• 대중서사연구
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• 제26권3호
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• pp.87-120
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• 2020

이 연구는 익숙한 장르 문법이나 코드 활용이 자유로운 대중문화콘텐츠의 특성이 반영된 웹소설, 특히 로맨스판타지 장르의 '책빙의물'의 특성에 주목하였다. 주인공이 자신이 현실세계에서 읽은 작품 속으로 들어가는 상상력은 웹소설의 기존 장르문법을 재해석한 것으로, 이 모티프를 연구하는 것은 장르 내 상호텍스트성 검토에 유의미하다. 로맨스 판타지 장르에서 책빙의물은 일반 판타지 장르(퓨전판타지, 현대판타지 등)와 차이점을 보이는데, 장르의 젠더적 특성을 드러내는 데도 이 연구의 목적을 들 수 있다. 이 연구는 책빙의물이 기존 서사에 대한 상호텍스트적 해석에서 탄생되었으며, 따라서 차원이동, 회귀, 대체역사물과 친연성을 갖는다고 보았으며, 팬픽션의 글쓰기 규범을 참고했다고 보았다. 이를 통해 앞으로 기존 서사의 재조합과 장르 간 간섭이 지속될 것을 예측할 수 있었다. 다음으로 로맨스판타지 장르에서의 책빙의물은 주변인이 주인공이 되어 서사를 전복함에도 상당히 보수적이고 자기계발적인 논리를 드러낸다고 보았다. 등장인물들은 현실세계의 미래지식을 활용해 파멸이 예언된 생존세계에서 투쟁해야 한다. 윤리적이고 자조(self-help)적인 주체의 등장은 흥미롭지만, 한편으로 로맨스가 인물들의 생존과 성취의 한 방식이라는 점에서 보수성을 살펴볼 수 있었다. 이 연구는 로맨스판타지 장르에서 상당히 빠르게 시작된 책빙의물의 특성을 검토하고 그 등장배경과 특성을 검토했다는 점에서 연구의의를 갖는다. 물리적인 작품 수합에 한계가 있고, 플랫폼이 한정되었다는 한계가 있었다. 위의 한계는 추후 등장하는 작품들을 좀 더 검토하며 보완하고자 한다.

• 한국엔터테인먼트산업학회논문지
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• 제14권7호
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• pp.263-273
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• 2020

2019년 디즈니의 뮤지컬 영화 <알라딘>은 1992년 애니메이션 <알라딘>에는 없었던 쟈스민 공주의 테마곡 'Speechless'가 새롭게 등장하였다. 테마곡으로 쓰인 'Speechless'는 쟈스민 공주를 주체적이고 진취적인 인물로 묘사했다. 이 곡으로 인해 쟈스민 공주 캐릭터의 변화는 명확해졌다. 소극적이고 수동적인 모습에서 능동적이고 적극적인 캐릭터로 거듭난 것이다. 뮤지컬 영화 <알라딘>이 많은 관객들의 관심과 사랑을 받은 것은 영화 자체의 내러티브와 오리지널 곡들의 영향도 있지만, 1992년 애니메이션에 없었던 새로운 테마곡 'Speechless'를 추가함으로 인해서 뮤지컬 영화 <알라딘>의 내러티브를 더욱 더 강력하게 만들었기 때문이다. 본 연구는 뮤지컬 영화 <알라딘>에서 새롭게 추가된 테마곡 'Speechless'의 음악적 특징과 내러티브의 유기적인 관계를 살펴보았다. 테마곡 'Speechless'의 음악적 특징이 나타난 6개의 장면분석을 통해 음악과 내러티브의 관계가 영화적 표현에 어떤 영향을 주었는지를 고찰하였다.

• International Journal of Advanced Culture Technology
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• 제8권3호
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• pp.140-147
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• 2020

The purpose of this study is to improve the empathy, communication efficacy, and communication skills of nursing students through a psychiatric nursing practice program using storytelling by allowing the students to immerse in the narratives and identify themselves with the main characters with mental illness. This study is a single group pretest-posttest design that applied psychological nursing practice using storytelling to 46 nursing students from a local university in Korea and evaluated its effectiveness. Data analysis was performed by a paired t-test to compare the effects of the participants' empathy, communication self-efficacy, and therapeutic communication ability using SPSS 21.0 program. The results showed that psychiatric nursing practice using storytelling had an effect on the empathy (t=3.565, p=.001) and communication self-efficacy (t=2.320, p=.025) of nursing students. Based on these results, psychiatric and mental health clinical practice curriculums should be developed to improve nursing students' understanding of mental disorders and develop their communication ability with patients.

