• 조형예술학연구
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• 제9권
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• pp.49-87
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• 2006

Narrative has broad domains. So it is related to the everything man faces in his daily life and also performed in various modes. Narrative is revealed through all media including a character, which is also applied to plastic art. And narrative objects formed beyond the differences in media aid forms of expression are commonly based on a language. The study on such objects which created a new conceit of narratology can be said to be a spiritual trend by which to understand the world and man from the viewpoint of a 'story'. Plastic art took high interest in narrative in the same period as the rise of postmodernist art in the latter half of the 20th century, which was also applied to sculpture. The researcher, therefore, investigated through the history of sculpture in the 20th century the process in which narrative was denied under the value system of modernism and reappeared with the quickening of postmodernism. And as a result this period could be briefly characterized by 'return to figure' and 'reappearance of narrative'. The is, such flow means that late sculpture converted its center of interest from simple geometric abstract forms to irregular, figurative images. The researcher chose as the subject of his study the work of Louise Bourgeois, who was judged to have performed narrative positively and successfully among a great number of performed narrative positively and successfully among a great number of postmodernist sculptors who adopted it as their own strategy of expression. As the central artist of postmodrnist sculpture, She expressed human desire and condition as sexuality through the introspection of her own personal experience in contrast to the character of pop art sensitive to external world. The researcher borrowed narrative semiotics as a method of analyzing more elaborately the problem about the generation of narrative shown in her works. For it, he selected as the sample work for analysis Bourgeois's , which were judged to contain narrative most abundantly and as the metaphor of a gaze and recollection presented a new woman self that sublimed love, hatred, and loneliness. The narrative in her works are characterized by introspection questioning one's own trauma. It has independent domain and characteristics and clearly reveals narrative and content-centered characteristics, which are commonly discovered in postmodernist sculpture. The researcher could more concretely and definitely understand the characteristics of narrative through figurative images by analyzing the sample work. The researcher wanted to call your attention to the fact that the sculpture in the late 20th century contained narrative commonly and uniformly despite being characterized by various expressions and modes. And the focused on highlighting the fact that the narrative was more effectively revealed through figurative images of human body and simultaneously analyzing the formalizing process and structure for narrative. Besides he wanted to argue that the position of narrative defining the characteristics of sculpture should be valued more justly. Also, such acceptance of narrative, which is discovered in the sculpture, will have to be understood as the characteristics of the period reflecting the cultural aspect of the present time.

• 한국과학교육학회지
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• 제35권4호
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• pp.735-750
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• 2015

이 연구는 고등학생들의 지질 답사 보고서에 나타난 내러티브 텍스트와 Bruner가 제시한 두 가지 사고 양식 - 패러다임적 사고와 내러티브적 사고 그리고 학업 성취도가 어떻게 관련되는 지 살펴보고자 했다. 연구의 주요 목표는 특정한 상황에서 나타난 내러티브 텍스트의 사용여부로 학생들의 내러티브적 사고 경향을 구별하고, 우세한 사고 경향에 따라 인지적 성취 결과에 차이가 나는지 분석하는 것이다. 고등학교 2학년 학생 145명의 지질 답사 보고서의 텍스트 분석과 함께 답사지에 대한 회상 검사, 학업 성취도, 면담을 통하여 양적, 질적 연구를 수행했다. 텍스트 분석 결과, 학생들의 보고서에는 설명적, 논증적 텍스트와 함께 내러티브 텍스트가 상당 수 발견되었는데 이는 야외 답사지에서 학생들이 느끼는 심리적 상황과 지구과학 학습 및 현행 교육과정의 특징과 관련이 있는 것으로 추측된다. 내러티브 텍스트로 보고서의 내용을 재구성한 학생들은 그렇지 않은 학생들에 비하여 3개월 후에 실시한 회상 검사에서 높은 점수를 받았으나, 지구과학 I의 학업 성취도에서는 여학생들의 경우에만 더 높은 성취도가 나타났다. 내러티브 텍스트의 사용 여부로 내러티브적 사고와 패러다임적 사고 경향을 판단할 수 있는지 학생들과의 면담을 병행하여 조사한 결과, 내러티브 텍스트 사용과 사고 경향이 일치하지 않는 학생의 사례가 나타났다. 학습 내용에 따라 내러티브적 사고와 패러다임적 사고를 유연하게 사용할 수 있는 학생은 학습에 성공적이며 학업 성취도에서 좋은 결과를 나타내는 것으로 조사되었다.

