• 복식문화연구
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• 제8권3호
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• pp.460-476
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• 2000

The purpose of this study was, accordingly, to examine male college student's general body consciousness and their actual condition of wearing clothing, as it's assumed that clothing, which everyone must always wear, might be effective in making up for the physical defect. The findings of this study were as follows : 1. Male College Students'Body Consciousness : They expressed some dissatisfaction with their own body, and they were most discontented with their height, among their bodies. They thought of the western-style shape as an ideal one, as what's considered by them to be ideal was thinner a little than them, being taller with wider shoulder, longer legs, smaller and white face. 2. Male College Students'Characteristics of Clothing Purchasing Behavior : In purchasing clothing, male college students were slightly sensitive about the physical part with which they wasn't satisfied. The clothing pattern preferred by them was an abstract one, and their favorite color was white or black. The greatest number of them put most emphasis on design in buying clothing, and they purchased clothing mainly at special fashion shop. On the whole, they showed an affirmative response toward wearing Korean costume, and they also had a positive opinion about the purchase of reformed Korean dress for everyday life. 3. Male College Students'Characteristics of Wearing Clothing : They appeared not to consider making up for physical weakness. Male college students favored aloha shirt and trousers when they went out. Male college students purchase clothing in consideration of individual, manly, classical, tender, or comfortable factors. 4. Relationship of Body Consciousness to Wearing Behavior : The degree to which they considered covering up physical weakness in wearing clothing was examined, by dividing them into two groups : one was a group that thought their own shape normal, and the other was a group that didn't think of their own shape as normal. As a result, both groups appeared not to consider covering up physical weakness.

• 복식문화연구
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• 제19권5호
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• pp.1075-1087
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• 2011

The purpose of this study was to find discover the effects of self-efficacy and self-esteem on the appearance management behavior of female college students. As for the study method, questionnaire survey sheets on general traits like age, grade year, major and management cost, sense of self-efficacy, self-esteem, and appearance management behavior were distributed to female college students. The responses were measured based on a 5-points Likert scale. The results of this study are as follow: One's sense of social self-efficacy and self-esteem were both found to affect appearance management behavior significantly. In other words, the greater one's sense of social self-efficacy, which represents one's sense of confidence in inter-personal relations, the greater one's appearance management behaviors to enhance her own value. Furthermore, the greater one's self-esteem(the way one feels positively about oneself), the greater one's appearance management behaviors. As a result, it can be judged that the more an individual wants to act more capable in different contexts, the more she tries to make up for her own disadvantage. To highlight her own advantages for the sake of greater positive social activities and inter-personal relation, the more she takes to improve her image through appearance management behaviors. It is anticipated that such an examination of appearance management behavior, sense of self-efficacy and self-esteem among female college students will serve as useful data for appearance-related industries by enabling them to properly under stand their clientele's psychological traits.

• 복식문화연구
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• 제10권5호
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• pp.542-554
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• 2002

The purposes of this study were to investigate, analyze, and consider the feature and practical situation of Apparel CAD education and distribution situation of CAD system so that CAD education can be effectively operated and managed in various kinds of relevant schools and universities. 32 colleges and universities that are performing CAD educational system are selected for the study. The author of the study has investigated and obtained the information through questionnaires to 32 professors who are in charge of CAD lectures and 301 students who are receiving CAD education. The result is as follows. 1. It showed that 62.5% of CAD educational systems have been practically introduced after 1995. Regarding the using system, YUKA occupies 46.9%, PAD 21.8%, and GERBER 18.8% and these three kinds of system have been chiefly supplied. 40.6% of them own only one system, 37.5% of them own 2～5 systems and 78% of them own less than 5 systems. 2. The most seriously pointed problems during the operation of CAD system were the lack of experimental materials and the frustration of manpower supply. Thus, the CAD education programs in schools and universities are practiced in inferior environments internally and externally. 3. Regarding the practical situation of CAD education, 28 among 32 schools and universities are performing CAD as one of the regular subjects for the curriculum. 4. Regarding satisfaction degree of the using system, professors showed higher satisfaction degree than students did. In conclusion, it showed that although the practical situations of CAD education in schools and universities have been changed and improved so much since 1995 owing to the increase of the positive recognition of the necessity of CAD, many students in the educational sites cannot study their favorite subjects related with CAD program with interest due to the lack of experimental facilities, the poor computer management systems, and the problems of manpower supply, etc.

