• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2007년도 추계학술대회논문집
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• pp.273-277
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• 2007

In case of the Hydraulic Turbine Dynamo operating for Waterpower Generation, it makes very huge and loud noises, and it influences bad effect physically as same as mentally to those people who are working inside of power plant, and brings the decline of an effective working efficiency. However, its evaluation method or measure about such noise reflects merely its physical attribute which is sensuous Loudness of the Noise itself, since the accumulation effect of Noise or the meaning connected with psychological response did not reflect, it is the actual state that a rational evaluation is unable to expect. Consequently, this Study has attempted to evaluate the Noise of Hydraulic Turbine Dynamo by analyzing the sound quality using Zwicker‘s Psychological Acoustic Parameter, after classification by its positions of the Noise occurring at Hydraulic Turbine Dynamo.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2004년도 춘계학술대회논문집
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• pp.688-691
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• 2004

We have studied the possibility of global noise reduction by the sound power control through selection of distribution and impedance of absorptive materials. It is necessary to investigate the relation between the global sound energy in the field and the total sound power radiated by sources. In the previous work (1,2), the authors presented a useful design method to change boundary condition that can be useful to reduce noise in acoustically small enclosures. The possibility of total acoustic potential energy reduction by acoustic source power control is examined in an acoustically small cavity. Using acoustic energy balance equation, the relation between global noise control performance and absorptive material's arrangement/impedance is deduced. Numerical simulation is performed to interpret its physical meaning in terms of absorbent's distribution and impedance.

• 중국학논총
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• 제64호
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• pp.53-73
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• 2019

In the teaching of Chinese characters, making full use of the phonetic function of phonetic symbols can help learners improve their learning efficiency. The research on the characteristics of phonetic symbols and the rules of their construction is the premise of teaching Chinese characters with phonetic symbols. The phonetic symbols that can accurately prompt the pronunciation of the whole word and the homophone characters that they constitute provide the applicable materials for the teaching of Chinese characters. The split method simply and intuitively reflects the internal relationship among shape, sound and meaning in pictophonetic characters. "The analogy method of homophonic character group" and "the converse method of homophonic character group" are the combination of the function of the sound prompt and the characteristics of the analogy and induction of homophonic character, which can not only help students save the time of memorizing the sound, but also effectively increase the amount of literacy. The quantitative analysis of phonetic symbols and homophone symbols is of great significance to the classification of Chinese characters and the improvement of textbook editing.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2010년도 춘계학술대회 논문집
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• pp.43-43
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• 2010

Presently, there is the dilemma of uncertainty with respect to the evaluation of sound and vibration based on the fact that there is obviously no agreement upon appropriate methods to measure the "truth" concerning the acceptance of sound and vibration. To evaluate properly physical and perception data in sound and vibration it is necessary to implement new methods and innovative approaches to understand the input of human response in sound design. Fortunately, an elaborate dialogue of the usefulness and applicability of those approaches is in progress. Moreover, the need of using and combining perception and physical data in order to comprehend the process of human perception and evaluation sufficiently is widely accepted. However, still the question remains how the goal of an adequate combination can be achieved. Clearly, themultidimensional human perception cannot be easily reduced to singular numbers. Moreover, factors, among others the meaning of the sound, the composition of the diverse sound sources, the listener's attitude, expectations and experiences, are significant parameters which have to be considered to comprehend the different perceptions and evaluations with regard to specific stimuli. Taking under consideration the physical, psychological, and cognitive dimensions as well as the integration of aspects of design require partially various new approaches. While binaural measurement and analysis technologies and psycho-acoustics are well established as they are proved to be valuable auxiliary tools; it has not been achieved to develop generally acceptable measurement units concerning sound quality. Consequently, there is a need for new approaches and methods which make it possible to comprehend sufficiently the process of perception and evaluation. Going with people's mind will be one solution for the future; thisconcept will be introduced based on the development in sound design.

