• 한국식품영양학회지
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• 제33권6호
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• pp.710-720
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• 2020

This study was conducted to compare the quality characteristics of firm tofu (coagulant calcium chloride, CaCl2 used) made from eight imported and four domestic soybeans selling in Korean markets. The 100-seed weight of soybeans imported from China and Seonpung cultivated in Korea was the highest at 33.23 g and 32.51 g, respectively. Soybeans imported from the USA (bulk type) showed the lowest at 16.12 g, followed by Ukraine at 16.94 g, and Brazil at 18.51 g. The range of protein and fat in the 12 soybeans was 37.08~41.36% and 18.35~22.17%, respectively. The isoflavone contents were the highest in Daepung2 cultivated in Korea at 3,764.10 ㎍/g and the lowest in soybeans imported from Brazil at 1,439.85 ㎍/g. Tofu yield among the samples was in the following order: Seonpung (235.2%), China (232.0%) Daepung2 (228.7%), Daechan (225.7%), and Brazil (208%). Tofu made with soybeans cultivated in Korea (including from China) showed a higher yield compared to that made from soybeans from seven other countries. In the analysis of the correlation of quality factors of tofu, the hardness of the tofu was correlated with 100-seed weight (r=0.676⁎) and protein content of the soybeans (r=0.837⁎⁎). Tofu yield was correlated with 100-seed weight (r=0.748⁎⁎) and protein content of the soybeans (r=0.583⁎).

• 한국과학교육학회지
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• 제23권5호
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• pp.470-483
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• 2003

1차에서 6차에 이르기까지 13종의 교과서의 진화내용을 분석하였다. 9가지 성분으로 구분된 교과서의 내용분석은 80가지 진화내용 항목에 대해 이루어졌다. 분석결과 교과서에서 진화내용의 총량은 증가하였으나 총 진화내용 중 본논문내용이 차지하는 비중은 1차에서 6차 교육과정에 따라 개발된 교과서로 가며 점차 감소하였고 진화내용의 비중은 생물교육과정과 교과서 저자의 시각에 의해서도 영향을 받았다. 대체로 분석된 교과서에서 다루어진 진화주제는 다양성면에서 부족하였다. 어떤 주제 항목은- '집단선택', '유전자 선택', '화석 기록에서의 공백', '공진화', 단속 평형설', '혼합진화', '인류진화에 있어서의 노동의 위치', 인종의 차이', ''개체발생의 계통발생을 반복한다'에 대한 비판', '진화에 영향을 미치는 인간의 활동'-다루어지지 않았고 또 어떤 항목은-'중립설', '지질시대에서 발견되는 주요사건에 관한 설(멸종에 관한 내용 제외)', '동소적 종분화', '연속변이적 종분화 및 지역효과 종분화', '배수성과 진화', '점진주의', '연장류의 기원과 진화'-거의 언급되지 않았다. 가장 강조된 주제 항목은 '일반적인 계통학', '세포전 단계의 형성', '기타' 순으로 많이 강조되었다. 자연선택설은 진화의 중요 주제임에도 불구하고 여러진화설중의 하나로 다루어졌다. 또한 유전적 평형을 붕괴시키는 요인으로서 유전적 부동이나 이주 등도 소홀히 다루어지고 있었고 종분화의 속도와 관련된 주제도 거의 언급되지 않았다. 반면 신뢰성이 의심되는 발생반복설이 진화 증거의 하나로 교과서에서 제시되었다. 이 결과에 근거해 교과서 저자들이 진화와 진화설을 설명할 때 자연 선택설에 초점을 맞추어 보다 의미 있는 주제를 소개할 것을 제안한다.

• 복식
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• 제62권4호
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• pp.107-122
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• 2012

The purpose of this study is to investigate the changes and developments that occurred as a result of the exchanges of gyeong-geum(經錦), a warp-faced compound weave of East Asia, and wie-geum(緯錦), a weft-faced compound weave of West Asia. In order to maximize the efficiency of this research, topics were narrowed down to the weaving skills and patterns, and the period was limited to the Tang dynasty. The systematic characteristics and differences of gyeong-geum and wie-geum were compared and contrasted through different works of literature. Then the excavated remains of geum-textiles were analyzed and the characteristics of the geum-textiles were defined in chronological order. The origin of wie-geum is traced back to the time when West Asia started to imitate the weaving style of the East Asian gyeong-geum. When combined with the weaving skills of the West Asian, gyeong-geum, which broke through the West and developed into the weft-faced compound twill silk, or samite. The exchange of geum-textiles took place as the techniques of gastric filament woven geum-textiles returned to the East. Along with the pearl roundel motifs of Sassanian Persia, mythical animals and western motifs of hunter patterns were used for the patterns of wie-geumin during the early Tang dynasty. This tendency is related to pa-sa-geum(波斯錦), ho-geum(胡錦), beon-geum(番錦) according to the recorded literature. The 8th and 9th century are periods when the West Asian Persian style was abandoned and the East Asian style, samite, was established. Not only did S twist silk threads replace Z twists, but also the repetition of patterns unfolded along with the weft and the warp. As this tendency was strengthened after the 9th century, the expression of patterns became more vividly colorful and showed both elements of naturalism and realism. The characteristics of the Bosangwha(寶相花) pattern in the Tang period were established with the rampantly repeated rosettes with birds often holding auspicious branches, that fly amid floral compositions.