• 수산해양교육연구
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• 제25권6호
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• pp.1366-1380
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• 2013

This study aims to explore the direction of design for narrative curriculum of 'The social practices-based education'. In chapter 2, this study addresses the theoretical criteria for social practices, social practices-based education and narrative curriculum and identifies their characteristics. In chapter 3, the association between social practices and narrative curriculum is identified through a study on the relation between social practices and narrative curriculum. In chapter 4, this study investigates the 5 steps of designing narrative curriculum's templet proposed by C. Lauritzen and M. Jaeger (1997), based on which this study intends to explore the direction of design for narrative curriculum.

• 한국초등과학교육학회지:초등과학교육
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• 제30권2호
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• pp.232-241
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• 2011

The purpose of this study was to compare socio-linguistic characteristics and instructional influences of two different types of texts, which were narrative and expository. Socio-linguistic characteristics of two different types of texts were analyzed in their content specialization, linguistic formality, and social-pedagogic relationships. Expository texts showed strong scientific classification, and medium level of linguistic formality, and low level of social-pedagogic relationships. Narrative texts showed different characteristics. The instructional effects were investigated with 91 fifth grade elementary students in three classes. Each class was randomly assigned into three groups: expository text group, narrative text group, control group. The results showed that the science achievement scores of the narrative text group was higher than those of other groups. The affective domain test scores of the expository text group were higher than other groups. The perception of students on informational science text were generally positive both types of texts.

• 한국엔터테인먼트산업학회논문지
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• 제14권3호
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• pp.181-190
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• 2020

2017년에 개봉한 영화 <아수라>는 김성수 감독과 정우성, 황정민, 주지훈, 곽도원, 정만식 배우의 조합만으로도 개봉 전부터 큰 관심을 이끌어냈던 영화이다. 범죄영화 혹은 느와르영화로서의 장르성에 충실했지만 영웅 원형의 캐릭터적 전복성과 영웅 서사 구조의 변주로 인해 평단과 관객의 다양한 해석을 이끌어내며 다층적 이슈를 만들어낸 영화이기도하다. 본 논문은 크리스토퍼 보글러의 '영웅의 여행'에 입각하여 영화 <아수라>의 영웅 서사 구조를 분석하고, 보글러가 말하는 서사 구조의 보편성과 전형성이 본 영화에 어떻게 적용되는지 살펴보고자한다. 이를 통해 영화 <아수라>의 서사구조가 지닌 비전형적 특징을 도출한 후 이러한 변주가 영웅의 서사구조를 어떻게 새롭게 변화시켰는지 그리고 관객의 기대일치는 어떻게 변주되었는지를 살펴보고, 새로운 서사적 대안으로서 어떠한 가능성으로 활용될 수 있는지에 대해 고찰해 보고자 한다.

• 대한간호학회지
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• 제39권2호
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• pp.237-248
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• 2009

Purpose: The purpose of this study was to investigate the experience of urinary incontinence (UI) for elderly Korean women using a narrative approach. Methods: The data were collected using individual in-depth interviews with 15 communitydwelling elderly women who had UI for at least 1 yr. The narratives of the life stories of these women were analyzed from the actor’s perspective, motivation and purpose of actions, and action toward goal achievement. Also the narratives on UI were analyzed according to cognition, behavior, and evaluation of UI. Results: Three major types of the life stories emerged from the analysis. First, the conquest narrative type reflects active characteristics of narrators within the circumstances of the sociocultural context. Second, the patience narrative is characterized as having flexibility between self determination for goal achievement and the boundary of the sociocultural context. Lastly, the compliance narrative reflected characteristics of narrators who easily adapt their way of life to circumstances. In terms of UI, the narrators in all three types lacked awareness of UI as an illness condition. Three different reasons are specifically identified according to the narrative types. Conclusion: The results of this study indicate that the concept and the illness behaviors related to UI in elderly Korean women with UI were closely related to the way of women's lives within the sociocultural and historical context.

