• 제목/요약/키워드: organic harmony

검색결과 61건 처리시간 0.022초

고온 수전해 전해질 막의 열안정화 특성 고찰 (The thermal stabilization characteristics of electrolyte membrane in high temperature electrolysis[HTE])

  • 최호상;손효석;심규성;황갑진
    • 한국수소및신에너지학회논문집
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    • 제16권2호
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    • pp.150-158
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    • 2005
  • Added ratio of 8YSZ powder and organic compounds (solvent, plasticizer, dispersant, binder) properly. It manufactured electrolysis membrane by wet process that make slurry and dry process that do not use organic compounds. In the case of wet process, harmony combination and method of organic compound are an importance element in slurry manufacture. This slurry did calcine at temperature of 140$^{\circ}C$ in Furnace and manufactured electrolyte disk by Dry pressing method. Like this, manufacturing disk sintered at temperature of $1300^{\circ}C,\;1400^{\circ},\;1500^{\circ}C$ in Furnace and completed electrolysis membrane. Confirmed change of crystal structure and decision form through analysis of density, SEM, XRD according to change of sintering temperature, and considered relation with ion conductivity.

부분과 전체 : 근대 지역지리 방법론의 고찰 (The Part and the Whole : The Ontological Assumptions of Modern Geographical Thought about the Regional Geography)

  • 권정화
    • 한국지역지리학회지
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    • 제7권4호
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    • pp.81-92
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    • 2001
  • 근대 지리학 방법론 논쟁에서 가장 주요한 쟁점은 지역 지리학의 학문적 성격에 대한 논란이었다. 그러나 대부분의 논의는 지역 연구의 절차를 제시하기보다는 지역 지리학을 형이상학적으로 정당화하는 데 머물렀다. 본 연구에서는 이러한 견해를 비판적으로 검토하기 위하여 지역 지리학 방법론에 내재하는 전제들 가운데에서도 부분과 전체의 관계에 대한 존재론적 가정을 가장 중요한 준거로서 설정하였다. 대부분의 논의는 유기체론에 근거하여 지역을 복합적 존재로서 인식하고, 생명체와의 비유를 통해 지역의 속성을 파악해야 한다고 주장하였다. 그러나, 단위 지역이라는 전제의 한계와 더불어 단순히 요소들을 열거하는 데에 머물렀으며, 지역의 복합성을 포착하지 못하였다. 이러한 한계는 생활양식이라는 전제 위에서 출발한 데에서 오는 당연한 귀결이었다.

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현대건축에 나타난 바이오미미크리의 생태적 공간 특성 연구 (Study on Features of Ecological Space of Biomimicry)

  • 최지혜;김개천
    • 한국실내디자인학회논문집
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    • 제20권6호
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    • pp.116-123
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    • 2011
  • How to see nature and how to define the relation between nature and the human certainly influence fundamental attitude toward nature and any results derived from the attitude. Therefore, in order to figure out a way for how the humans and nature should coexist, the thesis has began a philosophical analysis on the origin of the biomimetics. Based on findings from the analysis, the thesis would work on the features of biomimicry space, presenting related possibilities. For the philosophical characteristic of the thesis which was an ecological world view, introduced at the end of mechanical world view era, the ideas of Spinoza, Nietzsche, Bergson and Deleuze about nature were quoted. Based on what the philosophers have said, the thesis looks into successful ideas, designs and ways of living that nature has shown by itself. After all, the purpose of the thesis is to investigate the constantly changing space of the biomimetics by organic forms, autonomous systems and dividing programs. Based on this, nine cases were analyzed to derive the characteristics. As a result, organic forms, autonomous systems and dividing programs characteristics of ecological appear simultaneously in harmony. Biomimicry space can coexist with nature and the human is an effective way.

강원 동해안 어촌어항의 경관색채에 관한 분석 연구 (A Study on the Color-Scape about Fishing Village and Harbor in Gangwon East Coast)

  • 조원석;김흥기
    • 한국농촌건축학회논문집
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    • 제9권2호
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    • pp.121-128
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    • 2007
  • This study aims to propose directions of color-scape about fishing village and harbor in East coast. In order to offer better landscape in harbor; Namae and Sachun, such as regional atmosphere and identification are to analyze with color planning. For the quality of color-scape, natural color, regional color of harbor may be possible to work out future harbor surrounding by evaluation scale and then hue, value, chroma can be estimated systematically. This survey suggests that color of harbor is to be environmental and regional color control. We analyze that the color-scape planning through the both whole harmony and organic combination is important elements of satisfaction to the people of experience with color environments. Consequently, some proposal of color guideline by analysis of color simulation will be useful to make out preliminary design criteria in improvement of color.

