• International Journal of Computer Science & Network Security
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• 제22권6호
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• pp.1-6
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• 2022

Scene change detection is an important topic because of the wide and growing range of its applications. Streaming services from many providers are increasing their capacity which causes the industry growth. The method for the scene change detection is described here and compared with the State-of-the-Art methods over the Open Video Scene Detection (OVSD) - an open dataset of Creative Commons licensed videos freely available for download and use to evaluate video scene detection algorithms. The proposed method is based on scene analysis using threshold values and smooth scene changes. A comparison of the presented method was conducted in this research. The obtained results demonstrated the high efficiency of the scene cut localization method proposed by authors, because its efficiency measured in terms of precision, recall, accuracy, and F-metrics score exceeds the best previously known results.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2010년도 춘계학술대회
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• pp.324-327
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• 2010

This article has briefed some important roles Scene Design plays in cartoon games (CG). Then it analyzes some fundamental principles of Scene Design in CG. It also discusses how to produce a suitable scene by centering on the theme and images in CG, and how to create appropriate ambience by making good use of Scene Design. Finally it introduces some frequently-used software for digital scene design.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2014년도 추계 종합학술대회 논문집
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• pp.325-326
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• 2014

With a history of over 100 years, animation is an art of film and television, and a diversified special form of art as well. Animation scene design is not just about scenic painting but also a time-space formative art that serves for film and television animation, presents story plots, unveils dramatic conflicts and depicts character personalities. Scene design requires both high creativity and artistry. Scene design shall cover the living places, social environment, natural environment and historical environment where the characters live. The use of color is an important part in animation creation. In terms of scene design, it plays a significant role in building up the scene atmosphere, promote the plot and enriching screen contents. Focused on Uproar in Heaven-a classic Chinese animation, this paper analyzes the traditional characteristics of Chinese animation scene color and discusses the application and development of color.

• 한국정보과학회논문지:소프트웨어및응용
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• 제31권12호
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• pp.1611-1620
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• 2004

MPEG-4는 객체의 삽입/삭제/교체 또는 객체의 속성 변경을 통하여 동적인 장면 구성을 지원한다. 기존의 MPEG-4 재생기들은 MPEG-4 표준에 따라 멀티미디어 데이타를 전송하고 재생하는데 치중하여 MPEG-4의 특징인 다양한 객체의 지원이나 동적인 장면 구성의 지원이 미흡했다 본 논문에서는 MPEG-4 재생기의 핵심 구성요소인 효율적인 장면 구성기를 제안한다. 장면 구성기는 장면 그래프를 효율적으로 탐색하고, 자료구조를 생성하여 객체 정보를 그 특성에 맞게 관리하며, 상호작용 처리 능력을 향상시킨 최적의 처리기이다. 장면 구성기는 장면 기술 정보를 충분히 지원하며, 구성요소 확장과 모바일 환경에 적용하기 위해 재생기에서 독립적으로 관리된다.

• 한국실내디자인학회논문집
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• 제16권3호
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• pp.21-29
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• 2007

The communication in a play has a dual structure, which is composed of the communications within a play and in a theatre space. This research focuses on the scene design that creates the background or the theme of a play and communicates theme of a play to the audience. A scene design of a theatre has meta-linguistic aspects, which is the image or mood as the theme of a play. The scene design is composed of various design elements of space and objects as the properties of a play. Design elements and the objects are the design languages in various form; plane, three-dimensional, multi-dimensional form. These design languages have the significant meanings as signs like human language. The play works chooses the rhetorical expression to arouse the audience's sympathy. The scene design is completed with rhetorical expression for communication in theatre too. This research defines the category of meanings that design elements of scene design can create and the rhetorical expression of the scene design language. King Lear directed by Robert G. Anderson was analyzed with the category of design elements as a sign and the pattern of the rhetorical expression. The scene design for a play is completed effectively by the rhetorical expression of design elements as the design language for the communication with the audience in theatre.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2004년도 ICEIC The International Conference on Electronics Informations and Communications
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• pp.442-446
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• 2004