• International Journal of Advanced Culture Technology
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• 제11권3호
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• pp.182-189
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• 2023

This study investigates the psychological effects of positive/negative valence order in repeated exposure to a suspenseful text. Specifically, the study seeks to understand how the order in which positive and negative elements are presented in a narrative impacts the experience of suspense, arousal, and enjoyment in readers or listeners. Using a suspenseful short story, participants were exposed to narratives with varying valence orders in a repeated-measures design. The study employed self-report questionnaires and psychophysiological measurements to capture participants' psychological responses. The results supported the hypothesis that repeated exposure impacts suspense, with negative valence enhancing suspense and arousal. Moreover, the order of valence influenced participants' psychological responses, indicating that positive valence can mitigate the impact of repeated exposure. However, the influence on enjoyment was not significant. Psychophysiological measures, specifically skin conductance level (SCL), revealed trends of habituation over repeated exposure. The findings underscore the significance of negative valence in heightening suspense and suggest directions for future research in exploring diverse factors that contribute to suspense in both fictional and real-life contexts.

• 복식
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• 제67권1호
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• pp.130-146
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• 2017

This study focuses on the Mise-en-abyme theories of Lucien $D{\ddot{a}}llenbach$, and presents research methodology to analyze the modern cinema costume in a new view. Inherent aesthetic values of the costume code shown in the film are as follows. First, esthetics value shown is the analogic code through the maximization of factual realism by directing target. Mise-en-abyme placed in this film plays the role of costume codes, and highlights the subject by presenting specifically targeted realistic icons to maximize the realism of the movie. Second, Mise-en-abyme is deployed to the explicit text through costumes code is placed as Displaced code arrangements. In other words, each of the characters is a signifier. Symbolizing a historical era is the device that represents a self-reflective signifier. Third, paradoxically reflected by the overlapped expansion of virtual reality and the self-referential characteristics and are subject to reflect the thinking of the author. Costumes code placed in Mise-en-abyme is expressed in costumes positioned to maximize the realism in the film as described above, and implies narratives and self-reflective mediating tools that symbolism can be seen that the paradoxical metaphor for the reality and the future. In addition, through the metaphor of visual narrative is allegorical representation Mise-en-abyme with ambiguity, and it is a concrete text that can be realized in a variety of creative storytelling methods and image delivery methods of modern fashion. This study confirmed that this costumes to take the point of view of emotional $Mise-en-sc{\grave{e}}ne$ in the process of completing the film's themes and cinematic devices by identifying the roles and aesthetic value of code costumes as the core subjects that make up the narrative of the film.

• 성인간호학회지
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• 제22권6호
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• pp.570-581
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• 2010

Purpose: This study was conducted to develop a Cancer Patient Guide with patients involvement using evidenced based practice research. The purpose of this patient guide was to help patients undergoing chemotherapy to manage their nausea and vomiting based on evidence. Methods: The design of the research was a methodological study. The participants consisted of seven cancer patients who were asked about their ' need for nausea and vomiting management, and secondly, 16 expert & 15 cancer patients to evaluate the Cancer Patient Guide using the DESCERN tool. Results: 1) Sixty-four relevant research evidences based articles were reviewed. 2) Patients were interviewed as to their needs in controlling nausea and vomiting. 3) The preliminary Cancer Patient Guide utilizing the research evidenced and the cancer patients interviews was then evaluated and revised by the experts and cancer patients. Lastly, the Cancer Patient which included an overview of chemotherapy, pathophysiology of nausea & vomiting, pharmacological and non-pharmacological interventions was finalized with each intervention supported by research evidence and patients' narratives of their experience. Conclusion: The Cancer Patient Guide was developed using evidenced based research and cancer patients in-put and be used to improve patients' self-management skill of nausea and vomiting in chemotherapy. The guide t also provides evidence based patient friendly information and contributes as a baseline data for developing and evaluating evidence-based guide for patients.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.105-115
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• 2011

