts alienates seats from the stage so that maximize distance, and the aura of idol characters strengthens through fantasy of escape from reality. Hologram concerts maximize fantasy through exposing tricks rather than concealing it. Hologram concerts enhance image of Korea as ICT leader, overcome physical and geological limitation of 'Korean Wave' to globalize, and propose examples of popularization of convergence contents.