• 대한건축학회논문집:계획계
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• 제34권5호
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• pp.97-108
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• 2018

"Death is the side of life which is turned away from us." The life of people in Seoul, however, is disconnected from death. Why? This article compares the historical changes in the cemetery disposition of Paris and Seoul to answer this question. The cemetery is always a meeting place between the living and the dead. In pre-modern cities, the cemetery was close to the people's daily life. However, the fundamental change of urban structure due to modernization has a great influence on the cemetery. With the advent of the train, the world has shrunk and the city has expanded unprecedentedly. In such a situation, the cemetery is expelled to the outside of the city. However, while Paris and Seoul share the same overall flow, they responded differently to the plans for the establishment of large-scale remote cemeteries. In Paris, the plan was canceled by citizens who value their relationship with the dead. On the other hand, Seoul was unable to manage the cemetery due to social confusion in 20th century. All cemeteries were expelled as industrialization began. As a result, there is no public cemetery or ossuary at present in Seoul. In Seoul, about 20 years ago however, a new kind of place for the dead began to appear. It is an ossuary attached to religious facilities. In other words, the current cemetery of Seoul is divided into two forms : the public cemetery, which is expelled from the city, and the private ossuary, which is attached to religious facilities built in the city.

• 건축역사연구
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• 제7권2호
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• pp.29-48
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• 1998

The first Pagoda of Korea was introduced from China, and adapted from the wooden multi-storied pavilion. Also in Bronze one, multi-storied type of wooden pagoda was adapted. Bronze pagoda was used to buddhist ossuary and a kind of metalwork. Metalworks were made of gold, silver, copper, or iron by one of the methods of production-casting or hammering and decorated design of incision, raise, openwork, gold- plating or inlaying with gold and silver. Sometimes it was used as the easy carriage of Buddha image by guess. In most cases, the plan of Bronze pagoda was square and podium was one story. but in the advance of podium two-storied platform appeared. Column appeared in a symbol, so it didn't appear in a square and circular form. It means that the column was vertical member which only divided the wall. In koryo period, Gabled roof and Half-hipped roof was spreaded in public but Bronze pagoda was used to square Hipped roof. Vertical shaft over roof(上輪部), apart from body of pagoda(塔身部), was inserted on the hole above the Bokbal(覆鉢) for the balance of pagoda. And a thick iron bar put in the roof to the platform. It was sustained the balance of pagoda. The stories of pagoda were various from 3rd stories to 9, the lower stories was larger scale and the higher was smaller one.

• 한국융합학회논문지
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• 제12권7호
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• pp.113-123
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• 2021

본 연구의 목적은 연령대에 따른 장례문화인식, 장례문화산업개발, 장례문화교육 내용에 대한 설문조사 결과를 토대로 장례문화산업 개발 방안 제시이다. 본 연구의 설문은 한국갤럽에 의해 실시되었으며, 조사방법은 구조화된 질문지를 이용한 온라인 조사를 실시했다. 조사일시는 2021년 2월 5일~2021년 2월 8일, 추가조사는 2021년 2월 18일~2021년 2월 19일에 실시되었다. 유효 연구대상자는 316명이며, 표본추출방법은 성/연령별 할당 추출이다. 연구결과 전 연령대에서 화장을 선호했으며, 화장한 유골의 안치 장소는 수목장과 납골당이 높았다. 연령대별로 다소 차이는 있지만 대체로 청년에서 노년층으로 갈수록 상조상품 가입, 생전장례식, 이별여행, 이별여행상품구매, 장례보험 가입, 죽음관련 전문가와의 상담에 대해 거부감이 적은 것으로 조사되었다. 본 연구 결과는 장례문화산업 인식과 개발 방안에 대한 학제간 융합 연구에 기여할 것으로 기대된다.