• Proceedings of the Korean Society of Applied Pharmacology
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• 1992.05a
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• pp.36-36
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• 1992

기니픽심장에서 유두근을 적출하여 valve 쪽은 silver wire에 연결하여 수축력을 측정하고 mural end는 sylgard floor에 pin으로 고정하여 1Hz로 자극하였다. 이때 사용된 영양액은 Tyrode Ringer로 bath내 은도는 36$^{\circ}C$이고 97% 0$_2$, 3% $CO_2$로 포화시켜 사용하였다. 수축력이 일정해진 후 막전위는 conventional electrode를 이용해서 기록하고, 세포내 $Na^{＋}$ 이온 활성도( $a_{Na}$ $^{i}$ )는 $Na^{＋}$ 선택적 전극을 이용해서 기록하였다. 적출 기니픽 심근에서 pinacidil, cromakalim, RP49356 둥의 $K^{＋}$ channel opener는 활동전위 기간(APD)과 수축력 감소을 일으켰고, pinacidil과 cromakalim에 의한 APD 감소는 glibenclamide (10 $\mu$M)에 의해 거의 억제되었다. Pinacidil, RP49356 및 cromakalim에 의한 수축력 감소시 세포내 $Na^{＋}$ 이온농도( $a_{Na}$ $^{i}$ )의 감소가 나타났으며 glibenclamide(10 $\mu$M)에 의한 APD의 감소는 거의 차단되었으나 $a_{Na}$ $^{i}$ 감소는 일부 나타났으며 이때 수축력의 감소도 나타났다.

• Journal of the Korean Society of Costume
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• v.51 no.5
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• pp.95-111
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• 2001

The purpose of this study is to analyze the costumes of the master in Yuantaizi(원대자) tumulus murals and to examine the relation to the costumes of Koguryo(고구려). The Master appeared in Yuantaizi Tumulus Murals wear Wuguan(무관), Pingshangze(평상장) and Pao(포) These costumes were used as chaofu(조복) by Han race(한족) at that time. It is believed that Yuantaizi tumulus belongs to a tomb of Qian Yan(전연). So we can conclude that Qian Yan accepted costume systems of Han race. And similar costumes appear in Tumulus Murals of Koguryo built around Pyungyang(평양) and Anak(안악) in 4∼5 century. Especially the master's costumes of Anak Tomb No.3(안악3호분) are nearly the same as Yuantaizi's. Maybe it is closely related to the fact that the master of Anak Tomb No.3 is Dongsu (동수) who defected from Qian Yan.

• Journal of the Korean Society of Costume
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• v.53 no.6
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• pp.1-10
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• 2003

The results from the consideration of this are as follows. A Study on the Dancer and Musician Costumes by the Murals in Tombs decorate with mural, which is of Liao Dynasty. The tombs belong to two families: eight of them located to the northeast of Xiabali Village belong to the Zhang Family. Another was located to the north of Xiabali Village belong to the Han Family. The bands of the "Sanyue" consist of five to twelve players wearing luxurious dresses(Jamhwasik hwagakBokdu, Danryung, Belt, Boots) and playing miscellaneous musical instruments: sometimes the female ones in the bands are disguised as male. Usually, each band is accompanied with one or a couple of dancers. which one wearing is luxurious dresses (Goge.1amhwasik. Yoo : Jaket : joegori, Sang: skirts: chima, and shoes).

• Proceedings of the Korea Information Processing Society Conference
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• 2005.11a
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• pp.167-170
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• 2005

디지털 고구려는 안악 3 호분이라고 불리우는 고구려 고분을 가상현실을 이용해서 재현한 것이다. 이 가상환경은 고대 고구려의 문화적 배경과 생활 방식을 현대의 사람들에게 알려주기 위해 제작되었다. 본 논문에서는 멀리 떨어져 있었던 다방면의 전문가들이 모여서 함께 복원 작업을 한 것과 그 작업 과정에서 발생했던 문제점들과 배웠던 점들을 사례 연구를 통해 고찰하고 분석한다.

• Journal of Chest Surgery
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• v.49 no.5
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• pp.401-404
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• 2016

The formation of aortic thrombi is an extremely rare complication of acute pancreatitis. Here we report a case of acute pancreatitis complicated by a paraesophageal pseudocyst, necrotizing mediastinitis, and the formation of multiple thrombi in the ascending aorta. The patient was successfully treated by surgical therapy, which included extensive debridement of the mediastinum and removal of the aortic thrombi under cardiopulmonary bypass. Although esophageal resection was not carried out concomitantly, the lesions were resolved and the patient remained free of complications over 2 years of follow-up care.

• International Journal of Advanced Culture Technology
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• v.11 no.3
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• pp.205-210
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• 2023

Stone cave paintings are continuous interactions as independent mediums in places such as text, images and stone cave architecture. Unlike Buddha statues, the narrative of the text always fascinates and guides the viewer to the timeliness of the image, that is, the narrative. In particular, in Buddhist art, Buddha statues are never simple images, and murals are never simple paintings. Before the Tang Dynasty, most unknown artists were artisans, and many artists still worked on murals in temples and palaces, and independent paintings such as scrolls and sides became an important form of painting after the Tang Dynasty, changing the mechanism of painting creation. In this paper, the graphic creation process prioritizes dedication and service, but we can still feel the creativity of the painters strongly. The historical resources of how to paint these paintings, the clues to the copies, and the precursor to the foreground, encourage the painters to constantly try to resemble each other and discover problems...Therefore, in this paper, it was confirmed that reinvention and creativity are very important, and that Dunhuang Buddhist art is the basis for artists' creation and the source of vitality.

