• 대한한의학회지
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• 제28권3호통권71호
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• pp.70-85
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• 2007

Objectives : Considering the indigenousness of Korean medicine, the historical record was first introduced in 1946 as follows; a Chinese person, Ji-chong (知聰), brought 164 volumes of medical books to Japan via Goguryeo (高句麗) in A.D. 562. Since this event happened, Korean Oriental Medicine has been derived from Traditional Chinese Medicine because ancient Korean Medicine originated and was developed in China. The purpose of this study was to investigate the existence and role of Ji-chong in the history of medical exchanges between ancient Korea and Japan. Methods : We studied Ji-chong through ancient and modern historical literatures such as Nihon Shoki (日本書紀), the record of $Shinsen-sh{\bar{o}}jiroku$ (新撰姓氏錄), Korean Medical History (韓國醫學史), Japanese Medical History (日本醫學史), Samguk Sagi (三國史記), etc. Results : We found indications of the existence of Ji-chong and the import of Chinese medical literature to the ancient Korean peninsula by examining domestic and foreign historical literature. Especially, he was closely related to historical assumptions about the Japanese conquest of Goguryeo in A.D. 562, although without objective historical evidence and described only in modern Japanese historical records and Korean Medical History. However, substantial medical exchange toward Japan was accomplished by Korean medicine of either Goguryeo, Baekje (百濟), or Silla (新羅) dynasty until the late A.D. 6 century. Conclusions : Based on the above investigation, the idea that Ji-chong carried medical literature via Goguryeo in A.D. 562 needs to be reconsidered and the role of Ji-chong as recorded in a variety of literature and databases should be amended., Korean Oriental Medicine has been derived from Traditional Chinese Medicine because ancient Korean Medicine originated and was developed in China. The purpose of this study was to investigate the existence and role of Ji-chong in the history of medical exchanges between ancient Korea and Japan. Methods : We studied Ji-chong through ancient and modern historical literatures such as Nihon Shoki (日本書紀), the record of Shinsen-$sh{\bar{o}}jiroku$ (新撰姓氏錄), Korean Medical History (韓國醫學史), Japanese Medical History (日本醫學士), Samguk Sagi (三國史記), etc. Results : We found indications of the existence of Ji-chong and the import of Chinese medical literature to the ancient Korean peninsula by examining domestic and foreign historical literature. Especially, he was closely related to historical assumptions about the Japanese conquest of Goguryeo in A.D. 562, although without objective historical evidence and described only in modern Japanese historical records and Korean Medical History. However, substantial medical exchange toward Japan was accomplished by Korean medicine of either Goguryeo, Baekje (百濟), or Silla (新羅) dynasty until the late A.D. 6 century. Conclusions : Based on the above investigation, the idea that Ji-chong carried medical literature via Goguryeo in A.D. 562 needs to be reconsidered and the role of Ji-chong as recorded in a variety of literature and databases should be amended.

• International journal of advanced smart convergence
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• 제8권1호
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• pp.204-213
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• 2019

Perhaps nothing more vividly illustrates the many different ways in which traditions can be interpreted than a study of the life of Confucius in modern times. In China and Korea, Confucian values and culture are dismissed and scorned during some periods and held up as facilitators of cultural prosperity in others. This changing perception of and attitude toward the Confucian tradition in modern society embodies the long life of the Confucian tradition and its continually evolving trajectory, as well as its versatility within shifting sociopolitical milieux spanning distance and time. In this paper, I investigate the (re)emergence of Confucius in modern Korea and China with a comparative and critical gaze. I demonstrate how different modern interpretations of Confucius, both negative and positive, in these two countries bring new life to the Confucian tradition within their own complex social realities. By focusing on the recent revival of Confucius in China-Anti-tradition of Korean dramas, the Restoration of Confucian Culture in China and Korean Wave, the modernity of China in Confucius are examined, and finally, in terms of the means of realization of the Chinese dream-I illuminate how the image of Confucius serves the (re-)invention of contemporary China, with her pervasive desire to romanticize and materialize China's past as well as her future.

