• The International Journal of Costume Culture
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• 제13권1호
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• pp.37-41
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• 2010

It is a universal phenomenon for people to establish ideal images of man according to a specific time, society and race. Thus, people have invested endless endeavor to reach the standard of ideal image. Especially, they made efforts to embody the ideal image of man as a perfect human image using appearance feature like a human body and clothing. Shi jing(詩經) is considered as a very valuable source book which reveals the life style, customs, thinking, ideas, and emotion of people of that period. The purpose of this study is to analyze the ideal image of man and woman which ancient Chinese pursued, focusing Shi jing(詩經). The results are as following. The ideal image of man is nice, handsome, dignified, generous and gentle. Besides, he should have adequate sense of humor, tall height. clear eye, broad forehead, moderate and upright behavior, outstanding horsemanship and marksmanship and braveness. Meanwhile, the ideal image of woman was described as gentle, decent, and graceful. Also, she should have tall height, light complexion, pretty hand, long neck, broad forehead, clear eyes, and charming black hair. The ideal beauty of woman included nobility and elegant personality in addition to the good physical appearance.

• 한국통신학회논문지
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• 제34권4A호
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• pp.309-315
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• 2009

무선 Ad-hoc 네트워크는 이동 노드로 구성되는 동적 네트워크이다. 일반적으로 Ad-hoc 네트워크에서 노드는 랩탑, PDA, 모바일 폰 등과 같은 장치로 블루투스나 IEEE 802.11(위피) 네트워크 인터페이스의 특징을 가지고 분산방식으로 통신을 한다. 이러한 Ad-hoc 네트워크의 특성에 기인한 이동성은 라우팅 프로토콜 디자인에 중요한 특징적 요소가 된다. 본 논문에서는 토폴로지 변화에 잘 적응하는 향상된 경로 관리 기법을 제안한다. 제안된 알고리즘에 주된 특징은 경로 실패를 방지하기 위해서 링크 단절 전에 다음-홉 노드를 대체 이웃 노드에 스위칭 하는 방식이다. NS2를 이용한 무선 Ad-hoc 네트워크의 다양한 환경에서 시뮬레이션을 수행한 결과 제안된 알고리즘 성능이 기존의 AODV 프로토콜에 비교하여 향상되었음을 보인다.

• 한국정보과학회논문지:정보통신
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• 제32권2호
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• pp.190-202
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• 2005

항공기, 보트, 열차 그리고 자동차와 같이 이동성 있는 네트워크들 안에서의 이동노드들은 함께 움직이며 같은 이동성을 공유한다. 따라서 본 논문에서는 네트워크 모빌리티 안의 이동노드들 공동의 이동성을 토대로 한 효율적인 위치관리기법을 제안한다. 또한 이동노드가 바인딩 갱신 메시지를 이동노드와 통신 중인 노드들 (correspondent nodes)에게 전송할 때 멀티캐스트 기법을 적용하여 이동노드나 이동노드와 통신 중인 노드들의 증가에도 일정한 바인딩 갱신 메시지만을 발생시킴으로써 효율적인 위치관리를 할 수 있다. 제안한 기법에 대한 분석모델을 기존의 연구들인 HMIPv6 (Hierarchical Mobile IPv6)와 NEMO (Network Mobility)와 비교 분석함으로써 효율성을 검증한다.

• 인터넷정보학회논문지
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• 제9권1호
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• pp.9-19
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• 2008

이 논문은 인터넷으로 중첩 NEMO 네트워크가 연결될 때 최적화가 요구되는 두 가지 연결성을 고려하고 있다. 하나는 인터넷과 중첩 NEMO 네트워크 사이의 연결이고, 다른 하나는 중첩 NEMO 네트워크 내부의 MR간의 연결성이다. 이러한 연결성은 IPv6에 기반하고 있으며, 중첩 NEMO 네트워크는 NEMO를 인식하는 AR(Access Router)에 의해 구성될 수 있다. 특히 이 논문은 중첩 NEMO의 토폴로지 특성을 나타내는 트리 기반한 토폴로지 정보를 포함하고, 트리 구조를 가지는 주소 체계를 제안한다. 이 제안은 기존에 대표적인 RO(Route Optimization) 제안들과 비교할 때, MR 홈 네트워크로의 BU(Binding Update) 성능은 가장 효율적인 접근과 비슷하였고, 내부라우팅 효율은 가장 효율적으로 나타났다.

