• 복식
• /
• 제53권5호
• /
• pp.111-124
• /
• 2003

The purpose of this study is to analyze how the women´s fashion with the design elements(silhouette, material, color, detail and trimming) of androgynous image which has appeared on our specialized fashion magazine from 1986 through 2000. As a result of this study I drew the following conclusion. 1. The bon silhouette led the market in the first stage of mid 1980. The wool and leather with the masculine image, cotton and soft material with unisex image were used to express the androgynous image. The dark and mono tone with the masculine image were used a lot in color. In women´s fashion the minimalism style with simple image was expressed escaping from the decoration, in which the detail and trimming was not found as in men´s wear. 2. It showed that more and more feminine image was accepted in the second stage of early 1990. Women´s wear silhouette with the androgynous image has changed from masculine box silhouette boomed in the first stage to hourglass silhouette and slim silhouette. The wool and leather were used a lot as the materials in the first stage but the usage of the cotton with unisex image and soft texture were getting increased. The main colors were the black and the blue but the usage of the white and the red were on the increase showing the range of the use was extending. In the meantime, the detail and trimming were hardly used like in the first stage. 3. In the third stage of the late 1990, the silhouette has changed to slim style. The wool and leather were mainly used as the materials but the cotton and silk were on the increase showing that the materials of the feminine image were used in the women´s fashion with the androgynous image as well as the materials of masculine image. In color, the black and the white of the masculine image were used increasingly by the effect of the minimalism and the usage of the colors were various for the rising frequency of the trend colors usage.

• 한국의상디자인학회지
• /
• 제11권1호
• /
• pp.155-167
• /
• 2009

This study reviewed the basic principle of "Maximalism" fashion and analyzed the properties of fashion types with found the frequencies of various styles and design factors of "Maximalism" fashion in collection. The limits of this study is from 2001, s/s, maximalism was embossed in a modem fashion, to 2007, f/w, and collected the fashion collection pictures from www.samsungdesign.net and www.style.com. The results of this study are as follows. First, the most frequent style of "Maximalism" design showed in International fashion collection was "exaggerated style." Second, the design factors of "Maximalism" fashion were also examined. In case of silhouette, "hourglass silhouette" was the most frequent silhouette. In case of pattern, "solid" color was the most frequently used. In case of materials, the soft materials were the most frequently used. Third, the frequencies of design factors of maximalism by presentation types was compared and analyzed. In case of expansion, "bulk silhouette" was the most frequent silhouette to be appeared, and about multi-ethnic, futurelism, and elegance, "hourglass silhouette" was frequent appeared. In case of pattern, "solid" color was the most frequently used in all types. In case of materials, the hard materials were the most frequently used in expansion, multi-ethnic and futurelism. "Maximalism" fashion which is most splendid trend would grow up rapidly in the modem fashion market and influence on the other fashion trend in our every day life. Consequently, this research can be referred as practical information in fashion marketing and it will contribute to the future fashion research as well.

• 디지털콘텐츠학회 논문지
• /
• 제10권3호
• /
• pp.381-388
• /
• 2009

논문에서는 3D 스캔 자료에서 추출한 실루엣(silhouette)의 윤곽선(contour edge)이나 주름변(crease edge)의 정보에 나타난 불필요한 노이즈를 제거하는 방법을 제안한다. 석탑 문화재는 석조물 재질의 특징상 울퉁불퉁한 표면 정보를 가지며, 또한 오랜 세월의 풍화작용에 의한 훼손과 데이터 수집 시 나타날 수 있는 기술적 오류에 의해 실루엣에 단발성 선분 형태의 많은 잡음이 나타난다. 따라서 실루엣의 정보에서 노이즈처럼 보이는 단발성 변들을 제거하면 또렷한 석탑 자체의 실루엣을 얻을 수 있다. 선분의 연속성을 세는 알고리듬을 고안하여 길이가 3개 이하인 윤곽선이나 주름변을 제거하였다. 임계값(threshold)을 사용하는 기존의 실루엣 추출방법과 비교하여, 새로이 제안한 방법은 더욱 효과적이고 정확한 실루엣을 얻을 수 있었다. 제안한 노이즈 제거 방법은 석탑 문화재의 경우뿐 아니라 정보의 변형이나 오류에 의해 잘못된 단발성 주름변을 가지는 다른 경우에 대해서도 응용될 수 있다.

• 복식문화연구
• /
• 제20권1호
• /
• pp.49-61
• /
• 2012

This study focuses on looking at the influence of silhouette in the 1930s on fabric pattern design by comprehending how differently flower-pattern design were found according to clothing silhouette. The period scope of research was limited to 1930s, and the research object was set as the flower patterns seen in the designer's high-fashion and the women's daily apparel as well as the clothes for sports and leisure activities. Based on the above research scope, the researcher investigated the clothing silhouette and the textile patterns in 1930s by reviewing the literature about domestic and foreign books, research papers, domestic and foreign fashion magazines, information on the Internet. A glance at the women's clothing in the 1930s reveals that they emphasized something inactive, elegant, feminine and that great popularity was given to feminine silhouette that closely fitted the body and long and slim, as skirts became longer and longer. Like this, silhouette refused traditional methods in the technique of expressing flower patterns that were on-trend in that period, pursued the freedom of line and form, used shadowing technique by means of free pens and brushes and the effect of watercolors. It also arranged in a semitransparent way and painted contours alone, too. Flower patterns fell into two categories: amorphous abstract patterns and standardized abstract patterns. The patterns expressed themselves, divided into small-scale irregular patterns and abstract geometric patterns that filled the entire textile.