• 한국콘텐츠학회논문지
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• 제17권8호
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• pp.110-120
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• 2017

한자의 부수는 한자의 특성을 계승하고 독특한 문화 정보를 내포하고 있다. 특히 한자 부수의 형식미는 시각디자인에 있어서 한자 형상의 잠재력을 발휘하는데 중요한 역할을 하며, 현대 디자인에 다양하게 활용할 수 있다. 본 연구에서는 중국현대 포스터 디자인에서 한자 부수의 활용을 분석함으로써 한자 부수의 형태적, 표현적, 전통적 특징을 파악하고, 이 특징들을 어떻게 계승 발전시킬 것인지를 탐구해본다. 이러한 연구를 통해 한자부수가 가진 시각언어로서의 문화적 가치를 재인식하는 것에 목적을 둔다. 연구는 문헌고찰을 통해 한자의 역사와 구조, 부수의 역사, 기능, 분류, 의미에 대해 각각 정리하였다. 부수를 사용한 포스터의 사례분석을 통하여 포스터에서 부수의 역할 및 잠재된 시각적 표현 방법과 객관적 법칙에 대해 총괄하였다.

• 중국학논총
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• 제62호
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• pp.85-100
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• 2019

The article purpose is 'Reading Chinese translation text as a Korean integrated education for Chinese students'. Although number of foreign students has increased rapidly to the economic growth of Korea, the influence of Korean Wave, and the popularity of Korean popular culture like K-pop at domestic universities but the problems of their curriculum have been found in many places. Korean literary education through novel text has an important place in Korean studies, but literary education is often excluded in Korean language education as a foreign language education. Chinese students already have background knowledge of Korean translation novels through Chinese novels. They can get the learning effect as the Korean language study. Second, they can compared with Korean national violence and Chinese national violence through 'Red Revolution' and understand about Korean-Chinese understanding of the times, social and cultural phenomena, Third, they are able to study the theory of literature itself. also It was the educational purpose pursued by the humanities. Chinese students develop their Korean language skills by studying the Brothers which are translated into Korean, and we can see the similarities and differences of national violence by comparing Korea's '4.19' with China's 'Cultural Revolution' After comparing people, background, dynamics of the space where they are located, we can raise awareness of the historical and social problems of both countries. It is possible to study subjects' memories of space, change of local meaning, the formation of urban space or individual space in the text in the specific space where national violence occurs. In this way, the method of learning Korean integrated education through Brothers of the Chinese translation novels makes an opportunity to look at national violence in the Korean-Chinese space of the 1960s and 1970s. It has a subjective perspective from subordination to the nationality of the modern nation-state. This is an educational effect that can be obtained through reading a Chinese translation novel as a Korean language integrated education.

• 한국의상디자인학회지
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• 제22권4호
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• pp.63-78
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• 2020

Korean Chinese, immigrants to China, have developed their own traditional costume culture. This paper aims to analyze the traditional costume culture of the Korean Chinese and to provide data for posterity. The research methods are literature research, survey research, and analysis research. The results are as follows: According to the changes over generations, the top of women's Hanbok has changed in length as has the jeogori (jacket), the git (collar), and the gooreum (breast-tie). The width of the git, dong-jeong (thin white cloth-covered paper collar of Hanbok), the sleeve, and gooreum have also changed. The git and the barae (the curve part of the sleeve) have changed from straight patterns to curves. The skirt had changed in wrinkles arrangement, length, and silhouette. The men's Hanbok jeogori and sleeves were lengthened; the pants became wider and were lengthened, and the collar also became curved. The vest has not changed and the du-ru-ma-gi (coat) that once disappeared is being worn again; the bae-ja (vest) and magoja (over-jacket) are worn frequently in modern times. The garments mainly used natural fiber until the development of synthetic fibers, but the treand has been the use of luxurious natural fibers in modern times. The initial color pattern was achromatic, but that changed with the appearance of synthetic fibers, and nowadays it is mainly the garmetnt can display a variety of colors. In addition, hairstyles and shoes have been eveolved from traditional to modern styles.

• 문화기술의 융합
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• 제6권3호
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• pp.193-204
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• 2020

