• Title/Summary/Keyword: photography

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A Study on the Connoted Messages of Princess Deokhye's Childhood Photography: Focusing on Roland Barthes' Semiological Methodology for Analysis of Photography (덕혜옹주 유년기 사진의 내포적 메시지에 관한 연구: 롤랑 바르트의 기호학적 사진 분석 방법론을 중심으로)

  • Han, Sang Hoon;Lee, Sang Eun
    • The Journal of the Korea Contents Association
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    • v.22 no.6
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    • pp.208-222
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    • 2022
  • This study analyzes how Princess Deokhye's photos before entering elementary school were exploited in newspapers during the Japanese colonial period by introducing Roland Barthes' semiological methodology for analysis of photography. In the early 1920s, the Japanese imperialists actively exploited Princess Deokhye, who was about to enter elementary school, to propagate their education policy. The Maeil Shinbo cooperated with their policies by publishing photos and articles of Princess Deokhye. In this paper, 2 photos and articles published in Maeilshinbo were analyzed. As a result, it was found that messages were produced that justified Japanese education policy by using various rhetorical techniques of photography and texts complementary to each other, and that the readers were induced to accept them naturally. In conclusion, it was possible to reveal the seriousness of the problem in that these articles were not merely for propaganda of policy, but were to encourage the disappearance of the traditional values of Joseon.

A Discussion on AI-based Automated Picture Creations (인공지능기반의 자동 창작 영상에 관한 논구)

  • Junghoe Kim;Joonsung Yoon
    • The Journal of the Convergence on Culture Technology
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    • v.10 no.3
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    • pp.723-730
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    • 2024
  • In order to trace the changes in the concept and understanding of automatically generated images, this study analogously explores the creative methods of photography and cinema, which represent the existing image fields, in terms of AI-based image creation methods and 'automaticity', and discusses the understanding and possibilities of new automatic image creation. At the time of the invention of photography and cinema, the field of 'automatic creation' was established for them in comparison to traditional art genres such as painting. Recently, as AI has been applied to video production, the concept of 'automatic creation' has been expanded, and experimental creations that freely cross the boundaries of literature, art, photography, and film are active. By utilizing technologies such as machine learning and deep learning, AI automated creation allows AI to perform the creative process independently. Automated creation using AI can greatly improve efficiency, but it also risks compromising the personal and subjective nature of art. The problem stems from the fact that AI cannot completely replace human creativity.

Digital Camera Consumers' Self-Expression and Communication in Cyberspace Using Ethnographic Interviews (가상공간에서의 디지털 카메라 소비자의 자기표현과 의사소통 :문화기술적 방법을 이용하여)

  • Lee, Mee-Hye;Yoon, Jung-Hai
    • Journal of Families and Better Life
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    • v.25 no.2 s.86
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    • pp.71-87
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    • 2007
  • It is necessary to understand a self-expression and communication in cyberspace using digital photography We have studied the digital camera consumer's self-expression and communication skills and strategy through ethnographic interviews. In this study, we have used ethnographic interviews of 7 informants who had personal web site and are using digital cameras. As a result, It has turned out that informants expressed their self taking pictures of their daily life, friends, and family. Also they imply meaning and feeling in the pictures that had been taken to express their lives. The communication in cyberspace has turned out that informants communicate with other people with digital pictures to show their life. They communicated each other and give information. It means that they made information by themselves to give and share with other people as prosumer. Digital photography to express themselves and communicate in cyberspace enhanced human relationship that had made in cyber space. And it helps to form their self identity. They express their cyber identity with digital photography and it is similar to their self identity that expresses in real life.

