• 대한음성학회:학술대회논문집
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• 대한음성학회 1996년도 10월 학술대회지
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• pp.43-52
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• 1996

This paper deals with the nature and function of intensification in Korean in a wider scope of intensification which was not paid proper attention including intensification in the initial position as well as middle position. Unobserved new areas of intensification in the initial position are paid more attention like sound split of polysemy e.g. (s'eda), (kyongk'i) by means of intensification and north Korean application of intensification on (wonsu) and intensification of borrowed English. The recent phenomenon of ‘gwua’ intensification is experimented on two groups of people, young students and old people beyond 65 years old by means of sociolinguistic analysis. The result shows that its intensification is a form of student violent power and a mark of extreme solidarity among activist students. Thirty three university students(male 16, female 17) are asked to explained to write the meanings(feelings or when to use, etc.) of the words which have normal form and intensified forms. The results show intensification attaches the meaning of ‘emphasis,’ to bring the extremely polarized emotion: samll to the smallest, exact to the perfect exactness, bad to the worst feeling. Four words are being split to express different meaning with the word intensified. In conclusion, the nature of so called saisiot(t) e.g. intensification is voiceless tensed pause and its functions are the polarization of the original meaning of the word, sound split of polysemy and attachment of social values by intensification.

• KIEAE Journal
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• 제8권3호
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• pp.43-50
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• 2008

The aim of this study is to search for the meaning and direction of sound environment preservation in Korea through the concept of soundscape. In order to achieve the goals, it was analyzed the similarities and differences on the contents of "100 The beautiful sounds of Korea - 1999" and "100 Soundscapes of Japan - 1996" in view of the intents of selection, the process of selection, and the construction of the results. The result show that there are the both similarities and differences on the intent and the process of selection, types and extent of sound samples, interactions among human-sound environment-region, the identities of the regions as well as the recognized sound environment. Also, the result shows that it is very important to preserve ecological, social, and cultural sound environment of the region. In order to practice this ideology of soundscape in Korea, there is a necessity for converting people's consciousness and participating voluntary residents' movement.

• 대한후두음성언어의학회지
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• 제33권2호
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• pp.83-88
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• 2022

Hunminjeongeum had 17 initial consonant letters. Among them, five consonant letters, those are ㄱ (牙音, molar sound letter), ㄴ (舌音, lingual sound letter), ㅁ(脣音, labial sound letter), ㅅ (齒音, dental sound letter), ㅇ (喉音, guttural sound letter), were served as chief consonants. There was no argument that consonant letters were made by symbolizing the shape of vocal organs during phonation of them. It could be phoniatrically explained that all of five chief consonants were morphologically symbolized from left lateral view of vocal tract during articulation. Although 'ㄱ' was known as molar sound, it was not modeled the shape of molar tooth but modeled the shape of tongue at molar teeth bearing area. The same principle applies to 'ㅅ', and it was represented the shape of upper surface of anterior tongue instead of incisor teeth. 'ㄴ' was a lingual sound and directly shaped the shape of tongue. 'ㄷ' was made by addition of a stroke 'ㅡ' meaning hard palate above 'ㄴ'. 'ㅁ' was represented the shape of lateral view of anterior mouth. 'ㅇ' was looked like shaping left lateral view of laryngopharyngeal space.

• Child Health Nursing Research
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• 제16권4호
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• pp.287-296
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• 2010

Purpose: The purpose of this study was to explore and understand life and meaning in life of elementary school students. Methods: Data from 1,790 higher grade elementary school students were analyzed for content of meaning in life. Results: The students described the following: 1) Meanings of living existence included, 'living things', 'importance', 'human life', 'family', 'event', 'eternity', 'origin of life', 'disease', and, 'protection'. 2) Four categories were found for reasons why human life is important, 'solitary', 'limitation', 'valuables', and 'living'. 3) Things that one can do to protect the value of human life were, 'doing safely', 'keep things well', 'altruistic behavior', 'doing sound activity', 'preservation & development', and 'devotion of oneself'. 4) Meaning of life included 'to accomplish plans', and 'to do things' 5) Cases when students felt life had meaning were 'perform meaningful behavior', 'comfortable emotionally', and 'receiving help from others'. 6) The methods by which to live a meaningful life were 'working diligently', 'serving', and 'doing rightly'. Conclusion: These results suggest that students recognize the meaning of life in a most positive way and with a relatively wide scope, but as a few students had a negative orientation, age-appropriate and more systematic education programs are needed.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2014년도 추계학술대회 논문집
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• pp.425-430
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• 2014

The purpose of this study is to establish a clear-cut concept and meaning of soundscape design through an inquiry into the various literatures on the ideologies, features and domains of soundscape design. Soundscape enables us to design various relationship through a sound in that it is important for interaction, namely the relations with sound, environment and people in a region. Soundscape design is an endogenous design which is participated in a large number of people of the region, and it contains various activities such as research study, environmental preservation, creation of sound environment and sound education.

• 미국학
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• 제43권2호
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• pp.83-110
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• 2020

This paper examines the meaning and significance of the rebirths narrated in Sylvia Plath's "Lady Lazarus." While the previous readings of the poem have regarded the speaker's rebirth as a single event, this paper aims to understand its plurality and the underlying problem of language and sound by listening to the poet's own reading of the poem. I argue first that the sound structure of the poem can be characterized by the poet's unique employment of vowel sounds. Drawing upon Plath's another poem entitled "Morning Song" and Julia Kristeva's concept of the chora, I contend that the poet's vowels signal her desire for regression to the pre-Oedipal space where sound and body are in direct contact without the interference of language. It is my conclusion that the rebirths in "Lady Lazarus" dramatize the poet's ongoing struggle to bypass the symbolic language in order to make her body heard.