• 패션비즈니스
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• 제20권2호
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• pp.78-96
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• 2016

This study investigated the colors of the costumes and backgrounds of characters in the fantasy film, Alice in Wonderland(2010) by Tim Burton. The methods used were literature studies including related books, articles and internet materials, and positive research with DVD color analysis. Twenty-one scenes were selected by the researcher. Five scenes were selected from novel and film components representing, exposition, complication, crisis, climax, and denouement. After controlled pixel by photoshop program and the represented colors, hues and tones were analyzed. The results were as follows; First, in four characters, Alice's dress colors changed depend on the situation and the passage offered from blue to red, metal light, and blue green. The Mad Hatter's colors were orange with green which signified madness and passion. The Red Queen's red dress and blue make up represented countrified and evil. The White Queen's all white dress and hair, black eyes and vivid red meant purity and nobility. Similar characters' colors were limited. Second, the background colors, especially tones were an important component of the fantasy image. These were different for each type of scene in the film such as exposition, complication, crisis, climax, and denouement.

• 한국인터넷방송통신학회논문지
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• 제9권3호
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• pp.9-17
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• 2009

A Mobile Ad hoc network(MANET) is a network consisting of a set of wireless mobile nodes, which communicate with each other without centralized control or established infrastructure. In this paper, to obtain a better understanding of AODV(Ad hoc On-Demand Distance Vector Routing Protocol)and OLSR(Optimized Link State Routing Protocol) routing protocols, different performances are simulated and analyzed using OPNET modeler 14.5 with the various performance metrics, such as packet delivery ratio, end-to-end delay and routing overhead. As a conclusion, in static analysis, the routing overhead of OLSR is affected by the number of nodes, but not data traffic. In AODV case, it is affected by both data traffic and number of nodes. In mobility analysis, routing overhead is not greatly affected by mobility speed in AODV and OLSR, and the PDR(Packet Delivery Ration) of OLSR is decreased as the node speed increased, while AODV is not changed. AS to delay, AODV is always higher than OLSR in both static and nobility cases.

• 복식문화연구
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• 제20권2호
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• pp.263-271
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• 2012

Cultural products reflect a living culture and evolve despite being based on traditional forms only. It is known as traditional cultural expression that portray certain culture groups, materials, spiritual and creativity inspired from their living environment that characterize a society. The old Malay community had a close relationship with their surrounding and environment. Sensitivity towards the nature and surrounding environment moved them into creative people. In designing the local traditional textile, role of the motifs, design and product design play an important element in Malay cultural values. This reflects the symbols and philosophy of the arts and culture and thus becomes the identity of the Malay community, which in general practice their culture and tradition based on Islamic culture and religion. Kelantan and Terengganu are the pioneer states for most producers of Malay traditional textiles. In these states the Pelangi cloths, is one of the unique textiles use and inherited by the Malay communities. Base on history, the Malay rulers and Malay nobility used Pelangi cloth as complementing clothing and ornament in attending various ceremonies and customs in their daily life. In this paper will discuss the specific picture of Pelangi motifs, design and its usage in Malay society in Malay Peninsula through its identification aspect of representations. It shows that this textile represent certain insights of Malay customs and identity.