• 문화기술의 융합
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• 제8권3호
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• pp.367-375
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• 2022

미디어 환경 및 문화 콘텐츠 소비가 변화하며 한류 현상 역시 시기별로 주목받는 콘텐츠의 유형과 장르가 변화하는 현실에서 이러한 한류의 변화된 흐름을 탐구해볼 시점이다. 더욱이 기존의 한류 연구들이 독립적인 개별 장르 현상만을 분석하거나 동아시아 국가에 집중해온 경향, 또한 한국 사회 입장을 중심으로 연구가 진행되어온 경향이 있는 가운데, 본 연구는 상대적으로 관심이 부족했던 비영어권 유럽 사회에서 한류 현상을 통해 수용자 자신이 처한 현실에서 실질적으로 갖는 사회적 의미에 대해 살펴보았다. 문화자본과 사회자본의 상호전환 관점에 기대어 분석한 결과, 한류 내러티브와 비-내러티브 모두 사회신뢰와 자국인 신뢰에는 부적인 영향이 있었지만 한국인 신뢰에 대해서는 정적인 영향을 미쳤으며, 대조적으로, 케이팝 대중음악은 사회신뢰와 자국인 신뢰뿐 아니라, 사회교류 활동 참여 및 연계적/결속적 관계망 모두에 정적인 영향을 미치는 경향이 있었다. 한류의 콘텐츠 유형/장르에 따른 문화소비는 사회자본과 한국에 대한 문화간 커뮤니케이션에 상이한 영향을 미치는 것으로 나타났다.

• 한국엔터테인먼트산업학회논문지
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• 제13권2호
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• pp.27-36
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• 2019

오늘날 K-POP 중심의 한류 열풍은 기존의 드라마 중심에서 벗어나 유럽, 러시아, 미국 등의 지역으로 그 영역이 확장되었다는 점에서 신(新)한류로 명명된다. 신(新)한류의 주역인 K-POP이 해외진출에 성공한 전략에는 SNS 마케팅 통로를 적극적으로 활용한 요인도 있겠지만 무엇보다 그들의 콘텐츠가 한국을 넘어서 전 세계인들에게 매력적으로 다가갔기 때문일 것이다. 한류에 집중된 언론과 대중의 관심은 단순한 문화수출의 의미가 아니라, 자국의 문화가 정신적으로 타 지역에 영향을 미치는 모습을 통해 민족적, 국가적 자긍심을 느낄 수 있게 한다는 데에 의미가 있다. 더욱이 근대 물질적인 산업 발전에 치중하던 우리사회의 문화산업 발전은 한국사회가 글로벌 시대의 중심에 존재한다는 반증이기도 하다. 20세기까지 한국의 문화는 문화의 수용과 전파의 측면에서 볼때 주도적이기보다 수용적인 성격이 강하였다. 즉, 문화의 능동적 창출이나 유출보다는 수용에 더 크게 무게 중심을 두었다는 의미이다. 하지만 이제 K-POP은 서구의 문화를 모방하는 수준을 넘어서 개성 있고 희소가치가 있는 콘텐츠로 범위를 넓혀가고 있다. 한국의 독특한 역사적 배경에서 장기간 걸쳐 형성된 한국 특유의 전통문화는 그 자체만으로도 글로벌 경쟁력을 갖춘 고유의 자산이며, 한류 대중문화에서도 전통 고유의 특성을 활용하여 새로운 콘텐츠로서 창출해 세계시장에 나가 자생력을 높여야 한다. 한국 대중문화에 대한 호감은 한류 콘텐츠와 그에 따른 파생상품의 부가가치를 창출해내며 국가 이미지에도 커다란 영향을 미치게 된다. 즉, 전통예술과 K-POP이 융합하여 우리만의 독특하고 예술성이 높은 문화로 갖춘다면 세계 문화예술 시장에서 앞장서게 될 것이다. 이에 본 연구는 K-POP의 성장과 발전을 더불어 한국 전통예술의 가능성을 인식하고, 대중화를 위한 활용에 의미를 두어 K-POP과 전통예술을 융합한 사례를 분석해 다음과 같이 제안하고자 한다. 첫째, 전통예술과 여러 장르와의 융합작업 및 실험 작업을 활발하게 시도하여 다양한 콘텐츠를 창출하고, 대중매체 채널들을 적극 활용한다. 둘째, 전통예술을 활용한 활발한 융합작업을 위해 전통예술의 저작권에 대한 인식을 개선하고 창작무용의 저작권을 완화하여 활용할 수 있는 콘텐츠 범위를 확대한다. 셋째, 전통예술의 조기 교육화를 시행하여 어려서부터 전통예술을 학습하고 발전되도록 한다. 넷째, 전통예술을 한국문화정책 전반으로 확대, 지원하여 국가의 문화가치를 높이고 경제이익을 창출하는 방안으로 삼는다. 이를 통해 전통예술의 경쟁력을 강화하고 K-POP과 같은 대중예술과 융합하여 활용한다면, 전통예술의 정체성은 지키며 자국의 문화를 세계화하는 데에 효과적인 방안이 될 것으로 기대된다.