• 대한치과보철학회지
• /
• 제46권1호
• /
• pp.53-64
• /
• 2008

임플랜트 주위 변연골의 흡수는 임플랜트의 기능적 및 심미적 성공에 큰 장애가 되는 요인이다. Adell은 임플랜트에 지대주 연결 후 첫 1년간 평균적으로 1.5mm의 변연골 소실을 보이고, 이 후에는 매년 0.1mm이하의 변연골 흡수가 있었다고 하였다(Adell et al.,1981). 이러한 변연골 흡수를 막기위한 많은 노력들이 행해져 왔다. 특히 임플랜트 collar의 특징에 따라서 변연골의 흡수가 달라질 수 있다. 본 연구의 목적은 임플랜트 collar에서의 laser microtexturing(microgroove)이 변연골 흡수에 미치는 영향에 대해 알아보고자 하는 것이다. 4종류의 임플랜트 총 101개를 식립한 환자 53명에서 임플랜트 식립시부터 보철물 장착한 후 평균 6개월 후 정기 검사 시까지의 임플랜트 주위 변연골의 흡수를 측정하여 비교하였다. 생물학적 폭경을 충분히 확보한 임플랜트(ITI standard)와 생물학적 폭경이 부족한 임플랜트 (ITI esthetic plus, Silhouette IC Laser-$Lok^{TM}$, Silhouette IC)에서 변연골 흡수의 차이를 비교하였고, 임플랜트 주위 변연골의 흡수에 대한 laser를 이용한 미세나사산의(Silhouette IC Laser-$Lok^{TM}$) 영향을 알아보았다. 다음의 결과를 얻었다. 1. ITI standard와 Silhouette IC Laser-$Lok^{TM}$ 이 ITI esthetic plus 와 Silhouette IC 보다 임플랜트 주위 변연골의 흡수가 적었고 (p<0.05), ITI standard 와 Silhouette IC Laser-$Lok^{TM}$ 사이에는 변연골의 흡수가 유의차가 없었고(P>0.05), ITI esthetic plus와 Silhouette IC 사이에도 변연골의 흡수가 유의차가 없었다(P>0.05). 2. 사용된 임플랜트 전체에 대한 상하악의 비교에서는 상하악 사이에서 임플랜트 주위 변연골의 흡수는 통계학적으로 유의한 차이가 없었다(p>0.05). 3. 흡수각도에 대한 비교에서도 4종류 임플랜트 그룹 간에 통계학적으로 유의한 차이는 없었다(P>0.05). 본 연구에서 제한이 있긴 하지만, 임플랜트 디자인에서 생물학적 폭경이 부족한 경우(ITI esthetic plus, Silhouette IC)에는 생물학적 폭 경 보상을 위한 임플랜트 주위 변연골의 흡수가 있었음을 보여주고 있으나, laser를 이용한 microgroove 가 부여된 임플랜트에서는 collar의 거칠기와 laser microtexturing 등의 특징에 의해 임플랜트 주위 변연골의 흡수가 적게 일어난 것이 관찰되었다. 심미적인 요구도가 높은 전치부에서 충분한 생물학적 폭경이 확보된 임플랜트를 식립할 경우 변연골의 흡수에 따른 치은퇴축에 의해 metal collar의 노출이 우려되기에 충분한 생물학적 폭경이 부여되지 않은 임플랜트를 선정하게 되는데 이때 collar에서의 laser microtexturing은 변연골의 유지에 도움이 되었다. 이것은 조직의 단단한 부착으로 인한 안정화로 추정해 볼 수 있는데, 이에 대해서는 더 장기간의 연구와 더 많은 수의 임플랜트를 대상으로 한 연구와 조직학적인 연구도 필요할 것으로 사료된다.

• 한국의류산업학회지
• /
• 제16권1호
• /
• pp.13-25
• /
• 2014

The purpose of this study is to investigate the concept and characteristics of 'grotesque,' examine the aesthetic characteristics of grotesque reflected in arts and dress, and modern fashion. The findings are as follows: 1) Grotesque indicates unnatural, unpleasant, and exaggerated that it upsets or shocks person. The characteristics of grotesque include terror, abnormality, unreality, amusement, disgust. 2) The grotesque art represented terror, abnormality, unreality, amusement, disgust by disordered form, nonnatural things, evil world, unorthodox methods, unrealistic image, strange dreamland. 3) The grotesque dress represented terror, abnormality, unreality, amusement, disgust by exaggerated silhouette, exaggerated adornment, excessive decoration, incroyables, using exaggerated silhouette, crinoline silhouette, bustle silhouette, surrealist style, extraordinary materials, glam rock style, unique silhouette, cyber look. 3) Terror was implied in the punk look suits of Junya Watanabe, and exaggerated outers of Viktor & Rolf. Abnormality was shown in the atypical suit of John Galliano, Junya Watanabe's dress decorated with the extreme ruff, Thom Browne's suit of abnormal proportion. Unreality was reflected in the architectural dress of Gareth Pugh, Mermaid dress of Giles, the surreal suit of Jean-Charles de Castelbajac. Amusement was represented in the amusing suit of Gareth Pugh, John Galliano's dress of sexual perversion. Disgust was reflected in the decadent dress of Thierry Mugler, Undercove's suit, and the ensemble of shocking details.

