• 보존과학회지
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• 제38권4호
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• pp.327-333
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• 2022

Sri Lanka has four types of mural painting styles; Classic, Late Classic, Kandyan, and Southern styles, but there is little research on scientific analysis for mural paintings. In this study, we analyze white, yellow, and red clay pigments which were collected from ancient producing sites. Analyzing pigment samples shows that samples are containing aluminum oxide(Al₂O₃) and silicon dioxide(SiO₂) which are connected to the soil. And a degree of iron oxidation determines yellow or red colors. To understand the characteristics of clay pigment samples, we go over previous pigment analyses of mural paintings in Sri Lanka. Kaolin is identified after the 17^th century, yellow and red ochre are applied in early periods, Classic and Late Classic styles. The change in raw materials of pigments occurred in the 17^th century.

• 보존과학연구
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• 통권26호
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• pp.165-188
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• 2005

From the ancient to these days, there have been used many kinds of pigment which have two types that are inorganic pigment and organic pigment. At the ancient times, natural pigment had been used but the artificially mixed pigment has been used in modern times. By the way, searching for studies has been studied recently, it would be said the ancient pigments such as Danchung, Wall painting and Mural painting are the mainthema. However, studies about the pigments used in modern pictured relics have rarely can be found. Therefore, this analysis of Ilweolokdo would be important at the point of the pigments used in pictures of royal family in modern times and the results can be briefly summarized as below; Firstly, the results of qualitative analysis of the pigments that base or all pigments of picture was detected components of Ca, Fe and As, this results meaning that picture was used filler and basic paint. Secondly, a result of the analysis on the composition elements of the pigments shows that the main components in their composition are ;White - Lead Cyanamide($2PbCO_3$.$Pb(OH)_2$) or Titanium Oxide($TiO_2$)Blue - Ultramarine($2(Na_2O$.$Al_2O_3$ .$2Si_O2$).$Na_2S_2$)Green - Emerald green($C_2H_3A_s3Cu_2O_8$)Gold - Gold(Au), Red-Red Lead($Pb_3O_4$) or Cinnabar(HgS)Black - Carbon(C)Thirdly, X-ray diffraction analysis of crystalline structure for the blue and green pigment peeling off in picture shows that the components of blue pigment is Ultramarine($2(Na_2O$.$Al_2O_3$ .$2Si_O2$).$Na_2S_2$) and green pigment is Emerald green($C_2H_3A_s3Cu_2O_8$). Especially, microcrystalline structure of the green pigment was the shape like a cross section of wood. Consequently, we knew through the analysis of qualitative and microcrystallinestructures seen on the cross section of analyzed pigments layer that the all pigments used in the Ilweoloakdo is possible to use synthetic pigments in modern.

• 보존과학회지
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• 제36권1호
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• pp.47-59
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• 2020

Scientific analysis was conducted to identify the paint pigments used in the Buseoksa Josadang murals. optical microscopy(OM), X-ray fluorescence(XRF), XRF mapping, scanning electron microscopy-energy dispersive X-ray spectroscopy(SEM-EDS), and Raman spectroscopy were performed to examine the pigments. The results confirmed that the Josadang murals consist of two paint layers wherein the pigments were distinct for most colors. It was estimated that celadonite, white clay, red ochre, cinnabar and minium, synthetic green pigment containing tin and zinc paratacamite, or botallackite were used in the upper layer. In addition, bone white, celadonite, red ochre, azurite, cinnabar or vermilion, and gold were identified in the lower layer. In addition, as Zn and Sn were detected in the green pigments extracted from the top layer of the paint, it is believed that Josadang murals were repainted over the original paint layer at some point after the 17th century. In addition, white pigments containing calcium phosphate were found in all the colors in the bottom layer, which is the original paint layer. These results are significant because this is the first time that white pigments are found in Korean traditional paintings. Additionally, the information revealed about the pigments in this study will serve as areference for the pigments used in the Goryeo period.