• 한국전통조경학회지
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• 제35권1호
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• pp.48-56
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• 2017

본 연구를 통해 대한제국 최초의 황제릉인 금곡 홍릉의 조영특성에서 발견되는 '정체성'을 해석코자하였으며 그 결과는 다음과 같이 정리된다. 우선 정체성을 구성하는 양면적 국면 중 내적 자기인식인 '동일성' 측면에서 홍릉은 조선왕조의 번성기를 계승하면서도 명성황후의 청량리 홍릉과 연계되는 '지속성'을 보유하며, 황제 및 황제국가로서의 자존감을 드러내기 위한 다양한 '동일화'의 환경을 드러낸다. 반면 이와 반대되는 국면인 '외적 타자인식'으로서의 '개별성' 측면에 볼 때, 고종황제의 의지와 일제의 간섭이 혼재된 홍릉은 기존의 전통과 구별되는 '특이성'을 통해, 조선왕릉 5기의 양식을 탄생시키는 결과를 이루게 하였다. 아울러 홍릉의 가치는 당시의 혼란스럽고 어려웠던 시대상을 진정성 있게 투영하며, 고종의 국장과 3.1운동 촉발의 장소이라는 '수월성' 역시 보유한다. 이렇듯 금곡의 홍릉은 세계적 문화유산인 조선 왕릉 중에서도 당시의 시대상을 극명하게 반영하는 기록경관인 동시에 역사경관이며, '황제릉'이라는 독특한 특질을 드러내는 비범한 경관이라 할 수 있다.

• 복식
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• 제56권1호
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• pp.13-31
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• 2006

This study will explore Rococo chinoiserie not only as a prominent style of the decorative arts in general, but also as an important factor that influenced $18^{th}$ century fashions in dress. Two premises support the conclusion of this study. One is that the chinoiserie is truly a hybrid, a totally new style resulting from the mixture of various traditional elements from the East and the West, with little regard for the authentic nature of the original styles. The other is that the geographical scope for defining the chinoiserie influence in the Rococo fashion can be expanded beyond its lexical meaning; the style eventually encompassed visual cues from various Eastern cultures including China, India and Turkey. Regardless of the specific origins, the oriental influences for Rococo fashion can be categorized into two types. The first type is a complete appropriation of structural elements of Eastern clothing, such as pagoda hats, pagoda sleeves, turbans decorated with plumes or fur-trimmed open robes and then combining them with Western dress. These exotic and fancy dress ensembles were worn as masquerades, theatrical costumes or portraits. One extraordinary example is the banyan, a man's dressing gown, which also had a place in everyday life, not just as special costume. Although the banyan became more tailored as time passed, the traditional shape of this Eastern garment was accepted unaltered in the beginning of the $18^{th}$ century. The second type of influence shows in the use of eastern textiles, especially silks, which were made into women's dress. It did not matter to the fashionable lady if her dress was made of the silk produced in China or a European copy of the Chinese original, as long as it satisfied her taste. It is difficult to detect the signs of exotic style from a glance in this type of chinoiserie dresses since it was more ambiguous and conservative adaptation of the oriental influence in Rococo dress styles than the first type. In this study, various oriental influences appearing in $18^{th}$ century Rococo fashions can be defined as part of the chinoiserie style based upon the suggested premises. No matter what the origin of these oriental fashions was, this hybrid of the East and West made one of great impacts on the most frivolous and splendid period of western fashion history.