• 복식문화연구
• /
• 제16권4호
• /
• pp.661-680
• /
• 2008

The purpose of this study is to examine to change in the Chinese women's clothing according to the inflow of Western culture in the first half of the both century As for the research method, both literature and visual data are reviewed. Research results are as follows: The Step of transition in clothing by period followed beginning stage, adopted stage, early developed stage, fully developed stage, and static stage. fully developed stage showed a perfect compromise while being applied to Chinese costume with being introduced a three-dimensional cutting method of western clothing even to the constitution as well as to the appearance. Design elements from western clothing are as follows. The transition of silhouette is box silhouette, trapeze silhouette, shift silhouette, and fitted silhouette. In detail and trimming, tailored, band, convertible, shirts collar and zigzag, scallop, camisole neckline and puff, cap sleeve and flounced, bell shaped cuffs and western button, zipper, etc. are adopted. Finally, the Chinese modern style are formed by accepting and transforming the western clothing based on the traditional Chinese clothing.

• 한국의류학회지
• /
• 제32권11호
• /
• pp.1771-1781
• /
• 2008

The purpose of this study was to classify the casual image by clothing design elements. This research was done by survey method with 30 kinds of casual image photos selected in fashion magazines. The data was analyzed by Reliability Analysis, Factor Analysis, ANOVA, Duncan's test and MDS. The results of this study are as follows: 1. Casual image was classified by 6 factors. Those were classic-casual, modern-casual, romantic-casual, vintage-casual, sexy-casual and active-casual images. 2. Classic-casual image was well-expressed by A silhouette, fit, chromatic and chromatic color coordinations and hard texture. Modern-casual image was well-expressed by H silhouette, fit and achromatic and achromatic color coordinations. Romantic-casual image was well-expressed by A silhouette, fit and soft texture. Vintage-casual image was well-expressed by H silhouette, combination apparel-fit, chromatic and chromatic color coordinations and fade-out texture. Sexy-casual image was well-expressed by fitted silhouette, tight apparel-fit and combination texture. 3. Casual image was positioned into mostly dynamic and modern on image scale.

• 복식
• /
• 제62권7호
• /
• pp.67-78
• /
• 2012

This study considered and analyzed the influence of changed clothing silhouettes on the textile patterns by investigating the changes of geometry patterns in response to the changes of western women's apparel silhouette in the 1960s. The period scope of research was limited to the 1960s, and the research object was set as the geometry patterns seen in the designer's high-fashion. The researcher investigated the clothing silhouette and the textile patterns in 1960s by reviewing the literature about domestic and foreign books, research papers, domestic and foreign fashion magazines, information on the Internet. For the western women's apparel in 1960s, some active, simple styles were popular under the social atmosphere when more women actively entered the society. Influenced by popular art trends at that time, the silhouette was expressed in the geometry pattern among many textile patterns. The geometry pattern either appeared as a regularly overall repeating geometry pattern and the regularly partial repeating geometry pattern. The regularly overall repeating geometry pattern arranged the straight lines in the same interval. But the regularly partial repeating geometry pattern was arranged without order to emphasize the motif in some parts of clothing or to give some ornament effect, or was arranged asymmetrically.

• 한국의류학회지
• /
• 제28권1호
• /
• pp.34-44
• /
• 2004

The purpose of this study was to provide effective design strategy and distinguish productions for the consumer's emotion satisfaction by analyzing formative properties of fashion sensibility and emotion. 54 photos of contemporary costume have been selected which represented the Izard' DES. The questionnaire consisted of bi-polar 25 pairs adjective scale of fashion sensibility and the 18 noun scale of emotion was distributed to 970 male and female living in Pusan area. The data were analyzed by GLM using the statistic SPSS package. The major findings of this research were as follows. 1. In the clothing formative properties following fashion sensibilities, aestheticism shows significant differences in the silhouette and texture, maturity in the silhouette and color, character in the texture and decoration and feminity in the pattern and color. 2. In the clothing formative properties following emotions, negative emotion shows significant differences in the pattern and silhouette, distressㆍfear in the silhouette and pattern, arousal in the texture and color, shame in the color and texture and enjoyment in the silhouette and pattern. 3. In the fashion sensibility and emotion following clothing formative properties, each formative property shows differences in fashion sensibility and emotion. This study result will be utilized in the clothing design development in special usage like theatrical costume, discriminated display and advertisement stratge.