• Title/Summary/Keyword: revival of classicism

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A Study on Design Trends of the Contemporary School Architecture -Focused on School Buildings since the Second Half of the 1980's- (동시대(同時代) 학교건축(學校建築)의 디자인 경향(傾向)에 관한 연구(硏究) -1980년대 후반이후 학교건물을 중심으로-)

  • Lee, Hwa-Ryong
    • Journal of the Korean Institute of Educational Facilities
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    • v.14 no.1
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    • pp.5-13
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    • 2007
  • An architectural practice cannot help involving a social art as its own concept. Especially school buildings are subjected to the influence of not only the educational philosophy and the national curriculum, but also the sociocultural context with the change of the times. This study aims to explore the contemporary trends of school architecture and give new inspiration to the school design practice. After it establishes the 'contemporary' school architecture as school buildings built from the second half of the 1980's to the present time, this paper classifies them into 4 categories : popularist trend, traditional and regional tendency, revival of classicism and the pursuit of art for art's sake.

Changing Styles & Aesthetic Charactics of Modern mes's Sutil (현대 남성수트의 변천과 미학적 특성)

  • 채금석
    • Journal of the Korean Society of Costume
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    • v.30
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    • pp.239-259
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    • 1996
  • This research is to observe background of origination and process of changing style for men's suits and also to observe the root of aes-thetics which has made the changing style be maintained for nearly 200 years. The aesthetic characteristics are 1)The revival of the Neo-Classicism beauty in the 18th century could be regarded as the root of incipient style of the modern men's suits design. And the cutters recreated ancient nude hero which was an object of envy at that time and also reproduced men's suits through modifying the existed suits to make the ancientnude conform with the sewing regulations in order to describe and convey the perfect image of gender,. 2) The cutter who pursued merit of the classicismic aesthetics in the late 18th cen-tury artistically upgraded English rough country coat to keep pace with Nordic coat style of netherland Russia Germany while in constrast with the coat style mode which was in fashion in France and Italy then And also they changed the English country coat to a noble natural clothing structure in relation to ancient sculpture to keep the English tradition. 3) Im the 18th century Neo-Classicism art emphasized transparent and monochromatic beauty and thus color was limitedly used. In the use of the limited color however ancient aesthetical simple purity was well described within the more realistic outline. In those days the cutter who admired the English neo-Classicism removed color-luster and preferred colorless finished dimly and transparently. And thus color of the men's suits become to be also dim colored in los brightness. This means that it did not express pure beauty but brought such effect of the Classicism beauty that the nude itself was figured out.

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