• 공연문화연구
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• 제37호
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• pp.127-155
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• 2018

본고는 울산쇠부리소리의 민속연행적 구조와 그 의미에 대해 고찰하였다. 고찰 과정은 구조의 역사적 배경과 함께 구조적 특징의 주요 요소를 대비하면서 대비 과정에 울산쇠부리소리 각 구조의 의미를 살폈다. 울산쇠부리소리는 1.길놀이 2.고사 3.쇠부리불매소리 4.쇳물내기 5.쇠부리금줄소리 6.아이어르는불매소리 7.성냥간불매소리 8.뒷풀이난장으로 구성 되었다. 이 구성은 길놀이-고사-연행-대동마당이라는 민속놀이의 구조와 일치하며 민속신앙의 기본 구조인 청신-오신-위민-송신과도 유사하며 민속놀이의 길놀이-고사-연행-대동마당의 구조와도 일치한다. 이처럼 울산쇠부리소리는 순차적 병렬구조로 형식화 되었다. 울산쇠부리소리는 삼한시대 이래의 제천의식과도 닮았다. 육체적 희생에 따른 생명 탄생의 쇠부리소리는 새 생명 창조의 송가와 같은 역할도 한다. 울산쇠부리소리에는 한국의 민속문화 뿐만 아니라 좁혀서 경남지역의 민속문화가 그대로 녹아 있음을 알 수 있다. 울산쇠부리소리는 지모신을 향해 삶의 풍요를 기원하는 축제성격도 많다. 철을 생산하는 과정에 흙은 절대적 역할을 한다. 그만큼 쇠부리하는 사람들에게 흙은 신앙적 대상이라고 할 수 있다. 영남지역에 전승되는 민속연희 중에는 삶의 고단함을 넘어서려는 민중들의 애환이 예술정신과 혼합되면서 전승되는 연희들이 많다. 울산쇠부리소리의 경우는 삶의 고단함을 넘어 서려는 바람과 예술정신이 혼합되면서 만들어지고 전승된 경우라고 할 수 있다. 울산쇠부리소리는 전국 유일의 풍철기원(豊鐵祈願)의례다. 풍농과 풍어를 기원하는 의례는 전국에 다수 분포하고 있으나 풍철을 기원하는 울산쇠부리소리 의례는 전국 유일의 희소성을 지닌다.

• 한국콘텐츠학회논문지
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• 제7권1호
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• pp.199-206
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• 2007

애니메이션은 단순히 시각적인 정보만을 전달하는 것이 아니라 시각적 정보(이미지), 청각적 정보(음향)와 더불어 내러티브의 융합으로 이루어진다. 이러한 애니메이션의 이미지와 음향은 내러티브의 구조 속에서 조절되고 통제되어지며, 그 맥락에 의해서 의미를 부여받게 된다. 애니메이션이 관객에게 전달하고자 하는 의미는, 비록 동일한 모티브에서 출발한 애니메이션이라 할지라도, 제작자에 따라 서로 다른 의미를 생성해낸다. 월트 디즈니사와 플라이셔 스튜디오의 백설공주는 동화 백설공주를 모티브로 하여 제작되었지만 내러티브의 의미생성에 있어 큰 차이점을 찾아 볼 수 있다. 디즈니의 백설공주는 원작의 의미를 바탕으로 제작자가 재해석하여 애니메이션으로 재탄생시킨 반면, 플라이셔의 백설공주는 백설공주 원작의 의미를 바탕으로 제작하였다기보다는 작품을 완전히 새롭게 구성하여 내러티브의 결속력을 약화시킬뿐만 아니라, 그 당시 시대적 상황을 잘 반영하고 있다.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2008년도 춘계학술대회논문집
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• pp.33-41
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• 2008

Architectural acoustics design of Namsadang exclusive use theaters should be designed to utilize variously to performance space that can fill flavor and taste of Namsadang performance of the Namsadang six yards. Also, analyze special quality that is sound enemy who follow in sound-absorbing materials fare arrangement of innards that is design material of architectural acoustics laying stress on tradition, use purpose and disappointment size that Namsadang exclusive use theaters seeks on the basis of specific space theme that is experience, disappointment form, seat and passageway Wall and ceiling etc. research and sound and meaning of a character wave motion powerful engineering phenomenon and reduction reverberation loss that is happened from indoor manufacturing thing reduction SCALE model of oval structure research and background of AL composition absorbing material of perforate 25% to heighten acoustic absorptivity of practical use internal organs sound absorption material emir quality sound-absorbing materials insert and layer of air most suitable reverberation time of Namsadang exclusive use theaters that 2.2m volume is $42,218\;m^3$ to become 1.2Sec architectural acoustics design do.

• 복식
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• 제51권4호
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• pp.43-56
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• 2001

Articles on fashion of major daily newspapers for about one years after I.M.F. system were analyzed. The influence of I.M.F. system, values, the importance of costumes at economic crisis were studied through fashion at that time. The major conclusions of the study are as follows : 1. Costumes made in Korea, national brands In Korean words, practical styles, multi-functional design, economic tastes and mixed fashions were emphasized. 2. The sound and patriotic values were pursued through domestic fashion and creative ideas were developed to overcome economic crisis. 3. The meaning of costumes was still important under shrink of consumption. Costumes were useful tools to estimate ability and express aesthetic appreciation. The sound fashion trends under I.M.F. system reflect the reflection on overconsume and the will to overcome economic crisis. Such trends should be fixed for the establishment of economic prosperity for the nation.