• 감성과학
• /
• 제5권1호
• /
• pp.49-60
• /
• 2002

The aims of the study are first, in other to meet the demand for a new product design process, to review the prototype theory and to find out the conceptual structure of product aesthetics, which is another properly thought to be as important as the typical pattern in an effort to patch up the theory second to help designers overcome the limits of idea generation and create consumer oriented designs with a high success rate by setting up a new product design process that is established through the application of the aesthetically influential factor 'proportion'based on the preceeding studies that tested product aesthetics measuring devices. In other words, this study tries to find out product categories, making use of the prototype theory to introduce an ideal proportion for product design, recognizing the importance of proportion by conducting product pattern analysis: to create a differentiated method that can product consumer oriented designs, even if it only manipulate proportion and to establish a new design process that can systematically explain the methodology for various form generation that applies proportion. This study reviews the theoretical aspects of concepts pertaining to the above … and, based on them, empirically tests them by patting to use the programs, for proportion manipulation. This study was conducted in the following way: To begin with, this study takes out proportion out of some aesthetically influential factors that has a great impact on the way consumers prefer certain product designs and tries to see how proportion affects the consumer preference when consumers select a product. In addition, we could analyze the difference between the ideal proportion that consumers prefer and the traditional golden proportion produced through theoretical studies. The correlations between preferred proportion and ideal proportion, and preferred proportion and golden proportion could be shown. In order that we may create form variations through more detailed proportion manipulation on the basis of the ideal proportion verified as preferable, we again applied the proportion factor to the process utilizing PDS(proportion Distortion System). In the way the restraint of form generation could be pursued. All in all, this study makes an attempt to set up a design process to create new product forms through the application of Proportion.

• 대한안전경영과학회지
• /
• 제18권2호
• /
• pp.119-125
• /
• 2016

The ratio which we usually use in producing products is nonconforming proportion or percent defective. As our modern society develops, we cannot but meet another proportion in legal, managerial, and medical areas where our human beings might commit various kinds of errors though they do not want them. In this paper we will generally call the ratio 'proportion.' When the size of such proportion as percent defective is observed by persons, it is not true proportion but apparent proportion because it has been observed with human or situational errors. Past studies have not systematically covered the analysis of relations between such proportions and type 1 and 2 error, but this paper analyses and derives such various relations, and it suggests the guideline as sixteen properties for utilization and sensitive analysis of the relations. Current paper's consideration of apparent proportion in addition to true proportion as our familiar concept will open and widen existing academic and application areas where people have mainly built societal, scientific and engineering rules and methods based only on true proportion.

• 한국의상디자인학회지
• /
• 제11권2호
• /
• pp.1-10
• /
• 2009

The purpose of this study is to investigate harmonious color schemes based on a length proportion of upper and lower parts of a body by; understanding of the harmonious length proportion of a square measure of a color in color coordination of fashion design, and presenting a mutual relation of the length proportion of a square measure of a color according to the various way of color schemes and proportions. For this study, monochromatic scheme, analogous scheme and complementary scheme were adapted as the color schemes, and each color scheme was coordinated by analogous tone and contrast tone. Also, 1:1 symmetry proportion, 1:2 harmonic proportion, 1:1.618 golden section, 1:3 and 1:5 contrast proportion were used as the square measure of a color. For the survey, 12 sets of color sample were organized. The survey was conducted 182 of university students majored in fashion design, and 143 responded samples were analyzed using SPSS 12. The result of the study is as follows: 1:5 contrast proportion is most inharmonious in general, and 1:1 symmetry proportion is followed. It is thought that too much or same length of the square measure of colors has less attractive effect of coloring. On the other hand, 1:1.618 golden section and 1:2 harmonic proportion are accepted to be harmonious in all color schemes. The length proportion of the square measure of a color had more influence on harmony of color coordination in fashion design rather than color schemes. Though, on the assumption that people have a similar perception about the color image of fashion design, it will play an important role in strengthening or diminution of color in cloth if the coloring effect of the length proportion of the square measure of a color is used in fashion design and wearing of clothes.

• 디자인학연구
• /
• 제13권4호
• /
• pp.155-162
• /
• 2000

아름다움을 향한 미적 규칙과 질서들 가운데에서도 특히, 고전적인 비례인 황금분할비례는 현재에도 유효한 것인가\ulcorner 또한 현대산업화 과정 속에서 나타나는 기능적인 ${\surd}$직사각형 비례가 이전의 아름다움을 대체할 수 있는 것인가\ulcorner 가 본 연구의 중심이다. 디자인 전공대학생 200명을 대상으로 1차 현대적 비례인 ${\surd}$직사각형의 기본등비수열들의 비교조사와 2차 ${\surd}$직사각형과 황금분할비례의 선호비례조사 등 2차에 걸쳐 전개된 설문의 결과는 ${\surd}$직사각형들의 비례에서 1 : 1.414의 ${\surd}$2직사각형 가로비례에 가장 높은 선호도를 나타내고 있으며 황금분할비례와 대비한 선호도에서는 황금분할비례가 약간 우수한 선호율을 나타냄으로서 경제적 효율성을 갖는 기능적인 비례인 ${\surd}$2직사각형 가로비례가 고전적 미적 기준인 황금분할비례를 대체하지 못하고 있음을 확인하였다.