21세기는 과학 기술이 발전함에 따라 정보화 사회가 급속하게 진행되었다. 그러므로 우리의 의식과 전통은 서구화의 조류에 휩싸이게 되었다. 따라서 한문이나 한자의 교육 등도 경시되어 자연스럽게 한시문학도 경시되거나 소외되게 되었다. 이는 물질문명의 풍요를 가져오게 되었으나 정신적인 면에서는 항시 쫓김이나 불안정함이 상존하게 하였다. 이러한 시대 조류 속에서 한시(漢詩) 창작의 외길 인생을 걸어 온 시인이 있다. 그는 향리에서 자연과 벗하면서 독특하게 한시만을 짓는 계산(溪山) 권승근(權丞根)(1940~, 이하 '계산')이다. 그의 한시는 자연에서 삶의 체험을 통하여 드러났기 때문에 공감을 일으켜주고 있다. 그의 시상의 발원은 자연이며, 자연에서 얻은 시정(詩情)은 곧, 순박과 순수이다. 그러므로 그의 시는 자연스러운 멋과 맛이 담기게 되었다. 계산의 한시문학은 자오(自娛)의 미학요소·자악(自樂)의 미학요소·자만(自滿)의 미학 요소·자적(自適)의 미학요소가 그의 문학에 체현되어 있다. 이를 바탕으로 한 그의 한시문학은 자연이연적(自然而然的) 초연(超然)·한원물유적(閒遠物遊的) 한담(閑淡)·생취청원적(生趣淸遠的) 일운(逸韻)의 심미경계를 띄고 있다. 이와 같이 계산 한시의 심미경계는 심도가 있음을 알 수 있다. 이는 21세기, 이 시대인이 짓는 한시의 심미경계이다.

• 복식문화연구
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• 제16권4호
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• pp.661-680
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• 2008

The purpose of this study is to examine to change in the Chinese women's clothing according to the inflow of Western culture in the first half of the both century As for the research method, both literature and visual data are reviewed. Research results are as follows: The Step of transition in clothing by period followed beginning stage, adopted stage, early developed stage, fully developed stage, and static stage. fully developed stage showed a perfect compromise while being applied to Chinese costume with being introduced a three-dimensional cutting method of western clothing even to the constitution as well as to the appearance. Design elements from western clothing are as follows. The transition of silhouette is box silhouette, trapeze silhouette, shift silhouette, and fitted silhouette. In detail and trimming, tailored, band, convertible, shirts collar and zigzag, scallop, camisole neckline and puff, cap sleeve and flounced, bell shaped cuffs and western button, zipper, etc. are adopted. Finally, the Chinese modern style are formed by accepting and transforming the western clothing based on the traditional Chinese clothing.

• 고전문학과교육
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• 제37호
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• pp.5-45
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• 2018

문학활동은 이를테면 '문학생산' 활동과 '문학수용' 활동으로 양분된다. 고전문학의 향유방식은 고전문학의 수용과 관계된다. 그러나 문학수용 활동은 사실상 문학생산 활동이 전제되어야만 가능한 것이기에, 문학의 향유방식에 대한 논의에는 문학수용 활동 외에도 문학생산 활동에 대한 논의도 흔히 같이 다뤄진다. 오늘날 현대의 시, 소설 등과 같은 문자문학의 경우 '문학생산 : 문학수용'은 '쓰기 : 읽기'로 비교적 간단하다. 그런데 고전문학에서는 시가문학, 소설문학, 구비문학, 한문학 등에 있어 그것은 '가창, 음영, 구연, 공연, 강독(講讀), 쓰기 : 듣기, 읽기'의 방식들이 있다. 또 현대의 시, 소설 등의 문자문학은 문학만으로 이뤄진 이른바 단독예술이지만, 가창, 공연되기도 하는 고전문학은 음악, 연극 등이 수반된 복합예술들도 많다. 이러한 고전문학의 향유방식을 이해하기 위해서는 '읽는 문학' 외에 '듣는 문학'에 대한 문학적 소양도 가질 필요가 있고, 문학 외의 음악, 연극 등에 대한 시각도 필요하다. 고전문학의 향유방식들과 관계해서 오늘날에도 연구할 만한 과제들이 많이 있다. 고전시가에는 신라시대 불교의 향찬(鄕讚)으로서의 향가, 가곡과 무가(巫歌)의 관계, 가곡 한바탕에서의 가곡창사들의 순서, 시용향악보에 실린 무가(巫歌)들은 국가의 별기은(別祈恩)과 같은 국행 굿에서 불린 사실, 가사 장르의 향유방식으로서의 '창조로 불림' 등이 오늘날에도 중요하게 다뤄져야 할 연구과제들이다. 고전소설의 경우에는 지금에라도 전통사회의 소설 강독에 대한 현지 조사들이 이뤄질 필요가 있다. 구비문학에는 전문 이야기꾼에 대한 조사와 그의 구연 영상물 제작이 이뤄져야 한다. 한문학에는 시창(詩唱), 한문 사(辭) 부(賦) 문(文)의 '창조로 불림', 한문경서(經書)의 성독(聲讀) 등에 대한 조사, 연구가 이뤄져야 한다. 오늘날 고전문학을 제대로 연구하기 위해서는 고전문학의 향유방식에 입각한 여러 시각들도 가질 필요가 있다. 구비문학과 같은 '듣는 문학'에는 '구전공식구(formular)'(일반적 언술), '핵심적 주제(theme)'(일반적 주제), '즉석변개작법'(improvisation) 등과 같은 A. 로드의 '구전공식구 이론(formular theory)'에 대한 시각이 필요하다. 이것은 '특수한 언술', '특수한 내용', '원전비평'을 중시하는 현대의 시, 소설 등의 문자문학과 정반대되는 면이 있다. '읽는 문학' 외에 '듣는 문학'이 많은 고전문학은 구비문학의 이러한 문학적 방식을 기본적으로 고려할 필요가 있다. 고려가요나 실창 판소리들에 있는 과도한 음란(淫亂) 지향의 경우는 흥행을 목적으로 한 개방된 공간에서의 연행이란 문학 실현 공간 설정에 대한 시각이 필요하다. 한편 문학수용에 있어 '읽기'만 있고 예술적으로도 단독예술로 문학만 있는 현대의 시, 소설 등의 문자문학과 달리, '듣기'도 있고, 고전시가나 구비문학에서처럼 문학 음악, 문학 연극 음악, 문학 연극무용 음악 등의 복합예술로도 있는 고전문학은 역시 '듣기'로 수용되고 문학 음악, 문학 연극 영상 음악 등의 복합예술로 있는 대중가요, 영화, TV 드라마 등과 같은 현대의 매스미디어 문학의 이해, 연구에도 분명 일정한 역할을 할 수 있을 것 같다. 문학연구와 문학교육은 물론 문학 곧 문학사설 그 자체를 가장 중시한다. 그러나 향유방식에 의해 그 문학사설들이 결정되는 면도 분명히 있다. 특히 '읽기' 외에도 '듣기'에 의한 향유가 많았고, 문학 단독 외에 문학이 음악, 연극, 무용 등과 같이 향유된 면들이 많은 고전문학의 경우는 더욱 그러하다. 그러므로 고전문학의 향유방식에 대한 제대로 된 이해와 고려는 고전문학의 이해, 연구, 교육에 있어 참으로 중요한 일이 아닐 수 없다.

