• 제목/요약/키워드: musical

검색결과 992건 처리시간 0.026초

한국 뮤지컬의 변천과 뮤지컬 의상의 특성에 관한 고찰 (A Consideration on the Change of Korean Musical and the Characteristic of Musical Costume)

  • 김희정
    • 복식문화연구
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    • 제18권6호
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    • pp.1112-1128
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    • 2010
  • This study aims to know the trace of Korean musical, consider musical depending on its type, arrange characteristic of musical costume and find out the developmental direction of Korean musical costume with potentials as a culture industry. For study method, the data were collected from thesis, academic journal, book and internet web-site concerning musical costume, literatures were considered and performance costume photos, which were captured via musical performance site, were analyzed. The history of Korean modern-day musical is regarded as starting with (1966) in the full scale. Although foreign musical was imitated in 1970s~1980s, it may be called the growth period of Korean musical because the period showed the commercial possibility. Since 1990s, large-scaled musical securing good work and popularity was popular. In 2000s, musical industry was abundant quantitatively and qualitatively as investment or popularity was significantly expanded. The type of Korean musical are divided to opera musical of European, Broadway musical of American and creative musical of Korean. The costumes used in opera musical of European and Broadway musical of American are borrowed from original works through license or were manufactured in Korea by referring to the costumes of original works and using similar materials or fabrics. The costumes used in creative musical of Korea are designed by either domestic or foreign designers and produced in Korea.

유아의 음악능력과 음악보존개념의 발달 (II) - 음악교습과 음률 교육이 미치는 영향 을 중심으로- (The Effects of Music Lesson and musical and Rhythmic Activities on Young Children's Musical Abilities and Musical Conservation Concepts)

  • 전인옥
    • 가정과삶의질연구
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    • 제10권2호
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    • pp.293-312
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    • 1992
  • The purpose of the present study was to investigated the effects of music lesson and musical and rhythmic activities on young Children's musical abilities and musical conservation concepts. Two kinds of tests aiming to measure musical abilities and musical conservation concept were administered to 117 children aged 5- to 7-year-old. The amount of music lesson at home was investigated. and musical and rhythmic activities at two preschools were observed and them evaluated in terms of their quality . The major findings were as follows ; 1)The individual music lessons at home played a significant role in developing young children's musical abilities and musical conservation concepts. 2) Young children's musical abilities and musical conservation concepts were significantly affected by the quality of musical and rhythmic activities. Especially, the quality of musical and rhythmic activities had significant effects on listening, rhythmic activities, and musical creativity among musical abilities. As to musical conservation concepts. only tempo conservation concept was affected by the quality of musical and rhythmic activities. The balanced activities in the five domains of music education were discussed. some suggestions of improving the quality of music education were provided.

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유아의 음악능력과 음악 보존개념의 발달(I)-유아의 성과 연령이 미치는 영향을 중심 으로- (The Development of Young Children's Musical Abilities and Musical Conservation Concepts by Their Sex and Age.)

  • 전인옥
    • 가정과삶의질연구
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    • 제10권2호
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    • pp.277-292
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    • 1992
  • The purpose of this study was to investigate developmental of young children's musical abilityes and musical conservation concepts. Two kinds of test were administered to 117 children aged 5-to 7-year-old. The musical ability test consisted of 30 tape-recorded questions regarding 5 musical ability domains, while the musical conservation test consisted of 17 questions regarding 4 musical conservation concept domains. The major findings of the study were as follows: 1)there was a significant difference in young children's musical abilities according to their sex and age. Girls developed their musical abilities better than boys did. Older children noticeable improved their musical abilities, especially, in such three domains as listening musical and rhythmic activities and playing musical instruments. 2)There was a significant difference in young children's musical conservation concepts according to their age, but not according to their sex. Older children improved musical conservation concepts specifically, in rhythm ,number of notes and duration conservation concepts. 3) the results of stepwise multiple regression analysis indicated that the most influence in variable on the musical conservation concepts was musical ability, then followed by children's age and sex. Some suggestions for future research and for the ways to increase musical abilities were discussed.

