• Phonetics and Speech Sciences
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• v.16 no.2
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• pp.59-69
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• 2024

Due to differences in singing styles and voice production between classical and popular music singers, their knowledge and practice regarding vocal hygiene may differ. This study compared the knowledge and practice of vocal hygiene among 121 university undergraduate students (58 classical and 63 popular music vocal majors). Additionally, the correlation between the level of knowledge and practice of vocal hygiene and the subjective voice evaluation was examined. The results revealed that both knowledge and practice of vocal hygiene were significantly higher in classical than popular music vocal majors, and that vocal hygiene practice was significantly higher than knowledge in the entire group. In addition, there was a weak positive correlation between knowledge and practice of vocal hygiene; and a weak negative correlation between vocal hygiene practice and subjective voice evaluation. This study suggests that popular music vocal majors have relatively lower levels of knowledge and practice in vocal hygiene than classical music vocal majors. It also highlights the need to provide tailored vocal hygiene education programs for both classical and popular music vocal majors, as they show low levels of knowledge and practice in certain aspects of vocal hygiene.

• CELLMED
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• v.7 no.1
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• pp.5.1-5.3
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• 2017

The purpose of this article is to show that satire through Sugungga is beneficial for the mental health of people. Dong-jin Park is one of the greatest singers of Han Ak (Korean music, 韓樂). He is an authentic singing master through long-term training, which explains why his cheerful voice will certainly allow us to become unburdened. The story of Pansori Sugungga is akin to that of David and Goliath, the art of battling giants but a Korean version. Satire is a technique found in Pansori, Korean epic songs which use humor as a cover for more serious social criticism. Koreans have believed that outbursts of sentiment through satire are good for their mental health. For a long time, these singers have entertained Koreans with political satire and indirect counter-drives. Pansori Sugungga's keen wit and satire have earned the love of Koreans. Koreans want vivid descriptions and surprising turns that end with catharsis through Sugungga and are therefore thrilled with Sugungga. Therefore, Sugungga in Han Ak (Korean music, 韓樂) is a good means of music therapy for better mental health.

• Journal of Music and Human Behavior
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• v.2 no.2
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• pp.69-79
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• 2005

This study was purported to examine the definition of tone deafness, various factors for the cause based on literature review of research findings, and to examine therapeutic application of music for treatment of tone deafness. With research, it was found that there can be three different kinds of tone deafness; amusia, agnosia, and asonia. Literature review showed that tone deafness has been frequently dealt in many research in order to verify the causal factors, such as gender, age, and environments. With time, the research trend on tone deafness has shifted towards neurological approach closely examining brain activity, presenting the statement that the brain's capacity to perceive modest pitch changes may be congenitally impaired. Also physiological factors contribute to tone deafness called diplacusis, which is a phenomenon wherein a given tone is heard as different pitches by the two ears, resulting in conflicting bilateral perception of pitch. Music can be used for treatment of various factors causing tone deafness. The most efficient intervention was singing program. Pitch-matching training can be effective training using operant conditioning procedure. Successive approximation or reinforcement of correct response alone was more efficient procedure in helping uncertain singers to sing on pitch. Also progressive breathing exercises helped the training the pitch-matching where one had to coordinate hearing and voice.

• Journal of Music and Human Behavior
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• v.12 no.2
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• pp.1-18
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• 2015

The purpose of this study was to compare the vocal characteristics of 40 adults with and without cerebral palsy (CP), upon presentation of three speech tasks (i.e., reading, chanting, and singing). The Praat program was utilized to generate data on fundamental frequency, voice intensity, jitter, and shimmer. The results of the analysis revealed no significant differences on fundamental frequency and intensity. However, both groups showed significant decreases in jitter and shimmer when engaged in singing tasks. The analysis of group differences indicated that adults with CP showed significantly higher variation scores on jitter and shimmer than the group without CP, and the difference on jitter and shimmer became greater during rhythmic chanting. In terms of jitter variation, the interaction effects according to the groups and types of speech tasks were greater, demonstrating the differences between the two groups. This study can be utilized as a basic research, regarding changes in vocal characteristics of adults with CP according to different musical speech tasks.

• Phonetics and Speech Sciences
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• v.14 no.2
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• pp.55-65
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• 2022

This study aimed to compare acoustic measurements by the high, middle, and low laryngeal heights of male musical theater students. Furthermore, the correlation between the relative height of the larynx and the acoustic measurements was examined, along with the predictability of the relative height (vertical position) of the larynx from acoustic measurements. The participants included five male students majoring in musical theater singing, and acoustic analysis was performed by having them produce the /a/ vowel 10 times each at the laryngeal positions of high, middle, and low. The relative vertical positions of the laryngeal prominence in each position were measured based on the resting position. Results indicated that the relative position of the larynx varied significantly according to laryngeal height, such that as the larynx descended, the first three formant frequencies decreased while the spectral energy at the same frequencies increased. Formant frequencies showed a weak to moderate positive correlation with the relative height of the larynx, while the spectral energy showed a moderate negative correlation. The relative height of the larynx was predicted by eight acoustic measures (adjusted R² = .829). In conclusion, the predictability of the relative height of the larynx was partially confirmed in a non-invasive manner.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.47 no.5
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• pp.89-99
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• 2010

A unified method for separating musical sources, singing voice for example, from stereophonic mixtures is provided. We usually have two observed signals in stereophonic music contents, where more than two instruments are played together. If we regard each instrument as source, this problem becomes an underdetermined source separation problem and cannot be solved by conventional methods, which infers the spatial environment of the downmixing process happens. Instead, source-specific information has been exploited to recover a particular instrumental source. This paper provides a unifying structure consists of heterogenious ad-hoc separate algorithms, which are designed for separating vocal sources using stereophonic channel information and dominant pitch information of the sources, respectively. Experiments on real world music contents show that the proposed unification can neutralize the drawbacks of the two ad-hoc separation algorithms and finally enhance the separation results.