• The Bulletin of The Korean Astronomical Society
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• v.44 no.2
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• pp.61.1-61.1
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• 2019

We report about the constellations discovered in Ara-Gaya Malisan tomb 13 of late 5th century. In December 2018, constellation-shaped grooves were newly found on the ceiling of the tomb 13 of the Ara-Gaya (42-532 CE.) polity in Haman(咸安). The tomb 13 is located at the top/center of the Malisan and is one of the largest burial mounds. Grooves were found in one of the slabs of the grave cover-stone (160 ∗ 80~60cm). The total number of grooves are 134 and each groove has a diameter of 1.5~4.0 cm. The grooves were made by pecking or grinding. From the preliminary study, we identified these grooves with traditional constellations such as 房, 心, 尾, 箕, 斗, which correspond to Scorpius and Sagittarius of modern constellations near the Milky Way. It shows that advanced astronomy also existed in Ara-Gaya tomb while star charts were painted in Goguryeo tombs. This carries great importance in studying the development and exchange of astronomy in the Korean Peninsula.

• Korean Journal of Heritage: History & Science
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• v.56 no.1
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• pp.64-78
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• 2023

This article examines the background and meaning of the construction of Josadang Hall in Buseoksa Temple, Yeongju, by Seolsan Cheonhee(1307~1382) in the late 14th century through the characteristics of the hall's mural. Six guardian deities(the Four Heavenly Kings in the center, Indra and Brahma on each side of the kings) are depicted on the southern wall(location of the entrance) of the Josadang, facing the statue of the great monk Uisang(625~702 AD) on the north wall. This mural is the oldest among Korean temple murals and exhibits very unique characteristics. In general, scenes from the scriptures are depicted on the back wall of the central statue. In contrast, the Josadang mural depicts only the guardian deities facing the main statue with no scene description. The appearance of the deities, who seem to protect the main statue of the monk Uisang, and their expressions, as if drawn from relief statues, are not seen in other murals. Nevertheless, it is similar to the stupas of the Seon(Ch. Chan 禪) sect monks established from the late Silla(57 BC~935 AD) through early Goryeo(918~1392 AD), with guardian deities on their surface. The iconography of the deities is a classic form of the late Silla to early Goryeo. The fact that the Josadang was built to commemorate Uisang, who founded the Korean Hwaeom sect(Ch. Huayan sect, 華嚴宗), and that guardians were placed to protect Uisang's statue reveals the concept of worship for the monk who founded the sect. As a result, the reason Cheonhee built the hall can also be understood as an extension of the ideology behind the construction of the stupas of the Seon sect monks. The problem, however, is that Cheonhee is a monk of the Hwaeom sect, and Buseoksa is a representative temple of the Hwaeom sect, not the Seon sect. Therefore, to better understand the background of the hall's construction, this article examined the situation of Goryeo Buddhism in the 14th century as well as the activities of Seolsan Cheonhee. Since Ganhwa Seon(Ch. Kanhua Chan, 看話禪) was dominant in the 14th century, Cheonhee went to study in the Yuan Dynasty(1271~1368 AD) at the age of 58 and was approved by Chinese Ganhwaseon monks before taking the position of Guksa(國師 national monk). However, he was eventually pushed to Buseoksa Temple, where he worked hard to rebuild it. Cheonhee most likely sought to expand the Hwaeom sect, which had been shrinking compared to the Seon sect, by enhancing power with the reconstruction of Buseoksa. The desire that the Hwaeom sect, which was losing its power due to the rise of the Seon sect in the 14th century, attempted to develop it by building Josadang hall, is well revealed by the Josadang murals.

• Clinical and Experimental Pediatrics
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• v.48 no.3
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• pp.321-326
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• 2005

Kawasaki disease is an acute systemic vasculitis of unknown origin. Giant coronary aneurysm is one of the most serious complications, although peripheral artery vasculitis can produce life-threatening events. Myocardial ischemia and infarction can be caused by coronary artery stenosis, aneurysm, and stagnation of blood flow in coronary arteries which triggers thromboembolism. Atypical presentation in young infants often interferes with prompt diagnosis and timely treatment, resulting in poor outcomes. We describe a 3-month-old infant with multiple giant coronary aneurysms with flow stagnation, stenosis and large mural thrombus due to Kawasaki disease. He presented with a prolonged course of severe coronary involvement in spite of all measures to reduce coronary complications. Finally, surgical intervention was tried because of the worsening coronary artery abnormalities. The patient died of acute cardiorespiratory failure shortly after weaning from cardiopulmonary bypass.

• Journal of Conservation Science
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• v.30 no.2
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• pp.169-179
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• 2014

After occurrence of Cyanobacteria in 1997, Songsan-ri tombs located in Gonju have been investigated to monitor for biological damage. The room temperature of Tomb No.6 was $18.6{\sim}19.8^{\circ}C$ and the relative humidity was 94.3~99.9%. The temperature of Royal Tomb of King Muryeong was $17.3{\sim}18.53^{\circ}C$ and the relative humidity was 73.2~96.45%. The variation of relative humidity increased after setting up air vents. If the outside temperature increases, dew condensation occurs on the floor and the north side. When conditioning equipment operates, the maximum temperature differences between walls is $2.8^{\circ}C$. Bacteria from the air of the tomb and on the surface of the walls outnumbered fungi. 20 species of fungi including Alternaria sp., Aspergillus sp., Penicillium sp., and 19 species of bacteria including Pseudomonas sp., Arthrobacter sp., are identified. Microbes in the tombs may damage cultural heritage. The growth possibility of microbes should be estimated because the microbes in the tombs may damage mural painting. The interrelation between microenvironmental condition and biological damage of mural painting should be researched to come up with an long-term conservation method.