• 한국음향학회지
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• 제28권4호
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• pp.356-362
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• 2009

현대 사회에서는 세계 인구의 대부분이 도시에 몰려 있기 때문에, 도심의 소리는 중요한 의미를 가진다. 그 중 교통음은 가장 대표적인 도심소리 중에 하나이다. 일반적으로 도심 교통음은 환경소음으로, 대표적인 자연의 소리인 숲, 폭포소리등은 사람에게 긍정적인 효과를 주는 소리로 분류한다. 본 연구에서는 자연의 소리가 포함하는 백색잡음에 다양한 형태의 FFT보정 필터를 적용시켜, 사람이 가장 선호하는 형태의 백색잡음 주파수 특성을 발견하고 자연 소리와의 상관관계를 확인하였다. 그리고 여러 형태의 도심 교통음과 숲소리의 파형, 스펙트럼 비교를 통한 분석을 진행하였다. 분석 결과 도심 교통음이 숲소리에 비해 특정 주파수대역과 시점에 집중된 소리 에너지 특징이 있음을 발견하였으며, 이러한 특징이 사람에게 미칠 수 있는 부정적인 요소들을 확인하였다. 마지막으로 전극법 뇌파 실험을 통하여, 도심 교통음과 자연의 숲, 폭포소리를 직접 피실험자들에게 들려주어, 알파파와 베타파의 에너지 분포를 측정하였다. 측정결과 도심 교통음은 자연의 소리보다 현저하게 많은 양의 베타파를 발생 시켰으며, 반대로 자연의 소리는 많은 양의 알파파를 발생 시켰다. 이러한 결과를 통해 도심 교통음이 사람에게 미치는 부정적인 영향과 자연 소리의 긍정적인 영향을 직접적으로 확인하였다.

• KIEAE Journal
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• 제8권5호
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• pp.35-41
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• 2008

The aim of this study is to find out directions for development of soundscape design for creating a unique sound culture in a region, and to search for the practical strategies toward a soundscape design movement in Korea. For these specific aims, several components in soundscape through considering from original conception and ideology of soundscape, such as the concept of soundscape, the meaning of soundscape design, the categories of soundscape researh : keynote sounds, sound signals, and soundmarks, and the primary problems and strategies in the world soundscape project(WSP) are investigated. The result shows that it is necessary to practice several ways in our housing life, that is, the recovery of our coenesthesia, development of the residential environments considering the soundscape, revitalization of community consciousness, rehabilitation of the sensibility, and identity excavation of sound culture, and it is very important to spread out a plan for integrating the following four categories of strategies : conceptual, educational, political, and social.

• KIEAE Journal
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• 제11권4호
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• pp.37-45
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• 2011

In order to have better understanding of the concept and meaning of soundscape, it is very important to consider entirely the objectives, activities, historical development processes and accomplishments of world soundscape project leading by R. Murray Schafer. Therefore, the ultimate purpose of this study is to inquire into the concrete development processes and practical activities of the soundscape in order to correspond to Schafer's conception of a tuning of the world. The establishment of WSP is based on noise pollution, listening attitudes and noisy music. Schafer formulated 5 types of item as a target, and wrote down concrete activities to achieve the goals. Especially, he devised the conceptual, educational, political and social strategies as the practical strategies of WSP. It is obtained various products by the activities of WSP from the planning starting year in 1969 to the stagnation period in 1979. That is, there are the social survey on noise-vancouver 1969, the book of noise, Okeanos, a study of community noise by-laws in canada 1972, the music of the environment, the vancouver soundscape, european sound diary, five village soundscapes, handbook for acoustic ecology and so on. The research activities of WSP arouse inspiration in many people interested in sound. Specially, it is emphasized the importance of increasing for their social roles in order to more actively improve and create the quality of sound environment. Also, it shows us the directions on how to lead our furture sound.

• 한국음향학회:학술대회논문집
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• 한국음향학회 2002년도 하계학술발표대회 논문집 제21권 1호
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• pp.509-514
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• 2002

이 연구는 도시공간의 어메니티를 실현하기 위한 수단으로서 사운드스케이프(soundscape)에 관한 연구조사의 결과를 소개한다. 사운드스케이프 및 사운드스케이프 디자인에 관한 개념과 사상을 고찰하고, 남원시의 사운드스케이프 조사를 예로 하여 지역에 있어서 음, 인간 및 환경과의 관계로부터 사운드 어메니티(sound amenity)를 실현하는데 있어서 음이 갖는 의미와 역할을 모색한다. 사운드스케이프 조사방법으로써 문헌조사, 필드조사 및 설문조사를 이용하여 남원지역의 음풍경을 조사${\cdot}$분석하고, 그 시대적, 계절적, 시간적인 음풍경의 변화와 현상, 그리고 지역주민의 음에 관한 인식특성을 파악한다. 조사결과, 지역에 있어서 자연환경을 보존하고 축제등의 전통적인 생활문화를 계승하는 것은 지역의 사운드스케이프와 어메니티 형성에 중요한 역할을 한다는 점을 알 수 있었다. 또한 도시공간의 사운드스케이프 연구는 이러한 일련의 조사연구활동 및 교육활동 등을 포함한 다양한 활동과 여러 영역에서의 유기적인 교류활동이 이루어져야 쾌적한 음환경 창조가 가능하다는 점을 확인할 수 있었다.