• 복식
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• 제64권6호
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• pp.161-175
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• 2014

This paper investigates the differences between characteristics of street fashions due to regional and cultural differences in southern and northern region of China. Beijing and Shenzhen were chosen as representative cities for the two areas. Empirical research and literature study were performed for this study. Empirical studies were performed by using a total of 708 images of dresses, which were collected through direct imaging. Through discussion with experts, the collected data were classified into five categories; Modern trendy, Romantic, Easy casual, Ethnic, and Classical/Traditional. The data was analyzed by using cross tabulation and frequency analysis. Content analysis for each category was also conducted. As a consequence of this study, a significant difference between Beijing and Shenzhen were observed. As a city, which puts emphasis on practicality and modernity, Beijing showed a higher frequency of modern and trendy style than the other city. On the other hand, Shenzhen showed a higher frequency of romantic style and was distinguished as a city of femininity and decorative preference of fashion style. This study intends to contribute to the academic community of Chinese fashion and to help Korean clothing companies to be launched in Chinese market in the future.

• 산업진흥연구
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• 제5권4호
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• pp.101-108
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• 2020

In recent years, with the rapid development of China's economy and the increasing degree of opening to the outside world, many Chinese people go abroad and many foreign friends come to China. In addition, the exchanges between China and foreign countries are also increasing. Therefore, Chinese culture often conflicts with the culture of other countries and nations. Many foreigners are confused about the psychology and way of thinking of Chinese people. Based on the archetypal theory of Carl Gustav Jung, a famous Swiss psychoanalyst, this paper analyzes the national character of Chinese people, including the common characteristics of Chinese people and the causes of these characteristics. This is a new research angle in the academic field of China. This paper includes the following parts: the first chapter describes the research background and significance of this paper; the second chapter describes Carl Jung's collective unconsciousness theory, including the concept of archetype, shadow, persona, anima and animus, and self; the third chapter explains that the research method adopted in this paper is the literature method; the fourth chapter analyzes the common character of contemporary Chinese from the perspectives of China's political and economic system and modern Chinese history, deeply analyzes how the shadow in collective unconsciousness has a negative impact on Chinese character, analyzes the unique persona of Chinese people on the basis of Chinese culture, and the performance of anima and animus in Chinese character. Finally, it explains how Chinese people seek the balance between inside and outside world from the perspective of self.