• 한국가족복지학
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• 제61호
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• pp.5-34
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• 2018

본 연구의 목적은 회복탄력성 증진을 위한 '가족 이야기' 집단 프로그램에서 중요하게 다루어야 할 내용의 우선순위를 조사하고, 회복탄력성의 7개 하위영역별로 유의미한 영향을 미치는대학생들의 개인적 특성 및 가족 이야기 관련 특성을 파악하여, 대학생들의 회복탄력성 향상을 위한 프로그램 방안을 제시하는 것이다. 본 연구에서는 회복탄력성의 7개 하위영역별로 대학생들의 수준을 '높음' 집단과 '낮음' 집단으로 나눠 로지스틱 분석을 시행하였으며, 회복탄력성의 각 하위영역별로 유의미한 영향을 미치는 대학생의 개인적 특성 및 가족 이야기 관련 특성을 조사하였다. 연구결과, 사회복지 대학생들이 프로그램의 우선순위로서 선택한 내용은 (1) 우리 가족의 주요 가족사건 이해하고 의미 찾기; (2) 우리 가족의 위기극복 방법 알고 의미 찾기; 그리고 (3) 우리 가족의 성취와 관련된 이야기를 알고 그 의미 찾기 등이었으며, 이러한 내용을 바탕으로 회복탄력성을 향상시키기 위한 프로그램 방안을 제안하였다.

• 한국HCI학회논문지
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• 제9권2호
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• pp.23-31
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• 2014

작가의 내러티브 창작을 지원하는 다양한 소프트웨어들은 일반적으로 작가가 생산하고 필요로 하는 정보의 관리와 상업적 성공을 거둔 내러티브 텍스트에 대한 분석에 주목한다. 이러한 관점에서는 내러티브 창작 과정에서의 독자의 적극적 역할이 간과된다. 작가는 독자의 반응이나 기대를 예상하여, 이를 충족시키거나 배반하면서 내러티브를 구성한다. 사건 전개에 따른 독자의 이해 상황을 파악하고 이를 적절히 조절하는 작가의 활동은 내러티브 전체의 미학적 완성도와 연관되어 있다. 본 논문에서는 서사학의 내러티브 구조 모델과 인지과학의 '사건 색인 상황모델'을 이론적 근거로, 독자의 이해와 관련된 내러티브의 다차원적 특성을 시각적으로 확인하고 조절할 수 있는 창작 지원 시스템 설계를 제안한다. 먼저 사건을 기본 단위로 하여 그 속성을 설정하고 내러티브의 두 시간축에 유기적으로 배열할 수 있는 프레임워크를 설계하고, 이를 실제 영화의 내러티브에 적용하여 전체 구조를 분석하였다. 다음으로, 독자의 이해에 영향을 미치는 상황 모델 차원들의 연속성을 시각화하는 방안과 정보처리 요구량으로써 인지적 복잡도를 분석하는 방안을 제시하고, 사례 영화에 대해 시각화한 결과를 내러티브의 특성과 작가 지원 관점에서 논의하였다.

• The International Journal of Costume Culture
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• 제4권1호
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• pp.34-43
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• 2001

This study is to analyze the dress symbolism described in the traditional Korean narrative focusing on the psychological side. As a result of the analysis, human nature and personality were characterized as following : integrity and feminine modesty among others. These characteristics prove that human nature and personality are symbolized by dress. Through protagonists'dress in the traditional Korean narrative, the quality and price of texture, attire, clothing selection according to the situation, appearance in dress, grade of interest towards costume, and behavior that accompany the costume, it was symbolically expressed the personality of the person who wear the dress. Feeling and psychological state were represented by joy, anger, affection, and hatred. Also, it was observed that the feeling and the psychological state are symbolized through the costume ; however, these two characteristics are symbolized not only with costume itself but also with the behavior that accompanies the situation and costume. The latter were considered more important factor than the former.

• 한국의류학회지
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• 제29권3_4호
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• pp.569-575
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• 2005

The objective of this study is to consider the concept of postmodernism and the characteristics concerning the stage of the development, and to investigate the effect of the postmodernism on the clothing. Postmodernism is the result of the late capitalism and its characteristics are the narrative, mixture and deconstruction. First, since it is impossible to express the social culture of various society through one theoretical disclosure, the novel value on the narrative is provided and its characteristics arise. Hence, the society becomes afford to accept the other and provides the novel value to the absolute sub-concept. Second, the recognization and emphasis of the narrative in the post modem society bring about the repulsion as to the strict classification between the high culture and low one established from modernism and the closure between each genre of the art, and this causes to raise the composed characteristics which borrow or mix the style and image of different age and culture. Third, the deconstructive feature arises which eliminates the boundary between the high and low class, the past and future and the destruction and construction. This means not only anther recomposition but also skeptical attitude about it.