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산학협동을 통한 목제품 디자인 개발에 관한 연구 (A Study on Design Development of Wooden Products through the System of Educational and Industrial Cooperation)

  • 윤여항
    • 한국가구학회지
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    • 제12권1호
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    • pp.131-142
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    • 2001
  • Cultural needs of human have grown enormously. Consumer trend and individual taste have become more individualistic and diversified. Efforts to improve the quality of life have changed the concept of lift space as well as the concept of interior life supplies. Products are no longer standardized and produced in massive scale, thus a shift of value has risen. Damages done by the economical development have made consumers take interests in products that are more natural and in harmony with human beings. It is a tendency that wooden materials are becoming a preference as a specific alternative. There is a great social change with a new paradigm like this. Considering the change, we propose a new vision and activation plan on design development of wooden products through specific and practical studies by the system of educational and industrial cooperation which is an organic association system for developing human resources of educational system and producing profits of industry. From it, we can expect great effects as a competitive design of coming future.

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자연의 유기적 형태를 응용한 헤어디자인 연구 (Hair Design Kite that uses the Organic Form of Nature)

  • 진용미;김연민
    • 융합정보논문지
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    • 제12권3호
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    • pp.214-221
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    • 2022
  • 자연의 유기적 형태에서 모티브를 얻어 작품을 제작하였으며 다양한 형태 도출을 시도해 보는데 본 연구의 목적이 있다. 연구 방법으로는 국내 학술지 검색을 통해 문헌 조사를 하였고 자연의 유기적인 형태와 디자인 개념을 접목하여 실무에서 무난하게 쓰일 수 있는 헤어 조형 4작품을 제작하였다. 연구결과 첫째, 초승달을 모티브로 조화와 균형의 법칙을 적용하여 작품을 제작하였다. 둘째, 파도를 모티브로 반복의 법칙을 적용하여 물결 웨이브의 흐름을 표현하였다. 셋째, 폭포에서 피여 오르는 아지랑이를 비조화 법칙을 적용하여 표현하였다. 넷째, 떠오르는 해를 강조하여 새로운 시작을 알리는 태양의 이미지를 주고자 하였다. 이에 자연의 유기적 형태는 디자인을 창조하는데 무안한 영감을 준다는 것을 알 수 있었다. 본 연구의 제한점은 마네킹으로만 작품을 제작하여 실제 모델에 제작한 이미지 효과가 동일한 이미지로 연출되는 정확도에 제한점을 두고 후속 연구로는 실제 모델에 활용하여 실용적 활용도를 높일 수 있는 연구가 지속적으로 이루어져야 할 것으로 사료된다.

프랭크 로이드 라이트와 찰스 레니 맥킨토시의 가구디자인 비교 연구 (A Study on Comparing Characteristics of Frank Loyd Wright's Furniture Design with Charles Rennie Mackintosh)

  • 하숙녕;한영호
    • 한국실내디자인학회논문집
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    • 제19권6호
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    • pp.91-99
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    • 2010
  • There is a commonality between Frank Lloyd Wright and Charles Rennie Mackintosh in that they created the new patterns of geometric Art Nouveau from the late 19th and early 20th centuries. This study compares the furniture of Wright and Mackintosh who had significant impacts on the development of modern design for each of the periods divided by their design feature to find the individualities and similarities of their design. It is an analytical approach with an accurate understanding of the design trends of the Art Nouveau era. The results of the furniture comparison are as follows: The finding is that Wright and Mackintosh designed creative furniture in harmony with a specific indoor space, Organic design was well expressed through the selection and use of wooden materials, Based on the understanding of tree characteristics, they did not use detailed decorations, but designed the simple and rigorous forms of furniture with highlighted interest in geometry. As for shape, Wright's furniture in his early days tend to be look largely formal and heavy. Since his debut in Japan in 1905, the furniture design became very sophisticated. On the other hand, Mackintosh's chairs are characterized by plenty of geometric patterns and long back. In many cases, his chairs were designed as part of formative elements in space, not for the purpose of furniture itself. As for materials and colors, Wright used mainly cherry wood. And he also utilized metals colored in olive green, red-brown and others for office furniture. The frames, fabrics and leather used for most of the furniture have natural colors, which are harmonious with spaces. Meantime, Mackintosh used primarily oak and ash trees. He used seat cushions and various colors to make the design of furniture have a sophisticated and simple image. The materials used for seat panel are horsehair, rush, silk and leather. He applied these materials to the furniture by weaving or cutting them.

