• 공업화학
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• 제16권1호
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• pp.112-116
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• 2005

본 연구에서는 생체재료 표면개질의 방법으로 유-무기 박막 형성에 관한 방법을 연구하였다. Collagen의 분해 시 얻어진 gelatin을 polystyrene 배양접시에 2 h 동안 흡착시켜 gelatin 흡착층을 형성하였다. Gelatin 흡착중에 calcium과 phosphorus 과포화 이온용액을 주입하여 calcium phosphate (CaP) 박막을 제조하였다. 박막 형성 초기에 박막의 핵들이 나타나는 것을 관찰하였다. 처리시간에 따라 CaP 박막에 성장하여 배양접시의 바닥표면 전체에 형성된 것을 볼 수 있었다. 형성된 gelatin/CaP 복합 박막의 특징은 3차원 공간에서 다공성이 높은 표면 구조를 형성하였다. Attenuated total reflectance Fourier transform infra-red spectroscopy (ATR-FTIR)을 이용하여 CaP 박막의 화학적 성질을 분석한 결과, 박막 형성 초기에는 무결정 형태의 박막이 형성되고, 시간이 경과됨에 따라 결정성이 약간 증가하지만, 결정성이 낮은 CaP에서 나타나는 흡수피크의 존재 등을 통하여 본 연구에서 제조한 CaP 박막은 poorly crystalline CaP 박막임을 확인하였다.

• 한국콘텐츠학회논문지
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• 제10권6호
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• pp.236-248
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• 2010

이 글을 통해 코엔 형제의 범죄 영화에 속하는 <블러드 심플>, <바톤 핑크>, <파고>, <그 남자는 거기 없었다>, <노인을 위한 나라는 없다>를 중심으로 감독의 연출 스타일을 분석하다. 코엔 형제 영화 구성의 특징은 서사적 구성, 내레이션의 활용, 해피엔딩의 거부다. 주제에 있어서는 인간본성을 탐구하고, 탐욕이 가져온 허무와 비극을 주로 다룬다. 극적인 요소로는 오해, 엇갈림, 추격의 모티프를 주로 활용하고 있다. 그의 작품의 캐릭터들은 어긋난 욕망으로 파괴되는 보통사람의 단순함이 대부분이고, 전형적인 캐릭터를 거부한다. 형식을 분석해 보면, 촬영은 스테디 캠을 자주 사용하고, 고정 숏에 광각렌즈를 애용한다. 초기 범죄영화는 표현주의적인 조명을 많이 사용했으나 나중엔 사실적인 자연조명을 주로 썼다. 고전적인 편집, 사운드는 음악보다 음향효과를 주로 사용했고, 실제 현장 사운드, 사실적인 연기와 개성을 중요 시 하였다. 분명 그의 영화는 크게 범죄 영화와 코미디로 분류할 수 있지만, 범죄가 우월한 느와르 스타일의 영화야말로 코엔의 독특한 연출 스타일을 느낄 수 있다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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• pp.983-987
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• 2009

색채는 침묵적인 언어이다. 영화 색채는 영화에서 하나의 중요한 표현 요소이자 또한 하나의 종합적인 언어적 시스템이다. 영화 색채는 아주 강한 상징성을 지닌다. 색채의 상징성 즉, 일정한 색으로 일종의 이성과 관념의 함의를 은유하는 것을 의미한다. 현재 수많은 감독들은 색채를 통해 그 상징적 의미를 표현하는데 큰 관심을 갖고 있다. 색채가 자연적인 물질의 형식 일수록 외관은 일종의 상당히 중요한 의미가 풍부한 조형적 요소로 승화된다. 이에 색채의 상징적 의미도 영화 색채와 기능에서 하나의 중요한 요소로 되었다. 장예모 감독의 영화 "영웅"과 Michelangelo Antonioni 감독의 영화 "빨간 사막" 두 영화에 나타난 색채에 대한 서로 다른 응용방식과 표현수단을 분석하여 영화에서 색채가 하나의 독특한 표현 언어로서의 중요성을 표현한다.