• 복식
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• 제50권
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• pp.85-96
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• 2000

The study is aimed to analyse social and cultural background and to compare the changes of the cosmetic culture in Korea and the western countries accompanied by the developemnt os the cosmetic industry in the 20th century. The cosmetic culture of Korea has kept on changing adopting the new western style make up, These changes were very closely related with the current sociocultural environments and the developments of the cosmetic industry. The analysis and comparison of Korean cosmetic culture and that of Western countries can be summarized as following: Fistly the cosmetic culture of korea came out after Korean War through the improt of western movies. Secondly at the beginning of accommodation of the western concept of beauty the standards of beauty were confused with that of traditional make up. Thirdly in terms of the history of costumes in the western cosmetic culture the trend was feminine and curve lineal style in the 1910s straight and young style in the 1920s Young elegant curve lineal style and straight-line style replaced among themselves in every 10 years and the cycle became more rapid after the 1970s and there were diversity in the cosmetic culture affected by the postmodernism Fourthly the cosmetic culture of :total fashion" was taken into consideration. Fifthly the cosmetic culture of "total fashion" was taken into consideration. fifthly the make up of Korean and that of western countries are not only a way to express of aesthetic desire for beauty but sanitary management and it is a kind of an expansion of value for management for an inner self. Now is the time to refuse the attitude of accommodation of the western cosmetic culture without any consideration. We need to rediscover our traditional cosmetic culture and cultural distinctiveness and try to mix them with the western cosmetic culture in order to develop our own peculiar style which will be able to Korean design remain in the international stage and grow further.d grow further.

• 건축역사연구
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• 제5권1호
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• pp.39-49
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• 1996

Accoring to many studies which concerned with the types of folk houses, there are many types of folk houses in Korean peninsula and its areal distribution had been determined by the barrier of mountains, in general. But we have neglected to examine the overlapped areal distribution still now. If two types of culture with different housing type contact at one region, it may interrelated each other and invent certain exclusive charicteristics. And there are its own attitude of traditional culture in Kyung-buk provingce where serveral types of folk houses settled together. The purpose of this research is to clarify the general pattern of culture in terms of folk houses in northern Kyung-buk province and to suggest a clue to solve the cultural inter-relationship each other, By classification of the collected plans in this area, the authors try to find out the charicteristics of the serveral types and there areal distribution. Finally, we can find out that certain types of folk houses located in northern Kyung-buk province had formed their cultural regions and these homogeneous regions are overlapped, partly.

• 복식문화연구
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• 제6권4호
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• pp.39-49
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• 1998

When considering clothing of the North American Indians, it is important to understand historical background of the North American Indians. With the coming of he Europeans, the North American Indians adopted new materials of clothing and ornamentation and added European elements to their own dresses. New materials appeared in textiles, beadswork, and metalwork. The introduction of the "true" loom and steel needle by the Spanish led in the New World to the development of a weaving culture. Cotton cloth, in calico prints, gingham, or plain were made into dresses, and colorful applique, patchwork designs adapted from the white women. Cloth made an immediate impact, replacing skin that is so time-consuming in preparation. Glass beads, pony beads, seed beads and ribbons were used to create adornment Indian clothing. Brass, tin and silver were used among Indian metalworkers to make some ring, necklace, bracelet, etc.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2009년도 학술대회
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• pp.989-995
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• 2009

Smart Dining Table is an ongoing project in our Interaction Design Lab. It is a table top display designed to facilitate dining process. Smart Dining Table uses touchable interface to interact with users, providing a new, interesting and efficient experience in dining process. In GuangZhou, the south city of China, Yam Cha is a traditional and local way of entertainment in which normally elders gather together with friends or relatives to have tea and snack, and most importantly, to chat. Yam Cha has a long history in China, and Guangzhou has developed its own unique "Yam Cha" culture. In this paper, we discuss about previous research we did on Yam Cha in GuangZhou, and the approach we propose to manage and analyze issues related to dining table to help designing specific version of Smart Dining Table which can fit right into the Yam Cha process and cultural environment.

• International Journal of Advanced Culture Technology
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• 제10권1호
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• pp.75-80
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• 2022

This paper examines the traditional house building components through Wenzhou Longwan district traditional residential architectural components exhibition. We found that the exhibition of architectural components of residential buildings has its own characteristics, and the collection, cleaning and organization of the components require a lot of manpower and material resources. This exhibition is based on social hotspots, and the exhibition was curated with flexible use of exhibition halls and content arrangement, allowing the audience to enter into "immersive" nostalgic memories through the experience of being present. In the wave of urban construction and development, the preservation of traditional residential buildings and their components is to inherit the local architectural culture and show the local natural and humanistic spirit.