Physicochemical Properties and Plant Coverage of Wood-based Growing Media on Slopes

  • Moon, Hong-Duk;Ha, Si Young;Jung, Ji Young;Yang, Jae-Kyung
    • Journal of the Korean Wood Science and Technology
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    • 제46권6호
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    • pp.645-655
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    • 2018
  • The use of wood waste as substrate for plant growth exemplifies a strategy for turning waste into resources. The overall objective of this research was to evaluate the effects of wood-based growing media on plant cover in a slope area. Moreover, we tried to find out what physicochemical properties affect plant cover on a slope. For treatments, we tested natural soil, soil mixed with wood-based growing medium (1:1, w/w), and wood-based growing medium by itself. Physical and chemical characteristics were evaluated after four months from the date of treatment application to the experimental slope site. Soil coverage with seedlings of Lespedeza cyrtobotrya was measured for plant growth evaluation. Physicochemical properties were altered by mixing the natural soil with wood-based growing medium. Particularly, soil moisture and organic matter contents were significantly changed in soils treated with wood-based growing medium compared to soil alone. We confirmed that plant coverage rate was high when wood-based growing medium was mixed with the natural soil. There was a significant linear relationship between moisture content and CEC (Cation Exchange Capacity) of all growth media tested and plant coverage. This result was expected, as moisture content tends to increase with organic matter content, such as in wood-based growing medium. In conclusion, the high moisture content of the wood-based growing medium was considered effective for plant growth in the experimental slope site, and this wood-based growing medium provides a means to improve the harmony between the slope and the surrounding environment.

르 꼬르뷔지에와 알바 알토의 가구디자인 특성 비교 연구 (A Study on Comparing Characteristics of Le Corbusier′s Furniture Design with Alvar Aalto′s)

  • 이진영
    • 한국실내디자인학회논문집
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    • 제13권5호
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    • pp.162-172
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    • 2004
  • Architects and designers of the 20th Century made various efforts to establish new design languages reflecting the changes of society, the times, and environment. They used furniture, especially chairs, as controversial items of aesthetic value, society and ideology. Le Corbusier and Alvar Aalto are furniture designers as well as architects, who adopted this ‘spirit of the times’ actively and have greatly contributed to modernism. This study will help us to understand the diversity of design since modernism, by comparing these two designers' furniture design. It also covers the common factors In modern furniture design, and analyses their individuality and likeness In design. The following is a comparison of furniture design by Le Corbusier and Alvar Aalto. Le Courbusier linked International design and Aalto linked Rational design and Organic concept design to their furniture, just as they did in their architecture. They were able to establish the base of modern furniture design by adapting new concepts and pursuing humanism. In structure, Le Corbusier's furniture Is simple and proportional. It demonstrates a sophisticated geometric composition, mechanical beauty. On the other hand, Aalto rationally linked nature with human requirements and his furniture is organic and in harmony with geometric structure. In function, Le Corbusier's furniture is standardized and prefabricated. He designed for the user so they could choose to use the furniture efficiently to suit their needs. In comparison with Le Corbusier, Aalto Invented the ‘Stacking Chair’ which allows a more effective use of space and reflected the structure of the human body to improve the user's comfort. In materials and techniques, Le Corbusier used new materials like metal or leather, and attempted new ways such as welding, prefabrication, and standardization for production. On the contrary, Alto mainly used birch, which is the traditional material in Finland, and tried new bent wood techniques and joining methods.

건망증(健忘症)에 대(對)한 동서의학적(東西醫學的) 고찰(考察) (The oriental-western literatural study of Amnesia)

  • 윤상학;이상룡
    • 혜화의학회지
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    • 제9권2호
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    • pp.293-313
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    • 2001
  • The oriental-western Literatural study of Amnesia, the results were as follows. 1. esia is caused by qi-depression resulted from excessive thought and deficiency of the kidney resulted from congenital deficiency and deficiency of the heart, the disharmony between the heart and the kidney, phlegm, stagnant blood, loss of the blood etc. resulted from deficiency of the heart blood. 2. The treatment method of Amnesia is as follows, the highest frequence was growing blood-tranquilization-regulating spleen, in descending order removing phlegm-stagnant blood-relaxing the mind and invigorate the heart-spleen-kidney and much tonification qi-blood and growing nutrient qi-manifesting source qi and regulating the harmony between the heart and the kidney and maintaining patency for the flow of gi were the most treatment method. 3. The treatment medicine of Amnesia is as follows, the highest frequence was Kuei Bi Tang(歸脾湯) in decending order Jeng Ji Whan(定志丸), Su Seng Whan(壽星丸), Chun Whang Boo Sim Dan(天王補心丹), Ju Jak Whan(朱雀丸), Doo Dam Tang(導痰湯), Yin Sin Kuei Sa Dan(引神歸舍丹), Ga Gam Go Bon Dan(加減固本丸), Ryung Ji Go(寧志膏), Jang Won Dan(壯元丹), Tong Ol Tang(通鬱湯). 4. In oriental medicine functional physiology and pathology was significant in differential diagnosis and treatment and in western medicine it was explained organically and psychologically. 5. In western medicine As one of memory disorder Amnesia is divided into psychogenic amnesia and organic amnesia, and organic amnesia is divided into anterograde amnesia and retrograde amnesia and psychogenic amnesia is divided into localized amnesia, generalized amnesia selective amnesia.

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