• 보건교육건강증진학회지
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• 제13권2호
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• pp.167-183
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• 1996

Human teeth vary widely in color. Practitioner and patients are concerned with preventing and correcting discolored or dark teeth to achieve and maintain stain-free, white teeth. Tooth brushing cannot alter tooth color but it can remove adhering films and stains. The esthetics of natural dentition can be improved by bleaching and this process can be applied to intrinsically and extrinsically stained teeth. The need for a brighter, more attractive smile has made rapid growth in the market for tooth whiteners. There is no doubt these products work as whiteners, at least on mild to moderate stains, but the safety of these products are unclear. In this experiment, the effect of tooth whitener application on the color and microhardness of extracted human enamel was measured. RMS, RMT and NWT were used as tooth whiteners, and tooth paste(ETQ) and hydrogen peroxide solution(HPO) were used as controls. 35 caries-free extracted human molars were embedded and polished with the exposed enamel diameter of 4 mm. The tooth whiteners and control agents were applied according to the manufacturers' instructions or clinically simulated procedures for eight weeks, and measurements were repeated every two weeks. Value(L＊) difference was measured using Differential Colorimeter(Model TC-6FX, Denshoku Co., Japan), and microhardness was measured using microhardness tester(Mitsuzawa Seiki Co., Japan). The results were as follows; 1. After application of agents for eight weeks, the Vickers hardness increased significantly in the ETQ, RMS and RMT application group(p〈0.01), and that decreased significantly in NWT application group(p〈0.01), but in HPO application group there was no significant change. The change in microhardness was greatest in NWT application group(p〈0.01). 2. After application of tooth whiteners and controls for eight weeks, the value change of toothpaste application group was significantly lower than those of other agents groups(p〈0.01), and there was no significant difference in value(L＊) change among tooth whitener groups(p〉0.01). 3. The application of tooth paste and paste type tooth whitener made gradual value change, but hydrogen peroxide gel type tooth whitener and hydrogen peroxide solution made rapid value change during initial application period.

• 물과 미래
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• 제5권2호
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• pp.6-16
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• 1972

It has been well studied and known that the yields from the rice fields irrigated by the cold water such as the water directly flowing in from mountain valleies, underground water and subground water are largely influenced by the water temperature. However, the best method of raising water temperature has not yet been established. This is because there are some essentially difficult problems associated. When we examine the effects of $1^{\circ}C$ rise in the water temperature under natural condition on rice growing, the necessity of this line of study is verified. The results of Mihara's study show that rice bears its fruits at the water temperature above $19^{\circ}C$ and the difference of $1^{\circ}C$ in the range of $19^{\circ}C$ to $22^{\circ}C$ can produce the 20% of difference in yields. Because of these facts, most farmers have made use of water temperature raising ponds, zigzag waterways and shelter belts. But the most important factor in raising water temperature has been found to be the heat loss due to evaporation. Recently, a good deal of experiment on raising water temperature and soil temperature by reducing the evaporation are being carried out all over the world. The reduction of evaporation does not only reduce heat loss, from the surface but also reduce the loss of water. Present study is aimed to determine the efficiency of different chemicals by which monomolecular films are formed over different surfaces such as water surface, soil surface and the surface of plant leaves with a purpose of preventing the transpiration, and aimed to observe the effects of the temperature rise and its influence on growing state as well as the durability of the plants under drought condition.

• 유통과학연구
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• 제14권10호
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• pp.147-152
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• 2016

Purpose - High quality films are affected by both the production stage and various variables such as the size of the movie investment and marketing that changes consumers' perceptions. Consumer preferences should be recognized first to ensure that the movie is successful. If a film is produced without pre-investigation and analysis of consumer demand and taste, the probability of success will be low. This study investigates the balance of production costs, marketing costs, and profits using game theory, suggesting an optimization strategy using the simplex method of linear programming. Research design, data, and methodology - Before the release of the movie, initial demand is assumed to be driven largely by marketing costs. In the next phase, demand is assumed to be driven purely by a movie's production cost and quality, which might also further determine consumer demand. Thus, it is essential to determine how to distribute pure production costs and other costs (marketing) in a limited movie production budget. Moreover, it should be taken into account how to optimally distribute under the assumption that the audience and production company's input resources are limited. This research simplifies the assumptions for large-scale and relatively small-scale movie investments and examines how movie distribution participant profits differ when each cost is invested differently. Results - When first movers or market leaders have to choose both quality and marketing, it has been proven that pursuing a strategy choosing only one is more likely than choosing both. In this situation, market leaders should maximize marketing costs under the premise that market leaders will not lag their quality behind the quality of second movers. Additionally, focusing on movie marketing that produces a quick effect while ceding creative activity to increase movie quality is a natural outcome in the movie distribution environment since a cooperative strategy between market competitors is not feasible. Conclusions - Government film development policy should ignore quality competition between movie production companies and focus on preventing marketing competition. If movie production companies focus on movie production quality improvement then a creative competition would ensue.

