• 음성과학
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• 제10권3호
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• pp.89-101
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• 2003

This paper investigates edge effects on the relationship between the underlying tonal sequence and its surface realization in the IP-final Accentual Phrase within the Optimality Theoretic framework. I will examine the way in which AP tones are aligned with their associated syllables in IP-final position. In Korean. Jun's (1996) 'see-saw effect' does not allow any two identical tones if they are marking a boundary of a prosodic group. A phonetic experiment conducted in this paper suggests that the 'see-saw effect' only apply to H boundary tones. Furthermore, it will be shown that the timing of tonal peaks is determined through the ranking of a set of violable constraints. The AP tonal realization is achieved through the access to the global intonation in a complicated way. In the course of discussion, pitch patterns in IP-medial Accentual Phrase will also be discussed.

• 음성과학
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• 제7권3호
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• pp.109-125
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• 2000

The purpose of this paper is to analyse the intonational meaning of various sentences based on the English Intonational Phonology, and to show the superiority of Intonational Phonology in explaining the intonational meanings in comparison with the other existing intonational theories. The American structuralists and British schools which attempt to describe the intonation in terms of 'levels' and 'configurations' respectively, analyze intonational meaning from a holistic perspective in which an utterance cannot be divided into smaller parts. On the other hand, Intonational Phonology considers English intonation as composed of a series of High and Low tones, and as a result, intonational meaning is interpreted compositionally as sets of H and L. In this paper, the phonological relations between intonation and its meaning from the compositions of pitch accents, phrase accents, and boundary tones which consist of an intonational tune are discussed.

• 음성과학
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• 제14권2호
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• pp.139-155
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• 2007

Old Korean regulated poems have a typical prosodic structure characterized by a pitch contour. This work applies Jun's finding in Seoul Korean(Jun 1993, 2000, 2005) to old Korean regulated poems, and reports some other significant phonetic characteristics, arguing that old Korean regulated poems have a regular rhythm based on the pitch contour implementing the typically hierarchical prosodic structure. The major prosodic units defined are a foot, a phrase, and a line. Next, this work proposes pitch contour characterizing prominence in a unit, boundary tones, and pauses at the boundary position, as the basic and significant cues of rhythm of a Korean poem. Specifically, some significant characteristics are discussed as follows: first, the tonal pattern of a foot is HL, starting high and ending low; second, the lowering boundary tones of HL% and L% are perceived at the end of a phrase and a line; and finally, a gradient degree of pause is observed at each unit-final position.

• 말소리와 음성과학
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• 제3권4호
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• pp.3-11
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• 2011

This experimental study has a goal to explore the perceptual sensitivity to phonetic evidence such as duration, phrase accent, or pause in disambiguation. We argue that the realization of the intonational phrasal boundary at the meaningful grammatical boundary in structurally ambiguous sentences facilitates English native listeners to distinguish the meanings of the ambiguous sentences. Moreover, the duration of the phrase-final syllable, pitch range reset, or phrasal tones also provides listeners with important phonetic evidence in disambiguation. In our perception experiment, however, Korean English learners largely depend on the realization of pause. In the results from the perception experiment, all of the groups showed an increase in the response time from the perception of no pause to pause realization. This means that pause at the phonological phrasal boundary plays a role of facilitator to English native speakers with other prosodic cues such as duration, pitch accent, or phrasal tones, while an absolutely important cue to Korean English learners.

• 음성과학
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• 제5권2호
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• pp.109-129
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• 1999

A study of boundary tones, which are realized at the final syllable of an Intonational Phrase, is important in that sentential meaning is often differentiated solely by the use of different boundary tones in Korean. The purposes of this paper are three-fold: Firstly, it aims at finding out the different characteristics of boundary tones between designed corpus and natural speech. Secondly, it is to show that gender and dialectal differences are crucial factors in determining different realizations of boundary tones. Finally, this study is to provide a basis for better speech synthesis and speech recognition through the analysis of the morphemes where boundary tones are realized. This study has shown that nine different kinds of boundary tones are realized based on the contextual, gender and dialectal differences. In addition to the boundary tones suggested in Jun (1993), three more boundary toes are introduced: L-%,H-%,LHLH%.

• 말소리와 음성과학
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• 제6권4호
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• pp.117-123
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• 2014

This study investigated the intonation patterns of accentual phrase in Jeju dialect. 9 speakers (Experiment 1) and 6 speakers (Experiment 2) read a carrier sentence '__ youngah miwonghumnida' with a target accentual phrase varying its number of syllables from 1 to 8. The results showed that like Seoul dialect pattern could be the basic pattern of accentual phase in Jeju dialect even though several differences were observed in the realization of each tone: Flat staircase-like tones in L, M, and even in H were often observed, and a very small difference in F0 between intial L and +H was found in many speakers. For some of these differences, this paper tried to give an explanation still in the Intonational Phonology framework. However, introducing M tone as a lexical tone was also suggested as one possible solution. Finally, unlike Seoul dialect, most speakers showed pattern in an accentual phrase beginning with a strong consonant, i.e., aspirated and unaspirated obstruents including /h/ and /s/.