• 한국수학교육학회지시리즈E:수학교육논문집
• /
• 제24권2호
• /
• pp.345-363
• /
• 2010

본 연구는 비례 개념을 배우지 않은 초등학생들이 가지고 있는 비형식적 지식을 조사 분석하여, 비례 개념 지도에 대한 시사점을 얻는데 목적이 있다. 이 연구를 위해 정비례, 반비례에 관한 선행학습을 하지 않은 6학년 학생 117명을 연구대상으로 본 연구에서 개발한 정비례 7문항, 반비례 4문항을 이용하여 조사 연구를 시행하였다. 또 학생들이 문제를 해결하는 과정에서 보인 비례에 관한 비형식적 지식을 심층적으로 알아보기 위하여 문제해결 전략별로 9명의 학생들을 선정한 후 면담을 시행하였다. 연구 결과, 학교에서 정비례, 반비례 개념을 배우지 않은 6학년 학생들은 정비례 문제와 반비례 문제를 해결할 때 곱셈추론전략, 비례추론 전략, 한 단위 전략 등을 사용하여 해결하였다. 학생들이 비례에 관한 비형식적 지식을 적극 활용한다는 사실은 이를 형식화하여 의미 있는 비례 개념 지도가 가능하다는 것을 시사한다.

• 한국주거학회:학술대회논문집
• /
• 한국주거학회 2009년 춘계학술발표대회 논문집
• /
• pp.91-94
• /
• 2009

The purpose of this study is to research the proportion of plans and elevations in traditional architecture for period of Joseon. The collected data of traditional buildings are analyzed for the basic design methods; horizontal factors and vertical factors for floor plans and front elevations. The results of the analysis on this study are as follows. Proportion data of floor plans in traditional architecture is from 1 : 3.8 to 1 : 1.21. Proportion data of front elevations in traditional architecture is from 1 : 8.1 to 1 : 1.03. Average proportion of floor plans in traditional architecture is 1.87. Average proportion of front elevations in traditional architecture is 2.59.

• 한국디자인학회:학술대회논문집
• /
• 한국디자인학회 2001년도 디자인학연구 2001 봄 학술발표회 논문집
• /
• pp.36-37
• /
• 2001

• 한국의류산업학회지
• /
• 제4권6호
• /
• pp.534-543
• /
• 2002

The purpose of this study was to identify the body proportions of girls in middle and high school who have been a major sales target of clothing manufacturers and thus to provide the basic information on the proportion of human body, which is essential for manufacturer to produce clothing and for individual consumers to select right apparels to wear and purchase. The subjects were 133 girls in middle school and 141 girls in high school. As measuring instruments, the Martin's anthropometer, tapelines, and belts for marking waistline were used. In order to analyze the data, t-test and factor analysis were used. The measurement of vertical distance between vertex and measuring points, showed a significant difference between the high school group and middle school group in every item. In the comparison of eight head proportion between the two groups, middle school students had 7.2 head proportion while girls in high school had 6.9 head proportion in detail. The factor analysis of major divided body parts of the two groups indicated that waist-hip and hip-crotch, constituting lower trunk together, vertex-apex nasi, and apex nasi-back neck point, constituting head together, back neck point-spina scapula and spina scapula-waist, constituting posterior of upper body together, and mentum-bust point and bust point-waist, constituting anterior of upper body together, were in inverse proportion.

• 한국농공학회논문집
• /
• 제50권5호
• /
• pp.39-50
• /
• 2008

This study are decided the mix proportion method of latex modified concrete for agricultural concrete structures from the results of workability and strength test with mix proportion factor. For mix proportion factor, this study are selected the water-cement ratio, unit cement amount and latex content. Also, this study were performed the slump, compressive strength test and microstructure analysis using the scanning electron microscope(SEM). The strength and slump of LMC are dependent with unit cement amount, latex content, and water-cement ratio. Especially, the strength of LMC are not controlled by single mix proportion factor but effected by combined mix proportion factor. Microstructure investigation are showed the LMC are reduced the internal pore volume and enhanced the transition zone between cement paste and aggregate interface. This effect get by consist of latex films in the concrete. Also, this study were recommended the mix proportion method for LMC. These mix proportions method are estimated the mix design for satisfied the target performance which are applied the agricultural concrete structure.

• 디자인학연구
• /
• 제15권2호
• /
• pp.115-124
• /
• 2002

'제품디자인에 있어서 황금비례의 적용이 가능한가' 라는 논제에 대하여 기존의 연구들이 이에 대한 의견의 일치를 보이고 있지 못하고 있다. 아울러 기존연구들에서는 과연 비례란 무엇이며 또한 어떻게 이해하고 접근해야 하는가라는 문제에 대해서도 명확한 해답을 내리고 있지 못하고 있다. 이에 대하여 본 연구는 실험 설계와 설문조사를 통하여 다양한 비례의 유형을 파악하였다. 본 연구의 결과에 따르면 제품유형마다 상이한 비례구조를 지니고 있으며 따라서 비례는 단순히 일차원적인 심미적 요소로만 다루어져서는 안된다. 이러한 비례의 유형에 대한 고찰은 '제품디자인에 있어서 황금 비례의 적용이 가능한가'라는 주제에 대한 해답을 제시해 줄 수 있으며 실무적으로도 심미적 조형요소로서 비례를 다루는데 있어서 바람직한 제품디자인접근법에 대한 유용한 통찰력을 제시해 줄 수 을 것으로 예상된다. 또한 소비자의 특성에 따라 선호하는 비례구조가 다르기 때문에 소비자의 특성을 체계적으로 분류한다면 틈새시장 공략 등 성공적인 디자인전략을 수행할수 있을 것으로 예상된다.