• Phonetics and Speech Sciences
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• v.16 no.1
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• pp.1-9
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• 2024

This study investigated the variation in the intonation of Seoul Korean interjection ani across different meanings ("no" and "really?") and speech levels (Intimate and Polite) using data from Korean Intonation Corpus (KICo). The investigation was conducted in two stages. First, IP-final tones in the dataset were categorized according to the K-ToBI convention (Jun, 2000). While significant relationships were observed between the meaning of ani and its IP-final tones, substantial overlap between groups was notable. Second, the F0 characteristics of the final syllable of ani were analyzed to elucidate the apparent many-to-many relationships between intonation and meaning/speech level. Results indicated that these seemingly overlapping relationships could be significantly distinguished. Overall, this study advocates for a deeper analysis of phonetic intonation beyond ToBI-based categorical labels. By examining the F0 characteristics of the IP-final syllable, previously unclear connections between meaning/speech level and intonation become more comprehensible. Although ToBI remains a valuable tool and framework for studying intonation, it is imperative to explore beyond these categories to grasp the "distinctiveness" of intonation, thereby enriching our understanding of prosody.

• MALSORI
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• no.11_14
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• pp.73-89
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• 1987

This paper is an attempt to propose a new model of intonation called 'Configurational Contour Model'. For our purpose two previous models are discussed : one is the system of tonetic-stress marks and the other is the theory of pitch levels. To overcome shortcomings which these approaches display, the new model is based on two fundamental characteristics of intonation: (1) that intonation is a suprasyllabic phenomenon; and (2) that intonation is basically a matter of configurations, i.e., of rising, falling and level. Accordingly, the new model can be relatable to relevant aspects of the phonetic representation of utterances and also can express all the tonal oppositions in a given language.

• MALSORI
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• no.47
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• pp.15-29
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• 2003

When intonation in French is analysed in terms of a multi-dimentional and hierarchical structure, each of the prosodic units such as accent phrases(having different combinations of the basic tonemes L and H), pre-sentencial and post-sentencial long pauses, intonation phrases(containing boundary intonation), as well as intermediate phrases can be considered being realized on a separate tier. Unlike on the tiers where accent phrases and intonation phrases occur, an intonation rhythm consisting of plateaus is realised on that of intermediate phrases. This intonation rhythm consisting of plateaus is one of the significant factors that lead a basic French metrical rhythm. This paper first shows the types of combinations of the basic tonemes L and H found in French accent phrases. Secondly, this paper examines the roles intermediate phrases and plateaus play in French. Finally, this paper argues that intermediate phrases are the metrical units actually adopted as real utterance units in French.

• Proceedings of the KSPS conference
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• 1996.02a
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• pp.47-61
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• 1996

The phonetic study of English language in Japan is a matter of great importance, a problem of major concern and a. vital subject The special difficulties which the Japanese college students have in learning English lie in the field of prosodic features of English, such as, syllable, rhythm, stress, intonation, prominence, of.. These difficulties have made Japanese students' pronunciation relatively monotonous or mora(ness). In my presentation, the specific phonetic features of Japanese language first will be discussed and clarified. And then the effective teaching method of intonation to improve Japanese students' pronunciation will be suggested. Finally, the oral dialogue with intonation analysis and transcription in the class room will be demonstrated to highlight the presentation.

• Speech Sciences
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• v.1
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• pp.39-53
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• 1997

As the segmental phonetic output is derived from its underlying form, the phonetic surface of intonation could also be derived from its underlying tone melody. In order to show clearly the phonological processes (in fact, we need more than just phonological processes) involved in the generation of intonational surface, we need to formalize the description of those processes. This paper firstly examines different types of sentence-final intonation contour in Korean, and then attempt to formalize the intonational behavior of those contours. In this attempt, we will investigate what kinds of linguistic information participate in deciding the shapes of the. contours and what kinds of tonological processes the underlying tone melody undergoes before it takes the surface shape. In this analysis of intonation contours, we focus on the linguistic structure rather than the acoustic property, adopting just two tones L and H as phonological tones, with four phonetic pitches.

• MALSORI
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• no.35_36
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• pp.49-61
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• 1998

The study on the intonational characteristics is concentrated on the lowering of the pitch level that is described as declination and downstep. The Taegu dialect, which has phonological accentual system, has these phonetic characteristics in affirmative sentences or Yes-No Question sentences. But there is the opposite phenomenon in WH question sentences in Taegu dialect. When the accent of interrogative word in the sentence intial position is LHL, intonation pattern shows a continuous upward movement, indicating that intonation pattern of Taegu dialect is influenced by not only grammatical system but also accentual system.

• Proceedings of the KSPS conference
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• 1996.10a
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• pp.554-559
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• 1996

An utterance is normally divided into two or more intonation groups. Bach intonation group has its intonation pattern. Pitch movement of Spanish utterance is basically determined by a combination of two factors: position of the stressed syllables and the intonation pattern. The pitch of a syllable can be affected by that of preceding syllables. This is rather a physiological effect than a phonological one.

• Proceedings of the KSPS conference
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• 1996.10a
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• pp.560-565
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• 1996

Intensive studies on Kyongsang Korean tone and tone related processes have been carried out by many scholars. But intonation of this dialect has never been investigated. In this paper, I discuss the relationship between tone and intonation and describe phrasal tones and nuclear tones in Kyongsang Korean.

• Proceedings of the KSPS conference
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• 1996.10a
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• pp.542-547
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• 1996

Prosodic characteristics of natural speech, especially intonation, in many cases represent specific feelings of the speaker at the time of the utterance, with relatively vast variations of speaking styles over the same text. We analyzed a collected speech corpus, recorded with ten Slovene speakers. Interpretation of observed intonation contours was done for the purpose of modelling the intonation contour in synthesis process. We devised a scheme for modeling the intonation contour for different types of intonation units based on the results of analyzing intonation contours. The intonation scheme uses a superpositional approach, which defines the intonation contour as the sum of global (intonation unit) and local (accented syllables or syntactic boundaries) components. Near-to-natural intonation contour was obtained by rules, using only the text of the utterance as input.

• Speech Sciences
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• v.11 no.1
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• pp.131-145
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• 2004

The informative or important entities in utterances are focused and the focused items are usually accompanied by changes in phonetic manifestation. Phonetic realizations triggered by focus include changes of tonal contours as well as segmental strengthening. Focus in Korean is characterized by new phrase initiation, dephrasing, and initial tone contour with an enlarged pitch range in addition to segmentally lengthened initial segment. Focusing on the prosodic cues which play an important role in delivering the speakers' intention, this study aims to find out what intonational characteristics of Korean focus are realized by English learners of Korean. The English learners are divided into two groups according to their fluency in Korean, and the differences in focus realization between each group are discussed. Furthermore, the phonological and phonetic realizations of focus by English learners of Korean are compared to those by Korean native speakers. The results of this study yields two suggestions for Korean intonation education of L2 learners. First, the comparison between the two speaker groups can give better understanding in how and why the Korean intonation of English speakers is different from that of Koreans. Second, each phonological and phonetic characteristic of focus realization can weigh differently and its realization provides a criterion for evaluation of L2 Korean proficiency.