• 음성과학
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• 제6권
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• pp.119-143
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• 1999

In this paper, the development of English Intonational Phonology is introduced. The existing representation systems of intonation are largely divided into the American structuralist school and the British school, which describe intonation by means of 'levels' and 'configurations' respectively. Both representation systems have some theory-internal problems, however. As for the American school, there is no way to represent pitches much lower than the reference line, while the system of intonation in the British school is limited in that intonation is described in a phonetic impressionistic way rather than from a phonological perspective. Intonational Phonology, a real phonological approach, which has grown out of the basic assumptions of autosegmental-metrical(AM) theory has been suggested by Pierrehumbert(1980). In her approach, an intonational tune is made up of one or more pitch accents, followed by an obligatory phrase accent and an obligatory boundary tone, and interestingly 22 combinations are possible. Intonational Phonology has been revised from Beckman & Pierrehumbert(1986) in developing ToBI(Tones & Break Indices), a proposed standard for labelling prosodic features of digital speech databases in English.

• 말소리와 음성과학
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• 제1권4호
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• pp.85-94
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• 2009

This paper investigates the intonation patterns of Korean spontaneous speech through an analysis of four dialogues in the domain of travel planning. The speech corpus, which is a subset of spontaneous speech database recorded and distributed by ETRI, is labeled in APs and IPs based on K-ToBI system using Momel, an intonation stylization algorithm. It was found that unlike in English, a significant number of APs and IPs include hesitation lengthening, which is known to be a disfluency phenomenon due to speech planning. This paper also claims that the hesitation lengthening is different from the IP-final lengthening and that it should be categorized as a new category, as it greatly affects the intonation patterns of the language. Except for the fact that 19.09% of APs show hesitation lengthening, the spontaneous speech shows the same AP patterns as in read speech with higher frequency of falling patterns such as LHL in comparison with read speech which show more LH and LHLH patterns. The IP boundary tones of spontaneous speech, showing the same five patterns such as L%, HL%, LHL%, H%, LH% as in read speech, show higher frequency of rising patterns (H% and LH%) and contour tones (HL%, LH%, LHL%) while read speech on the contrary shows higher frequency of falling patterns and simple tones at the end of IPs.

• 음성과학
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• 제7권2호
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• pp.97-112
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• 2000

This study examines how both English native speakers and Korean speakers realize the intonational tunes of English sentences when a sentence has two different meanings, through comparison of the utterances of the two groups of speakers. The results indicate that the English native speakers realize the difference in the meanings of given sentences in terms of differences in the boundary tones, as predicted in Pierrehumbert(1980) and Pierrehumbert & Hirschberg(l990), according to whom intonation is composed of a series of pitch accents, phrase tones, and boundary tones, and the meaning of a given sentence is delivered by the composition of the individual meanings of each component. The Korean speakers, however, fail to realize the difference in meaning with its boundary tones. Rather, they realize it by the number or positions of pitch accents and paralinguistic cues such as emotions and gestures. The Korean speakers, unlike the Americans, emphasize subject in sentences.

• 말소리와 음성과학
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• 제7권4호
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• pp.139-145
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• 2015

The present study investigates the effects of syllable structure and prosodic prominence on the patterns of tonal alignment and scaling of the phrase-initial rise in Seoul Korean. Two syllable structures (Onset (/#CVC.../ as in minsa) vs. No-onset (/#VC.../ as in insa)) and two prominence conditions (Focus vs. Neutral) were considered. Results showed that the alignment of the L and the H tones in the phrase-initial rise was affected by syllable structure but not by prominence. The time of L was before the vowel onset of the first syllable in the Onset condition (i.e., within the onset consonant) and it was after the vowel onset in the No-onset condition. The difference was attributable to the fact that the initial L was anchored at a fixed distance from the phrase boundary, which was about 30ms after the onset of the syllable in both cases. The time of H was also consistently observed about 20ms after the second vowel onset (i.e., /a/ in minsa/insa). Moreover, the rise time (the duration from the L to the H tones) was longer as the local syllable duration became longer due to different syllable structure and prominence conditions. Taken together, the results provide a support for the segmental anchoring hypothesis, which claims that both the beginning and the end of F0 movement are consistently aligned with segmental 'anchor' points with relatively high stability (Ladd et al., 1999). Results also showed that the scaling of the early rise was slightly influenced by syllable structure but not by prominence. The differences between the results of the current study and a previous study (Cho, 2011) are further discussed.