• 패션비즈니스
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• 제5권2호
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• pp.149-166
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• 2001

The purpose of this study was illumination of the stage costume by applying the study of a subject of human expression, which establishes identity of dramatic characters. This study was conducted by referring a variety of theses, an extensive national and international literature. The color symbolism that is depicted in Shakespeare‘s work manifests the transition period of old days, which was influenced by the Renaissance and the Religious Reformation. And color preferences and the meanings I attach to them in his play, definitely reveal the Middle Ages Christian way of thinking which was obsessively dominated their mind. I also determine that the color preferences and use in Elizabeth Era also distinctively separate the social status, which were also influenced by its social conditions. Besides this, colors that were depicted in Shakespeare's work also shown many similarities from Italian Commedia dell‘arte, which were in vogue all over the Europe. Customary color symbolisms which from natural color experiences were also applied in "The Tempest". "The Tempest" was presented on the first day of November in 1611 for the first time. Following this, many plays and films have been produced in foreign countries and Korea. With an analysis of "The Tempest", costume designs for Miranda and Ferdinanad were illustrated at the end. The costumes for Miranda and Ferdinand were mainly considered to express pure love and vigorous youth of two lovers, symbolizing the image of the theme love, forgiveness, and reconciliation.

• 한국추진공학회지
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• 제18권4호
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• pp.9-17
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• 2014

본 연구에서는 고에너지 알루미늄 분말의 점화성 향상을 위해 자연상태 알루미나 산화막을 화학적으로 제거하고 니켈 코팅을 수행하였다. 니켈 코팅은 무전해 방법을 사용하였으며 SEM/EDS에 의한 표면 분석을 통해 시간에 따른 니켈 코팅 정도를 정성 정량적으로 확인하였다. 또한 XRD에 의한 화학종 분석과 TGA/DSC를 이용한 공기 환경 내에서의 열물성 분석을 수행하였고 이를 통해 공기 산화제 분위기에서의 니켈 코팅 된 알루미늄 분말의 점화촉진 메커니즘을 설명하였다. 이러한 결과를 통해 니켈 코팅 된 알루미늄이 코팅 되지 않은 알루미늄보다 좋은 점화성을 갖는 것을 정성적으로 확인하였다.

• 통합자연과학논문집
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• 제14권1호
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• pp.1-5
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• 2021

라디오 진동수 스퍼터를 이용하여 실리콘(110) 기판위에 증착시간을 60분, 120분 그리고 180을 변화시켜서 산화아연 박막을 만들었다. ZnO₂ 박막의 입자 성장면을 X선 회절 장치를 써서 분석한 결과 박막의 주 성장면(002)면과 (103)면의 방향이 증착 시간의 영향을 많이 받았다. 전자 주사 현미경을 통하여 ZnO₂박막의 입자 성장을 관찰 한 결과 ZnO₂박막이 증착 초기에는 성장이 정체되는 인큐베이션 시간이 필요하다가 일정 시간이 지나면 다시 입자 성장이 일어나는 현상이 관찰 되었다. ZnO₂박막의 화학 분석을 한 결과는 증착 시간의 증가가 ZnO₂박막내의 산소의 양과는 변화가 없었지만 Zn의 성분에 변화가 관찰 되어서 박막의 증착 시간이 박막내의 Zn성분에는 영향을 미침을 알 수 있었다.

• 대순사상논총
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• 제23권
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• pp.109-152
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• 2014

This paper deals with the artistic expression of religious thought in terms of the uniqueness of different images and creativity. The relationship between religion and art is complicated but popular in modern society. Film becomes the icon of modern culture to enhance the knowledge of religious traditions. Among many Korean religious films, Kang Daejin's work, The Way of Peace (1984) contains the life and thought of Kang Jeungsan(1871-1909), the highest god of Daesoonjinrihoe. First, the film, The Way of Peace, pays attention to the legitimacy of succession from Kang Jeungsan to Cho Jeongsan(1895-1958). Korea was beset with trouble both at home and abroad. China, Japan, Russia, and the US had the colonial desire to conquer the lands of Korea and to explore natural resources. Though the people of Eastern Learning(東學) protested government and Japanese colonialists, Jeungsan applied the principle of non-violence to the world. In order to save all the living beings of the world, he reordered the universe and renewed the harmonic relationship of human beings and their spirit. Second, The Way of Peace proposed the soteriology of peace and change to audience regardless of seekers(道人) or not. Jeungsan transformed the closed society to the open society, changed divided religions to the transcendent truth(道). He empowered the marginalized people such as women, the lowly, the elderly, and the sick, who were oppressed in the Confucian society. And he redeemed the people from the disease by healing all diseases and correcting disorders. In conclusion, The Way of Peace is a good resource of religious education by which we can overcome the religious illiteracy. The knowledge of new religious movements and Daesoonjinrihoe is necessary for us to understand the diversity of human nature. In the near future, the new images of Jeungsan should be created through multi-media and cultural contents for the new generation.