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창작뮤지컬 '이것의 나의 운명인 것을…'의 무대의상 디자인 연구 (A Study on the Production of Stage Costume of Creative Musical 'This is my destiny…')

  • 임정미;이종훈;범서희
    • 한국의류산업학회지
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    • 제11권2호
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    • pp.193-199
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    • 2009
  • Now, the proportion of musical was strength in the stage art part to the past considerably as called musical boom. After 1990's, as if it was rise as rise of musical exclusive theater, it was development seriously in Korean musical. But presently, the examined musical product state as the ratio of import musical and creative musical is about 6 to 4 or 7 to 3, it was a inferiority of creative musical in a flood of import musical. So, this study researched for example Kim Kyun Hyoung' writing and Yu Min Suck' production, creative musical 'This is my destiny...' - played by Dept. of multimedia and film, Honam University in september 2007 - this researcher should give much theoretical and substantial assistance to stage costume producer by studying about producing costume of a aria story, a mental state. As I have studied sofar, in designing a stage costume for musical, the overall comprehension of the musical actor's bodies have to be considered. Though performing the manufacture of the really performance work. It is a field that needs various professional knowledge, and only when a musical is produced based on such theories, it will be possible to deliver the theme of the me of the play more effectively, becomes help in the efficiently theatrical costume manufacture realistically and express the various symbolical meanings.

'새노래부르기' 활동에서 다루고 있는 유아교사의 음악적 개념과 지도의 어려움 (Early Childhood Teachers' Practice and Difficulties with Musical Concepts Treated in the 'Sing-a-New-Song' Activity)

  • 박미경;엄정애
    • 아동학회지
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    • 제29권3호
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    • pp.93-113
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    • 2008
  • This study examined musical concepts of early childhood teachers with the 'Sing-a-New-Song' activity and problems teachers face in the application of musical concepts. Participants were 10 kindergarten teachers; data were collected through lesson plans, videos of classes, and interviews with teachers. Results showed that (1) selection of songs focused on words of a song rather than musical concepts; ignoring development of the musical level of the children. (2) Goal-setting ignored musical concepts. (3) Class management confused musical concepts with other concepts. (4) No evaluation of musical concepts was undertaken. Problems included teachers' lack of knowledge of musical development in young children, insufficient understanding and limited application of musical concepts, and low expectations regarding music as a subject of instruction.

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조나단 라슨의 록 뮤지컬 <렌트> 분석을 통한 록 음악 활용 방식 연구 (Study of the Usage of Rock Music by Analysing Jonathan Larson's Rock Musical )

  • 김학민;김정민
    • 한국콘텐츠학회논문지
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    • 제16권11호
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    • pp.549-559
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    • 2016
  • 본 논문은 록 뮤지컬이라는 용어가 지나치게 무분별하게 사용되고 있는 현 시점에, 이 용어에 대한 학문적 정의와 양식적 특성의 규명을 위해 쓰여졌다. 이를 위해 본 논문은 록 음악 및 록 뮤지컬의 역사적 맥록에 대한 이해와 더불어, 록 뮤지컬의 음악 및 극의 특성에 대한 이해를 시도한다. 아울러 본 논문은 60년대 대두된 정통 록 뮤지컬의 음악 및 정신을 계승한 뮤지컬 <렌트>에 사용된 노래들에 대한 유형화 ( 1) 정통 록뮤지컬, 2) 다른 음악 유형의 록적 변형, 3) 록 음악과 다른 음악의 혼합) 를 통해 새로운 록 뮤지컬을 창작하기 위해서는 텍스트에 부합하는 록 음악의 적절한 활용과 혼용이 필요함을 논의해 본다.