• 한국연초학회지
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• 제37권1호
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• pp.8-17
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• 2015

The purpose of this study is to classify the tobacco names in the world, to investigate the regional distribution of the classified type, and to show origin of names according to the type. The names of tobacco used in this study was 50. The type of tobacco names was classified by the presence or absence of nasal sound(morn) on the first syllable, the Number of syllable, and the structure of consonants and vowels of tobacco names. Type I (Dambago) has the nasal sound on the first syllable. The proportion of Type I(Dambago) was 28%. And the rest(Type I~Type V ; 72%) has no nasal sound. Type II(Tabaco) has three syllables, and its proportion was 20%. Type III(Tabac) has the two syllables and the structure of T+vowels+B+vowels. And its proportion was 30%. Type IV(Tutun) has the two syllables and the structure of T+vowels+T+vowels. And its proportion was 12%. Type V(Duhan) has the two syllables and the structure of D+vowels+H(V)+vowels. And its proportion was 10%. The world's most widely distributed type was Type I(Dambago). regional distribution of the world's tobacco names were clustered by the type. 72% of Type I(Dambago) was distributed in Asia. The etymology of Type I(Dambago) was only 14% Tambaku and the other is not yet known. The etymology of Type I(Dambago) seems to be derived from the Haitian Tambaku(meaning a tobacco pipe). 88% of Type II(Tabaco) and III(Tabac) were distributed in Europe. The etymology of Type II(Tabaco) and Type III(Tabac) were 84% Spanish "Tabaco". 100% of Type IV(Tutun) and V(Duhan) were distributed in Europe. The etymology of Type IV(Tutun) and Type V(Duhan) were 100% Turkish tutun and duhan, respectively. This finding suggests that the etymology of Type I(Dambago) is certainly may be Haitian "Tambaku(meaning a tobacco pipe)".

• 문화기술의 융합
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• 제8권5호
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• pp.171-176
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• 2022

본고는 20세기 중반 이후 펼쳐진 상호학제적인 융합적 예술실천의 핵심적 유형인 사운드아트 큐레이팅이 가지는 역사적 의미와 가치를 고찰한다. 이에 '사운드아트'의 시작에서 현재까지의 발전적 과정을 정리하되, '사운드'라는 재료가 기능한 시각예술의 맥락을 시대 순으로 살피고 주요한 사운드아트 전시의 큐레이팅 사례를 중심으로 '사운드'가 제공한 미학적 체험의 파장과 동시대적 의의를 분석하고자 한다. 이를 위하여 본문은 세 개의 섹션으로 구분하여 전개한다. 첫 번째 섹션에서는 19세기 후반 미래파와 다다이스트의 사운드 시에 뒤이어 1913년 마르셀 뒤샹이 음악악보를 시각예술과 접목했던 시도 등이 아방가르드 작곡가 존 케이지의 시각적 음악에도 깊은 영향을 끼쳤음을 인식한다. 이에 이러한 배경이 '사운드'를 새로운 미디어로서 다루는 전시의 등장을 야기했음을 설명한다. 두 번째 섹션에서는 1970년대 들어서면서 예술적 미디어로서의 사운드가 시각성이 지배하는 전시공간과의 비판적 관계성을 성찰하게 하는 역할을 하게 되었음을 설명한다. 세 번째 섹션에서는 1980년대 이후 현재까지 관객이 전시장의 조직 내에서 마치 하나의 시각적 오브제처럼 사운드를 체험하도록 하는 큐레토리얼 방법론을 분석한다. 본고는 이러한 과정을 통해 전시장에서의 지각적 구조를 관습화 했던 역사적 실천을 비평적으로 대하며 동시대 예술현장에서 생명력 넘치는 사운드의 역할을 고민한 사운드아트 큐레이팅의 유의미한 방법론을 사유해 본다.