• 아동학회지
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• 제22권1호
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• pp.147-162
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• 2001

This study examined the relation between mother-child verbal interaction strategies and children's narrative competence. Forty-eight 4-year-old middle class children(25 girls and 23 boys) and their mothers were observed in their homes. All the children were asked to produce a new story. Mothers used more descriptive statements and questions, more inferential questions and more evaluative questions than children. Children gave more answers and used more negative feedback than mothers. Mother's use of high-mental demanded question and positive feedback strategies were positively correlated with children's level of narrative structure. Mothers' use of inferential and evaluative questions were positively correlated with narrative length. Children's use of high-mental demanded statements and positive feedback strategies were positively correlated with their level of narrative structure and their use of descriptive and high-mental demanded strategies were positively correlated with narrative length.

• 대한가정학회지
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• 제41권3호
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• pp.17-30
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• 2003

The purpose of this study was to explore the difference mother-child verbal interaction between wordless and narrative picture book. Forty-two 4-year-old middle class children(21 girls and 21 boys) and their mothers were observed in their home. Major findings were as follows: 1) Mothers' verbal interaction strategies shows difference according to the genre of the book. Mothers used more descriptive statement, descriptive questions, inferential statements, evaluative statements and elaborative feedback when sharing the wordless book than the narrative book. 2) Children differently interact when reading picture books of different genres. Children used more descriptive statements, inferential statements and elaborative feedback. 3) Compared with the narrative picture boot mother and child engaged in more turn-taking when reading the wordless picture book. 4) While the proportion of collaborative type was higher when reading the wordless boot the proportion of passive type was higher when the narrative book.

• 한국초등과학교육학회지:초등과학교육
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• 제25권4호
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• pp.407-418
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• 2006

The purpose of this study was to survey the problem of teachers' narrative reporting of children's science learning in elementary school report cards. For the purposes of this study, a questionnaire, comprised of 6 questions and an analysis tool (Cronbach's $\alpha=.70$) were developed to categorize the answers. The survey was conducted by 53 teachers, who are currently taking 5th ade in elementary school, and the results are as follows: First, they interpreted the same content of report cards in a variety of different ways. Second, they exhibited a number of different principles and criteria in terms of preparing the content of narrative report cards. Third, they experienced difficulties in preparing narrative report cards on science teaming which required explanation of complete processes. Fourth, most teachers surveyed answered that the content of their narrative reports on science learning did not communicate specifically the students' achievement and further studies. Fifth, the activities related to preparing the content of the science learning on narrative reports was widely perceived to be useless for teachers' professional development. Finally, teachers made a number of alternative proposals to overcome the current, perceived problems of teachers' narrative reporting for children's science learning in report cards. Based on the results of this analysis, alternative forms and content of narrative reports on science learning were discussed.

• 한국초등과학교육학회지:초등과학교육
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• 제29권4호
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• pp.526-537
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• 2010

The purpose of this study was to compare the effects of two different types of texts, which were narrative and expository, on the understanding of content. Elementary students' perceptions of the two types of the texts were also investigated. In the comparison of the effects on the understanding of the text contents, test scores of mind-mapping, closed-answer question, and essay test were used. The analyses of mind-mapping tests showed narrative text was more effective to figure out main concepts of the text throughout the mind-mapping test. But expository text was more effective in the hierarchical organization of the concepts. In the closed-answer questions and essay test, narrative text was more effective than expository text. However when the contents of text were difficult and complex, there was no meaningful difference between the two types of texts. The analyses of students' perceptions of the texts showed that narrative texts were preferred. Students perceived that the narrative text was more interesting and familiar. However, the perceptions of helpful text for their science learning were not different by the types of texts.

• 한국과학교육학회지
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• 제35권4호
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• pp.735-750
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• 2015

이 연구는 고등학생들의 지질 답사 보고서에 나타난 내러티브 텍스트와 Bruner가 제시한 두 가지 사고 양식 - 패러다임적 사고와 내러티브적 사고 그리고 학업 성취도가 어떻게 관련되는 지 살펴보고자 했다. 연구의 주요 목표는 특정한 상황에서 나타난 내러티브 텍스트의 사용여부로 학생들의 내러티브적 사고 경향을 구별하고, 우세한 사고 경향에 따라 인지적 성취 결과에 차이가 나는지 분석하는 것이다. 고등학교 2학년 학생 145명의 지질 답사 보고서의 텍스트 분석과 함께 답사지에 대한 회상 검사, 학업 성취도, 면담을 통하여 양적, 질적 연구를 수행했다. 텍스트 분석 결과, 학생들의 보고서에는 설명적, 논증적 텍스트와 함께 내러티브 텍스트가 상당 수 발견되었는데 이는 야외 답사지에서 학생들이 느끼는 심리적 상황과 지구과학 학습 및 현행 교육과정의 특징과 관련이 있는 것으로 추측된다. 내러티브 텍스트로 보고서의 내용을 재구성한 학생들은 그렇지 않은 학생들에 비하여 3개월 후에 실시한 회상 검사에서 높은 점수를 받았으나, 지구과학 I의 학업 성취도에서는 여학생들의 경우에만 더 높은 성취도가 나타났다. 내러티브 텍스트의 사용 여부로 내러티브적 사고와 패러다임적 사고 경향을 판단할 수 있는지 학생들과의 면담을 병행하여 조사한 결과, 내러티브 텍스트 사용과 사고 경향이 일치하지 않는 학생의 사례가 나타났다. 학습 내용에 따라 내러티브적 사고와 패러다임적 사고를 유연하게 사용할 수 있는 학생은 학습에 성공적이며 학업 성취도에서 좋은 결과를 나타내는 것으로 조사되었다.