Analysis of Landscape Information and Web GIS Implementation of Using 3D Topographic Modeling (3차원 지형모델링에 의한 경관정보 분석과 Web GIS 구현)

  • Kim, Yong-Suk;Hong, Soon-Heon;Ok, Chi-Yul
    • The Journal of the Korea Contents Association
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    • v.7 no.9
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    • pp.204-211
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    • 2007
  • In this study 3D topographic modeling was made by using aerial photography and digital terrain map, through this we did visibility analysis and implemented Web GIS of Dong-A university. Studying area was Busan Saha-gu Hadan-dong, we used aerial photography on a scale of 1:20,000 and digital terrain map on a scale of 1:5,000. Ortho correction image was made by aerial photography through selecting GCP, image matching, image resampling and precise differential rectification. And DEM on digital map was created using ArcView program, making 3D topographic modeling by road layer and building layer and implementing Web GIS about Dong-A university.

A Study on the Wearing Silhouette of Jackets According to the Mechanical Properties and Hands of 3 types of Fabrics (직물의 역학적 특성 및 태에 따른 재킷의 착의 실루엣 연구)

  • 배정숙;임지영
    • Journal of the Korean Home Economics Association
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    • v.40 no.6
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    • pp.185-195
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    • 2002
  • This study was carried out to investigate the wearing silhouette of jackets according to the mechanical properties, primary hand value and total hand value of the 3 types of wool fabrics. Wool/PET(50/50), wool/PET(80/50) and wool(100%) fabrics were used as test specimens. Mechanical properties of specimens were measured by KES-FB system and primary hand value and total hand value were calculated by equation KN-203-LDY. We made three experimental jackets based on the precious jacket pattern and used Moir Photography to measure the amounts of space between the jacket clothes and body surface from the overlap cross section map. The results were as follows: 1) In mechanical properties, woo/PET(80/20) fabric showed higher bending and shear rigidity. 2) In evaluation of primary hand and total hand, wool 100% fabric showed higher NUMERI and FUKURAMI hand and total hand value. 3) From the reset of Moir Photography, the wearing shapes of the experimental jackets were influenced by the characteristics of fabrics. Except for the hip part, the garment ease of wool/PET(80/20) fabric was estimated more highly.

A method of saving Digital Map which was made through Aerial Photography to ORDBMS (항공사진을 통해 제작된 수치지도의 ORDBMS 저장 방안)

  • Woo, Jae-Nam;Park, Hee-Soon;Kwon, Chang-Hee
    • Journal of Advanced Navigation Technology
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    • v.13 no.6
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    • pp.831-837
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    • 2009
  • This paper suggests the method for saving the digital map which was made through aerial photography to ORDBMS (Object Relational Database Management System) and analyze its efficiency through experiments. The digital map has been used by file units because of managing or providing it to others. But this way can not get sequential graphic entities and just use it which was included in only one map. In this paper, we saved the digital map to ORDBMS at a time after converted the digital map entities based on the tile to the things can be inserted to ORDBMS. And, we also proved the possible methods to extract the graphic entities what we need from entire blueprint through experiments.

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A Study on the Variation of the Skin Surface According to Arm Movement by $Moir\'{e}$ Photography Method -In the area of uppearm and shoulder blade- ($Moir\'{e}$ Photography법에 의한 동작시 체표면 형태 변화에 관한 연구 -상지 및 견갑골 부위를 중심으로-)

  • Kim Haekyung;Cho Jungmee;Suh Chuyeon
    • Journal of the Korean Society of Clothing and Textiles
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    • v.14 no.4 s.36
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    • pp.292-304
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    • 1990
  • The surface change of upperarm and shoulder blade area are caused by the extensive upper limb movement, thus it is necessary to measure the amount of change for constructing the clothing. Moire photography was taken after plastic casters of upperarm and shoulder blade area was prepared. 1. For the shoulder blade area, subjects showed the same change of surface area for the various limb positions, wherease, for the upperarm only at the $0^{\circ}\;and\;180^{\circ}$ limb position, same change was observed. 2. As the movement of the upperarm was increased, surface area of axillary part was increased and that of shoulder part was decreased. 3. To make a bodice pattern, the minimum size of the back with the ease were $\frac{B}{4}$+3.13 cm R for normal wear and $\frac{B}{4}$+5.75 cm for active wear. 4. As the movement of the arm was increased, the cross section for the upperarm were changed to elliptical shape. 5. For each horizontal basic line, there was a positive correlation between the amount of change of shoulder blad area and that of upperarm area.