뮤지컬 광고커뮤니케이션이 관객의 관람태도, 관람의도 및 재관람의도에 미치는 영향 (The Effect of Musical Advertising Communication on Audience Attention, Intention and Revisit Intention)

  • 김설화;김태은
    • 한국엔터테인먼트산업학회논문지
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    • 제13권8호
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    • pp.281-290
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    • 2019
  • 본 연구는 뮤지컬 광고커뮤니케이션이 뮤지컬 관객의 관람태도와 관람의도 및 재 관람의도에 어떠한 영향을 미치는지 알아보고자 하였다. 연구 결과 첫째, 뮤지컬 광고커뮤니케이션의 뮤지컬 공연 관람태도에 대한 영향을 알아본 결과, 광고커뮤니케이션의 뮤지컬 공연 브랜드 친숙도와 광고 노블티는 뮤지컬 공연 관람태도에 정(+)의 영향을 미치는 것으로 나타났다. 반면 메시지 복잡성은 뮤지컬 공연 관람태도에 유의한 영향을 미치지 않는 것으로 나타났다. 둘째, 뮤지컬 공연 관람태도는 뮤지컬 공연 관람의도에 정(+)의 영향을 미치는 것으로 나타났다. 셋째, 뮤지컬 공연 관람의도는 뮤지컬 공연 재 관람의도에 정(+)의 영향을 미치는 것으로 나타났다. 본 연구결과는 향후 뮤지컬 콘텐츠의 관객에 대한 커뮤니케이션 효과 제고를 위한 유용한 시사점과 함께 커뮤니케이션 방법과 전략을 제시할 수 있을 것으로 기대된다.

국악뮤지컬에 나타난 소리(창(唱))의 수용 및 변화양상 연구 - "'국악뮤지컬집단 타루'를 중심으로" - (Studies about Acceptance of Songs or Sounds 'Sori(唱)' appeared in Musical Comedy performed in Korean Traditional Music and Changeable Aspects Thereof - Centering around Korean Musical Group, Taroo -)

  • 정혜원
    • 한국연극학
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    • 제49호
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    • pp.5-47
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    • 2013
  • Among the styles of performing arts, perhaps the genre that has attracted the largest audience would be musical. Popularity of musical has brought diverse changes in our performing arts market, and, upon emerging another musical genre, called 'Korean Traditional Musical Comedy,' it has been well-received by the audiences. 'Korean Traditional Musical Comedy' is a word that are formed by merging two other terms such as 'Korean Traditional Music' and 'Musical (Comedy).' In the meantime, however, it has yet some problems in order to be defined as the genre that has concrete concepts. It is because the term such as Korean Traditional Musical Comedy was created being closely associated with a marketing purpose rather than a term that defines the characteristics of a genre of performing arts. Although this new musical genre has drawn attentions of many audiences by adding 'Musical Comedy' to 'Korean Traditional Music' that was not quite popular to the public, it still does not have any established forms so that there is a fine line between "Korean Traditional Musical Comedy" and another genre like traditional style folk opera ("Changgeuk"). Looking at the characteristics of the musical work called 'Korean Traditional Musical Comedy, in general, first of all, it is a performance where music and drama are played. Here, the distinctive characteristic of this musical is that 'Korean Traditional Music' is sung. And the kinds of Korean traditional musics being sung are mainly Pansori (dramatic story-singing) and folk-songs, and, in most cases, Korean traditional musical instruments are being used as accompanying music. In this paper, the researcher investigated the aspects of experiment centering around Korean Musical Group, Taroo. These days, various experiments has been repeated not only for the works of Taroo but other musical work presently called 'Korean Traditional Musical Comedy' also. Having encompassed overall performance factors including use of musical instruments, dance, acting, materials for drama as well as music in drama, the researcher has gone through experiments repeatedly. Meanwhile, however, the subject matters that make 'Korean Traditional Musical Comedy' mostly attractive to the audiences are music and songs or sounds. ["Sori" also called "Chang" (唱)] Particularly, under the current situation of our musicals, the role of "Sori" is extremely important. The factor that plays absolutely most important role in acceptance and transformation of "Sori" is the created Pansori. Since the created Pansori is composed with new rhythmic patterns and new narrative poems, it tells the present story. Also it draws good responses from the audiences owing to easy conveyance of dialogues. And, its new style brings diversification to organization of musical instruments, so then this leads to the arrangements of music for Korean traditional music instruments, as well as instrumental music ensemble, orchestra, and jazz band, etc. Likewise, upon appearing creative musics in 'Korean Traditional Musical Comedy,' professional music and vocal compositions have begun to emerge naturally. And, the song specialist and writer, of course, staffs including direction, lighting, and sounds, etc are required. That is, professional composition method are forced to be introduced to all areas. Other than this, there are many music pieces which are based on our unique songs and sounds ("Sori") and such traditional factors as use of lead singer for ceremony or chorus, and the method that puts weight on Pansori. Accordingly many things accomplished. However, it is required that 'Korean Traditional Musical Comedy' go through numerous discussions and more experiments. Above all, the most important things are the role of actor and actress, and their changes, and training of actor and actress further. Good news is there are good audience responses. 'Korean Traditional Musical Comedy' is an open genre. As musicals are divided into several domains according to the characteristics thereof, 'Korean Traditional Musical Comedy' will be able to show its distinctive features in various styles according to embodiment.