• 한국콘텐츠학회논문지
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• 제12권9호
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• pp.68-79
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• 2012

영화는 내러티브의 구현을 위해 다양한 기법들이 서로 유기적으로 상호작용하여 관객의 지각에 영향을 준다. 영화 형식을 구성하는 기법들은 형식적 체계로서 영화의 내용과 동기화되어 특정한 효과를 유발시켜 관객의 정서적 체험의 강도와 깊이를 강화시켜주는 역할을 한다. 본 연구는 시각적 내러티브의 하나인 구도미학에 관한 연구로 충격적인 실화를 재구성한 영화 <도가니 SILENCE>(2011)를 분석 대상으로 삼았다. 본 연구는 치밀한 화면구성과 기법의 활용이 극대화된 영화 <도가니>의 내러티브에 적용된 구도기법을 분석해보고, 나아가 영화형식의 의미와 중요성을 제고해 보는 것이 연구목적이다. 이러한 연구는 영화에 내재되어 있는 의미와 정서가 쇼트를 통해 어떻게 시각적으로 구현되는지, 나아가 구도가 서사화법으로서 어떻게 영화재 기능을 수행하는지 고찰해 보는 것에 그 의의가 있다고 할 수 있다.

• 영어영문학
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• 제58권2호
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• pp.347-378
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• 2012

Holocaust fiction has always raised the moral and aesthetic questions about the nature of mimesis and the literary representation of atrocity. The Holocaust, defying any representation of it, has been considered as unspeakable, unknowable, and incomprehensible. This essay aims to explore Martin Amis's narrative strategies in Time's Arrow to conduct the difficult tasks of re-creating the primal scene and of discovering a moral reality behind the Holocaust. One of the major narrative experiments in Time's Arrow is the time reversal: the story moves from the present of phony innocence to the past of unrelieved horror. Reversing the temporal order of events reverses causality and generates the revision of the morality, ultimately creating the epistemological and ontological uncertainties. Amis's novel is also narrated from the perspective of a double persona of the protagonist who, as a Nazi doctor, participated in the massacre in Auschwitz and then fled to the United States following the war. As almost a self-conscious storyteller, the narrator shares a sense of retrospective guilt with the reader who finally realizes that the Holocaust was a world turned upside down morally. Amis's postmodern narrative strategies are unusual enough to warrant a new way of representing the Holocaust.

• Journal of Public Diplomacy
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• 제1권2호
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• pp.1-26
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• 2021

Applying discourse analysis of Russia's narrative on humanitarian aid and its perception by the Western collective identity at the beginning of the COVID-19 pandemic, this study identifies several challenges that constructivism poses to the current understanding of public diplomacy (PD). In contrast to the mainstream positivist tendency to evaluate the effectiveness of PD through models, this article expands the PD narrative by inquiring about the role of power, intersubjective knowledge, and collective identities in public diplomacy. In particular, it examines the PD questions often ignored by researchers regarding how collective identities can exercise discursive power to interpret incoming narratives, which challenge domestic intersubjective knowledge. It also argues that, because the Russian political elite failed to ensure a coherent story and provide informational support for its humanitarian aid, the Western intersubjective knowledge on Russia negatively contributed to the perception of PD narratives. Thus, the article underscores the importance for PD practitioners to understand how the socially constructed nature of knowledge can improve or harm PD strategies.

• 미국학
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• 제44권2호
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• pp.131-158
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• 2021

This paper examines how nation-specific history of Asian war brides affects different representations of war brides in Velina Hasu Houston's Tea (1984) and Julia Cho's The Architecture of Loss (2003). While war brides had long been excluded from American history, Japanese war brides were brought to public attention in the 1980s. Korean war brides, on the other hand, were kept out of sight until the 2000s. Focusing on how this time gap is related to ethnic difference, this paper analyzes dramaturgical differences between the two plays such as the presence/absence of war bride on stage or ethnic solidarity/familial reconciliation as the main device of war bride memorialization. Such differences, the paper suggests, stem from ethnic/historical differences between Korean and Japanese war brides. Through historical interpretations of the plays, this paper argues that America's military relationships with Korea and Japan were reproduced within the Asian-American families of each drama in ways that raise questions about pan-Asian identity.

• International journal of advanced smart convergence
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• 제11권2호
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• pp.71-76
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• 2022

The continuous development of virtual reality technology in the last five years has brought about a big change in the future film industry. Interactive VR movies using virtual reality technology in movies showed the result of increasing the immersion of the audience due to the characteristics of interaction. This will provide a unique opportunity for a new experience of immersion in various forms of cinema in the near future. In this paper, the interaction of narrative VR movies was studied as an example of the movie , which won the [The Best VR Experience Award] at the Venice International Film Festival, In future development, improve the scene transition, Dizziness, Ways of interaction and other questions, let the audience increase the sense of participation, immersion and curiosity when watching movies, and make watching movies a more interesting thing in life.