This paper propose scene change detection algorithm using coefficient of forward prediction macro-block, backward prediction macro-block, and intra-coded macro-block on getting motion estimation. Proposed method detect scene change with correlation according picture type forward two picture or forward and backward two picture on video sequences. Proposed algorithm is high accuracy and can detect all scene change on video, and detect to occur scene change on P, B, I-picture.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 1999년도 추계종합학술대회 논문집
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• pp.1057-1060
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• 1999

For efficient storage and retrieval of large video data sets, automatic video scene change detection is a necessary tool. Video scene changes fall into two categories, namely fast and gradual scene changes. The gradual scene change effects include, dissolves, wipes, fades, etc. Although currently existing algorithms are able to detect fast scene changes quite accurately, the detection of gradual scene changes continue to remain a difficult problem. In this paper, among various gradual scene changes, we focus on dissolves. The algorithm uses a subset of the entire video, namely the sequence of DC images, for improvement of detection velocity

• 만화애니메이션 연구
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• 통권13호
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• pp.153-162
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• 2008

이 논문에서는 영화의 미장센 이론을 바탕으로 애니메이션 미장센을 분석하였다. 애니메이션의 미장센은 영화에서와 달리 그 활용범위가 굉장히 넓다. 이는 실사영화와 합성되어 영화의 장르를 발전시킨 계기가 되었으며 디지털기술의 빠른 성장은 영화의 미장센이론을 다시 정의하도록 강요하고 있다. 초창기 사실주의 감독들의 미장센 이론이 애니메이션 기법의 도입으로 더욱더 확장되어 디지털 영화에서의 미장센이론이 새롭게 제기되고 있다 몽타주이론의 편집에 의한 영상 미학이 아닌 한 프레임에서 보여주고자 하는 모든 요소들을 담고 있는 미장센은 애니메이션만의 차별화 된 미학으로 발전되어야 하며, 국내 애니메이션의 문제점인 연출력 부재의 현 상황을 미장센에 의한 연출력으로 극복되어야 할 것이다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.176-180
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• 2007

The stage space in theatre for the performance of a play requires two aspects of the physical space for a play and the image as the background or the theme of a play. This research focuses on the scene design that creates the background or the theme of a play and communicates it to the audience. The scene design is composed of various design elements of space and objects as the properties of a play. Design elements and the objects are the design languages in various form; plane, three-dimensional, multi-dimensional form. These design language have the significant meaning as a sign like human language. The scene design is completed with rhetorical expression for communication in theatre. This research defines the category of meaning that design elements of scene design can create and the rhetorical expression of the scene design language. King Lear directed by Robert G. Anderson was analyzed with the category of design elements as a sign and the pattern of the rhetorical expression. The scene design for a play is completed effectively by the rhetorical expression of design elements as the design language for communication with the audience in theatre.

• 한국멀티미디어학회논문지
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• 제13권5호
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• pp.792-801
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• 2010

본 논문에서는 모바일 플랫폼을 위한 범용적인 그래픽스 미들웨어로써, 모바일 장면그래프 라이브러리인 '모바일 OpenSceneGraph (모바일 OSG)'를 제안하고 그 개발 사례를 소개한다. 제안하는 모바일 그래픽스 미들웨어는 데스크탑 환경에서 그래픽스 미들웨어로 널리 쓰이고 있는 OpenSceneGraph를 모바일 환경에 적합하도록 재설계하였으며, 이를 통해 범용성, 확장성, 모바일 플랫폼 UI 지원, 호환성 등의 특성을 확보하였다. 복잡한 가상환경의 실시간 렌더링, 터치 UI 기반의 카메라 조작, 노드 전환을 통한 애니메이션 등과 같은 예시 응용프로그램을 통해 제안하는 모바일 장면 그래프 라이브러리의 효용성을 보이도록 한다.