뮤지컬 관객의 시장세분화 연구 - 국내 대학생 관객을 중심으로 - (Market Segmentation of Musical Audience - Focused on University Students -)

  • 신혜선;김소영
    • 한국콘텐츠학회논문지
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    • 제6권5호
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    • pp.131-144
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    • 2006
  • 본 연구는 최근에 크게 성장하고 있는 뮤지컬 산업을 대상으로 뮤지컬의 주요 관객층인 대학생 시장을 세분화하고, 세분화된 시장별 특성을 파악하며, 각 세분시장별 마케팅전략 방향을 제안함으로써 뮤지컬 기업의 마케터에게 유용한 정보를 제공하고자 하였다. 본 연구에서는 Mixture Model을 사용하여 시장을 세분화하였으며, 뮤지컬 세분시장 간 많은 유의한 세분화 변수들을 확인할 수 있었고, 대학생 뮤지컬 관객은 크게 4 개의 세분시장(뮤지컬 선호형, 뮤지컬 매니아형, 뮤지컬 중간형, 뮤지컬 무관심형)으로 구분할 수 있었다. 본 연구는 뮤지컬을 관람하는 대학생 관객들을 대상으로 체계적인 방법에 의해 시장을 세분화한 연구로서, 뮤지컬 관객에 대한 연구자들의 객관적인 이해를 도울 수 있었다는 학문적 의의와 함께 실무적으로는 뮤지컬 마케터들에게 시장세분화 등 소비자지향적인 마케팅전략 수립의 필요성을 환기시키고, 뮤지컬 대학생 시장에 대한 체계적이고 객관적인 통찰력과 기초적인 마케팅 정보를 제공했다는 점에서 그 실무적 의의를 찾을 수 있다.

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뮤지컬 영화 연기 연구 (Musical Film Acting Method)

  • 박호영
    • 한국콘텐츠학회논문지
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    • 제21권2호
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    • pp.718-726
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    • 2021
  • 노래와 춤, 연기가 조화를 이룬 뮤지컬은 오페라가 발전되어 만들어진 대중적인 음악극이라고 할 수 있다. 이러한 뮤지컬은 상업적으로 예술성과 대중성의 조화를 갖추고 있는 문화 산업 분야라고 할 수 있다. 뮤지컬은 신명나고 다채로운 라이브 공연이 떠오르게 한다. 이러한 뮤지컬산업은 무대에서 뿐 아니라 뮤지컬 영화로 제 탄생되어 대중들의 사랑을 받아왔다. 영화계는 영화 스크린을 통해 뮤지컬이 갖고 있는 뮤지컬만의 독창성을 표현하기 위해 부단히 노력해 왔다. 연기적 측면에서 뮤지컬 영화 연기는 뮤지컬 영화에 맞는 연기를 구현해야한다. 그러기 위해서는 영화 연기의 특성과 뮤지컬 연기의 특성을 동시에 이해하고 각각 장르가 융합되어졌을 때 진정한 뮤지컬 영화 연기를 스크린에서 구현 할 수 있게 된다. 뮤지컬 영화 연기를 위해서는 각 장르별로 세분화된 기능적 특성을 이해하고 필요한 기능들을 현장에서 적용시켜야 한다.