• Journal of Applied Biological Chemistry
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• 제60권3호
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• pp.249-256
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• 2017

The Monascus azaphilone (MAz) pigment is a well-known food colorant that has yellow, orange and red components. The structures of the yellow and orange MAz differ by two hydride reductions, with yellow MAz being the reduced form. Orange MAz can be non-enzymatically converted to red MAz in the presence of amine derivatives. It was previously demonstrated that mppE and mppG are involved in the biosynthesis of yellow and orange MAz, respectively. However, ${\Delta}mppE$ and ${\Delta}mppG$ knockout mutants maintained residual production of yellow and orange MAz, respectively. In this study, we deleted the region encompassing mppD, mppE and mppG in M. purpureus and compared the phenotype of the resulting mutant (${\Delta}mppDEG$) with that of an mppD knockout mutant (${\Delta}mppD$). It was previously reported that the ${\Delta}mppD$ strain retained the ability to produce MAz but at approximately 10% of the level observed in the wildtype strain. A chemical analysis demonstrated that the ${\Delta}mppDEG$ strain was still capable of producing both yellow and orange MAz, suggesting the presence of minor MAz route(s) not involving mppE or mppG. Unexpectedly, the ${\Delta}mppDEG$ strain was observed to accumulate fast-eluting pigments in a reverse phase high-performance liquid chromatography analysis. A LC-MS analysis identified these pigments as ethanolamine derivatives of red MAz, which had been previously identified in an mppE knockout mutant that produces high amounts of orange MAz. Although the underlying mechanism is largely unknown, this study has yielded an M. purpureus strain that selectively accumulates red MAz.

• 대한화장품학회지
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• 제44권3호
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• pp.303-316
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• 2018

플루오레세인 구조를 갖는 잔틴계 염료의 형광안료로의 응용 가능성 및 제조되는 안료들의 광학 특성 조절 가능성을 확인하기 위하여 본 연구를 진행하였다. 안료 제조에는 수용성 잔틴계 염료인 eosin Y (D&C Red No.22), phloxine B (D&C Red No.28)를 주로 사용하였으며, 염료를 용매에 용해시켜 분체와 분산, 교반하고 이를 건조시켜 분쇄함으로써 안료를 제조 하였고, 제조된 안료들에 대해서는 형광과 관련한 광학 특성을 측정하였다. 사용한 용매의 종류, 염료의 함량, 그리고 염료의 혼합 투입 비율에 따라서 안료의 광학적 특성이 변함을 관찰하였다. 실험 결과에 따르면, 분체에 흡착된 염료 중 일부분이 형광 발색을 하며, 나머지는 형광에 기여하지 않는 것으로 보인다. 안료를 구성하는 분체-염료 계 내부의 결합 (혹은 상호작용) 세기와 그 특성을 파악하기 위한 안료 수세실험 결과, 안료 계 내에는 서로 다른 2개 이상의 상호작용이 존재하며, 그 중 하나는 용매-염료 상호작용보다 비교적 강하였다.

• 한국가금학회:학술대회논문집
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• 한국가금학회 2002년도 가을 학술발표논문집
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• pp.113-115
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• 2002

본 시험은 시판 착색제의 형태 및 혼합 수준에 따른 산란성적, 난황 착색도 및 난황 지방산 농도에 미치는 영향을 검토하기 위하여 실험 1과 2로 나누어 실시하였다. 실험1과 실험2에서 사료섭취량, 산란율, 난중 및 사료효율은 착색제의 첨가에 따른 영향이 없었으며, 난질에 있어서도 난백고와 haugh unit은 착색제 첨가와 전혀 관련이 없는 것으로 나타났다. 실험1에서 난황착색도가 Roche color fan 12∼13에 근접하기 위한 천연 red 착색제 첨가 수준은 25∼30ppm이었고, 합성 red 착색제는 15∼20ppm이었으며, 본 시험의 조건에서는 천연착색제보다 합성착색제의 착색효과가 우수한 것으로 나타났다. 실험2에서 착색제 혼합에 따른 착색 효과는 천연 red 착색제를 첨가한 TM2구와 동일한 양의 합성 red 착색제를 첨가한 TM6구를 비교하였을 때, 천연 red 착색제 보다 합성 red 착색제의 착색효과가 우수하였다. 난황내 지방산 함량은 착색제 첨가로 인한 영향이 나타나지 않았다.