• Acta Via Serica
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• 제3권1호
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• pp.119-138
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• 2018

The dragon of the East was an object of worship and an authority to make rain, unlike the West. The dragon image, one of the positively accepted Chinese motifs with the blue-and-white porcelain of the Ming dynasty by the Ottoman Empire in the 16th century, was combined with gigantic saw-edged leaves to create a genre in Saz style. By combining Eastern dragons with plant motifs instead of clouds, dragons were no longer accepted as authority and nobility but as symbols of life and longevity. Unlike Iran and other countries, the image of dragons in Turkish miniature paintings has evolved into a unique style using Turkish calligraphy. The stylistic feature is that a thick black line that gives the impression of calligraphy forms the dragon's back or a huge saz leaf stalk and forms the axis of the screen. Most of the work was black ink drawing, not painting, and partly lightly painted. In the development stage, the dragon appears as a protagonist on the screen of the early works, but the dragon retreats to the latter half and the saz leaves play a leading role on the screen. A common feature in all paintings, whether early or late, is that they have a militant character and create tension on the screen. From the viewpoint of comparative culture, Turkish dragon miniature drawings of the 16thcentury Ottoman period and the Joseon dynasty are somewhat similar in that they are based on calligraphic character and desire for longevity and loyalty, and are drawn according to certain iconic principles.

• 한국의류학회지
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• 제35권12호
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• pp.1409-1417
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• 2011

This study examines King Louis XVI costumes and his portraits according to symbolic meanings. This study analysis of costumes comes from portraits related various domestic and overseas literature, preliminary study papers, and web sites. Omnipotence, activity, nobility, openness and benevolence were distinguished in the symbolic meaning expressed in the portraits of King Louis XVI. Louis XVI in a portrait was drawn with god or expressed as a martyr and symbolically showed the omnipotence of god. Louis XVI was symbolized as almighty god by maximizing the authority and dignity of the king through the hands of justice that were used as a background or portrait accessory and a costume with the symbol of House of Bourbon. Kings of many generations were expressed as authoritative through portraits. However, Louis XVI showed a proletarian aspect in ordering portraits to reflect the daily working image of communicating with citizens. Active images such as the king riding a horse or administering the state affairs were emphasized in a political and military perspective; in addition, the benevolence of the king was symbolically presented through a family portrait. This symbolically signified that the king is a warm-hearted person who passionately takes care of state affairs and loves the people through a noble element coming from pastel colors and attributes of red colors. Historically, the political incompetence and indifference of kings was fragmentally emphasized; however, these portraits considered the king as one who tried to fulfill duties as the true king with a great interest in politics and the people.

• 한류연구
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• 제1권1호
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• pp.1-23
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• 2022

HunMinJeongEum, meaning "the right sound to teach the people," was created in 1443 CE by King Sejong the Great, the fourth king of the Joseon Dynasty. In today's modern language, this letter, called Hangeul, is internationally recognized for its linguistic science. However, it is hard to find a comprehensive study on the fact that King Sejong himself created Hangeul, the Confucian perspective on natural disasters and democracy revealed in the process of writing, the independent efforts emphasized from a certain period, and the achievements of King Sejong, who shared the sorrow of the people and carried out national policies despite the extreme opposition of the nobility. Accordingly, I analyzed the consonants of HunMinJeongEum and looked at the essence of humanity and oriental philosophy (Yin-Yang Five Elements, Sangsu Philosophy, Hado). Surprisingly, different meanings from previous studies and interpretations were found, and King Sejong's "Da Vinci Code," which was left behind in the process of making the consonant, is reinterpreted and revealed. King Sejong's achievements were all connected as one. This is the root of democracy in the Republic of Korea today, and this is why King Sejong was selected as the most beloved and respected historical figure by the Korean people. This study will start with more people's understanding of the fundamental perception and philosophy of the world in Asia, including Korea, to reinterpret and reveal the hardships and great achievements experienced by a leader of a country in the process of creating korean alphabet, and to emphasize democracy, which is an important value for Asians and Westerners' mutual respect and co-prosperity.