• 가정과삶의질연구
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• 제5권2호
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• pp.127-144
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• 1987

The purpose of this study is to explore the family communication and power. Communication is a symbolic, transactional process in functional view . To say tat communication is a process implies a continuous interaction of an indefinite large number of variables with a concomitant, continuous change in the values taken by these variables. Finally the process implies change. Family functions include the primary functions of cohesion and adaptability and supporting functions of family images, themes, boundaries, and biosocial issues, The primary functions reveal concepts integrated family interaction and supporting functions, along with those of cohesion and adaptability, give shape of family life. The message system is the major element of communication process and influences both the form and the content of thier relationship and create and share meanings. The family-of-origin issues influence all aspects of family communication and account for many of the communication patterns, rules and networks. Power does not belong to an individual. rather it is a property of a relationship between two or more persons, Power, a system property is the ability of an individual to change the behavior of other members in a social system. Power operate transactionally in a family and any power maneuvers within it have a system wide effect. In order to study power in families , it is necessary to examine 1) family power operations 2) development of family power and 3) the communication of power strutegies. The research presented indicated that a rigid power structure, characterized by dominance and little sharing, restricts family flexibility reduce cohesion, and adversely affects satisfaction in families. power constantly changes as a family grows and develops within its system. Although power changes may be more obvious in children as they mature and more from a independent stated to an independent one, each of the parents experience egual or greater. Communication and activities take place that either enhance positively or negatively the images, themes, and degree of unity of cohesion the family desires. Power operated within a dynamic, growing, changing, interdependent transactional family system. Power struggle may develop when as issue becomes important to one or more family member. When this happens, and the rational exploration of alternatives ceases, various one-up power maneuvers usally follows, This affect family intimacy. a vital element in meaningful relationships . To resolve differences and not become the victim of another's power , one need to engage in constructive conflict since the ability to clearly and comfortably repudiate another is part of the achievement of intimacy.

• 한국조경학회지
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• 제34권1호
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• pp.92-106
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• 2006

The process of designing Cheonggyecheon Entrance Plaza began with researching four keywords: plaza, restoration. modernity and icon. The outcome of the research was reinterpreted into and informed the design. An urban plaza must not only be a stage for civic life but should also be a portrait of the city to which it belongs. Many Korean plazas, however, are treated as if they are parks. Yeouido Park, which was originally a vast urban void, and Seoul Plaza, recently paved with grass, are good example. The strong 'green myth' can hinder socio-political activities. Cheonggyecheon cannot be said to have been 'restored', since it is still disconnected from its origin and upper streams, and the water is circulated by electricity. So it is better understood as an artificial urban waterfront, rather than an ecologically restored stream. This fact might diminish its ecological value, but not its recreational one. The entrance plaza therefore should reflect that the new stream brings back an 'experience', not only water itself. At the same time, the catch phrase of this restoration project was 'post-modern'. The demolished Cheonggye Expressway represents the 'economy drive' of the 1970s, so the newly opened Cheonggyecheon serves as a perfect counterpart to it. But modernity in Korea is the spirit that made many of the good things, not only its shortcomings, we have now. And from the philosophy of this restoration project, we can see that it is still an ongoing attitude in a way. Remnant of Cheonggye Expressway can evoke our nostalgia for the era. There are plenty of symbols in Seoul, both as architecture and objects. But none of them provide citizens with experience, other than the experience of looking at them. Cheonggyecheon Entrance Plaza is a good place to serve as an icon for a dynamic Seoul. From the research, the designer concluded that this plaza should commemorate the incomparable horizontal experience of Cheonggyecheon and the old expressway, amid the vertical metropolis. The Pedestrian Sculpture, which people can stroll on and look out over Cheonggyecheon, is to be made of steel cladding with a core structure and represents the dynamism of the stream, Seoul and contemporary Korea. The choice of material and the steel structure are also ways of creating the icon. The Water Plaza, the space underneath the ramp, will accommodate people and their urban activities, providing an opportunity to play with water. The Waterblades will be a device for the dramatic beginning of the stream, simultaneously camouflaging ugly openings in the outlets. The Wall of Archaeology is to be made with pre-fab resin blocks, translucent enough so that people can see through any archaeological findings of the site. The strong water-resistant character of resin makes the wall steady throughout the flood season as well. Cheonggyecheon restoration project is an effort to combine contemporary urban demand with the once-existing physicality by evoking our nostalgia for it. The project itself shows many socio-political issues of present-day Korea. The entrance plaza design thus is focused on suggesting an icon for the metropolis, simultaneously celebrating the stream itself. Within this space, people will be exposed to a unique experience that any 'green myth' cannot offer.