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A Portable Mirror Stand for Clinical Facial Photo Documentation

  • Supit, Laureen;Prasetyono, Theddeus O.H.
    • Archives of Plastic Surgery
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    • v.42 no.3
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    • pp.356-360
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    • 2015
  • In plastic surgery, patient photography is a vital component of clinical, educational, legal, and research documentation. Optimal acquisition of photographic data requires a dedicated photography studio or a three-dimensional anatomic scanner, both of which are financially impractical for most clinicians. Simplified photo standardization is proposed for use in random clinical settings by using a portable device called the Mirror Stand (MirS). This model device aims to mimic a studio environment by incorporating the basic elements of producing consistent photographs. The pilot MirS is designed for facial photography. Images of 40 random subjects were obtained using the MirS with three different cameras. Real anthropometric measurements of each subject were collected, compared with the photographic measurements, and analyzed. In this study, all three cameras produced equally reliable measurements. Actual facial measurements were comparable to the photogrammetric measurements obtained from photographs taken using the MirS. A constant formula was derived; it allowed the conversion of photographic values into real anthropometric values. The MirS produced consistent photographs with respect to the measurements. The photographs obtained could be translated reliably into their real anthropometric measurements. Therefore, the MirS can be applied in daily practice, providing an efficient alternative for obtaining a standard justifiable photograph.

Expression of Eroticism According to Body Part in Modern Fashion - Focused on Editorial Fashion Photography - (현대패션의 신체부위에 따른 에로티시즘[Eroticism]표현 - 에디토리얼 패션사진을 중심으로 -)

  • Choi, Na-Ry;Woo, Joo-Hyung
    • Journal of the Korean Society of Costume
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    • v.56 no.9 s.109
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    • pp.24-36
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    • 2006
  • The consumption became a virtue of social in 20th century, and this consumption culture created an ideal body image through mass media. Sexual image became a new standard of 'beauty' in a modern fashion, and designs which expressed sexual image appear every season. Individuals were fascinated with some parts of human body. These body parts are different based on the time period and the culture that the individual belonged to. This study focused on the erotic body parts and expression on the editorial fashion photography. Eroticism represented in the editorial fashion photographs can be divided into the expression by clothing design and by creating erotic atmospheres. Erotic expressions by clothing design can be presented by 1)exposing directly 2)exposing indirectly 3)emphasizing the body parts. The most frequently presented erotic body parts in fashion photographs were legs(25%), followed by the bodice with breast (21%), the waist (16%), the hip (12%), neck & shoulder (10%), arms (9%), and abdomen (7%). The results indicated that legs were considered to be a erotic body parts often than the traditionally referred erotic body parts, such as bodice with breast or hip. While direct exposing method (e.g., adhesion, see-though) was frequently used for other body parts.

A theoretical study on the concept of SPA (SPA 개념(槪念) 정립(定立)을 위(爲)한 이론적(理論的) 접근(接近))

  • Kim, Joo-Hwan;Hong, Choong-Real
    • Journal of the Speleological Society of Korea
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    • no.74
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    • pp.79-96
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    • 2006
  • SPA means a speleological-photo-artist who possess speleological knowledge and abilities. To be a SPA, it is necessary to combine the parts of speleology, photography and fine arts. The relative difficulty is depend on the major subject which start from speleology, photography, and fine arts. It is more easy to be a SPA come from speleology, than come from the other parts. After learning basic knowledge about speleology, photography and fine arts and then it is advisable to looking for the way to be a photo-artist in the present system. If the SPA take charge of education, it is very useful for the students.