• 생물정신의학
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• 제7권2호
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• pp.164-173
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• 2000

This study was carried out to investigate the direct neurotoxicity of alcohol on CNS and the effects of piracetam or vitamins on ultrastructural changes of the rat cerebellar and hippocampal neurons during long-term alcohol treatment. To evaluate the results, quantitative analysis were done for light and electronic microscopic findings. On the light microscopy, red degeneration of pyramidal cells and Purkinje cells was found more apparently in the alcohol only treated group than in the control group. On the electron microscopy, increased lipofuscin pigments were found in cerebellum and hippocampus. In quantitative analysis, vitamins significantly reduced red degeneration in both hippocampus and cerebellum. However, piracetam significantly reduced red degeneration in cerebellum but not in hippocampus. Lipofuscin pigments in Purkinje cells and pyramidal cells were significantly reduced in the alcohol with piracetam treated group than the alcohol only treated group. However, vitamins had no significant reducing effect of lipofuscin pigments in Purkinje cells and pyramidal cells. According to the results, it is concluded that vitamins deficiency might cause red degeneration of pyramidal cell after long-term alcohol treatment, but increment of lipofuscin pigments in pyramidal and Purkinje cell may be caused by alcohol itself or its metabolite rather than vitamins deficiency. Piracetam seems to improve cognitive function impairment caused by alcohol consumption.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2004년도 제20회 발표논문집
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• pp.72-74
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• 2004

The color change of lead-containing pigments is one of the most serious diseases in watercolor, oil paintings and wall paintings. These pigments have a tendency to darken or brighten. It was proved that oxidation of lead containing pigments in the formation of brown-colored lead dioxide is a photochemical reaction under high humidity conditions. Therefore, we carried out some analogic experiments on the color change of three typical lead containing pigments ; $Pb_3O_4$, Pbo and $PbCo_3{\cdot}Pb(OH)_2$ at the conditions of illuminations under the high humidity ($2PbCo_3{\cdot}Pb(OH)_2$ R. H.). The reason for the chemical reactions are discussed and the results of these experiments are shown in some spectrograms, micrographs and X-ray micro-diffraction patterns. Important conclusions were drawn in our research. Due to the formation of brown $PbO_2$, red lead $(Pb_3O_4)$ and massicot (PbO) turned brown or dark when they were illuminated light under high humidity. We noticed that the brightening of red lead occurred d to admixture with chalk or lead white in egg yolk or linseed oil medium on exposure to light. Lead white used in oil paintings turned yellowish on dark.

• 펄프종이기술
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• 제47권5호
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• pp.120-126
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• 2015

In this study, we used various dyes from natural pigments such as tumeric, goldthread, indigo, pagoda tree flower, sappanwood, and safflower to make the Hanji wallpaper with super eight colors of yellow, orange, green, turquoise, violet, red, blue, and magenta. As a result of measuring the lightfastness, magenta dyed with sappanwood showed the worst effect, but blue dyed with only indigo showed the best effect. In terms of the spot test by water, red wallpaper dyed with safflower showed the clear spot, but blue, turquoise, and green dyed with indigo resulted in a little spot. The orange, violet, and magenta dyed with goldthread and sappanwood showed antibacterial activity, and the turquoise, green, and blue also has a little antibacterial activity. However, yellow and red didn't show the some result as expected. In the experiment for efficiency of formaldehyde removal, all Hanji wallpapers dyed with natural pigments showed the significant removal effect of formaldehyde, especially turquoise and red were the highest.

• 대한토목학회논문집
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• 제26권3A호
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• pp.547-553
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• 2006

안료가 칼라콘크리트의 성질에 미치는 영향을 알아보기 위해 산화철이 주성분인 적색, 황색 및 흑색 안료와 동 프탈로시아닌을 착색성분으로 하는 청색과 녹색 안료 5종류를 사용하여 모르타르와 콘크리트 실험을 실시하였다. 안료의 종류 및 첨가율에 따라 모르타르 및 콘크리트의 품질특성이 차이가 있었다. 적색, 황색 및 흑색 안료를 첨가한 콘크리트의 응결시간은 다소 빨라지고 압축강도는 약간 증가하는 경향이었으며, 슬럼프 및 공기량은 거의 같거나 감소하였다. 반면, 청색 및 녹색 안료를 첨가한 경우 계면활성제의 공기연행에 의해 콘크리트의 압축강도가 크게 저하하였으며, 슬럼프 및 공기량은 크게 증가하였다. 이들 청색 및 녹색 안료를 첨가한 콘크리트에 소포제를 첨가함으로써 콘크리트의 압축강도가 크게 개선되어 안료를 첨가하지 않은 콘크리트와 비슷한 강도발현이 나타났다.