We are inundated with visual media; countless such media, ranging from Hollywood blockbusters, American drama, Korean films with enormous budgets to independent films, appeal to our sensibility and engage our empathy and insight. The making of mega-hits that attract millions and a drama of viewer ratings of over forty percent lies in how persuasive the sensibility of the narratives are to an audience from a different milieu and personality. It leads to a question: how can empathy of such a varied group of people be won towards the perspective of directors and authors who come from different nationality and ethnicity to themselves? In exploring the issue, I aim to adopt a psychoanalytical view of human psychology, into consciousness and unconsciousness. Freudian psychoanalysis and Jungian analytic psychology in depth psychology underpin my analysis of visual media. It further enables my examination of unconsciousness applied to spatial design, which is elementary in visual media. In sum, this research aims to improve understanding of spatial design in films, a product of creative human consciousness, by interpreting this as an outcome of the unconscious. This is to apply the concept of collective unconscious in Jung's analytical psychology.

• 건축역사연구
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• 제24권2호
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• pp.27-34
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• 2015

The tasks of writing history is to reconstruct the past in order to understand the present condition and to envision the future. Modern architectural histories in the west have assumed this role, from Winckelmann to Giedion. Likewise, history of Korean modern architecture has to serve this purpose. However, existing histories of Korean modern architecture simply list up stylistic changes from western eclectic architecture to modernism without any historical narratives explaining the transition from Korean traditional architecture to modern architecture. History of Korean modern architecture has simply been understood as a unilateral process of transplantation of western architecture into Korea. This paper points out two major problems underlying this kind of historiography of Korean modern architecture. The one is formalistic approach which sees history of modern architecture mainly as a process of formal and stylistic changes. The other is humanistic approach which sees modern architects as agents of history. This paper argues that this kind of history writings has limitations since modernity of Korean architecture is fundamentally different from that of the west. and that specific tasks that Korean modern architectural history has to address are then two folds;(re)connecting the past architectural tradition to the present and forming self-identity of Korean architecture.

• 미술이론과 현장
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• 제8호
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• pp.185-215
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• 2009

In Malaysia, figurative painting has increasingly become a means for artists to pose questions about presumptions of power and assumptions of history. The body, its potentially breached boundaries and defenses, forms an integral component of the battle for political influence. The degree of control over one's own and other people's bodies has become a measuring stick to determine the power of potential political leaders. Anxiety about boundaries and access to powerful bodies is intertwined with the questions of who has the right to hold power; the relevance of moral bodies and of what comprises an ideal self or selves. These questions are raised in intriguing ways in contemporary Malaysian art. While eschewing a direct take on current politics, Malaysian artists have increasingly turned to the body to address issues in Malaysian history, culture and the distribution of power. This paper will explore some works by three artists in particular, Wong Hoy Cheong, Nadiah Bamadhaj and Ahmad Fuad Osman use the figure to problematise dominant narratives in Malaysian history. Their work variously challenge political, racial and gender hierarchies and in so doing, reveal them as social constructions.

• 대순사상과 동아시아종교
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• 제2권1호
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• pp.133-155
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• 2022

Throughout the Chinese sphere, that is, in the People's Republic of China and Taiwan, tea houses, tea stores, and tea meditation groups often without a particular religious orientation have appeared in the past decades. Tea lovers groups with various philosophical discussions appear throughout cyberspace, where people show their appreciation for tea as a drinkable delicious product and a spiritual tool. The question to be asked here is whether it should be recognized as a religious or spiritual practice agent in and of itself? Should we then talk about the present-day movement of teaism? If we do recognize this as a spiritual phenomenon, should it then be labeled as a New Religious Movement? The trajectory of tea in China is intrinsically connected to religious traditions. This connection is historical, yet it plays a part in the contemporary religious and spiritual sphere. The article explores the continuation and developments of tea culture in the context of the religious sphere of China, looking at practices connected to tea of communities, religious organizations, and individuals. The author explores how tea drinking, commercializing and tea related practices intersect with politics, materiality, and spirituality in contemporary society. In this context it is then argued that tea is a cultural element, religious self-refinement tool, and an active material agent with social-political capacities. The study includes historical narratives, ethnographic data, and literary sources about tea, making up a genealogy of tea which encompasses ritualistic aspects, economic aspects, and power relations related to tea in Chinese society.