• 한국식품위생안전성학회지
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• 제36권5호
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• pp.382-391
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• 2021

2020년 경기도내 유통 중인 고춧가루의 미생물 오염도를 구매 장소, 원산지, HACCP 및 살균 여부에 따라 조사하고, 보관방법에 따른 품질 변화를 연구하였다. 유통 중인 고춧가루 100건을 수거하여 검사한 결과 3건(대형마트 2건, 재래시장 1건)에서 Bacillus cereus가 검출되었으며, 27건(대형마트 9건, 재래시장 18건)에서 Clostridium perfringens가 검출되었다. 대형마트와 재래시장에서 수거한 고춧가루의 일반세균수 검출량은 통계적으로 유의적인 차이는 없었으나 7 log CFU/g을 초과하는 고춧가루의 수는 대형마트보다 재래시장이 더 많았다. 보관온도(30℃, 4℃, -20℃)와 보관용기(지퍼백, 비닐봉투)에 따라 7개월까지 저장 실험한 결과, 저장 기간에 따라 미생물학적 품질에는 큰 차이가 나타나지 않았다. 그러나 30℃에 저장한 고춧가루의 수분함량 및 ASTA color value는 저장 3개월 이후 크게 감소하였다. 따라서 고춧가루의 장기 보관 시 품질을 유지하기 위해서는 냉장고 또는 냉동고에 보관하는 것이 바람직하다고 생각된다.

• 한국화예디자인학연구
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• 제37호
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• pp.33-48
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• 2017

본 연구는 다문화 시대의 사회통합과 소통을 위한 정원활동에 대한 이론적 고찰을 토대로 하여 정원활동 프로그램을 개발하기 위한 원예식물 선호도와 원예활동에 대한 선호도를 조사하여 정원활동에 대한 프로그램을 개발하고자 하는데 있다. 본 연구에서 공동체 정원을 활용한 다문화 시대의 소통과 통합을 위한 정원활동 프로그램의 개발을 위하여 정원활동 및 원예 식물 선호도를 조사한 결과, 다문화인의 경우 꽃장식 및 공예활동, 실내 정원 및 실외 정원에서 식물기르기 활동 순으로 높게 조사되었으며, 내국인의 경우 식물을 이용한 요리활동, 실내 정원 및 실외정원에서 식물기르기 활동순으로 높게 나타났다. 식물 선호도에 있어서는 다문화인의 경우 식물 원산지와 다문화인의 본국의 환경적인 일치성으로 인해서 관엽식물이 가장 높게 조사되었으며 내국인의 경우에는 친환경 농산물에 대한 관심 및 최근 도시농업, 베란다 원예, 주말농장에 대한 수요 증가로 채소류에 대한 선호도가 높은 것을 알 수 있었다. 이러한 정원활동과 식물 분류에 대한 선호 결과를 토대로 소통과 사회통합을 위한 정원활동 프로그램은 정원 활동에의 가치를 생명존중의 가치, 돌봄에 의한 배려의 가치, 식물윤리에 의한 가치 3가지 영역으로 구분하였다. 구성된 8회기의 정원활동 프로그램이 다문화 시대의 사회통합과 소통에 적합한 프로그램인지를 알아보기 위하여 정원 및 다문화 분야 전문가를 대상으로 타당성 검증을 한 결과, 본 프로그램의 효과성을 입증할 수 있었다.

• 생명과학회지
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• 제25권11호
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• pp.1244-1254
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• 2015

부산시에 분포하고 있는 귀화식물은 총 31과 95속 147종 9변종으로 총 156분류군으로 확인되었다. 조사된 귀화식물의 과별분포는 국화과가 가장 다양한 44분류군으로 나타났으며, 벼과 24분류군, 콩과 10분류군의 순이었다. 생활형 분석결과 1~2년생 식물이 107분류군으로 전체의 68.6%를 차지했으며, 다년생 식물 47분류군(30.1%), 관목 1분류군(0.6%), 교목 1분류군(0.6%)이 확인되었다. 귀화도 분석결과 귀화도 2가 가장 많은 종수(42분류군)를 나타내었으나, 한반도 전체 귀화식물종의 분포를 고려할 때 귀화도 5의 종이 전체의 96.3%인 26분류군이 출현해 높은 종 다양성을 확인 할 수 있었다. 원산지 분석결과 유럽(50종)과 북아메리카(48종) 원산의 종이 높은 분포율을 보였으며, 정착양식은 이차식생 귀화종이 123분류군으로 가장 높은 수치를 나타냈다. 유입시기와 유입방법은 유입 1기와 탈출외래종에서 가장 높은 수치를 나타냈다. 부산지역에 분포하는 귀화식물의 분포 특성을 분석한 결과, 삼림을 제외한 대부분의 서식처 유형에서 다양한 귀화식물들이 확인되었으며, 한국 귀화식물종의 중요한 유입경로로 활용되고 있는 것으로 판단된다. 따라서 이들 종을 모니터링하기 위한 지속가능한 관리방안의 마련이 필요하며, 유입된 귀화식물의 생태적 특성을 파악하고 체계적인 관리방안 확립이 요구된다.